\version "2.12.3" VioloncelloAutumnOne = { \clef bass \key f \major \time 4/4 \relative f { \mark "A" f8_"Allegro"^"Ballo e Canto dè Villanelli" f f c f4 f8 c | f f f c f4 f8 c | f[ f ] bes,[ b ] c4 r | f8_"Piano" f f c f4 f8 c | % 5 f f f c f4 f8 c | f[ f ] bes,[ b ] c4 r | f8_"Forte" a a f g4 g8 g | g c c c, f4 f8 f | f f f c f f f c | % 10 f f f c f[ f ] bes,[ c ] | f,4 r f'8_"Piano" f f c | f f f c f f f c | f[ f ] bes,[ c ] f,4 r | f'8_"Forte" f f c f4 f8 c | % 15 f f f c f4 f8 c | f[ f ] bes,[ b ] c4 r | f'8_"Piano" f f c f4 f8 c | f f f c f4 f8 c | f[ f ] bes,[ b ] c4 r | % 20 f8_"Forte" f f f bes,4 f8 f' | f f f f bes,4 f8 f' | bes,4 f8 f' f4 e | f4 c f, r | f8_"Piano" f f f bes,4 f8 f' | % 25 f f f f bes,4 f8 f' | bes,4 f8 f' f4 e | f4 c f8_"Forte" f f c | f f f c f f f c | f[ f ] bes,[ c ] f,4 r | % 30 f'8_"Piano" f f c f f f c | f f f c f[ f ] bes,[ c ] | \mark "B" f,4 r f'_"Forte"^"Vbriachi" r16 f' c a | f4 r16 f' c a f4 r16 f a c | f4 r16 f, c a f4 r16 f' a c | % 35 f4 r16 f, a c f4 r16 f, c a | f a' bes c d8 d, g8 a16 bes c8 c, | f8 g16 a bes8 bes, e8 f16 g a8 a, | d8 e16 f g8 g, c8 d16 e f8 f, | f'8 f f c f4 r | % 40 r2 f8 f f c | f4 r r r16 g d b | g4 r r r16 f' c a | f4 r r r16 e' b gis | e4 r d''8_"Piano" ( c b a | % 45 gis f e d) gis,4 r | r r16 a'_"Forte" e cis a4 r | e''8_"Piano" ( d cis bes! a g f e) | a,4 r r r16 d'_"Forte" a fis | d4 r d r | % 50 d r g16 g, g g' a a, a a' | bes bes, bes bes' c c, c c' d d, d d' ees ees,? ees ees' | % bottom e not marked flat fis, fis, fis fis' g g, g g' d4 r16 d' a fis! | d4 r g,8 r d' r | c r bes r ees r d r | % 55 c r bes r g' r f r | ees r d r c r d r | g8_"Forte" g g c, g'4 g8 c, | g'8 g g g a a d, d | g g c, cis d d d cis | % 60 b b b g c c c c | f f f f bes, bes bes bes | ees ees ees ees a, a a a | d d d a d d d a | d d d a d d g, a | % 65 d4 r d8_"Piano" d d a | d d d a d d d a | d d g, a d,4 r | d'4_"Piano" r d r | d r d r | % 70 d8 e f d c2 | c8 d e c bes2 | bes8 c d bes a4 b | c c c c | c16 c' g e c8 r c d e f | % 75 g a b g c,8. c'16 c,4 | g4 g g g | g g c8_"Forte" c c f, | c'4 c8 f, c' c c f, | c'4 c8 f, c'[ c ] f[ fis ] | % 80 g f e d c c'16 bes c8 c, | r8 c'16 bes c8 c, r8 c'16 bes c8 c, | r8 c'16 bes c8 c, r8 f16 e f8 f, | r8 f'16 e f8 f, r8 f'16 e f8 f, | r8 f'16 e f8 f, r8 f'16 e f8 f, | % 85 r8 bes'16 a bes8 bes, r8 g'16 f g8 g, | r8 c'16 bes c8 c, r8 c'16 bes c8 c, | f,4 r r2 | % In the facsimile, % there is a segno over and under the bar lines on both side of this measure, % with the word "Sireplica" underneath, % followed by 16 (not 17 measures) rest marked after "C". % The following is a reasonable rendition of it: %%%#(define littlesegno '((font-relative-size . -2) (music "scripts.segno"))) %%% << { f4 r r2 | } { s4_#`(columns ,littlesegno " Sireplica")^#`(,littlesegno s) s s_#`(,littlesegno)^#`(,littlesegno) } >> % I believe what is meant is to play the measure twice, % which matches another f4 in the solo part, % and results in the correct number of measures. f4 r r2 | \mark "C" f4 r r2 | R1*16 | % 106 f'8_"Allegro Molto" f f c f4 f8 c | f f f c f4 f8 c | f[ f ] bes,[ b ] c4 r | f8 a a f g4 g8 g | % 110 g c c c, f4 f8 f | f f f c f f f c | f f f c f[ f ] bes,[ c ] | f,4 r f8 f f c | f f f c f f f c | % 115 f[ f ] bes[ c ] f,2^\fermata | } \bar "||" } %\score { %\VioloncelloAutumnOne %}