% -*- mode: LilyPond-mode ; coding: utf-8 -*-
\version "2.10.15"
\include "italiano.ly"
%%
%% Version 0
%%
\header{
title = \markup {\center-align { \medium " A solis ortus (Crudelis Herodes)" \medium "1er verset" }}
subtitle = ""
piece = ""
instrument = ""
composer = "Jean Titelouze (1563-1633)"
copyright = "Creative Commons Attribution-ShareAlike 2.5"
source = "Archives des maîtres de l'orgue, vol.1, 1897, Alexandre Guilmant"
opus = ""
lastupdated = "2007-02-24 samedi après les cendres."
enteredby = "Gérard Gréco"
maintainer = "Gérard Gréco"
mutopiatitle = "A solis ortus (1er verset)"
mutopiacomposer = "TitelouzeJ"
mutopiainstrument = "Organ"
style="Baroque"
footer = "Mutopia-2007/02/25-932"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2007. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 2.5 License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/2.5" http://creativecommons.org/licenses/by-sa/2.5 } } } }
}
%#(set-default-paper-size "a4" 'landscape)
%#(set-global-staff-size 20)
% macros von Urs Metzger
adjustSlash = { \once \override TextScript #'extra-offset = #'( -2 . 5 ) }
halsdown = { \stemDown \tieDown \slurDown }
halsneutral = { \stemNeutral \tieNeutral \slurNeutral }
halsup = { \stemUp \tieUp \slurUp}
hideBrackets = { \override TupletBracket #'bracket-visibility = ##f }
hideTripletNumber = { \set tupletNumberFormatFunction = #'() }
mmrestdown = { \once \override MultiMeasureRest #'staff-position = #-2 }
mmrestdownn = { \once \override MultiMeasureRest #'staff-position = #-4 }
mmrestup = { \once \override MultiMeasureRest #'staff-position = #4 }
mmrestupp = { \once \override MultiMeasureRest #'staff-position = #6 }
mmrestuppp = { \once \override MultiMeasureRest #'staff-position = #8 }
mmrestupppp = { \once \override MultiMeasureRest #'staff-position = #10 }
noflag = { \once \override Stem #'flag-style = #'no-flag }
restdownnn = { \once \override MultiMeasureRest #'extra-offset = #'( 0.0 . -3.0 ) }
restright = { \once \override Rest #'extra-offset = #'( 4.0 . 0.0 ) }
scriptdown = { \once \override Script #'extra-offset = #'(0 . -1.3) }
scriptdownn = { \once \override Script #'extra-offset = #'(0 . -2.3) }
scriptdownnn = { \once \override Script #'extra-offset = #'(0 . -3.3) }
scriptup = { \once \override Script #'extra-offset = #'(0 . 1.3) }
showBrackets = { \override TupletBracket #'bracket-visibility = ##t }
staffdown = { \change Staff = "basse" \halsup }
staffup = { \change Staff = "dessus" \halsdown }
std = { \change Staff = "basse" }
stu = { \change Staff = "dessus" }
% macros von Roland Goretzki.
#(use-modules (ice-9 optargs))
#(define*-public (mus:make-context context element #:key id (operations '()))
"Base function for building ContextSpeccedMusic objects."
(apply make-music (append (list 'ContextSpeccedMusic
'property-operations operations
'context-type context
'element element)
(if id (list 'context-id id) '()))))
#(define*-public (mus:override context layout property val #:optional once)
(mus:make-context context (make-music 'OverrideProperty
'once once
'grob-property property
'grob-value val
'symbol layout)))
#(define* (silun dx dy #:optional once)
(ly:export (mus:override 'Bottom 'Rest 'extra-offset (cons dx dy) once)))
#(define* (silaa dx #:optional once)
(ly:export (mus:override 'Bottom 'MultiMeasureRest 'staff-position dx once)))
global = {
\key la \minor
\time 4/4
}
soprano = \relative do'' {
\global \halsup
%% 1 :
#(silaa +4 #f) R1
R1
la4 si8 do8 re4 do4
si1
%% 5 :
do2 re4 mi4
fad4 sol4 la4 re,4 ~
re4 do4 si4 mi4
re4 mi8 fad8 sol4 mi4 ~
mi4 re4 do4 re4
%% 10 :
mi4 fa4 sol2 ~
sol2 r2
#(silun 0.0 -1 #t) r4 do,2 re4
mi4 fa4 sol4 sol4 ~
sol4 fa4 mi2
%% 15 :
#(silaa +8 #t) R1
r2 re2
mi2 re4 do4
si4 sol'4. fa8 mi4 ~
mi8 re8 do4. re8 mi4
%% 20 :
re2 #(silun 0.0 +1 #t) r2
#(silun 0.0 -1 #t) r4 re2 mi4
fad2 sol2
la4 sol8 fa?8 mi4 fa4
mi2. la4 ~
%% 25 :
la4 sol4 fa?2
mi2 la2
sol2 r4 do,4
re4 re8 do8 si8 do8 re8 mi8
fad4 sol4. fad16 mi16 fad4
%% 30 :
sol4. fa?8 mi4 re4
do4 la4 r2
la4. si8 do4 si8 la8
do8 si8 mi8 re8 mi4. do8
si4. do8 re4 do8 si8
%% 35 :
do4 la8 si8 do8 re8 mi4
re4 mi4 fa2
mi4. fa8 sol!4 mi4 ~
mi4 re4 do4 la4
re4. do8 si2
%% 40 :
mi8 re8 do8 si8 dod4 re4 ~
re8 do8 si2 do4 ~
do8 si8 la2 re4 ~
re8 do8 si4 sol'4 mi4
mi4 re4 do4 si4
%% 45 :
la4. si8 do4 re4
mi4 re4 do8 re8 mi8 fa8
sol2. mi4 ~
mi4 re4 do4 si4 ~
si4 la4 sol4 la4
%% 50 :
si1^\fermata \bar "|."
}
alto = \relative do' {
\global \halsdown
%% 1 :
re2. mi8 fa8
sol4 fa4 mi2
#(silaa -4 #t) R1
re4 mi8 fa8 sol4 fa4
%% 5 :
mi4. la8 si4 do4 ~
do4 si4 la2
sold4 la2 sol4
sol4. la8 si4 do4
la2 r2
%% 10 :
sol2. la4
si4 do4 re4 re,4
fa4 mi4 la2
sol2. do8 si8
la2 sol4 do8 re8
%% 15 :
mi2 re4 do4
re4 do4 si2
do4. si8 la4 fad4
\dotsDown sol4. la8 \dotsNeutral si4. si8
\dotsDown do4. \dotsNeutral si8 la4. sol8
%% 20 :
fad4 sol2 la4
si2. si8 do8
\dotsDown re4. do8 \dotsNeutral si4. mi16 re16
do4 si4 dod4 re4 ~
re4 do8 si8 la4 do4 ~
%% 25 :
do4 si4 la4 si4
do4. si8 la8 si8 do8 re8
mi4. re8 do8 si8 la4
sol2 #(silun 0.0 +0.5 #t) r4 sol4
la4 si4 do4 la4
%% 30 :
si2 #(silun 0.0 +1 #t) r4 sol4 ~
sol4 fa4 mi2
fa4 mi2 re4
mi4. fa8 sol2
r2 r4 sol4
%% 35 :
mi4 fa4 mi2
fa4 sol4 la4. si8
sold4 la4 si4 la8 sol8
la2 #(silun 0.0 +0.5 #t) r4 fa4
re4 sol2 fa4
%% 40 :
mi4 la4 sol4 fad4
sol4 \dotsDown sol4. fa8 \dotsNeutral mi4
fa4 fa4. mi8 re4
re4 sol8 la8 si4 do4 ~
do8 si8 la8 sol8 la4 sol4
%% 45 :
fa2 la2
do4 si2 la4
sol4 do4 si4 la4
sold2 la4 sol4 ~
sol8 fa8 mi2 fad4
%% 50 :
sold1
}
tenor = \relative do' {
\global \halsup
%% 1 :
la4 si8 do8 re4 do4
si2 do4 do4 ~
do4 si4 la2
r2 re2
%% 5 :
do4 fa2 mi4
re4. mi8 fa2
mi4 la,4 si4 do4 ~
do4 si8 la8 re4 do8 si8
do4 re4 la4 si4
%% 10 :
do4 re4 mi2
re4 do4. do8 si4
do2 fa2
mi2. mi4 ~
mi4 fa4 sol4 mi4
%% 15 :
r4 sol2 la4
si4 la4 sol8 fa8 sol8 fa8
la4 sol4 fa8 mi8 re8 do8
re2 sol4. fa8
mi4. re8 do2
%% 20 :
re2 mi4 fad4
sol2 fad4 sol4
r4 re2 mi4
fad4 sol4 la4 re,4
mi4. re8 do4 mi4
%% 25 :
fad4 sol4 la4 sol8 fa8
la8 mi8 sol4 fa4 mi4
#(silun 0.0 -0.5 #t) r4 sol2 fa8 mi8
re2 #(silun 0.0 +4 #t) r4 re4
do4 re4 mi4 re8 do8
%% 30 :
re8 si8 mi8 re8 do8 re8 si4
mi4 re2 do4 ~
do8 re8 do8 si8 la2
sol4 do4. si8 mi4 ~
mi8 re8 sol4. fa8 mi8 re8
%% 35 :
do4 re4 do4. si8
la8 re8 do8 si8 la4 re4 ~
re4 do4 si4 do4
la2. do4 ~
do4 si4 mi4 re4
%% 40 :
do4 fa4 mi4 re8 do8
si4 mi4 re4 do8 si8
la4 re4 do4 si8 la8
si4 mi4. re8 do8 si8
la2. si4
%% 45 :
do4 re4 #(silun 0.0 +4 #t) r8 do8 si8 la8
sol2 la4 do4
si4 mi4. re8 do4
si2 la4 si4
sol4 do2 si8 la8
%% 50 :
mi'1 ^\fermata
}
basse = \relative do {
\global \halsdown
%% 1 :
re1 mi1 fa1 sol1
%% 5 :
la1 re,1 mi1 sol1 fa1
%% 10 :
mi1 sol1 la1 do1 do1
%% 15 :
do1 si1 la1 sol1 la1
%% 20 :
si1 si1 si1 la1 la1
%% 25 :
re1 do1 do1 si1 la1
%% 30 :
sol1 la1 fa1 mi1 sol1
%% 35 :
la1 re,1 mi1 fa1 sol1
%% 40 :
la1 sol1 fa1 sol1 fa1
%% 45 :
~ fa1 mi1 ~ mi1 ~ mi1 ~ mi1
%% 50 :
mi1
}
cantusfirmus=\lyricmode{
%%
%% A solis ortus cardine,
%% Ad usque terræ limitem,
%% Christum canamus principem,
%% Natum Maria Virgine.
%%
A1
so1 --
lis1
or1 --
\skip 1
tus1
car1 --
\skip 1
di1 --
ne,
Ad
us1 --
\skip 1
que1
ter --
\skip 1
ræ1
\skip 1
li --
\skip 1
mi1 --
tem,
Chri --
stum
\skip 1
ca1 --
na1 --
mus
\skip 1
\skip 1
prin1 --
ci --
pem,
\skip 1
\skip 1
Na1 --
tum
Ma1 --
ri --
\skip 1
a1
\skip 1
Vir1 --
gi --
\skip 1
ne.
\skip 1
\skip 1
\skip 1
\skip 1
}
sopranomidi = \relative do'' {
\halsup
%% 1 :
#(silaa +4 #f) R1
R1
la4 si8 do8 re4 do4
si1
%% 5 :
do2 re4 mi4
fad4 sol4 la4 re,4 ~
re4 do4 si4 mi4
re4 mi8 fad8 sol4 mi4 ~
mi4 re4 do4 re4
%% 10 :
mi4 fa4 sol2 ~
sol2 r2
#(silun 0.0 -1 #t) r4 do,2 re4
%% ================
%%> ORIGINAL > mi4 fa4 sol4 sol4 ~
mi4 fa4 sol8 r8 sol4 ~
sol4 fa4 mi2
%% 15 :
#(silaa +8 #t) R1
r2 re2
mi2 re4 do4
si4 sol'4. fa8 mi4 ~
mi8 re8 do4. re8 mi4
%% 20 :
re2 #(silun 0.0 +1 #t) r2
#(silun 0.0 -1 #t) r4 re2 mi4
fad2 sol2
la4 sol8 fa8 mi4 fa4
mi2. la4 ~
%% 25 :
la4 sol4 fa2
mi2 la2
sol2 r4 do,4
re4 re8 do8 si8 do8 re8 mi8
fad4 sol4. fad16 mi16 fad4
%% 30 :
sol4. fa8 mi4 re4
do4 la4 r2
la4. si8 do4 si8 la8
do8 si8 mi8 re8 mi4. do8
si4. do8 re4 do8 si8
%% 35 :
do4 la8 si8 do8 re8 mi4
re4 mi4 fa2
mi4. fa8 sol!4 mi4 ~
mi4 re4 do4 la4
re4. do8 si2
%% 40 :
mi8 re8 do8 si8 dod4 re4 ~
re8 do8 si2 do4 ~
do8 si8 la2 re4 ~
%% ================
%% > ORIGINAL > re8 do8 si4 sol'4 mi4
re8 do8 si4 sol'4 mi8 r8
mi4 re4 do4 si4
%% 45 :
la4. si8 do4 re4
mi4 re4 do8 re8 mi8 fa8
sol2. mi4 ~
mi4 re4 do4 si4 ~
si4 la4 sol4 la4
%% 50 :
si1^\fermata \bar "|."
}
altomidi = \relative do' {
\global \halsdown
%% 1 :
re2. mi8 fa8
sol4 fa4 mi2
R1
re4 mi8 fa8 sol4 fa4
%% 5 :
mi4. la8 si4 do4 ~
do4 si4 la2
sold4 la2 sol4
sol4. la8 si4 do4
la2 r2
%% 10 :
sol2. la4
si4 do4 re4 re,4
fa4 mi4 la2
sol2. do8 si8
la2 sol4 do8 re8
%% 15 :
mi2 re4 do4
re4 do4 si2
do4. si8 la4 fad4
\dotsDown sol4. la8 \dotsNeutral si4. si8
\dotsDown do4. \dotsNeutral si8 la4. sol8
%% 20 :
fad4 sol2 la4
si2. si8 do8
\dotsDown re4. do8 \dotsNeutral si4. mi16 re16
do4 si4 dod4 re4 ~
re4 do8 si8 la4 do4 ~
%% 25 :
do4 si4 la4 si4
do4. si8 la8 si8 do8 re8
mi4. re8 do8 si8 la4
sol2 #(silun 0.0 +0.5 #t) r4 sol4
la4 si4 do4 la4
%% 30 :
si2 #(silun 0.0 +1 #t) r4 sol4 ~
sol4 fa4 mi2
fa4 mi2 re4
mi4. fa8 sol2
r2 r4 sol4
%% 35 :
mi4 fa4 mi2
fa4 sol4 la4. si8
sold4 la4 si4 la8 sol8
la2 #(silun 0.0 +0.5 #t) r4 fa4
re4 sol2 fa4
%% 40 :
mi4 la4 sol4 fad4
%%>================
%%> ORIGINAL > sol4 \dotsDown sol4. fa8 \dotsNeutral mi4
sol8 r8 \dotsDown sol4. fa8 \dotsNeutral mi4
%%>================
%%> ORIGINAL > fa4 fa4. mi8 re4
fa8 r8 fa4. mi8 re4
re4 sol8 la8 si4 do4 ~
do8 si8 la8 sol8 la4 sol4
%% 45 :
fa2 la2
do4 si2 la4
sol4 do4 si4 la4
sold2 la4 sol4 ~
sol8 fa8 mi2 fad4
%% 50 :
sold1
}
tenormidi = \relative do' {
\global
\halsup
%% 1 :
la4 si8 do8 re4 do4
%%>================
%%> ORIGINAL > si2 do4 do4 ~
si2 do8 r8 do4 ~
do4 si4 la2
r2 re2
%% 5 :
do4 fa2 mi4
re4. mi8 fa2
mi4 la,4 si4 do4 ~
do4 si8 la8 re4 do8 si8
do4 re4 la4 si4
%% 10 :
do4 re4 mi2
re4 do4. do8 si4
do2 fa2
mi2. mi4 ~
mi4 fa4 sol4 mi4
%% 15 :
r4 sol2 la4
si4 la4 sol8 fa8 sol8 fa8
la4 sol4 fa8 mi8 re8 do8
re2 sol4. fa8
mi4. re8 do2
%% 20 :
re2 mi4 fad4
sol2 fad4 sol4
r4 re2 mi4
fad4 sol4 la4 re,4
mi4. re8 do4 mi4
%% 25 :
fad4 sol4 la4 sol8 fa8
la8 mi8 sol4 fa4 mi4
#(silun 0.0 -0.5 #t) r4 sol2 fa8 mi8
re2 #(silun 0.0 +4 #t) r4 re4
do4 re4 mi4 re8 do8
%% 30 :
re8 si8 mi8 re8 do8 re8 si4
mi4 re2 do4 ~
do8 re8 do8 si8 la2
sol4 do4. si8 mi4 ~
mi8 re8 sol4. fa8 mi8 re8
%% 35 :
do4 re4 do4. si8
la8 re8 do8 si8 la4 re4 ~
re4 do4 si4 do4
la2. do4 ~
do4 si4 mi4 re4
%% 40 :
do4 fa4 mi4 re8 do8
si4 mi4 re4 do8 si8
la4 re4 do4 si8 la8
si4 mi4. re8 do8 si8
la2. si4
%% 45 :
do4 re4 #(silun 0.0 +4 #t) r8 do8 si8 la8
sol2 la4 do4
si4 mi4. re8 do4
si2 la4 si4
sol4 do2 si8 la8
%% 50 :
mi'1 ^\fermata
}
bassemidi = \relative do {
\global \halsdown
%% 1 :
re1 mi1 fa1 sol1
%% 5 :
la1 re,1 mi1 sol1 fa1
%% 10 :
%%>================
%%> ORIGINAL > mi1 sol1 la1 do1 do1
mi1 sol1 la1 do2.. r8 do1
%% 15 :
do1 si1 la1 sol1 la1
%% 20 :
si2.. r8 si2.. r8 si1 la2.. r8 la1
%% 25 :
re1 do2.. r8 do1 si1 la1
%% 30 :
sol1 la1 fa1 mi1 sol1
%% 35 :
la1 re,1 mi1 fa1 sol1
%% 40 :
la1 sol1 fa1 sol1 fa1
%% 45 :
~ fa1 mi1 ~ mi1 ~ mi1 ~ mi2. r8
%% 50 :
mi1
}
\paper {
%betweensystempadding = 1\mm
%betweensystemspace = 1\mm
%raggedbottom = ##t
%raggedlastbottom = ##t
%headsep = 1\mm
%aftertitlespace = 1\mm
indent = 1\cm
%bottommargin = 4\mm
%topmargin = 1\mm
}
\score{
<<
\new PianoStaff
<<
\new Staff = "dessus" <<
\clef "violin"
\soprano
\alto
>>
\new Staff = "basse" <<
\clef "bass"
\tenor
\basse
>>
>>
\context Lyrics \cantusfirmus
>>
\layout{
}
}
\score {
<<
\new Staff {
\set Staff.midiInstrument = "pan flute"
\sopranomidi
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\sopranomidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\altomidi
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\altomidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\tenormidi
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\tenormidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\bassemidi
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do,
\bassemidi
}
\new Staff { % tempo staff
s1* 48
\tempo 2 = 45 s4 \tempo 2 = 40 s4 \tempo 2 = 30 s4 \tempo 2 = 25 s4
\tempo 2 = 20 s1
}
>>
\midi{
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 50 2)
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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