\version "2.10.10"
\header {
title = "Quell'alma superba"
composer = "A. Vivaldi (1648-1741)"
mutopiatitle = "Quell'alma superba, Aria from Serenata a tre"
mutopiacomposer = "VivaldiA"
mutopiainstrument = "Voice (Tenor), Bassoon, String Ensemble, Basso Continuo"
mutopiaopus = "RV 690"
date = "1718?"
source = "Autograph, 1718?"
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Björn Sothmann"
maintainerEmail = "bjoerns@tp3.rub.de"
maintainerWeb = "http://www.tp3.rub.de/~bjoerns"
footer = "Mutopia-2007/03/24-938"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2007. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\include "deutsch.ly"
verse= \lyricmode {
Dell' al -- ma su -- per -- ba la fiam -- ma ri -- ser -- ba la fiam -- ma ri -- ser -- ba dell' al -- ma su -- per -- ba per chi può_in -- al -- zar -- ti per chi può_in -- al -- zar -- ti d'un so -- glio_al ful -- gor d'un so -- glio_al ful -- gor. Dall' al -- ma su -- per -- ba la fiam -- ma ri -- ser -- ba per chi può_in -- al -- zar -- ti per chi può_in -- al -- zar -- ti d'un so -- glio d'un so -- glio d'un so -- glio_al ful -- gor d'un so -- glio_al ful -- gor. Nè per -- der l'a -- mo -- re del gran -- de tuo co -- re del gran -- de tuo co -- re del gran -- de tuo co -- re con vi -- le pa -- stor nè per -- der l'a -- ma -- re del gran -- de tuo co -- re con vi -- le pa -- stor con vi -- le pa -- stor.
}
staffBassoon = \new Staff {
\time 2/4
\override Score.MetronomeMark #'stencil = ##f
\tempo 4 = 90
\set Staff.instrumentName="Fagotto, e Violini, Viola unisono sempre"
\set Staff.midiInstrument="bassoon"
\key b \major
\clef bass
\relative c {
r4 f8 b |
b a16 b c8 es, |
es\trill d b c |
d\trill c16 b d8 es |
f4 f8 b |
b a16 b c8 es, |
es\trill d b c |
d\trill c16 b d8 es |
f4 r16 f g a |
b8 b b16 c d es |
f8 f16 es f8 a, |
g es'16 d es8 g, |
f d'16 c d8 f, |
es c'16 b c8 es, |
es\trill d b' d, |
es\trill d b' d, |
es\trill d b' b, |
c\trill b b' b, |
c\trill b b16 c d es |
f8.\trill d16 es f g a |
b8.\trill a16 b c d es |
f es d c d c b a |
b a g f g f es d |
es d c b f'8 f, |
b2\trill~ |
b4 f'8 b |
b a16 b c8 es, |
es\trill d b c |
d\trill c16 b d8 es |
f4 f8 b |
b a16 b c8 es, |
es\trill d b c |
d\trill c16 b d8 es |
f4 r16 f g a b8 f d c16 b |
g'8\prall f f16 f g a |
b8 b b16 c d es |
f8 f16 es f8 a, |
g es'16 d es8 g, |
f d'16 c d8 f, |
es c'16 b c8 es, |
es\trill d b' d, |
es\trill d b' d, |
es8.\trill d16 es f g a |
b8.\trill a16 b c d es |
f8 f, r16 g a b |
c8 b16 a b c d e |
f4 f8 f |
f16 e d c d c b a |
b a g f g f e d |
c8 e f b |
b a16 b c b a g |
f4 r8 b |
b a16 b c b a g |
f4 f8 b |
b a16 b c8 es, |
es\trill d b c |
d\trill c16 b d8 es |
f4 f8 b |
b a16 b c8 es, |
es\trill d b c |
d\trill c16 b d8 es |
f4 r16 f g a |
b8 c16 d es d c b |
a8 f f4 |
d16 f b f d f b f |
es g b g es g b g |
d f b f d f b f |
es g b g es g b g |
e g c g e g c g |
f a c a f a c a |
e g c g e g c g |
a8 f r d' |
es es, d d' |
c c, b c' |
a a, g g' |
f16 g a f g a b g |
a b c a b c d b |
a8.\trill g16 f es d c |
b8.\trill a16 b c d es |
f8.\trill d16 es f g a |
b8. a16 b c d es |
f es d c d c b a |
b a g f g f es d |
es f g a b8 es |
es d16 es f es d c |
b4 r8 es, |
es d16 es f es d c |
b4 f'8 b |
b a16 b c8 es, |
es\trill d b c |
d\trill c16 b d8 es |
f4 f8 b |
b a16 b c8 es, |
es\trill d b c |
d\trill c16 b d8 es |
f4 r16 f g a |
b8 b b16 c d es |
f8 f, es es' |
d d, c c' |
b b, a a' |
g f16 es f8 es16 d |
es8\trill d b' d, |
es\trill d b' d, |
es8.\trill d16 es f g a |
b8.\trill a16 b c d es |
f es d c d c b a |
b a g f g f es d |
es8 d16 es f es d c |
d8 b b es |
es d16 es f es d c |
d8 b b es |
es d16 es f es d c |
b4\fermata r8 g' |
b a16 b g8 a |
b a16 b g8 b |
c b16 c a8 d |
b16 c d b g a b g |
fis g a fis d8 d' |
es es, d d' |
c c, b b' |
a a, g g' |
fis e16 d b'8 g |
fis e16 d b'8 g |
fis d fis d g c, d d, |
g16 a b g a b c a |
b c d b c d es c |
d8 g, g d' |
d4\trill~ d16 e f g |
a8 a, r cis |
d\trill cis a' cis, |
d\trill cis a' cis, |
d\trill cis f cis |
d e f d |
g f16 g a g f e |
d8 e f d |
g f16 g a g f e |
d2 |
\bar "|."
}
}
staffTenor = \new Staff {
\set Staff.instrumentName="Alcindo"
\set Staff.midiInstrument="oboe"
\key b \major
\clef "G_8"
\relative c' {
\context Voice = "melodyTen" {
\dynamicUp
\autoBeamOff
R2*25 |
r4 r8 f |
d4 es8. es16 |
f4 b,8 es |
f[ es16 d] c8 b |
a[ g] f f' |
d4 es8. es16 |
f4 b,8 es |
f[ es16 d] c8 b |
a[ g] f4 |
R2 |
r4 r8 f |
b4 b16[ c] d[ es] |
f8[\melisma f16 es f8 a,] |
g[ es'16 d es8 g,] |
f[ d'16 c d8 f,] |
es[ c'16 b c8 es,] |
es\trill[ d b' d,] |
es\trill[ d b' d,] |
es8.[ d16 es f g a] |
b8.[ a16 b c d es] |
f4\melismaEnd f, |
r r8 c' |
f4 f8 f |
f16[\melisma e d c] d[ c b a] |
b[ a g f] g[ f e d] |
c8 e\melismaEnd f b |
b[ a16 b] c[ b] a[ g] |
f4 r8 b |
b[ a16 b] c16[ b] a[ g] |
f4 r |
R2*3 |
r4 r8 f' |
d4 es8. es16 |
f4 b,8 es |
f[ es16 d] c8 b |
a[ g] f4 |
R2 |
r4 r8 f |
b4 b8 b |
b2~ |
b |
b4 r8 g |
c4 c8 c |
c2~ |
c |
c4 r8 f |
g4\melisma f |
es d |
c b |
a16[ b c a] b[ c d b] |
c[ d es c] d[ es f d] |
c8\melismaEnd f, r4 |
r r8 b |
a8[\melisma g16 f g a b c] |
d8.[ c16 d es f g] |
f[ es d c] d[ c b a] |
b[ a g f] g[ f es d] |
es[ f g a]\melismaEnd b8 es |
es[ d16 es] f[ es] d[ c] |
b4 r8 es |
es8[ d16 es] f[ es] d[ c] |
b4 r |
R2*24 |
r4 r8 g |
b[ a] g a |
b[ a] g b |
c[ b] a d |
b[ a] g4 |
r r8 d' |
es4 d8 d |
c4 b8 b |
a4 g8 g |
fis[\melisma e16 d b'8 g] |
fis[ e16 d b'8 g] |
fis[ e16 d]\melismaEnd d'8 c |
b4 a8\trill g |
g4 r |
R2 |
r4 r8 d' |
d[ f] e d |
cis[ h] a a |
a2~ |
a~ |
a8[ h16 cis] d8 e |
f[ e] d a |
b4 e,8 cis' |
d4 r8 a |
b4 e,8 cis' |
d2\fermata |
}
\bar "|."
}
}
staffCello = \new Staff {
\set Staff.instrumentName="Violone solo"
\set Staff.midiInstrument="contrabass"
\key b \major
\clef bass
\relative c {
b4 b |
b a |
b b8 c |
d c16 b d8 es |
f4 b, |
b a |
b b8 c |
d c16 b d8 es |
f4 f8 es |
d4 d8 c |
b4 r8 f' |
es4 r8 es |
d4 r8 d |
c4 c8 c |
b4 b |
b b |
b b |
b b |
b b |
a a |
g g |
f f' |
d b |
es16 d c b f'8 f, |
b b' b, b |
b4 b |
b r8 c |
b4 b8 c |
d c16 b d8 es |
f4 b, |
b r8 c |
b4 b8 c |
d c16 b d8 es |
f4 f8 es |
d d d c16 b |
b4 f'8 es |
d4 d8 c |
b4 r8 f' |
es4 r8 es |
d4 r8 d |
c4 r8 c |
b4 r8 b |
b4 r8 b |
b4. a8 |
g4. g8 |
f f' e d |
c4. b8 |
a b a g |
f4 f' |
d b |
c8 b a g |
f4 c' |
f,8 c'16 b a8 g |
f4 c' |
f, b |
b a |
b b8 c |
d c16 b d8 es |
f4 b, |
b r8 c |
b4 b8 c |
d c16 b d8 es |
f4 f8 es |
d4 c8 d16 es |
f4 f8 es |
d4. d8 |
es4. es8 |
d4. d8 |
es4. es8 |
e4. e8 |
f4. f8 |
e4. e8 |
f4 r8 d' |
es es, d d' |
c c, b b' |
a a, g g' |
f4 g |
a b |
a f |
b,4. b8 |
f'4. f8 |
b4 a8 g |
f4 f |
d b |
es r8 es |
a, b f' f, |
b4 r8 es |
a, b f' f, |
b4 b |
b a |
b b8 c |
d c16 b d8 es |
f4 b, |
b a |
b b8 c |
d c16 b d8 es |
f4 f8 es |
d4 d8 c |
b f' es4 |
d c |
b a |
g f |
b b |
b b |
es4. es8 |
d4 c8 b |
a4 f' |
d b |
a8 b f' f, |
b4 r8 es |
a, b f' f, |
b4 r8 es |
a, b f' f, |
b4\fermata r8 g |
g4 r8 d' |
g,4 r8 g' |
a4 r8 fis |
g4 g, |
d' r8 d' |
es4 d |
c b |
a g |
d g, |
d' g, |
d'4. d8 |
g8 c, d d, |
g4 a |
b c |
d8 g, g d' |
d4~ d16 e f g |
a8 a, r a |
d a r a |
d a r a |
d a r a |
d e f d |
g,4 a |
d8 e f d |
g,4 a |
d,2\fermata |
\bar "|."
}
}
\score {
<<
\staffBassoon
\staffTenor
\context Lyrics = "lmelodyTen" \lyricmode { \lyricsto "melodyTen" \verse }
\staffCello
>>
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 90 4)
}
}
\layout {
}
}
\paper {
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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