\version "2.14.2"
\include "italiano.ly"
% Écrit avec l'aide très secourable de lyqi ! Essayez-le !
% Written with the most secourable help of lyqi ! Try it !
% Version 2 du 17 septembre 2011 pour la version 2.14.0.
% Quelques corrections typographiques.
% Modification des instruments midi.
\header{
title = "Veni Creator"
subtitle = \markup{\center-align{\line{3\super{e} verset}}}
piece = ""
instrument = \markup{\center-align{\line{Orgue — Organ}}}
composer = "Jean Titelouze (1563-1633)"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
source = "Archives des maîtres de l'orgue, vol.1, 1897, Alexandre Guilmant"
opus = ""
lastupdated = "2011-09-17"
% lastupdated = "2005-04-16"
enteredby = "Gérard Gréco"
maintainer = "Gérard Gréco"
mutopiatitle = "Veni Creator (2e verset)"
mutopiacomposer = "TitelouzeJ"
mutopiainstrument = "Organ"
mutopiastyle = "Baroque"
footer = "Mutopia-2011/09/18-551"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2011. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\paper {
print-page-number = ##f
indent = 10\mm
left-margin = 15\mm
line-width = 18\cm
bottom-margin = 15\mm
top-margin = 15\mm
}
global = {
\time 4/4
\key do \major
}
themeduchoral = \relative do''{
\tieUp \override MultiMeasureRest #'staff-position = #+4 R1*6
sol1 la1 sol1 fa1 sol1 la1 sol1 do1 re1
do1 si?1 do1 do1 la1 sol1 la1 do1 re1
do1. re1. mi1. mi1.
re1 R1
do1 re1 mi1 do1 si1
\once \override NoteColumn #'force-hshift = #1.5 la1
sol1 re'1 sol,1
la1 si1 do1 si1 do1 la1
\once \override NoteColumn #'force-hshift = #1.5 sol1
fa1 la1 la1
sib1 la1 sol1 fad1 sol1 ~ sol1 ~ sol1 ~
sol1^\fermata
}
alto = \relative do'{
% 1 :
\stemDown \tieDown re2. mi4 ~
| mi4 re4 do4 re4
| la4 sib4. la8 fa'4 ~
| fa8 [ mi8 re8 do8 ] sib2
| la2 do4\rest re4
| do4 si8 [ la8 ] si8 [ do8 ] re4
| mi4 re2 do4
| fa4 mi2 re4
| mi2 re4 mi4
| re2. do4
| r2 do4\rest re4
| fa4 mi8 [ re8 ] mi8 [ do8 ] re4
| mi2 mi2\rest
| r4 la4. sol8 fa4
| sib4 la2 sol4 ~
| sol4 fa4 mi4 fad4
| sol2 sol4\rest sol4
| mi4 la8 [ sol8 ] fa8 [ mi8 ] fa8 [ sol8 ]
| la8 [ fa8 ] sol4 fa4 mi4 ~
| mi4 re4 do4 re4 ~
| re8 [ do8 ] do2 sib4
| la4 re8 [ mi8 ] fa8 [ re8 ] fa4
| mi2 sol4\rest sol8 [ la8 ]
| sib8 [ sol8 ] sib8 [ la8 ] sol2
% Passage en ternaire.
\once \override Score.MetronomeMark #'transparent = ##t \tempo 4. =
120
| \bar "||" \time 6/4 la8 [ sol8 fa8 ] mi4 fa8 sol8 [ fa8 mi8 re8 ]
do4
| fa8 [ sol8 la8 ] sol4 fad8 sol2 sol4\rest
| sol8 [ la8 si8 do8 ] si4 la8 [ sol8 fa8 ] mi4 fa8
| \dotsUp sol4. \dotsNeutral si8 [ do8 si8 ] do4 si8 [ la8 sol8 la8 ]
% Passage en binaire.
\once \override Score.MetronomeMark #'transparent = ##t \tempo 4 = 120
| \bar "||" \time 4/4 si4 sol4. sol8 fad4
| sol4 mi4 re4. mi8
| fa8 [ mi8 ] la4 sol4. la8
| si2 la2
| sol4 mi4 r4 sol4 ~
| sol4 fa4 mi4 sol4 ~
| sol4 re4 r4 sol4 ~
| sol4 fa4 mi2
| R1
| r4 la4 sol4 fa4
| mi2 re2
| do2 la4 re4
| r4 sol2 fa4
| mi4. re8 mi4 fad4
| sol4 re4 sol4. fa8
| mi8 [ re8 do8 ] fa16 [ sol16 ] la4. mi8
| fa4. mi16 [ re16 ] do4 fa4 ~
| fa4 mi4 re2
| la4\rest re4. do8 [ re8 mi8 ]
| fa4. mi8 fa4 do4
| fa4 mi4 re8 [ do8 fa8 mi8 ]
| re4. mi16 [ fa16 ] sol4 re4
| r4 re8 [ do8 ] re8 [ mi8 ] fa4
| mi4 si4 do8 [ re8 ] mi4
| re4 re4. do16 [ si16 ] la4
| si4 do4 do4\rest re4
| mi4 re8 [ do8 ] si4 mi4 ~
| mi4 mi4 re4 do4
| re1
}
tenor = \relative do' {
\stemUp \tieUp fa,2\rest sol2
| la2. sol4
| fa4 sol4 re4. mi8
| fa8 [ sol8 ] la4. la8 sol4 ~
| sol8 [ sol8 ] fa4 sib4 la4 ~
| la4 sol8 [ fa8 ] sol8 [ la8 ] si4
| do4 si4 sol2
| r2 r4 la4
| do4 si8 [ la8 ] si8 [ sol8 ] do4 ~
| do4 sib4 la2
| do2 sol8 [ la8 ] sib4
| r8 la8 do2 si8 [ la8 ]
| do8 [ sol8 ] si4 mi,8 [ fa8 ] sol4 ~
| sol4 fa4 mi4 la4
| sol4 fa4 sib4 sib4 ~
| sib4 la4 sol4 do,4
| re4 r8 sol8 mi4 mi'8 [ re8 ]
| do8 [ si8 la8 mi8 ] \dotsDown la4. \dotsNeutral sol8
| fa4 mi4 la8 [ si8 ] do4 ~
| do4 la4 r4 fa4 ~
| fa4 mi4 re4. mi8
| fa8 [ re8 ] fa2 la4 ~
| la8 [ si8 do8 la8 ] fa'4 mi4
| re2 r4 re8 [ mi8 ]
| fa8 [ mi8 re8 ] do4. do4. si8 [ la8 sol8 ]
| la8 [ sol8 fad8 sol8 ] la4 sol8 [ la8 ] si4 sol'8 [ fa!8 ]
| mi2 mi8 [ re8 ] do4 re8 [ do8 si8 la8 ]
| si8 [ do8 si8 ] sol4. sol8 [ la8 si8 ] do4.
| si4 do8 [ si8 ] la8 [ sol8 ] la4
| sol2 re'2\rest
| fa4\rest fa2 mi4
| re2 re4\rest re4 ~
| re4 do4 si4 do4
| la2 re4\rest mi4 ~
| mi8 [ re16 do16 ] si8 [ do8 ] re8 [ si8 ] mi8 [ re8 ]
| do8 [ si8 ] la8 [ si8 ] do8 [ re8 ] do4
| si4 do8 [ re8 ] mi8 [ re8 do8 si8 ]
| la2 si8 [ do8 ] re8 [ si8 ]
| do4 sol4 r4 sol4 ~
| sol4 fad8 [ mi8 ] fad8 [ sol8 ] fad4
| sol4 mi4 re2
| do4 sol'2 la4
| si4. do8 re4 sol,4 ~
| sol8 [ fa8 ] mi4. fa16 [ sol16 ] la4 ~
| la8 [ sol8 fa8 sol8 ] la2
| si4 do4. do8 sib4
| la2 sib2
| la2 r4 la8 [ sol8 ]
| la8 [ si?8 ] do4 la4 fa4 ~
| fa4 sol4 re2
| r2 la'8 [ sol8 la8 si?8 ]
| do4 sol4 sol4. la8
| si!8 [ fad8 ] la4 re,2 ~
| re4 mi4 re4 sol4 ~
| sol8 [ la8 si8 la8 ] sol4 do4 ~
| do4 do4 si4 la4
| si1
}
basse = \relative do{
R1*4
| re1
| mi2. re4
| do4 re4 mi2
| re4 do4 fa2
| mi2 si2\rest
| si2\rest re4 fa4 ~
| fa4 mi8 [ re8 ] mi8 [ do8 ] sol'4
| re4 la'2 fa4
| mi4. re8 do4 si4
| la1
| r4 re2 sol4
| mi4 fa4 do8 [ si!8 ] la4
| sol2 r2
| R1
| r4 do4 la4 la'8 [ sol8 ]
| fa8 [ mi8 ] fa4. mi8 re8 [ do8 ]
| si4 do4 sol2
| re'1
| R1
| sol4. la8 sib8 [ sol8 ] sib4
| la2 sol8 [ fa8 ] mi2 fa8 [ mi8 ]
| re2 do4 si4 sol'8 [ la8 ] si4
| do4 si8 [ la8 ] sold4 la4. la8 [ sol8 fa8 ]
| mi2 re4 do2 mi8[ fad8 ]
| sol2 re2
| sol4 do2 si4
| la4 fa4 do'2
| re,4\rest sol2 fa4
| mi4 la,4 mi'2
| si4\rest la'4. sol16 [ fa16 ] mi8 [ fa8 ]
| sol2. mi4
| la4 re,4 la'2
| mi4. re8 do8 [ si8 ] sol'4 ~
| sol4 fad4 sol4 re4
| r4 do2 si4
| la2 re2
| sol,1
| r4 do2 si8 [ la8 ]
| mi'4 sol4. fa8 [ mi8 re8 ]
| do4. si8 la2
| re4. mi8 fa4 re4 ~
| re4 do4 sol'4 sol,4
| re'2 r2
| r4 re8 [ do8 ] re8 [ mi8 ] fa4
| re4 la'8 [ sol8 ] fa8 [ mi8 re8 do8 ]
| sib8 [ la8 ] sol2 sol'4 ~
| sol4 fa8 [ mi8 ] re2
| do4. re8 do8 [ si8 ] do4
| re4. do8 si8 [ do8 ] re4
| sol,4 do2 si4
| do4 re4 mi4 do4
| sol'1
| \override Script #'padding = # 1 sol,1_\fermata
}
\score {
{
\context PianoStaff <<
\context Staff = "dessus" <<
\global
\clef violin
\context Voice = "choral" {\voiceOne \themeduchoral}
\context Voice = "alto" {\voiceTwo \alto}
>>
\context Staff = "basse" <<
\global
\clef bass
\context Voice = "tenor" {\voiceOne \tenor}
\context Voice = "basse" {\voiceTwo \basse}
>>
>>
\bar "|."
}
\layout {}
}
\score {
<<
\new Staff {
\set Staff.midiInstrument = "tenor sax"
\themeduchoral
}
\new Staff {
\set Staff.midiInstrument = "baritone sax"
\transpose do do'
\themeduchoral
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\alto
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\transpose do do'
\alto
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\tenor
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\transpose do do'
\tenor
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\basse
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\transpose do do'
\basse
}
%%$ \new Staff { % tempo staff
%%$ \tempo 4 = 110 s1 * 52
%%$ \tempo 4 = 100 s4
%%$ \tempo 4 = 90 s4
%%$ \tempo 4 = 80 s2
%%$ \tempo 4 = 50 s1
%%$ }
>>
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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