%% -*- mode: LilyPond-mode ; coding: utf-8 -*-
\version "2.10.33"
\include "italiano.ly"
%% version 1
\header{
title = \markup {\center-align { \medium " Conditor alme siderum (Creator alme siderum) " \medium "1er verset" }}
subtitle = ""
piece = ""
instrument = ""
composer = "Jean Titelouze (1563-1633)"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
source = "Archives des maîtres de l'orgue, vol.1, 1897, Alexandre Guilmant"
opus = ""
lastupdated = "2008-04-04"
enteredby = "Gérard Gréco"
maintainer = "Gérard Gréco"
mutopiatitle = "Conditor alme siderum (1er verset)"
mutopiacomposer = "TitelouzeJ"
mutopiainstrument = "Organ"
style="Baroque"
footer = "Mutopia-2008/04/16-1378"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2008. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
% macros von Urs Metzger
adjustSlash = { \once \override TextScript #'extra-offset = #'( -2 . 5 ) }
halsdown = { \stemDown \tieDown \slurDown }
halsneutral = { \stemNeutral \tieNeutral \slurNeutral }
halsup = { \stemUp \tieUp \slurUp}
hideBrackets = { \override TupletBracket #'bracket-visibility = ##f }
hideTripletNumber = { \set tupletNumberFormatFunction = #'() }
mmrestdown = { \once \override MultiMeasureRest #'staff-position = #-2 }
mmrestdownn = { \once \override MultiMeasureRest #'staff-position = #-4 }
mmrestup = { \once \override MultiMeasureRest #'staff-position = #4 }
mmrestupp = { \once \override MultiMeasureRest #'staff-position = #6 }
mmrestuppp = { \once \override MultiMeasureRest #'staff-position = #8 }
mmrestupppp = { \once \override MultiMeasureRest #'staff-position = #10 }
noflag = { \once \override Stem #'flag-style = #'no-flag }
restdownnn = { \once \override MultiMeasureRest #'extra-offset = #'( 0.0 . -3.0 ) }
restright = { \once \override Rest #'extra-offset = #'( 4.0 . 0.0 ) }
scriptdown = { \once \override Script #'extra-offset = #'(0 . -1.3) }
scriptdownn = { \once \override Script #'extra-offset = #'(0 . -2.3) }
scriptdownnn = { \once \override Script #'extra-offset = #'(0 . -3.3) }
scriptup = { \once \override Script #'extra-offset = #'(0 . 1.3) }
showBrackets = { \override TupletBracket #'bracket-visibility = ##t }
staffdown = { \change Staff = "basse" \halsup }
staffup = { \change Staff = "dessus" \halsdown }
std = { \change Staff = "basse" }
stu = { \change Staff = "dessus" }
% macros von Roland Goretzki.
#(use-modules (ice-9 optargs))
#(define*-public (mus:make-context context element #:key id (operations '()))
"Base function for building ContextSpeccedMusic objects."
(apply make-music (append (list 'ContextSpeccedMusic
'property-operations operations
'context-type context
'element element)
(if id (list 'context-id id) '()))))
#(define*-public (mus:override context layout property val #:optional once)
(mus:make-context context (make-music 'OverrideProperty
'once once
'grob-property property
'grob-value val
'symbol layout)))
#(define* (silun dx dy #:optional once)
(ly:export (mus:override 'Bottom 'Rest 'extra-offset (cons dx dy) once)))
#(define* (silaa dx #:optional once)
(ly:export (mus:override 'Bottom 'MultiMeasureRest 'staff-position dx once)))
% BogenKurve: -------------------------------------------------------- %
#(define* (TiePosition dy #:optional once)
(ly:export (mus:override 'Bottom 'Tie 'staff-position dy once)))
%
% Bogen: ------------------------------------------------------------- %
#(define* (Bogen dx dy #:optional once)
(ly:export (mus:override 'Bottom 'Slur 'extra-offset (cons dx dy) once)))
% HalteBogenKurve: --------------------------------------------------- %
#(define* (HalteBogenKurve dy #:optional once)
(ly:export (mus:override 'Bottom 'Tie 'height-limit dy once)))
%
% Tie: --------------------------------------------------------------- %
#(define* (Tie dx dy #:optional once)
(ly:export (mus:override 'Bottom 'Tie 'extra-offset (cons dx dy) once)))
%
#(define* (modifpostexte dx dy #:optional once)
(ly:export (mus:override 'Bottom 'TextScript 'extra-offset (cons dx dy) once)))
\paper {
print-page-number = ##f
%%$%%system-count = 3
between-system-padding = 4\mm
between-system-space = 20\mm
indent = 2\cm
head-separation = 0\mm
%%$foot-separation = 4\mm
page-top-space = 10\mm
%%$bottom-margin = 6\mm
top-margin = 5\mm
foot-separation = -8\mm
tagline = ##t
ragged-bottom = ##f
ragged-last-bottom = ##f
}
%%$#(set-default-paper-size "letter" 'portrait)
#(set-global-staff-size 19)
global = {
\key do \major
\time 3/1
}
cantusfirmus=\lyricmode{
%% 1 :
\skip \breve.
\skip \breve.
\skip \breve.
Con \breve.--
%% 5 :
di \breve -- tor1
al \breve -- me1
si \breve -- de1 --
rum, \breve AE1 --
ter \breve -- na1
%% 10 :
lux \breve cre1 --
den \breve -- ti1 --
um, \breve Chris1 --
te \breve Re1 --
demp \breve -- tor1
%% 15 :
om \breve -- ni1 --
um \breve Ex1 --
au \breve -- di1
pre \breve -- ces1
sup \breve -- pli1 --
%% 20 :
cum.1
}
soprano = \relative do'' {
%% 1 :
re1\rest si\breve
la1 sol\breve
si1 re1 do1
si2 la2 sol1 la2 sol4 fa4
%% 5 :
mi1 si'1\rest si1\rest
#(silaa +2 #t) R\breve.
do2 re2 mi2 fa2 do1
re1. mi2 sol1
do,1 re2 mi1 fad2
%% 10 :
sol1 re1 mi2 re2
do2 si2 do1 re1
mi1 re2 do2 si2 do2
la2 si2 do1 fa1
mi1 sol1 do,2 re2
%% 15 :
mi2 re1 do1 si2
do1 si2\rest do2 mi2 fa2
sol\breve fa2 mi2
re1 sol1 re1\rest
la'1 sol1 fa1
%% 20 :
mi1. re2 do1
#(silun 0 -1 #t) r2 do2 mi2 fa2 sol1 ~
sol2 fa2 mi1 re2 do2
si1 do2 sold2 la1
si\breve.^\fermata
%% 25 :
}
alto = \relative do' {
%% 1 :
mi\breve re1
do\breve mi1
sol1. re2 mi2 fad2
sol1 r1 r1
%% 5 :
do,2 re2 mi2 fa2 sol2 mi2
re1 sol2 sol1 fa2
mi1 r1 r1
sol2 la2 si2 do1 sib2
la2 sol2 fa2 mi2 do'1
%% 10 :
si1 r1 sol1
la\breve la1
sol\breve.
r1 la1. la2
sol2 la2 si2 fa2 la1
%% 15 :
sol1. mi2 fa2 re2
mi2 do2 mi2 fa2 sol1
sol2\rest sol2 si2 do2 re2 do2
si1. la2 si2 do2
la1 si2 do2 re2 re2 ~
%% 20 :
re2 do1 si2 la1
sol1. la2 si2 do2
si1 do2 sol2 la1
sol2 fa2 mi2. re4 do1
si\breve. \bar "|."
}
tenor = \relative do' {
%% 1 :
#(silaa +2 #f) R\breve.
R\breve.
si\breve la1
sol2 la2 si2 do2 fa,2 sol2
%% 5 :
la2 si2 do\breve
si2 do2 re2 mi2 si2 re2
do1. re2 mi2 do2
si2 do2 re2 do2 re2 mi2
fa2 mi2 re2 do1.
%% 10 :
re1 si1 do1
#(silun 0 +1 #t) r1 la1. si2
do2 re2 mi1 re2 mi2 ~
mi2 re2 do2 la1 re2 ~
re2 do2 si2 do2 la2 si2
%% 15 :
do2 si4 la4 sol1 la2 fa2
sol1 do\breve
si1 mi1 #(silun 0 +1 #t) r1
#(silun 0 +1 #t) r2 re2 si2 do2 re2 mi2 ~
mi2 re1 do1 si4 la4
%% 20 :
sol1 la2 si2 do2 re2
mi\breve mi2\rest mi2 ~
mi2 re2 do1 si2 la2
mi'2 re2 do2 si2 la2. si8 la8
\once \override Script #'extra-offset = #'(0 . 1.3) sold\breve.^\fermata
}
basse = \relative do {
%% 1 :
R\breve.
R\breve.
R\breve.
mi\breve re1
%% 5 :
do\breve mi1
sol\breve sol1
la\breve la1
sol\breve sol1
la\breve la1
%% 10 :
sol\breve mi1
fa\breve fa1
mi\breve sol1
fa\breve re1
mi\breve fa1
%% 15 :
mi\breve re1
do\breve do1
mi\breve fa1
sol\breve sol1
fa1 mi re
%% 20 :
#(BogenKurve -1.2 #f) mi\breve. ~
mi\breve. ~
mi\breve. ~
mi\breve. ~
mi\breve.
}
bassemidi = \relative do {
%% 1 :
R\breve.
R\breve.
R\breve.
mi\breve re1
%% 5 :
do\breve mi1
sol1 ~ sol2. r4 sol1
la1 ~ la2. r4 la1
sol1 ~ sol2 r2 sol1
la1 ~ la2. r4 la1
%% 10 :
sol\breve mi1
fa1 ~ fa2. r4 fa1
mi1 ~ mi2 r2 sol1
fa\breve re1
mi\breve fa1
%% 15 :
mi\breve re1
do1 ~ do2 r2 do1
mi\breve fa1
sol1 ~ sol2. r4 sol1
fa1 mi re
%% 20 :
#(TiePosition -1.2 #f) mi\breve. ~
mi\breve. ~
mi\breve. ~
mi\breve. ~
mi\breve.
}
\score {
<<
\new Staff {
\set Staff.midiInstrument = "pan flute"
\soprano
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\soprano
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\alto
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\alto
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\tenor
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\tenor
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\bassemidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\transpose do do,
\bassemidi
}
%%$ \new Staff { % tempo staff
%%$ \tempo 4 = 72 s1* 54
%%$ \tempo 4 = 47 s1
%%$ \tempo 4 = 45 s1
%%$ \tempo 4 = 35 s1
%%$ \tempo 4 = 30 s1
%%$ }
>>
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 150 2)
}
}
}
\score {
<<
\context PianoStaff <<
\override PianoStaff.VerticalAlignment #'forced-distance = #14
\context Staff = "dessus" <<
\global
\clef violin
\context Voice = "soprano" {\voiceOne \soprano}
\context Voice = "alto" {\voiceTwo \alto}
>>
\context Staff = "basse" <<
\global
\clef bass
\context Voice = "tenor" {\voiceOne \tenor}
\context Voice = "basse" {\voiceTwo \basse}
>>
>>
\context Lyrics \cantusfirmus
>>
\layout { }
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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