\version "2.12.3"
#(define smalltrill '((font-relative-size . -1) (music "scripts.trill")))
ViolinoPrincipaleWinterOne = {
\clef violin
\key f \minor
\time 4/4
\mark "A"
\relative f'' {
<<
R1*3
{ s1_"Allegro non molto" s s }
>>
bes8-.\trill \( bes\)-.\trill bes-.\trill \( bes\)-.\trill bes8-.\trill \( bes\)-.\trill bes-.\trill \( bes\)-.\trill |
% 5
bes8-.\trill \( bes\)-.\trill bes-.\trill \( bes\)-.\trill bes8-.\trill \( bes\)-.\trill bes-.\trill \( bes\)-.\trill |
aes8-.\trill \( aes\)-.\trill aes-.\trill \( aes\)-.\trill aes8-.\trill \( aes\)-.\trill aes-.\trill \( aes\)-.\trill |
des,8-.\trill \( des\)-.\trill des-.\trill \( des\)-.\trill des8-.\trill \( des\)-.\trill des-.\trill \( des\)-.\trill |
ees8-.\trill \( ees\)-.\trill ees-.\trill \( ees\)-.\trill ees8-.\trill \( ees\)-.\trill ees-.\trill \( ees\)-.\trill |
d8-.\trill \( d\)-.\trill d-.\trill \( d\)-.\trill d8-.\trill \( d\)-.\trill d-.\trill \( d\)-.\trill |
% 10
ees8-.\trill \( ees\)-.\trill ees-.\trill \( ees\)-.\trill ees8-.\trill \( ees\)-.\trill ees-.\trill \( ees\)-.\trill |
d8-.\trill \( d\)-.\trill d-.\trill \( d\)-.\trill d8-.\trill \( d\)-.\trill d-.\trill \( d\)-.\trill |
}
\mark "B"
\newSpacingSection
\override Voice.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 8)
\relative f'' {
c32_"Solo"^\markup{\translate #'(1 . 0) "Orrido Vento"} c' c g g ees ees c c c' c g g ees ees c
c c' bes aes g f ees d! c c' bes aes g f ees d! |
c g c ees c g c ees c g c ees c g c ees
c,2\trill |
r2
ees'32 ees' ees c c g g ees ees ees' ees c c g g ees |
% 15
ees ees' d! c b! a! g f ees ees' d! c b! a! g f
ees c ees g ees c ees g ees c ees g ees c ees g |
ees,2\trill
r2 |
g'32 g' g ees ees c c g g g' g ees ees c c g
g g' f ees d! c b! a! g g' f ees d! c b! a! |
g ees g c g ees g c g ees g c g ees g c
c,4\trill r4 |
des!8-._"Tutti" \( des\)-. des-. \( des\)-. e-. \( e\)-. e-. \( e\)-. |
% 20
f16 \( f,-. f-. f\)-. f-. \( f-. f-. f\)-.
f-. \( f-. f-. f\)-. f-. \( f-. f-. f\)-. |
f-. \( f-. f-. f\)-. f-. \( f-. f-. f\)-.
f-. \( f-. f-. f\)-. f-. \( f-. f-. f\)-. |
f-. \( f-. f-. f\)-. f-. \( f-. f-. f\)-.
}
\mark "C"
\relative f' {
% "To run and stamp ones feet because of the cold"
e16[ g'32^"Correre, e Batter li Piedi per il freddo" g g g g g ] g16 g g g |
\noBreak
aes c, aes' c, aes' c, aes' c,
des16[ des32 des des des des des ] des16 des des des |
g des g des g des g des
c16[ c32 c c c c c ] c16 c c c |
\noBreak
% 25
f c f c f c f c
bes16[ bes32 bes bes bes bes bes ] bes16 bes bes bes |
e bes e bes e! bes e bes
}
\relative f'' {
f32_"Solo" e! f g f g e! f
g f g aes g aes f g |
aes g aes bes aes bes g aes
bes aes bes c bes c aes bes
c8 r32 c des ees
f c des ees f c des ees |
f ( ees) des ( c) f ( ees) des ( c)
f ( ees) des ( c) f ( ees) des ( c)
f, ( g aes bes c des ees f)
f, ( g aes bes c des ees f) |
des8 r32 bes c des
ees bes c des ees bes c des
ees ( des) c ( bes) ees ( des) c ( bes)
ees ( des) c ( bes) ees ( des) c ( bes) |
% 30
ees, ( f g aes bes c des ees)
ees, ( f g aes bes c des ees)
c8 r32 aes bes c
des aes bes c des aes bes c |
des ( c) bes ( aes) des ( c) bes ( aes)
des ( c) bes ( aes) des ( c) bes ( aes)
g bes aes g c bes aes g
f aes g f bes aes g f |
e c bes c g c bes c
e! g f g bes g f g
e! c bes c g c bes c
e! g f g bes g f g |
e! bes' aes bes e,! g f g
bes, des c des e,! g f g
bes,4 r |
r32 c' bes c aes c bes c
f c bes c aes c bes c
a' a a a a a a a
a a a a a a a a |
% 35
bes d,! c d f d! c d
bes d! c d f d! c d
b' b b b b b b b
b b b b b b b b |
c ees, d! ees g ees d! ees
c' ees, d! ees g ees d! c
d! d d d d d d d
d d d d d d d d |
ees g, f g ees' g, f g
ees' g, f g ees' g, f g
ees' ees ees ees ees ees ees ees
ees ees ees ees ees ees ees ees |
d! d d d d d d d
d d d d d d d d
ees4 r |
r1 |
\newSpacingSection
% 40
bes8-. \( bes\)-. bes8-. \( bes\)-.
bes8-. \( bes\)-. bes8-. \( bes\)-. |
bes8-. \( bes\)-. bes8-. \( bes\)-.
des!16-. \( des-. des-. des\)-. des-. \( des-. des-. des\)-. |
c8-. \( c\)-. c-. \( c\)-.
ees16-. \( ees-. ees-. ees\)-. ees-. \( ees-. ees-. ees\)-. |
d!8-. \( d\)-. d-. \( d\)-.
aes'16-. \( aes-. aes-. aes\)-. aes-. \( aes-. aes-. aes\)-. |
g \( ees'-| ees-| bes\)-| bes-| \( g-| g-| ees\)-|
ees8 ( g bes des) |
% 45
c16 \( f-| f-| c\)-| c-| \( a-| a-| f\)-|
f8 ( a! c ees) |
d!16 \( g-| g-| d\)-| d-| \( b!-| b-| g\)-|
g8 ( b! d f) |
}
\newSpacingSection
\mark "D"
\relative f''' {
<< \context Voice = VA { \stemUp \voiceOne
ees32[_"Piano" ees ees ees ees ees ees ees ]
ees[ ees ees ees ees ees ees ees ]
% d not marked natural in primo part, but is natural in 2nd violin, which plays 8va lower in this section
d[ d d d d d d d ]
d[ d d d d d d d ]
}
\context Voice = VB { \stemDown \voiceTwo
c32[ c c c c c c c ]
c[ c c c c c c c ]
c[ c c c c c c c ]
c[ c c c c c c c ]
}
>> |
<< \context Voice = VA { \stemUp \voiceOne
des2:32 g2: |
g: f: |
% 50
f: ees: |
des: c: |
bes: aes: |
g: f: |
}
\context Voice = VB { \stemDown \voiceTwo
bes2:32 ~ bes: |
aes: ~ aes: |
% 50
g: c: ~ |
c4: bes2: aes4: ~ |
aes4: g2: f4: ~ |
f4: ees2: des!4: |
}
>> |
<< \context Voice = VA { \stemUp \voiceOne
e!8:32 e: f: f: g: g: aes: aes: | % I wish the tremelo looked better
% 55
bes: bes: aes: aes: g: g: f: f: |
e!4 s
}
\context Voice = VB { \stemDown \voiceTwo
c2:32 ~ c2:32 ~ |
% 55
c1:32 |
c16[_"Tutti" g'32 g g g g g ] g16 g g g
}
>>
aes c, aes' c, aes' c, aes' c, |
des16[ des32 des des des des des ] des16 des des des
g des g des g des g des |
\noBreak
c16[ c32 c c c c c ] c16 c c c
f c f c f c f c |
bes16[ bes32 bes bes bes bes bes ] bes16 bes bes bes
e!32 g bes g e! g bes g e! g bes g e! g bes g |
\noBreak
% 60
aes16[ aes32 aes aes aes aes aes ] aes16 aes aes aes
g16[ g32 g g g g g ] g16 g g g |
g16[ g32 g g g g g ] g16 g g g
\noBreak
f16[ aes,32 aes aes aes aes aes ] aes16 aes aes aes |
g16[ g32 g g g g g ] g16 g g g
g16[ g32 g g g g g ] g16 g g g |
\noBreak
f1^\fermata
}
\bar "||"
}
“That accounts for it. I didn’t know he was going to make the hop or I might not have come myself—but now—well,” the man broke off his phrase and started to clamber into the control seat, “let’s get going.” Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoME搜索一级毛片免费播放基地
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