\version "2.14.2"
\include "italiano.ly"
% Écrit avec l'aide très secourable de lyqi ! Essayez-le !
% Written with the most secourable help of lyqi ! Try it !
% Version 1 du 2 avril 2005.
% -- Perfectionnements :
% 1. Les rondes semblent décalées vers la droite,
% la plupart du temps de façon inutile. Pourquoi ?
% 2. Les rondes de la dernière mesure gagneraient Ã
% être centrées. Comment ?
% 3. Les pauses des deux premières mesures du choral
% doivent être centrées.
% Version 2 du 16 septembre 2011 pour la version 2.14.0.
% Quelques corrections typographiques.
% Prise en compte des notes répétées dans le fichier midi.
% Modification des instruments midi.
\header{
title = "Veni Creator"
subtitle = \markup{\center-align{\line{3\super{e} verset}}}
piece = \markup{\line{\hspace #8.0 Canon in Diapason}}
instrument = \markup{\center-align{\line{Orgue — Organ}}}
composer = "Jean Titelouze (1563-1633)"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
source = "Archives des maîtres de l'orgue, vol.1, 1897, Alexandre Guilmant"
opus = ""
%lastupdated = "2005-04-02"
lastupdated = "2011-09-16"
enteredby = "Gérard Gréco"
maintainer = "Gérard Gréco"
mutopiatitle = "Veni Creator (3e verset)"
mutopiacomposer = "TitelouzeJ"
mutopiainstrument = "Organ"
mutopiastyle = "Baroque"
footer = "Mutopia-2011/09/18-549"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2011. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\paper {
print-page-number = ##f
indent = 15\mm
left-margin = 15\mm
line-width = 18\cm
bottom-margin = 15\mm
top-margin = 15\mm
}
global = {
\time 4/4
\key do \major
}
dessus = \relative do''{
% 1 :
r2 \stemDown sol4 la4
| sol4 fad4 sol4 re4
| r4 \stemUp sol4 mi2 ~
| mi4 re8 [ do8 ] si2
% 5 :
| mi4 re4 do4 fa4
| mi4 re4 mi8 [ fa8 ] sol4
| do,2 r4 la4
| re4 do4 si4 mi4 ~
| mi4 do4 r4 la4
% 10 :
| do4 re4 mi4 si4
| do4 mi4 la4. sol8
| fa8 [ mi8 fa8 mi8 ] re4. mi16 [ fa16 ]
| sol4 fa4 mi4 la4 ~
| la4 sol8 [ fa8 ] sol4 mi4 ~
% 15 :
| mi4 mi4 la4 la4 ~
| la8 [ sol8 fa8 mi8 ] la4. sol8
| fa4 fa4. mi8 [ re8 do8 ]
| re2 si2
| r4 mi4 re4 do4
% 20 :
| fa4 fa4. sol8 [ la8 sol8 ]
| fa4 mi4 re2
| r4 sol4 la4 mi4
| fa8 [ sol8 ] la4 re,4 \stemDown re'8 [ do8 ]
| \stemUp si4 la4 sol4 la8 [ si8 ]
% 25 :
| \stemDown do4 si4 \stemUp la4 sold4
| la4 r4 r4 re,4
| fa4 sol4 la4 sol4
| fa2 \stemDown sib8 sib4 \stemUp la8
| sol4 sol4 \stemDown do8 do4 si?8
% 30 :
| \stemUp la4 sol4 la4 mi4
| r2 mi2 ~
| mi4 re4 do2 ~
| do4 re4 mi4 si4
| r4 sol'4 fad4 sol4
% 35 :
| re4 sol4. fa8 [ mi8 re8 ]
| do2 fa4. mi8
| re4. do8 si4 sol'4 ~
| sol8 [ fa8 mi8 re8 ] mi4 la4
| sol4 fad4 sol4 re4
% 40 :
| r4 sol4 mi2
| la2 fa2
| re2 r4 sol,4
| do4 sib4 la4 re4 ~
| re8 [ do8 re8 mi8 ] fa4. mi8
% 45 :
| re4 do4 fa4 fa4 ~
| fa8 [ mi8 ] re2 sol4
| fa4 mi4 fa8 [ sol8 ] la4
| re,4 do4 si4 mi4
| re4 do4 re4 la4
% 50 :
| r4 re4 mi4 si4
| do4 re4 mi4 si4
| do4 sol'8 [ fa8 ] mi4 re4
| do4 si4 do4 sol4
| si1^\fermata
}
dessusmidi = \relative do''{
% 1 :
r2 \stemDown sol4 la4
| sol4 fad4 sol4 re4
| r4 \stemUp sol4 mi2 ~
| mi4 re8 [ do8 ] si2
% 5 :
| mi4 re4 do4 fa4
| mi4 re4 mi8 [ fa8 ] sol4
| do,2 r4 la4
| re4 do4 si4 mi4 ~
| mi4 do4 r4 la4
% 10 :
| do4 re4 mi4 si4
| do4 mi4 la4. sol8
| fa8 [ mi8 fa8 mi8 ] re4. mi16 [ fa16 ]
| sol4 fa4 mi4 la4 ~
| la4 sol8 [ fa8 ] sol4 mi4 ~
% 15 :
% mi4 mi4 la4 la4 ~
mi8 r8 mi4 la8 r8 la4 ~
| la8 [ sol8 fa8 mi8 ] la4. sol8
% fa4 fa4. mi8 [ re8 do8 ]
| fa8 r8 fa4. mi8 [ re8 do8 ]
| re2 si2
| r4 mi4 re4 do4
% 20 :
% fa4 fa4. sol8 [ la8 sol8 ]
| fa8 r8 fa4. sol8 [ la8 sol8 ]
| fa4 mi4 re2
| r4 sol4 la4 mi4
| fa8 [ sol8 ] la4 re,4 \stemDown re'8 [ do8 ]
| \stemUp si4 la4 sol4 la8 [ si8 ]
% 25 :
| \stemDown do4 si4 \stemUp la4 sold4
| la4 r4 r4 re,4
| fa4 sol4 la4 sol4
% fa2 \stemDown sib8 sib4 \stemUp la8
| fa2 \stemDown sib16 r16 sib4 \stemUp la8
% sol4 sol4 \stemDown do8 do4 si?8
| sol8 r8 sol4 \stemDown do16 r16 do4 si?8
% 30 :
| \stemUp la4 sol4 la4 mi4
| r2 mi2 ~
| mi4 re4 do2 ~
| do4 re4 mi4 si4
| r4 sol'4 fad4 sol4
% 35 :
| re4 sol4. fa8 [ mi8 re8 ]
| do2 fa4. mi8
| re4. do8 si4 sol'4 ~
| sol8 [ fa8 mi8 re8 ] mi4 la4
| sol4 fad4 sol4 re4
% 40 :
| r4 sol4 mi2
| la2 fa2
| re2 r4 sol,4
| do4 sib4 la4 re4 ~
| re8 [ do8 re8 mi8 ] fa4. mi8
% 45 :
% re4 do4 fa4 fa4 ~
| re4 do4 fa8 r8 fa4 ~
| fa8 [ mi8 ] re2 sol4
| fa4 mi4 fa8 [ sol8 ] la4
| re,4 do4 si4 mi4
| re4 do4 re4 la4
% 50 :
| r4 re4 mi4 si4
| do4 re4 mi4 si4
| do4 sol'8 [ fa8 ] mi4 re4
| do4 si4 do4 sol4
| si1^\fermata
}
basse = \relative do' {
% 1 :
sol4 la4 sol4 fad4
| sol4 re4 re4\rest sol4
| mi2. re8 [ do8 ]
| si2 mi4 re4
% 5 :
| do4 fa4 mi4 re4
| mi8 [ fa8 ] sol4 do,2
| r4 la4 re4 do4
| si4 mi2 do4
| r4 la4 do4 re4
% 10 :
| mi4 si4 do4 mi4
| \dotsDown la4. sol8 fa8 [ mi8 fa8 mi8 ]
| re4. \dotsNeutral mi16 [ fa16 ] sol4 fa4
| mi4 la2 sol8 [ fa8 ]
| sol4 mi2 mi4
% 15 :
| \dotsDown la4 la4. sol8 [ fa8 mi8 ]
| la4. \dotsNeutral sol8 fa4 \tieDown fa4 ~
| fa8[ mi8 re8 do8 ] re2
| si2 re4\rest mi4
| re4 do4 fa4 fa4 ~
% 20 :
| fa 8 [ sol8 la8 sol8 ] fa4 mi4
| re2 re4\rest sol4
| la4 mi4 fa8 [ sol8 ] la4
| re,4 re'8 [ do8 ] si4 la4
| sol4 la8 [ si8 ] do4 si4
% 25 :
| la4 sold4 la4 re,4\rest
| re4\rest re4 fa4 sol4
| la4 sol4 fa2
| sib8 sib4 la8 sol4 sol4
| do8 do4 si?8 la4 sol4
% 30 :
| la4 mi4 re2\rest
| mi2. re4
| do2. re4
| mi4 si4 re4\rest sol4
| fad4 sol4 re4 sol4 ~
% 35 :
| \once \override NoteColumn #'force-hshift = #1.0 sol8 [ fa8 mi8
re8 ] do2
| \dotsDown fa4. mi8 re4. do8
| si4 sol'4. \dotsNeutral fa8 [ mi8 re8 ]
| mi4 la4 sol4 fad4
| sol4 re4 re4\rest sol4
% 40 :
| mi2 la2
| fa2 re2
| r4 sol,4 do4 sib4
| la4 \dotsDown re4. do8 [ re8 mi8 ]
| fa4. mi8 re4 do4
% 45 :
| fa4 fa4.\dotsNeutral mi8 re4 ~
| re4 sol4 fa4 mi4
| fa8 [ sol8 ] la4 re,4 do4
| si?4 mi4 re4 do4
| re4 la4 si4\rest re4
% 50 :
| mi4 si4 do4 re4
| mi4 si4 do4 sol'8 [ fa8 ]
| mi4 re4 do4 si4
| do4 sol4 do2
\once\override Script #'extra-offset = #'(0 . 0.5) sol1^\fermata
}
bassemidi = \relative do' {
% 1 :
sol4 la4 sol4 fad4
| sol4 re4 re4\rest sol4
| mi2. re8 [ do8 ]
| si2 mi4 re4
% 5 :
| do4 fa4 mi4 re4
| mi8 [ fa8 ] sol4 do,2
| r4 la4 re4 do4
| si4 mi2 do4
| r4 la4 do4 re4
% 10 :
| mi4 si4 do4 mi4
| \dotsDown la4. sol8 fa8 [ mi8 fa8 mi8 ]
| re4. \dotsNeutral mi16 [ fa16 ] sol4 fa4
| mi4 la2 sol8 [ fa8 ]
| sol4 mi2 mi4
% 15 :
%\dotsDown la4 la4. sol8 [ fa8 mi8 ]
| \dotsDown la8 r8 la4. sol8 [ fa8 mi8 ]
% la4. \dotsNeutral sol8 fa4 \tieDown fa4 ~
| la4. \dotsNeutral sol8 fa8 r8 fa4 ~
| fa8[ mi8 re8 do8 ] re2
| si2 re4\rest mi4
% re4 do4 fa4 fa4 ~
| re4 do4 fa8 r8 fa4 ~
% 20 :
| fa 8 [ sol8 la8 sol8 ] fa4 mi4
| re2 re4\rest sol4
| la4 mi4 fa8 [ sol8 ] la4
| re,4 re'8 [ do8 ] si4 la4
| sol4 la8 [ si8 ] do4 si4
% 25 :
| la4 sold4 la4 re,4\rest
| re4\rest re4 fa4 sol4
| la4 sol4 fa2
% sib8 sib4 la8 sol4 sol4
| sib16 r16 sib4 la8 sol8 r8 sol4
% do8 do4 si?8 la4 sol4
| do16 r16 do4 si?8 la4 sol4
% 30 :
| la4 mi4 re2\rest
| mi2. re4
| do2. re4
| mi4 si4 re4\rest sol4
| fad4 sol4 re4 sol4 ~
% 35 :
| \once \override NoteColumn #'force-hshift = #1.0 sol8 [ fa8 mi8
re8 ] do2
| \dotsDown fa4. mi8 re4. do8
| si4 sol'4. \dotsNeutral fa8 [ mi8 re8 ]
| mi4 la4 sol4 fad4
| sol4 re4 re4\rest sol4
% 40 :
| mi2 la2
| fa2 re2
| r4 sol,4 do4 sib4
| la4 \dotsDown re4. do8 [ re8 mi8 ]
| fa4. mi8 re4 do4
% 45 :
% fa4 fa4.\dotsNeutral mi8 re4 ~
| fa8 r8 fa4.\dotsNeutral mi8 re4 ~
| re4 sol4 fa4 mi4
| fa8 [ sol8 ] la4 re,4 do4
| si?4 mi4 re4 do4
| re4 la4 si4\rest re4
% 50 :
| mi4 si4 do4 re4
| mi4 si4 do4 sol'8 [ fa8 ]
| mi4 re4 do4 si4
| do4 sol4 do2
\once\override Script #'extra-offset = #'(0 . 0.5) sol1^\fermata
}
themeduchoral = \relative do'{
% 1 :
\once \override MultiMeasureRest #'staff-position = #+8 R1
| \once \override MultiMeasureRest #'staff-position = #+8 R1
| sol1 ~
| sol1
% 5 :
| la1
| sol1 fa1 sol1 la1
% 10 :
sol1 do1 re1 do1 si1
% 15 :
do1 do1 la1 sol1 la1
% 20 :
do1 re1 do1 re1 mi1
% 25 :
mi1 re1 do1 re1 mi1
% 30 :
do1 si1 la1 sol1 re'1
% 35 :
sol,1
la1 si1 do1 si1
% 40 :
do1 la1 sol1 fa1 la1
% 45 :
la1 sib1 la1 sol1 fa1
% 50 :
%si1\rest r1 r1 r1 r1
sol1 ~ sol1 ~ sol1 ~ sol1 ~
sol1
}
themeduchoralmidi = \relative do'{
% 1 :
\once \override MultiMeasureRest #'staff-position = #+8 R1
| \once \override MultiMeasureRest #'staff-position = #+8 R1
| sol1 ~
| sol1
% 5 :
| la1
| sol1 fa1 sol1 la1
% 10 :
sol1 do1 re1 do1 si1
% 15 :
% do1 do1 la1 sol1 la1
do2. r4 do1 la1 sol1 la1
% 20 :
do1 re1 do1 re1 mi1
% 25 :
mi1 re1 do1 re1 mi1
% 30 :
do1 si1 la1 sol1 re'1
% 35 :
sol,1
la1 si1 do1 si1
% 40 :
do1 la1 sol1 fa1 la1
% 45 :
la1 sib1 la1 sol1 fa1
% 50 :
%si1\rest r1 r1 r1 r1
sol1 ~ sol1 ~ sol1 ~ sol1 ~
sol1
}
\score {
{
\context PianoStaff <<
\context Staff = "dessus" <<
\global
\clef violin
\dessus
>>
\context Staff = "basse" <<
\global
\clef bass
\context Voice = "choral" {\voiceOne \themeduchoral}
\context Voice = "basse" {\voiceTwo \basse}
>>
>>
\bar "|."
}
\layout { }
}
\score {
<<
\new Staff {
\set Staff.midiInstrument = "pan flute"
\dessusmidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\transpose do do'
\dessusmidi
}
\new Staff {
\set Staff.midiInstrument = "tenor sax"
\themeduchoralmidi
}
\new Staff {
\set Staff.midiInstrument = "baritone sax"
\transpose do do'
\themeduchoralmidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\bassemidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\transpose do do'
\bassemidi
}
\new Staff { % tempo staff
\tempo 4 = 110 s1 * 52
\tempo 4 = 100 s4
\tempo 4 = 90 s4
\tempo 4 = 80 s2
\tempo 4 = 50 s1
}
>>
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 110 4)
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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