% -*- mode: LilyPond-mode ; coding: utf-8 -*-
\version "2.10.10"
\include "italiano.ly"
%%
%% Version 1.0 du 20 juillet 2005.
%% Version 2.0 su 17 mai 2007.
%% ajouts de macros, mises à jour dues à l'évolution de Lilypond,
%% séparation complète des voix Midi.
%%
\header{
title = \markup {\center-align { \medium " Conditor alme siderum " \medium "3e verset" }}
subtitle = ""
piece = ""
instrument = ""
composer = "Jean Titelouze (1563-1633)"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
source = "Archives des maîtres de l'orgue, vol.1, 1897, Alexandre Guilmant"
opus = ""
lastupdated = "2007-05-17"
%%lastlastupdated = "2005-07-20"
enteredby = "Gérard Gréco"
maintainer = "Gérard Gréco"
mutopiatitle = "Conditor alme siderum (3e verset)"
mutopiacomposer = "TitelouzeJ"
mutopiainstrument = "Organ"
style="Baroque"
%% footer = "Mutopia-2007/05/???"
footer = "Mutopia-2007/05/17-572"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2007. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
% macros von Urs Metzger
adjustSlash = { \once \override TextScript #'extra-offset = #'( -2 . 5 ) }
halsdown = { \stemDown \tieDown \slurDown }
halsneutral = { \stemNeutral \tieNeutral \slurNeutral }
halsup = { \stemUp \tieUp \slurUp}
hideBrackets = { \override TupletBracket #'bracket-visibility = ##f }
hideTripletNumber = { \set tupletNumberFormatFunction = #'() }
mmrestdown = { \once \override MultiMeasureRest #'staff-position = #-2 }
mmrestdownn = { \once \override MultiMeasureRest #'staff-position = #-4 }
mmrestup = { \once \override MultiMeasureRest #'staff-position = #4 }
mmrestupp = { \once \override MultiMeasureRest #'staff-position = #6 }
mmrestuppp = { \once \override MultiMeasureRest #'staff-position = #8 }
mmrestupppp = { \once \override MultiMeasureRest #'staff-position = #10 }
noflag = { \once \override Stem #'flag-style = #'no-flag }
restdownnn = { \once \override MultiMeasureRest #'extra-offset = #'( 0.0 . -3.0 ) }
restright = { \once \override Rest #'extra-offset = #'( 4.0 . 0.0 ) }
scriptdown = { \once \override Script #'extra-offset = #'(0 . -1.3) }
scriptdownn = { \once \override Script #'extra-offset = #'(0 . -2.3) }
scriptdownnn = { \once \override Script #'extra-offset = #'(0 . -3.3) }
scriptup = { \once \override Script #'extra-offset = #'(0 . 1.3) }
showBrackets = { \override TupletBracket #'bracket-visibility = ##t }
staffdown = { \change Staff = "basse" \halsup }
staffup = { \change Staff = "dessus" \halsdown }
std = { \change Staff = "basse" }
stu = { \change Staff = "dessus" }
% macros von Roland Goretzki.
#(use-modules (ice-9 optargs))
#(define*-public (mus:make-context context element #:key id (operations '()))
"Base function for building ContextSpeccedMusic objects."
(apply make-music (append (list 'ContextSpeccedMusic
'property-operations operations
'context-type context
'element element)
(if id (list 'context-id id) '()))))
#(define*-public (mus:override context layout property val #:optional once)
(mus:make-context context (make-music 'OverrideProperty
'once once
'grob-property property
'grob-value val
'symbol layout)))
#(define* (silun dx dy #:optional once)
(ly:export (mus:override 'Bottom 'Rest 'extra-offset (cons dx dy) once)))
#(define* (silaa dx #:optional once)
(ly:export (mus:override 'Bottom 'MultiMeasureRest 'staff-position dx once)))
global = {
\key do \major
\time 4/4
}
soprano = \relative do' {
%% 1 :
#(silaa +2 #f) R1
R1
mi2. re4
do4. re8 mi8 [ fa8 sol8 mi8 ]
%% 5 :
fa2 mi4. fad8
sol8 [ la8 ] si4. la8 [ sol8 fa8 ]
mi1
si'8\rest do,8 re4 mi8 [ fa8 ] sol4
fa2 sol2\rest
%% 10 :
si8\rest la8 [ re8 do8 ] la8 [ si8 do8 la8 ]
si4. la8 sol4 fad4
sol4. la8 si4 mi,4 ~
mi4 re4 sol2\rest
si4\rest sol2 fa4
%% 15 :
mi4. fa8 sol4. la8
si8 [ do8 ] re2 re8 [ do8 ]
si4 mi4 re2
do4. si8 la2
sol4 si4 sold2
%% 20 :
la2 si2\rest
R1
si4\rest si2 la4
sol4. la8 si8 [ do8 re8 si8 ]
do4. re8 mi2
%% 25 :
la,4. sol8 si4. dod8
re4. do8 si2
R1
si2\rest si4\rest sol4
la4. la8 sol4 mi4
%% 30 :
fad4 sol4 do4 sol8 [ la8 ]
si8 [ do8 ] re4 do4 si4 ~
si8 [ si8 ] la4 si4 re4
do4 la4 si2\rest
fa'4\rest re4 mi4. mi8
%% 35 :
re4 la4 do4 si4 ~
si4 la4 si8 [ do!8 re8 si8 ]
mi8 [ re8 do8 si8 ] la4 sol4 ~
sol8 [ sol8 ] fa4 sol4 la4 ~
la4 sol4 la2
%% 40 :
si2\rest si4\rest sol4
fa4 re4 mi4 fa4 ~
fa4 mi4. mi8 re4
re'2\rest re2
do4 la4 si4 do4 ~
%% 45 :
do4 si4 la2
si2\rest re4\rest sol,4
fa4 re4 mi4 fa4 ~
fa4 mi4 re4 sol8 [ fa8 ]
mi2 re2
%% 50 :
si'2\rest la8 [ sol8 ] fa4
mi4 do'4 si2
do4 re4 do4 si4
si8\rest sol8 [ si8 do8 ] re8 [ do16 si16 ] la16 [ si16 do16 re16 ]
mi16 [ re16 do16 si16 ] do4 si2
%% 55 :
la8 [ si8 ] do4 si4 la4
si2 la4 do4
re2\rest si8\rest sol8 [ si8 do8 ]
re8 [ do16 si16 ] la16 [ si16 do16 re16 ] mi16 [ re16 do16 si16 ] do4
si4 la4 sold4 la4
%% 60 :
si2 mi,2 ~
mi2 la2 ~
la2 sold4 fad4
sold1^\fermata
}
alto = \relative do' {
%% 1 :
\change Staff=basse \stemUp si2. la4
sol4. la8 si8 [ do8 re8 si8 ]
do8 [ la8 do8 si8 ] la8 [ sol8 ] fa4 ~
fa8 [ sol8 la8 fa8 ] do'2
%% 5 :
la4 re2 do4
si4 sol4 do4 si4
\change Staff=dessus \stemDown do4 sol4. la8 si8 [ do8 ]
la4. si8 do8 [ si8 la8 sol8 ]
la8\rest la8 [ re8 do8 ] la8 [ si8 do8 re8 ]
%% 10 :
mi4 fa4. mi8 do4
mi8\rest re8 [ sol8 fa8 ] re8 [ mi8 re8 do8 ]
si8\rest si8 mi4. re8 do4
sol4\rest si4. do8 re8 [ do8 ]
si4. do8 re2
%% 15 :
sol,4 do4. re8 mi4 ~
mi4 re8 [ mi8 ] fa8 [ sol8 ] fad4
sol2. fa4
mi2 r2
si4\rest mi2 mi4
%% 20 :
do4. re8 mi8 [ fa8 sol8 mi8 ]
fa4 mi4. re8 [ do8 re8 ]
si8 [ do8 ] re4 do2
si4 mi4 re2
mi4 la8 [ si8 ] do8 [ si16 la16 ] sol4
%% 25 :
fa4 mi4 re4 sol4 ~
sol8 [ fa16 mi16 ] fad4 sol8 [ fa8 mi8 sol8 ]
fa8 [ mi8 do8 re8 ] mi8 [ fa8 ] sol16 [ fa16 mi16 re16 ]
do4 si8 [ la8 ] si4 do4
la2 la2\rest
%% 30 :
re2 mi4. mi8
re4 si4 sol'2 ~
sol4 fad4 sol4. fa8
mi2 r4 sol4
la4. la8 sol4 mi4
%% 35 :
fa2 mi4. re8
dod4 re2 sol4 ~
sol4 la8 [ sol8 ] fa8 [ mi8 ] re4
do4 re4 mi4 re8 [ do8 ]
re4 mi4 do4\rest re4
%% 40 :
do4 la4 si4 do4 ~
do4 si4 do2
#(silaa -7 #t) R1
r4 sol'4 fa4 re4
mi4 fa2 mi4
%% 45 :
re4 re4. mi8 fa?4
mi4 r4 re4 do4
la4 si4 do2
si4 do2 si4
do2 sol2\rest
%% 50 :
r4 la8 [ si8 ] do2
la8\rest do8 [ mi8 fa8 ] sol8 [ fa16 mi16 ] re16 [ mi16 fa16 sol16 ]
la16 [ sol16 fa16 mi16 ] fa4 mi16 [ fa16 sol16 fa16 ] sol16 [ fa16 mi16 re16 ]
mi4 re8 [ do8 ] si4 re4
do8 [ re8 ] mi4 re4. mi8
%% 55 :
fa2 sol4 mi4
sol2 fa4 la4
sol4 fa8 [ mi8 ] re4 sol4
fa2 sol4 mi4 ~
mi16 [ re16 do16 si16 ] do8 [ re8 ] mi2 ~
%% 60 :
mi4 re4 do4 si4
do4 la2 do4 ~
do4 do4 si4 la4
si1
}
tenor = \relative do' {
%% 1 :
#(silaa +0 #f) R1
R1
R1
#(silaa +0.1 #t) R1
%% 5 :
R1
\stemDown mi,2. re4
\stemUp do4. re8 mi8 [ fa8 sol8 mi8 ]
fa2 mi2
re4. mi8 fa8 [ sol8 la8 si8 ]
%% 10 :
la1
sol4. la8 si8 [ do8 ] la4
mi4. fa8 sol4 la8 [ mi8 ]
sol4 fad8 [ sol8 ] re8 [ mi8 ] fad4
sol4 re4 fa2\rest
%% 15 :
#(silaa +7 #t) R1
si2. la4
sol4. la8 si8 [ do8 re8 si8 ]
do4 do4. la8 re4 ~
re4 do4 si8 [ la8 ] si4
%% 20 :
la2. mi4
la4. sol8 fa4 mi4 ~
mi4 re4 mi2
la2\rest mi'4\rest si4 ~
si4 la4 sol8 [ la8 si8 do8 ]
%% 25 :
re8 [ la8 ] do4 si8 [ sol8 ] si4
la2 do4\rest sol4
la4. la8 sol4 re4
mi4 fa2 mi4 ~
mi4 re4 mi4 do'4 ~
%% 30 :
do4 si4 la8 [ si8 ] do4
sol4. fa8 mi4 mi'4
re2. si4
do2 re8 [ si8 ] do4 ~
do4 si8 [ la8 ] do4. si8
%% 35 :
la2. mi4 ~
mi4 fad4 sol8 [ la8 si8 sol8 ]
do4 la4 re8 [ do8 ] si4
la2 la2\rest
la4\rest sol4 fa4 re4
%% 40 :
mi4 fa2 mi4
re4 sol2 la4
si4 do4 la4. si8
do8 [ sol8 ] do2 si8 [ la8 ]
sol4 fa4 sol4 la4
%% 45 :
fad4 sol4 r2
sol4 fa4 re4 mi4
fa4 sol4 fa4\rest do4
re4 mi8 [ fa8 ] sol2
fa8\rest do8 [ mi8 fa8 ] sol8 [ fa16 mi16 ] re16 [ mi16 fa16 sol16 ]
%% 50 :
la16 [ sol16 fa16 mi16 ] fa4 mi4 la4
sol4 la4 re,4 sol4
fa4 re16 [ mi16 fa16 sol16 ] la4 si4
do4 si8 [ la8 ] sol4 fa4
mi4. fa8 sol2
%% 55 :
#(silaa +7 #t) R1
r8 sol8 [ si8 do8 ] re8 [ do16 si16 ] la16 [ si16 do16 re16 ]
mi16 [ re16 do16 si16 ] do4 si4 sol4
la2 sol4 la4
sold4 la4 si4 la4
%% 60 :
sol!2 la4 sol8 [ fa8 ]
mi1 ~
mi1 ~
mi1^\fermata
}
basse = \relative do {
%% 1 :
R1
R1
R1
R1
%% 5 :
R1
R1
R1
R1
R1
%% 10 :
R1
R1
R1
si2. la4
sol4. la8 si8 [ do8 re8 si8 ]
%% 15 :
do4. re8 mi4. fad8
sol2 re2
mi4 do4 sol'2
la4 sol4 fa4. re8
mi1
%% 20 :
r4 la,4 do2
re4 do8 [ si8 ] la2
sol4. fa8 mi4 la4
mi'4 re8 [ do8 ] sol'2
mi1
%% 25 :
#(silaa -2 #t) R1
re2 mi4. mi8
re4 la4 do4 si4
la2 sol2
fa2 r2
%% 30 :
#(silaa -2 #f) R1
R1
re'2\rest sol2
la4. la8 sol4 mi4
fa2 mi4 la4
%% 35 :
re,2 la4 sold4
la2 sol2\rest
R1
r4 re'4 do4 la4
si4 do8 [ si8 ] la2 ~
%% 40 :
la2 sol2
r2 do2
sol'4 la4 fa2
mi2 re4 sol4
do,2 r2
%% 45 :
sol2\rest si4\rest re4
do4 la4 si4 do4 ~
do4 si4 la2
sol1
la2 si2
%% 50 :
do4 re4 la4. si8
do4 la4 sol2
#(silaa -4 #f) R1
R1
r2 r8 sol8 [ si8 do8 ]
%% 55 :
re8 [ do16 si16 ] la16 [ si16 do16 re16 ] mi16 [ re16 do16 si16 ] do16 [ re16 do16 la16 ]
mi'2 fa2
sol2. mi4
re4 fa4 do4. re8
mi2 mi16 [ re16 do16 si16 ] do8 [ la8 ]
%% 60 :
mi'1
la,1
mi1 ~
mi1
}
\score {
<<
\new Staff {
\set Staff.midiInstrument = "pan flute"
\soprano
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\soprano
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\alto
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\alto
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\tenor
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\tenor
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\basse
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\transpose do do,
\basse
}
%%$ \new Staff { % tempo staff
%%$ s1* 56
%%$ \tempo 2 = 45 s4 \tempo 2 = 40 s4 \tempo 2 = 30 s4 \tempo 2 = 25 s4
%%$ \tempo 2 = 20 s1
%%$ }
>>
\midi{
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 112 4)
}
}
}
\score {
{
\context PianoStaff <<
\override PianoStaff.VerticalAlignment #'forced-distance = #14
\context Staff = "dessus" <<
\global
\clef violin
\context Voice = "soprano" {\voiceOne \soprano}
\context Voice = "alto" {\voiceTwo \alto}
>>
\context Staff = "basse" <<
\global
\clef bass
\context Voice = "tenor" {\voiceOne \tenor}
\context Voice = "basse" {\voiceTwo \basse}
>>
>>
\bar "|."
}
\layout { }
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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