\version "2.18.0"
pMarkings = {\tempo "Allegro assai" \time 2/4 \key e \minor s2*141 \bar "||"}
incmidi = "midi2.ily"
tuttiAI = \relative c''' {
b8 e, e fis |
dis4. e8 |
fis a, a a' |
a g16 fis g4 |
b8 e, e c' |
b e, e c' |
b\p e, e c' |
b e, e c' |
c\f b b ais |
ais gis16 fis b8 fis |
%11
g fis b\p fis |
g fis b\f fis |
g fis e d |
c ais b e |
d4 cis |
b
}
tuttiBI = \relative c''' {
g4. c8 |
fis,4. g8 |
dis4. dis8 |
e2 |
g4. a8 |
g4. a8\p |
g4. a8 |
g4. a8\f |
a g g fis |
fis4 r8 d |
%11
e d r d\p |
e d r d\f |
b' a g fis |
e cis d b |
b4 ais |
b r |
R2*7 |
r4 r8 e |
dis cis16 dis e8 fis16 e |
dis8 cis16 dis e8 fis16 e |
dis8 r e r |
dis r e r |
dis4 r8 g |
e d c b |
%31
a fis' g e |
e4 dis |
}
tuttiAII = \relative c''' {
g8 |
fis e16 fis g8 a16 g |
fis8 e16 fis g8 a16 g |
fis8 r g r |
fis r g r |
fis4 r8 b |
c b a g |
%31
f dis e a |
g4 fis |
e r |
}
tuttiBII = \relative c'' {
d4._"Tutti" e8 |
cis4. d8 |
ais4. ais8 |
b2 |
d4. e8 |
d4. e8\p |
d4. e8 |
d4. e8\f |
b' a g fis |
%71
e cis d b |
b4 ais |
b r |
fis' r |
fis r |
fis r |
}
tuttiAIII = \relative c'' {
b8 b cis |
ais4. b8 |
cis e, e e' |
e d16 cis d4 |
fis8 b, b g' |
fis b, b g'\p |
fis b, b g' |
fis b, b g'\f |
g fis e d |
%71
c! ais b e |
d4 cis |
}
tuttiAIV = \relative c''' {
g8 g a16 g |
fis8 e16 fis g8 a16 g |
fis8 e16 fis g8 a16 g |
fis8 r g r |
fis r g r |
fis4 r8 b |
c b a g |
f dis e a |
g4 fis |
%141
e2\fermata |
}
tuttiBIII = \relative c'' {
e8_"Tutti e Forte" e e fis16 e |
dis8 cis16 dis e8 fis16 e |
dis8 cis16 dis e8 fis16 e |
dis8 r e r |
dis r e r |
dis4 r8 g |
e d c b |
a fis' g e |
e4 dis |
%141
e2\fermata |
}
violinI = \relative c'' {
\tuttiAI
r16 b_"Solo" cis dis |
e fis g a b8 d, |
d f16( e) f( e) d( cis) |
d8 e16( d) e( d) c( b) |
c8 a r16 a b c |
%21
d e fis g a8 c, |
c e16( d) e( d) c( b) |
c8 d16( c) d( c) b( a) |
b8 g g
<<\tuttiAII s8_"Tutti">>
R2*4 |
r4 r16 fis'_"Solo" g a |
b fis g a b a g fis |
g a b g e8 b' |
%41
c8. b16 a g fis e |
fis g a fis d8 a' |
b8. a16 g fis e d |
e fis g e c8 g' |
a8. b16 a g fis e |
dis b b dis e b b e |
fis b, b fis' g b, b g' |
a b, b a' g b, b g' |
fis b, b fis' e b b e |
e a, a e' dis b b dis |
%51
e4 r |
R2*10 |
fis8_"Tutti" \tuttiAIII |
b,16_"Solo" b c d e fis g a |
b b, cis dis e fis g a |
b b, cis dis e fis g a |
b b, dis fis b a gis fis |
\repeat unfold 4 {gis4 r4} |
%81
\repeat unfold 4 {a4 r4} |
\repeat unfold 4 {fis4 r4} |
g16 g,_"Solo" a b c d e fis |
g g, b d g fis e d |
%91
e a, b c d e fis g |
a a, cis e a g fis e |
fis b, cis d e fis g a |
b b, dis fis b a g fis |
g8 b_"Tutti" b c |
a a a b |
g g g a |
fis fis16 g a8 g |
fis fis16 g a8 g |
fis b, b4 |
%101
b'8_"Soli e Piano" b b c |
a a a b |
g g g a |
fis fis16 g a8 g |
fis fis16 g a8 g |
fis b, b4 |
b'8_"Tutti e Forte" e, e b' |
c dis, e a |
g4 fis |
e8_"Soli" g16 a b8 a |
%111
g fis16 g a8 g |
fis g16 a b8 a |
g fis16 g a8 g |
fis4 r |
R2*3 |
fis8_"Soli" fis16 e fis8 fis |
g fis16 e fis8 fis |
g fis16 e fis8 fis |
%121
g g gis gis |
a a ais ais |
b b, e a |
g4 fis %????????? |
e r |
R2*6 |
%132
g8 <<\tuttiAIV s8_"Tutti">>
}
violinII = \relative c'' {
\tuttiBI
e16_"Solo" g fis e dis e cis dis |
e g fis g e g fis e |
dis e cis dis b4 |
R2*26 |
%62
\tuttiBII
e16_"Solo" e, fis gis a b c d |
e e, fis gis a b c d |
e e, fis gis a b c d |
e e, gis b e d cis b |
%81
cis4 r |
e r |
e r |
e r |
\repeat unfold 5 {d r} |
R2*5 |
g8 g g a |
fis fis fis g |
e e e fis |
dis dis16 e fis8 e |
dis dis16 e fis8 e |
dis2 |
%101
g8_"Soli e Piano" g g a |
fis fis fis g |
e e e fis |
dis dis16 e fis8 e |
dis dis16 e fis8 e |
dis2 |
g4._"Tutti e Forte" g8 |
a fis g e |
e4 dis |
e8 e16_"Soli" fis g8 fis |
%111
e dis16 e fis8 e |
dis e16 fis g8 fis |
e dis16 e fis8 e |
dis4 r |
R2*3 |
dis8 dis16_"Soli" cis dis8 dis |
e dis16 cis dis8 dis |
e dis16 cis dis8 dis |
%121
e e e e |
e e e e |
dis4 r8 e |
e4 dis |
e r |
R2*6 |
%132
\tuttiBIII
}
violinIII = \relative c''' {
\tuttiAI
r4 |
R2*7 |
r4 r8
\tuttiAII |
R2*17 |
%51
g16_"Solo" a b g e8 b' |
c8. b16 a g fis e |
fis g a fis d8 a' |
b8. a16 g fis e d |
e fis g e c8 g' |
a8. b16 a g fis e |
dis b b dis e b b e |
fis b, b fis' g b, b g' |
fis b, b fis' g e e b' |
ais fis fis ais b d,d b' |
%61
b cis, cis b' ais fis fis ais |
b8_"Tutti" \tuttiAIII |
b,4 r |
b' r |
b r |
b r |
gis r |
gis r |
gis r |
gis r |
%81
a16_"Solo" a, b cis d e fis g |
a a, b cis d e fis g |
a a, b cis d e fis g |
a a, cis e a g fis e |
fis4 r |
fis r |
fis r |
fis r |
g r |
%90
R2*5 |
b8 b b c |
a a a b |
g g g a |
fis fis16 g a8 g |
fis fis16 g a8 g |
fis b, b4 |
%101
R2*6 |
b'8 e, e b' |
c dis, e a |
g4 fis e r |
%110
R2*3 |
fis8_"Soli e Piano" g16 a b8 a |
g fis16 g a8 g |
fis g16 a b8 a |
g fis16 g a8 g |
fis4 r |
R2*6 |
g8_"Soli e Piano" fis16 e fis8 fis |
g fis16 e fis8 fis |
g fis16 e fis8 fis |
g g gis gis |
a a ais ais |
b b, e a |
%131
g4 fis |
e8 <<\tuttiAIV s8_"Tutti e Forte">>
}
violinIV = \relative c'' {
\tuttiBI |
e4 r |
R2*2 |
e16_"Solo" g fis e dis e cis dis |
e g fis g e g fis e |
dis e cis dis b4 |
%39
R2*23 |
\tuttiBII |
\repeat unfold 8 {e4 r} |
%85
d16_"Solo" d, e fis g a b c |
d d, e fis g a b c |
d d, e fis g a b c |
d d, fis a d c b a |
b4 r |
R2*5 |
g'8 g g a |
fis fis fis g |
e e e fis |
dis dis16 e fis8 e |
dis dis16 e fis8 e |
dis2 |
%101
R2*6 |
g4. g8 |
a fis g e |
e4 dis |
e r |
%111
R2*3 |
dis8_"Soli e Piano" e16 fis g8 fis |
e dis16 e fis8 e |
dis e16 fis g8 fis |
e dis16 e fis8 e |
dis4 r |
R2*6 |
e8_"Soli e Piano" dis16 cis dis8 dis |
e dis16 cis dis8 dis |
e dis16 cis dis8 dis |
e e e e |
e e e e |
dis4 r8 e |
%131
e4 dis |
\tuttiBIII |
}
violaI = \relative c'' {
b4. c8 |
b4. b8 |
fis e fis dis |
b2 |
e4. e8 |
e4. e8\p |
e4. e8 |
e4. e8\f |
fis4 g |
cis, r8 b' |
%11
b b, r b'\p |
b b, r fis'\f |
e4. fis8 |
g fis fis g |
fis4 fis |
d8 b\p b b |
b b b b |
gis gis gis gis |
gis gis gis gis |
a a a a |
%21
a a a a |
fis fis fis fis |
fis fis fis fis |
g g g b'\f |
b r b r |
b r b r |
b r b r |
b r b r |
b4 r8 b |
a4. b8 |
%31
c b b c |
b4 b |
g r |
R2*28 |
%62
fis4. g8 |
fis4. fis8 |
cis b cis ais |
fis2 |
b'4. b8 |
b4. b8\p |
b4. b8 |
b4. b8\f |
g a b fis |
%71
g fis fis g |
fis4 fis |
fis r |
dis' r |
dis r |
dis r |
b r |
b r |
b r |
b r |
%81
cis r |
cis r |
cis r |
cis r |
a r |
a r |
a r |
a r |
b r |
%90
R2*5 |
g8 g g e |
fis fis fis d |
e e e c |
b4. b8 |
b4. b8 |
a2 |
%101
e'8\p e e a, |
d d d g, |
c c c fis, |
b4. e,8 |
b'4. e8 |
b'2 |
b4.\f b8 |
fis b b c |
b4 b |
g r |
%111
R2*7 |
b,8 b b b |
e b b b |
e b b b |
%121
e4 d |
cis fis |
b,8 b' c a |
b4 b, |
e8 b\p b b |
e b b b |
e b b b |
e4 d |
cis fis |
b,8 b' c a |
%131
b4 b, |
b8\f r b r |
\repeat unfold 5 {b r b r} |
a4. b8 |
c b b c |
b4 b |
%141
g2\fermata |
}
violaII = \violaI
bassi = \relative c {
e8 fis g a |
b b, b e |
b' cis dis b |
e4 e, |
e4. a8 |
e4. a8\p |
e4. a8 |
e4. a8\f |
dis,4 e |
fis8 e d! b |
%11
e b r b\p |
e b r b'\f |
e,4. b'8 |
e, fis d e |
fis4 fis, |
b r |
R2*7 |
r4 r8 e |
b' r e, r |
b' r e, r |
\repeat unfold 3 {b'16 cis dis b e, fis g e} |
a4. e'8 |
%31
a, b g a |
b4 b, |
e b'8 a |
g e g a |
b b, b' a |
g e b' a |
g e g a |
b b, r b' |
dis b dis b |
e e, e e' |
%41
e e, e e' |
d d, d d' |
d d, d d' |
c c, c c' |
c c, c c' |
b a g e |
dis b r e |
dis b r e |
dis b g' e |
a fis b b, |
%51
e' e, e e' |
e e, e e' |
d d, d d' |
d d, d d' |
c c, c c' |
c c, c c' |
b a g e |
dis b r e |
dis b r e |
fis e d b |
%61
e cis fis fis, |
b cis d e |
fis fis, fis b |
fis gis ais fis |
b2 |
b4. e8 |
b4. e8\p |
b4. e8 |
b4. e8\f |
e4. b'8 |
%71
e,8 fis d e |
fis4 fis, |
b r |
b r |
b r |
b r |
e r |
e r |
e r |
e r |
%81
a, r |
a r |
a r |
a r |
d r |
d r |
d r |
d r |
g, r |
b8 a b g |
%91
c4 r |
cis8 b cis a |
d4 r |
dis8 cis dis b |
e e' e a, |
d d d g, |
c c c fis, |
b4. e,8 |
b'4. e,8 |
b'2 |
%101
R2*6 |
e,8 fis g e |
a b g a |
b4 b, |
e r8 b |
%111
e4 r8 e |
b4 r8 b |
e4 r8 e |
b4\p r8 b |
e4 r8 e |
b4 r8 b |
e4 r8 e |
b4 r |
R2*13 |
%132
e'8 r e, r |
b' r e, r |
b' r e, r |
\repeat unfold 3 {b'16 cis dis b e, fis g e} |
a4. e'8 |
a, b g a |
b4 b, |
}
cello = \relative c {
\bassi
%141
e2\fermata |
}
bass = <<
\relative c, {
\bassi |
%141
e2\fermata |
}
\figuremode {
s2 |
<_+>8 s s4 |
<_+>8 s s <7> |
<4>4 <3> |
s2*4 |
<7 5>4 <5 3> |
<_+>8 s <6> s |
%11
s2*3 |
<6->8 <_+> <6> <5> |
<6 4>4 <5\\ _+> |
s2*9 |
<_+>8 s s4 |
<_+>8 s s4 |
\repeat unfold 3 {<_+>16 s s8 s4} |
s2 |
%31
<6->8 <_+> <6> <5> |
<6 4>4 <5 _+> |
s <_+>8 s |
<6> s s4 |
<_+>8 s s4 |
s <_+>8 s |
<6> s s4 |
<_+>8 s s4 |
<6>8 s s4 |
s2 |
%41
\repeat unfold 2 {<6>8 s s4 |
<7>8 s s4} |
<6>8 s s4 |
<_+>8 s <6> s |
s2 |
<6 5>8 s s4 |
<6>8 s s4 |
<6 5>8 s <_+> s |
%51
s2 |
\repeat unfold 2 {<6>8 s s4 |
<7>8 s s4} |
<6>8 s s4 |
<_+>8 s <6> s |
<6> s s4 |
<6>8 s s4 |
<_+>8 s <6> s |
%61
<6\\ 5> s <_+> s |
s2 |
<_+>8 s s4 |
<_+>8 s s <7> |
<43>2 |
s2*5 |
%71
<6->8 <_+> <6> <5> |
<6 4>4 <5 _+> |
s2 |
<_+>4 s |
s2*2 |
<_+>4 s |
s2*3 |
%81
<_+>4 s |
s2*8 |
<6>8 s s4 |
%91
s2 |
<6>8 s s4 |
s2 |
<6>8 s s4 |
s2*3 |
<_+>4. <7 5>8 |
<_+>4. <7 5>8 |
<_+>2 |
%101
s2*7 |
s8 <_+> <6> <5> |
<6 4>4 <5\\ _+> |
s s8 <7 5 _+> |
%111
s2 |
\repeat unfold 3 {<_+>4 s8 <7 5 _+> |
s2} |
<_+>4 s |
s2*14 |
%133
<_+>8 s s4 |
<_+>8 s s4 |
\repeat unfold 3 {<_+>16 s s8 s4} |
s2 |
<6->8 <_+> <6> <5> |
<6 4>4 <5 _+> |
}
>>
“That accounts for it. I didn’t know he was going to make the hop or I might not have come myself—but now—well,” the man broke off his phrase and started to clamber into the control seat, “let’s get going.” Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoME搜索一级毛片免费播放基地
ENTER NUMBET 0017
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