% -*- mode: LilyPond-mode ; coding: utf-8 -*-
\version "2.10.15"
\include "italiano.ly"
%%
%% Version 0 du 14 mai 2007
%% Version 1 du 17 mai 2007 : correction du mutopiatitle,
%% mise en page sur deux
%% pages, correction d'alignement de quelques points.
%%
\header{
title = \markup {\center-align { \medium " Urbs Jerusalem " \medium "1er verset" }}
subtitle = ""
piece = ""
instrument = ""
composer = "Jean Titelouze (1563-1633)"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
source = "Archives des maîtres de l'orgue, vol.1, 1897, Alexandre Guilmant"
opus = ""
lastupdated = "2007-05-17"
enteredby = "Gérard Gréco"
maintainer = "Gérard Gréco"
mutopiatitle = "Urbs Jerusalem (1er verset)"
mutopiacomposer = "TitelouzeJ"
mutopiainstrument = "Organ"
style="Baroque"
footer = "Mutopia-2007/05/17-977"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2007. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
%#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18)
% macros von Urs Metzger
adjustSlash = { \once \override TextScript #'extra-offset = #'( -2 . 5 ) }
halsdown = { \stemDown \tieDown \slurDown }
halsneutral = { \stemNeutral \tieNeutral \slurNeutral }
halsup = { \stemUp \tieUp \slurUp}
hideBrackets = { \override TupletBracket #'bracket-visibility = ##f }
hideTripletNumber = { \set tupletNumberFormatFunction = #'() }
mmrestdown = { \once \override MultiMeasureRest #'staff-position = #-2 }
mmrestdownn = { \once \override MultiMeasureRest #'staff-position = #-4 }
mmrestup = { \once \override MultiMeasureRest #'staff-position = #4 }
mmrestupp = { \once \override MultiMeasureRest #'staff-position = #6 }
mmrestuppp = { \once \override MultiMeasureRest #'staff-position = #8 }
mmrestupppp = { \once \override MultiMeasureRest #'staff-position = #10 }
noflag = { \once \override Stem #'flag-style = #'no-flag }
restdownnn = { \once \override MultiMeasureRest #'extra-offset = #'( 0.0 . -3.0 ) }
restright = { \once \override Rest #'extra-offset = #'( 4.0 . 0.0 ) }
scriptdown = { \once \override Script #'extra-offset = #'(0 . -1.3) }
scriptdownn = { \once \override Script #'extra-offset = #'(0 . -2.3) }
scriptdownnn = { \once \override Script #'extra-offset = #'(0 . -3.3) }
scriptup = { \once \override Script #'extra-offset = #'(0 . 1.3) }
showBrackets = { \override TupletBracket #'bracket-visibility = ##t }
staffdown = { \change Staff = "basse" \halsup }
staffup = { \change Staff = "dessus" \halsdown }
std = { \change Staff = "basse" }
stu = { \change Staff = "dessus" }
% macros von Roland Goretzki.
#(use-modules (ice-9 optargs))
#(define*-public (mus:make-context context element #:key id (operations '()))
"Base function for building ContextSpeccedMusic objects."
(apply make-music (append (list 'ContextSpeccedMusic
'property-operations operations
'context-type context
'element element)
(if id (list 'context-id id) '()))))
#(define*-public (mus:override context layout property val #:optional once)
(mus:make-context context (make-music 'OverrideProperty
'once once
'grob-property property
'grob-value val
'symbol layout)))
#(define* (silun dx dy #:optional once)
(ly:export (mus:override 'Bottom 'Rest 'extra-offset (cons dx dy) once)))
#(define* (silaa dx #:optional once)
(ly:export (mus:override 'Bottom 'MultiMeasureRest 'staff-position dx once)))
global = {
\key do \major
\time 4/4
}
soprano = \relative do''' {
\global \halsup
%% 1 :
#(silaa +7 #t) R1
la4 la2 sol4
fa2 mi4 la4
re,4 mi8 fa8 sol8 fa4 mi8
%% 5 :
fa4 do2 fa4 ~
fa4 mi4 re2
do4. si8 la8 si8 do8 re8
mi4 r4 la4 la4 ~
la4 sol4 fa2
%% 10 :
mi2 #(silun 0 +1 #t) r8 si8 do4 ~
do4 si8 la8 sol2
#(silun 0 +1 #t) r2 si4 do4 ~
do4 re8 mi8 fa2
sol4 mi4. fa8 sol8 mi8
%% 15 :
fa4. mi8 re4 fa4 ~
fa4 mi8 re8 mi2
fa2 r2
r4 fa4 re8 mi8 fa8 sol8
la4 la,4 r4 la8 sol8
%% 20 :
fa8 sol8 la4 r2
r8 do8 mi4. re8 do8 si8
la4 do4 re4 r4
#(silaa +4 #t) R1
#(silun 0 +1 #t) r8 mi8 re4 do8 re8 mi8 fad8
%% 25 :
sol4 re4 mi8 do8 re8 mi8
fa8 mi8 re8 do8 re8 do8 si8 la8
sol4 do8 si8 mi8 re8 dod4
re4 si4 la8 si8 re4
sol,4 la4 si4 mi4 ~
%% 30 :
mi4 re4 do4 fa4
sol4. fa8 mi2
r2 r4 la,8 si8
do8 si4 la8 sol4 sol'4
fa8 mi8 fa8 mi8 re2
%% 35 :
r4 la8 si8 do2 ~
do4 re4 do4 fa4
mi8 re8 do8 si8 do2 ~
do8 si8 la4 sol2
fa4 re8 mi8 fa4 sol4
%% 40 :
la4 sib4 la2
r8 la8 sol8 fa8 mi4 r8 do'8 ~
do8 sib8 la8 sol8 do4 la4
si?4 do4 sol'2
r8 mi8 re8 do8 si4 do4 ~
%% 45 :
do2 #(silun 0 +1 #t) r2
r8 la'8 sol8 fa8 mi4 fa4
mi2 #(silun 0 +2 #t) r2
#(silaa +4 #t) R1
r8 fa8 mi8 re8 do4. re8
%% 50 :
mi2 r8 do8 si8 do8
la2 r2
#(silun 0 +1 #t) r2 #(silun 0 -1 #t) r8 re8 do8 sib8
la2 #(silun 0 +2 #t) r8 la'8 sol8 fa8
sol4 fa4 mi2
%% 55 :
r8 la,8 si8 do8 re2
#(silun 0 -1 #t) r8 sol,8 la8 si8 do2
#(silun 0 +1 #t) r2 r8 la8 re8 do8
sib4 la2 sol4
la1^\fermata \bar "|."
}
alto = \relative do'' {
\global \halsdown
%% 1 :
r2 mi4 mi4 ~
mi4 re4 do8 re8 mi4
la,4. si8 do2
\dotsDown sib4. \dotsNeutral la8 sol8 la8 sib4
%% 5 :
la4. sol8 fa4 do'4
si4 do2 sib4
la2 r2
la4 re2 do4
sib2 la2
%% 10 :
#(silun 0 -1 #t) r8 mi8 sol2 fa8 mi8
re4 sol8 fa8 mi4 re4
#(silun 0 -2 #t) r8 mi8 sol2 fa8 mi8
la2 ~ la8 do8 si8 la8
sol2 #(silun 0 -1 #t) r2
%% 15 :
la4 sib2 la8 sol8
la4 sol2 la4
#(silun 0 -1 #t) r4 #(silun 0 -2 #t) r8 fa8 re8 mi8 fa8 sol8
la2 sib4 la4
#(silun 0 -2 #t) r2 do,4 re4 ~
%% 20 :
re8 mi8 fa8 sol8 la4 sol8 fa8
sol2 #(silun 0 -1 #t) r2
r8 fa8 la4. si8 do8 re8
si4 #(silun 0 -1 #t) r8 sol8 fa8 mi8 re8 sol8
mi4 fa8 sol8 la8 si8 do8 la8
%% 25 :
re8 do8 si8 la8 sol8 la8 si8 do8
la8 sol8 la2 re,4
\dotsDown mi4. sol8 ~ sol8 sol8 la8 sol8
fad4 sol4. sol8 fa4
mi4. fad8 sol2
%% 30 :
do8 si8 la8 sol8 la2
r4 mi8 fa8 sol4 la4 ~
la4 sol4 fa2
sol2 r2
r4 re8 mi8 fa4 sol4 ~
%% 35 :
sol4 fa4 mi2
la8 sol8 fa4. sol8 la4 ~
la4 la8 sol8 fa8 mi8 la4
sol4 fa4 r4 do4 ~
do4 sib4 la4 re8 mi8
%% 40 :
fa4 sol4 r8 fa8 mi8 re8
\dotsDown mi4. \dotsNeutral re8 do8 re8 mi4
re4 mi4 fa4 r4
r4 sol8 la8 si8 do8 si8 la8
sol2 sol4. \dotsNeutral sol8
%% 45 :
la2 #(silun 0 -1 #t) r8 la8 si8 do8
la2 r8 la8 la8 si8
do2 r8 mi8 re8 do8
si2 r8 re8 do8 si8
la1
%% 50 :
r8 la8 sol8 fa8 mi8 fa8 sol4
fa4 la4. sol8 fa8 mi8
re4 mi8 fa8 sol4 mi4
fa2 #(silun 0 -2 #t) r2
#(silun 0 -1 #t) r8 sol8 la8 si8 do8 si8 la8 sol8
%% 55 :
fad4 sol2 fa4
mi4 fa4 mi4 fa4 ~
fa8 [ re8 ] sol8 la16 sol16 fad2
#(silun 0 +1 #t) r8 sol8 fa!8 mi8 re4. mi8
fad1
}
tenor = \relative do'' {
\global \halsup
%% 1 :
la4 la2 sol4
fa2 mi4 mi4 ~
mi4 re4 do8 re8 mi8 fa8
sol8 re8 sol8 fa8 mi8 fa8 sol4
%% 5 :
do,4. si?8 la2
re4 do4 sol'4 sol4 ~
sol4 fa2 mi8 re8
do8 mi8 fa8 re8 mi2
re2 #(silun 0 +3 #t) r4 la4
%% 10 :
do4 si8 la8 sol2
r2 #(silun 0 +3 #t) r4 si4
do4 si8 la8 sol2
do4 #(silun 0 +3 #t) r4 la4 do4 ~
do4 si8 la8 sol8 la8 si8 do8
%% 15 :
re4. do8 sib8 sol8 la8 sib8
do4 #(silun 0 +3 #t) r4 do4 la4 ~
la8 si8 do8 re8 sib4 la4
fa'8 mi8 re8 do8 sib8 sol8 re'4
\dotsDown do4. \dotsNeutral si?8 la2
%% 20 :
sib4 la4. si8 do8 re8
do4 si8 sol8 do4 mi4 ~
mi8 re8 do8 si8 la2
re8 sol8 fa8 mi8 re8 do4 si8
do4 re8 mi8 fa8 mi8 re8 do8
%% 25 :
si4 sol'8 fa8 mi4 re8 do8
re8 mi8 fa4 la,4. si8
do8 si8 la8 sol8 do8 si16 la16 sol4
la8 si8 sol8 si8 re4 la8 si8
do2 si4 do4
%% 30 :
r4 la8 si8 do4 re4 ~
re4 do2 si8 la8
si4 sib4 la2
r8 mi'8 re8 do8 si8 la8 sol8 la8
sib2. la8 sol8
%% 35 :
la2 sol4 la8 sol8
fa4 sib4 la4. si8
do8 si8 la2 sol8 fa8
mi4 fa2 mi4
fa4 sol4 la4 sib4
%% 40 :
la4 #(silun 0 +3 #t) r4 #(silun 0 +3 #t) r8 re8 do8 sib8
la2 sol2
r8 re'8 do8 sib8 la4 fa'4 ~
fa4 mi4. mi8 re8 do8
si4 do4 re4 mi4
%% 45 :
r8 la,8 si8 do8 re4. mi8
fa4 mi8 re8 dod4 re4
r8 la'8 sol8 fa8 mi2
r8 sol8 mi8 fa8 sol4 mi4
fa2 #(silun 0 +4 #t) r8 fa8 mi8 re8
%% 50 :
do4 si8 la8 sol2
r8 re'8 do8 si8 la4 do4 ~
do8 do8 si8 la8 sib4 sol4
r8 la8 si?8 do8 re8 do4 re8
mi4 re2 do4 ~
%% 55 :
do4 si4 la8 sol8 la8 si8
do4 fa,4 sol4 la4
sib2 la2
#(silun 0 -1 #t) r8 sol8 re'8 do8 sib2
\once \override Script #'padding = # 1 la1 ^\fermata
}
cantusfirmus=\lyricmode{
%%
%% Urbs beata Jerusalem,
%% dicta pacis visio,
%% Quæ construitur in coelis vivis ex lapidibus,
%% Et angelis coronata ut sponsata comite.
%%
Urbs1
Je1 --
ru1 --
sa1 --
\skip 1
lem1
be1 --
a1 --
ta1
Dic1 --
ta1
pa1 --
cis1
\skip 1
vi1 --
si1 --
o,1
%%\skip 1
Quæ1
cons1 --
tru1 --
i1 --
tur1
in1
coe1--
\skip 1
lis1
\skip 1
Vi1 --
vis1
ex1
la1 --
pi1 --
di1 --
bus1
%%\skip 1
Et1
an1 --
\skip 1
ge1 --
lis1
co1 --
ro1 --
na1 --
ta,
%%\skip 1
Ut1
spon1 --
sa1 --
ta1
\skip 1
\skip 1
\skip 1
\skip 1
co1 --
mi1 --
te1
\skip 1
\skip 1
}
basse = \relative do' {
\global \halsdown
%% 1 :
la1 la1 la1 sol1
%% 5 :
fa1 sol1 la1 la1 re,1
%% 10 :
mi1 sol1 mi1 fa1 mi1
%% 15 :
re1 do1 re1 #(silaa -2 #f) R1 fa1
%% 20 :
re1 mi1 fa1 sol1 la1
%% 25 :
sol1 fa1 mi1 re1 mi1
%% 30 :
fa1 mi1 re1 mi1 re1
%% 35 :
do1 #(silaa -4 #t) R1 la1 do1 re1
%% 40 :
re1 do1 fa1 sol1 sol1
%% 45 :
fa1 R1 la1 sol1 fa1 mi1
%% 50 :
fa1 sol1 fa1 mi1 re1
%% 55 :
do1 re1 re1 ~ re1
}
sopranomidi = \relative do''' {
\global \halsup
%% 1 :
#(silaa +7 #t) R1
la8 r8 la2 sol4
fa2 mi4 la4
re,4 mi8 fa8 sol8 fa4 mi8
%% 5 :
fa4 do2 fa4 ~
fa4 mi4 re2
do4. si8 la8 si8 do8 re8
mi4 r4 la8 r8 la4 ~
la4 sol4 fa2
%% 10 :
mi2 #(silun 0 +1 #t) r8 si8 do4 ~
do4 si8 la8 sol2
#(silun 0 +1 #t) r2 si4 do4 ~
do4 re8 mi8 fa2
sol4 mi4. fa8 sol8 mi8
%% 15 :
fa4. mi8 re4 fa4 ~
fa4 mi8 re8 mi2
fa2 r2
r4 fa4 re8 mi8 fa8 sol8
la4 la,4 r4 la8 sol8
%% 20 :
fa8 sol8 la4 r2
r8 do8 mi4. re8 do8 si8
la4 do4 re4 r4
#(silaa +4 #t) R1
#(silun 0 +1 #t) r8 mi8 re4 do8 re8 mi8 fad8
%% 25 :
sol4 re4 mi8 do8 re8 mi8
fa8 mi8 re8 do8 re8 do8 si8 la8
sol4 do8 si8 mi8 re8 dod4
re4 si4 la8 si8 re4
sol,4 la4 si4 mi4 ~
%% 30 :
mi4 re4 do4 fa4
sol4. fa8 mi2
r2 r4 la,8 si8
do8 si4 la8 sol4 sol'4
fa8 mi8 fa8 mi8 re2
%% 35 :
r4 la8 si8 do2 ~
do4 re4 do4 fa4
mi8 re8 do8 si8 do2 ~
do8 si8 la4 sol2
fa4 re8 mi8 fa4 sol4
%% 40 :
la4 sib4 la2
r8 la8 sol8 fa8 mi4 r8 do'8 ~
do8 sib8 la8 sol8 do4 la4
si?4 do4 sol'2
r8 mi8 re8 do8 si4 do4 ~
%% 45 :
do2 #(silun 0 +1 #t) r2
r8 la'8 sol8 fa8 mi4 fa4
mi2 #(silun 0 +2 #t) r2
#(silaa +4 #t) R1
r8 fa8 mi8 re8 do4. re8
%% 50 :
mi2 r8 do8 si8 do8
la2 r2
#(silun 0 +1 #t) r2 #(silun 0 -1 #t) r8 re8 do8 sib8
la2 #(silun 0 +2 #t) r8 la'8 sol8 fa8
sol4 fa4 mi2
%% 55 :
r8 la,8 si8 do8 re2
#(silun 0 -1 #t) r8 sol,8 la8 si8 do2
#(silun 0 +1 #t) r2 r8 la8 re8 do8
sib4 la2 sol4
la1^\fermata \bar "|."
}
altomidi = \relative do'' {
\global \halsdown
%% 1 :
r2 mi8 r8 mi4 ~
mi4 re4 do8 re8 mi4
la,4. si8 do2
sib4. la8 sol8 la8 sib4
%% 5 :
la4. sol8 fa4 do'4
si4 do2 sib4
la2 r2
la4 re2 do4
sib2 la2
%% 10 :
#(silun 0 -1 #t) r8 mi8 sol2 fa8 mi8
re4 sol8 fa8 mi4 re4
#(silun 0 -2 #t) r8 mi8 sol2 fa8 mi8
la2 ~ la8 do8 si8 la8
sol2 #(silun 0 -1 #t) r2
%% 15 :
la4 sib2 la8 sol8
la4 sol2 la4
#(silun 0 -1 #t) r4 #(silun 0 -2 #t) r8 fa8 re8 mi8 fa8 sol8
la2 sib4 la4
#(silun 0 -2 #t) r2 do,4 re4 ~
%% 20 :
re8 mi8 fa8 sol8 la4 sol8 fa8
sol2 #(silun 0 -1 #t) r2
r8 fa8 la4. si8 do8 re8
si4 #(silun 0 -1 #t) r8 sol8 fa8 mi8 re8 sol8
mi4 fa8 sol8 la8 si8 do8 la8
%% 25 :
re8 do8 si8 la8 sol8 la8 si8 do8
la8 sol8 la2 re,4
mi4. sol8 ~ sol16 r16 sol8 la8 sol8
fad4 sol4 ~ sol16 r16 sol8 fa4
mi4. fad8 sol2
%% 30 :
do8 si8 la8 sol8 la2
r4 mi8 fa8 sol4 la4 ~
la4 sol4 fa2
sol2 r2
r4 re8 mi8 fa4 sol4 ~
%% 35 :
sol4 fa4 mi2
la8 sol8 fa4. sol8 la4 ~
la4 la8 sol8 fa8 mi8 la4
sol4 fa4 r4 do4 ~
do4 sib4 la4 re8 mi8
%% 40 :
fa4 sol4 r8 fa8 mi8 re8
mi4. re8 do8 re8 mi4
re4 mi4 fa4 r4
r4 sol8 la8 si8 do8 si8 la8
sol4. r8 sol4 ~ sol16 r16 sol8
%% 45 :
la2 #(silun 0 -1 #t) r8 la8 si8 do8
la2 r8 la8 la8 si8
do2 r8 mi8 re8 do8
si2 r8 re8 do8 si8
la1
%% 50 :
r8 la8 sol8 fa8 mi8 fa8 sol4
fa4 la4. sol8 fa8 mi8
re4 mi8 fa8 sol4 mi4
fa2 #(silun 0 -2 #t) r2
#(silun 0 -1 #t) r8 sol8 la8 si8 do8 si8 la8 sol8
%% 55 :
fad4 sol2 fa4
mi4 fa4 mi4 fa4 ~
fa8 [ re8 ] sol8 la16 sol16 fad2
#(silun 0 +1 #t) r8 sol8 fa!8 mi8 re4. mi8
fad1
}
tenormidi = \relative do'' {
\global \halsup
%% 1 :
la8 r8 la2 sol4
fa2 mi8 r8 mi4 ~
mi4 re4 do8 re8 mi8 fa8
sol8 re8 sol8 fa8 mi8 fa8 sol4
%% 5 :
do,4. si?8 la2
re4 do4 sol'8 r8 sol4 ~
sol4 fa2 mi8 re8
do8 mi8 fa8 re8 mi2
re2 #(silun 0 +3 #t) r4 la4
%% 10 :
do4 si8 la8 sol2
r2 #(silun 0 +3 #t) r4 si4
do4 si8 la8 sol2
do4 #(silun 0 +3 #t) r4 la4 do4 ~
do4 si8 la8 sol8 la8 si8 do8
%% 15 :
re4. do8 sib8 sol8 la8 sib8
do4 #(silun 0 +3 #t) r4 do4 la4 ~
la8 si8 do8 re8 sib4 la4
fa'8 mi8 re8 do8 sib8 sol8 re'4
do4. si?8 la2
%% 20 :
sib4 la4. si8 do8 re8
do4 si8 sol8 do4 mi4 ~
mi8 re8 do8 si8 la2
re8 sol8 fa8 mi8 re8 do4 si8
do4 re8 mi8 fa8 mi8 re8 do8
%% 25 :
si4 sol'8 fa8 mi4 re8 do8
re8 mi8 fa4 la,4. si8
do8 si8 la8 sol8 do8 si16 la16 sol4
la8 si8 sol8 si8 re4 la8 si8
do2 si4 do4
%% 30 :
r4 la8 si8 do4 re4 ~
re4 do2 si8 la8
si4 sib4 la2
r8 mi'8 re8 do8 si8 la8 sol8 la8
sib2. la8 sol8
%% 35 :
la2 sol4 la8 sol8
fa4 sib4 la4. si8
do8 si8 la2 sol8 fa8
mi4 fa2 mi4
fa4 sol4 la4 sib4
%% 40 :
la4 #(silun 0 +3 #t) r4 #(silun 0 +3 #t) r8 re8 do8 sib8
la2 sol2
r8 re'8 do8 sib8 la4 fa'4 ~
fa4 mi4. mi8 re8 do8
si4 do4 re4 mi4
%% 45 :
r8 la,8 si8 do8 re4. mi8
fa4 mi8 re8 dod4 re4
r8 la'8 sol8 fa8 mi2
r8 sol8 mi8 fa8 sol4 mi4
fa2 #(silun 0 +4 #t) r8 fa8 mi8 re8
%% 50 :
do4 si8 la8 sol2
r8 re'8 do8 si8 la4 do4 ~
do16 r16 do8 si8 la8 sib4 sol4
r8 la8 si?8 do8 re8 do4 re8
mi4 re2 do4 ~
%% 55 :
do4 si4 la8 sol8 la8 si8
do4 fa,4 sol4 la4
sib2 la2
#(silun 0 -1 #t) r8 sol8 re'8 do8 sib2
la1 ^\fermata
}
bassemidi = \relative do' {
\global \halsdown
%% 1 :
la2.. r8 la2.. r8 la1 sol1
%% 5 :
fa1 sol1 la2.. r8 la1 re,1
%% 10 :
mi1 sol1 mi1 fa1 mi1
%% 15 :
re1 do1 re1 #(silaa -2 #f) R1 fa1
%% 20 :
re1 mi1 fa1 sol1 la1
%% 25 :
sol1 fa1 mi1 re1 mi1
%% 30 :
fa1 mi1 re1 mi1 re1
%% 35 :
do1 #(silaa -4 #t) R1 la1 do1 re1
%% 40 :
re1 do1 fa1 sol2.. r8 sol1
%% 45 :
fa1 R1 la1 sol1 fa1 mi1
%% 50 :
fa1 sol1 fa1 mi1 re1
%% 55 :
do1 re2.. r8 re1 ~ re1
}
\paper {
%%#(set-paper-size "a4")
before-title-space=0\mm
after-title-space=15\mm
head-separation = 0\mm
between-system-padding=6\mm
%%between-system-space=25\mm
indent = 3\cm
bottom-margin = 5\mm
top-margin = 5\mm
%raggedbottom = ##f
%raggedlastbottom = ##f
}
\score{
\new PianoStaff <<
\override PianoStaff.VerticalAlignment #'forced-distance = #14
\new Staff = "dessus" <<
\clef "violin"
\set Staff.midiInstrument = "pan flute"
\soprano
\alto
>>
\new Staff = "basse" <<
\clef "bass"
\set Staff.midiInstrument = "pan flute"
\tenor
<<
\new Voice = "bidon" {\basse}
\new Lyrics \lyricsto "bidon" {\cantusfirmus}
>>
>>
>>
\layout{
\context { \PianoStaff
%\override VerticalAxisGroup #'minimum-Y-extent = #'(-20 . 20)
}
}
}
\score {
<<
\new Staff {
\set Staff.midiInstrument = "pan flute"
\sopranomidi
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\sopranomidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\altomidi
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\altomidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\tenormidi
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\tenormidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\bassemidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\transpose do do,
\bassemidi
}
%%$ \new Staff { % tempo staff
%%$ s1* 56
%%$ \tempo 2 = 45 s4 \tempo 2 = 40 s4 \tempo 2 = 30 s4 \tempo 2 = 25 s4
%%$ \tempo 2 = 20 s1
%%$ }
>>
\midi{
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 100 4)
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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