\version "2.18.2"
\include "italiano.ly"
% Écrit avec l'aide très secourable de lyqi ! Essayez-le !
% Written with the most secourable help of lyqi ! Try it !
\header{
title = "Ad CÅ“nam"
mutopiatitle = "Ad CÅ“nam (2e verset)"
subtitle = "2e verset"
piece = ""
instrument = "Orgue - Organ"
composer = "Jean Titelouze (1563-1633)"
mutopiainstrument = "Organ"
mutopiacomposer = "TitelouzeJ"
style = "Baroque"
license = "Public Domain"
source = "Edition Schott 1869 - Alexandre Guilmant"
opus = ""
enteredby = "Gérard Gréco"
maintainer = "Gérard Gréco"
footer = "Mutopia-2015/06/14-2015"
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tagline = ##f
}
halsdown = { \stemDown \tieDown \slurDown }
halsneutral = { \stemNeutral \tieNeutral \slurNeutral }
halsup = { \stemUp \tieUp \slurUp}
global = {
\time 4/4
\key do' \major
}
ouah = \relative do' {
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fa mi la2
si4 do la re~
re8 re dod4 re2
R1
% 15 :
R1
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la sib la2
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mi2~ mi8 re do si
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fa8 sol la2 sol8 fa
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fa sol la2 sold4
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r4 mi fa mi8 re
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do r4 la4
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% 45 :
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r r4 do~
do sib2 la4~
la re,8 mi fa re fa4
mi fa sol2
% 50 :
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sol4 do2 si?4
la4. si8 do si16 la sol4~
sol8 [la] si do re2
R1
% 55 :
R1
r4 fa, la2
sol4 do4. si?8 la sol
fa sol la4 sol8 [fad] sol fa
re [mi] fa sol la4 sol
% 60 :
do la sib la
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R1
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re do fa fa,
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do r4 la4
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r r4 do~
do sib2 la4~
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R1
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R1
r4 fa, la2
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fa sol la4 sol8 [fad] sol fa
re [mi] fa sol la4 sol
% 60 :
do la sib la
\once \override Script #'padding = # 1 fad1^\fermata \bar "|."
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\global \halsdown
% 1 :
la2\rest la4 la ~ |
la sib la2 |
sol4 do2 si4 |
mi4 re8 do si4 do ~ |
% 5 :
do8 [re] mi do fa4 mi8 re |
do [la] re [do] si la sol4 |
la si2 do4 |
sol2 la4\rest do4 ~ |
do sib la la ~ |
% 10 :
la sol \dotsDown la4. si?8 |
do4 do4. \dotsNeutral re16 mi fa4 ~ |
fa mi fa mi8 re |
mi2 fa4. mi16 re |
fa8 [sol] la [sol] fa [mi] re fa |
% 15 :
mi4 do fa mi8 re |
fa4 mi re do |
r4 re do fa ~ |
fa mi la4. si8 |
do4 si8 [la] sol [fa] mi sol ~ |
% 20 :
sol sol fa4 mi2 |
re8 mi fad4 sol8 fa! mi re |
do4. re8 mi fa re4 |
sol la8 sol fa mi re4 |
mi fa8 mi re4. mi8 |
% 25 :
fa [re] mi re dod4 re ~ |
re8 [mi] do re si2 |
do8 [mi] do re mi4 fa |
mi re2 dod4 |
re fa mi2 |
% 30 :
r2 la, |
do4 si8 la sol mi fa4 |
fa sib la8 [si!] do re |
mi re \dotsDown do4. \dotsNeutral la8 re4~ |
re8 [do] la si do re si4 |
% 35 :
do fa mi re8 do |
si4 do2 sib4 |
la fa sib8 [do!] re mi |
fa2 r4 re |
fa mi8 re do4. si8 |
% 40 :
la4 re2 do4 |
r la do si8 la |
sol4 do4 re8 [mi] fa mi |
re do re4 do4 r |
r do re4. do8 |
% 45 :
sib la re2 do8 re |
mi [re] do si? la4 la'~ |
la re,4. re8 dod4 |
re8 do sib4 la4. si!8 |
\dotsDown do4. \dotsNeutral re8 mi fa mi4 |
% 50 :
re2 r4 do |
mi2 re4 sol~ |
sol4. fa8 mi2 |
r4 sol4 fad sol |
la re,4. do8 do4~ |
% 55 :
do sib la8 si! do4 |
la re do fa~ |
fa mi do re |
re la re8. do16 sib4~ |
sib8 do re4 do8 [re] mi re |
% 60 :
do4 re2 dod4 |
re1
}
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\global \halsdown
% 1 :
la2\rest la8 r8 la4 ~ |
la sib la2 |
sol4 do2 si4 |
mi4 re8 do si4 do ~ |
% 5 :
do8 [re] mi do fa4 mi8 re |
do [la] re [do] si la sol4 |
la si2 do4 |
sol2 la4\rest do4 ~ |
do sib la la ~ |
% 10 :
la sol \dotsDown la4. si?8 |
do8 r8 do4. \dotsNeutral re16 mi fa4 ~ |
fa mi fa mi8 re |
mi2 fa4. mi16 re |
fa8 [sol] la [sol] fa [mi] re fa |
% 15 :
mi4 do fa mi8 re |
fa4 mi re do |
r4 re do fa ~ |
fa mi la4. si8 |
do4 si8 [la] sol [fa] mi sol ~ |
% 20 :
sol sol fa4 mi2 |
re8 mi fad4 sol8 fa! mi re |
do4. re8 mi fa re4 |
sol la8 sol fa mi re4 |
mi fa8 mi re4. mi8 |
% 25 :
fa [re] mi re dod4 re ~ |
re8 [mi] do re si2 |
do8 [mi] do re mi4 fa |
mi re2 dod4 |
re fa mi2 |
% 30 :
r2 la, |
do4 si8 la sol mi fa8 r8 |
fa4 sib la8 [si!] do re |
mi re \dotsDown do4. \dotsNeutral la8 re4~ |
re8 [do] la si do re si4 |
% 35 :
do fa mi re8 do |
si4 do2 sib4 |
la fa sib8 [do!] re mi |
fa2 r4 re |
fa mi8 re do4. si8 |
% 40 :
la4 re2 do4 |
r la do si8 la |
sol4 do4 re8 [mi] fa mi |
re do re4 do4 r |
r do re4. do8 |
% 45 :
sib la re2 do8 re |
mi [re] do si? la4 la'~ |
la re,4. re8 dod4 |
re8 do sib4 la4. si!8 |
\dotsDown do4. \dotsNeutral re8 mi fa mi4 |
% 50 :
re2 r4 do |
mi2 re4 sol~ |
sol4. fa8 mi2 |
r4 sol4 fad sol |
la re,4. do16 r16 do4~ |
% 55 :
do sib la8 si! do4 |
la re do fa~ |
fa mi do re |
re la re8. do16 sib4~ |
sib8 do re4 do8 [re] mi re |
% 60 :
do4 re2 dod4 |
re1
}
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% 1 :
re4 re2 fa4
re2 do4 fa4~
fa mi la sol~
sol fad sol mi
% 5 :
fa mi la sol~
sol fa2 mi4
fad sol4. fa8 mi re
mi [fa] sol [re] mi [re] mi do
sol' re sol2 fa4~
% 10 :
fa re8 mi fa4 mi8 re
la'4. sol8 fa4. mi16 re
sol4 la la2\rest
la4 la2 sib4
la2. fa4
% 15 :
sol la re re~
re do8 si la2
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la sol do do
% 20 :
re2 do
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r la2 sib4~
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% 25 :
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sol la4. la8 sold4
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% 30 :
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R1
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re4 re mi2~
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re4 re mi2
r r4 fa!
la2 sol4 do~
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do sib la fa
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% 55 :
fa2 la4\rest fa
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sol8 [fa] re mi fa4 sol~
% 60 :
sol fa mi2
\once \override Script #'padding = # 1 re1^\fermata
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re2 do4 fa4~
fa mi la sol~
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% 5 :
fa mi la sol~
sol fa2 mi4
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mi [fa] sol [re] mi [re] mi do
sol' re sol2 fa4~
% 10 :
fa re8 mi fa4 mi8 re
la'4. sol8 fa4. mi16 re
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la8 r8 la2 sib4
la2. fa4
% 15 :
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re do8 si la2
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% 20 :
re2 do
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% 25 :
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re,2 r
% 30 :
r1
r
r4 re fa mi8 re
do4 mi fa4. mi8
re8 r8 re4 mi2~
% 35 :
mi4 la sol2~
sol4 mi la sol8 fa
mi4 re2 sol4
fa8 sol la fa sol fa mi re
la'4 sol8 fa mi4 fa~
% 40 :
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re mi4 fa
mi la4. sol8 fa sol16 la
sib8 [la] fa sol la2~
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% 45 :
r re fa mi8 re
do4 mi fa4. mi8
re8 r8 re4 mi2
r r4 fa!
la2 sol4 do~
% 50 :
do sib la fa
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do si8 la sol4 la8 sol
% 55 :
fa2 la4\rest fa
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do sol la8 r8 la4~
la8 [sol] fa mi re2
sol8 [fa] re mi fa4 sol~
% 60 :
sol fa mi2
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R1
R1
R1
% 5 :
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sol re'
% 10 :
sib fa
R1
R
r2 re'4 re~
re fa re2
% 15 :
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\dotsDown la4. sol8 fa4. \dotsNeutral mi8
re do sib4 fa'2
do fa
mi1
% 20 :
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r4 re2 do4
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mi4 fa re2
do sib4 sol
% 25 :
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mi'1
la,2 r
R1
r4 la' do si8 la
% 30 :
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sib2 fa
R1
R1
% 35 :
la2 do4 si8 la
sol4 la fa sol
la sib sol2
re' sib
la1
% 40 :
R1
R1
R1
re2 fa4 mi8 re
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% 45 :
sol4 sol la2~
la fa
fa4 sol2 la4
fad sol re'2
do4 fa, do'2
% 50 :
fa1
R1
sol,2\rest r4 do
mi2 re4 sol~
sol fa mi fa
% 55 :
re2. la4
\dotsDown re4. mi8 fa2
do fa4. mi8
re4. \dotsNeutral do8 sib [la] sol la
sib2 fa4 do'
% 60 :
la2 sol4 la
re,1
}
coincoinmidi = \relative do {
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% 1 :
\override MultiMeasureRest #'staff-position = #-4 R1
R1
R1
R1
% 5 :
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do si la2
sol re'
% 10 :
sib fa
R1
R
r2 re'8 r8 re4~
re fa re2
% 15 :
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\dotsDown la4. sol8 fa4. \dotsNeutral mi8
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mi1
% 20 :
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% 25 :
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mi'1
la,2 r
R1
r4 la' do si8 la
% 30 :
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sib2 fa
R1
R1
% 35 :
la2 do4 si8 la
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la1
% 40 :
R1
R1
R1
re2 fa4 mi8 re
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% 45 :
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la fa
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% 50 :
fa1
R1
sol,2\rest r4 do
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% 55 :
re2. la4
\dotsDown re4. mi8 fa2
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re4. \dotsNeutral do8 sib [la] sol la
sib2 fa4 do'
% 60 :
la2 sol4 la
re,1
}
\score{
\new PianoStaff
<<
%\set PianoStaff.systemStartDelimiterHierarchy = #'(SystemStartBar (SystemStartBrace a b ))
\new Staff = "dessus" <<
\ouah
\meuh
>>
\new Staff = "basse" <<
\clef "bass"
\miaou
\coincoin
>>
>>
\layout{
}
}
\score {
\unfoldRepeats {
<<
\new Staff {
\set Staff.midiInstrument = "soprano sax"
\ouahmidi
}
% \new Staff {
% \set Staff.midiInstrument = "pan flute"
% \ouahmidi
% }
\new Staff {
\set Staff.midiInstrument = "pan flute"
\meuhmidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\miaoumidi
}
\new Staff {
\set Staff.midiInstrument = "baritone sax"
\coincoinmidi
}
%\new Staff {
% \set Staff.midiInstrument = "pan flute"
% \coincoinmidi
%}
>>
}
\midi{\tempo 4 = 110}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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