\version "2.16.1"
\include "italiano.ly"
%% Version 1.1
\header{
title = "Ave Maris Stella -- 4e verset"
mutopiatitle = "Ave Maris Stella (4e verset)"
subtitle = ""
piece = ""
instrument = "Orgue -- Organ"
mutopiainstrument = "Organ"
style = "Baroque"
composer = "Jean Titelouze (1563-1633)"
mutopiacomposer = "TitelouzeJ"
copyright = "Public Domain"
source = "Edition Schott 1869 - Alexandre Guilmant"
opus = ""
enteredby = "Gérard Gréco"
maintainer = "Gérard Gréco"
footer = "Mutopia-2013/03/23-480"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \abs-fontsize #10 \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \concat { \abs-fontsize #8 www. \abs-fontsize #11 MutopiaProject \abs-fontsize #8 .org } \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \abs-fontsize #10 \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \concat { \abs-fontsize #8 www. \abs-fontsize #11 LilyPond \abs-fontsize #8 .org }} by \concat { \maintainer . } \hspace #0.5 Reference: \footer } } \line { \abs-fontsize #8 \line { This sheet music has been placed in the public domain by the typesetter, for details \concat { see: \hspace #0.3 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } }
}
global = {
\key do \major
\time 4/2
}
staffUp = {
\context Staff = "up" \stemDown\tieDown
}
staffDown = {
\context Staff = "down" \stemUp\tieUp
}
soprano = \context Voice = "one" \relative do'' {
\voiceOne
\override NoteHead #'style = #'baroque
\stemUp
% - 1 :
%\override Rest #'staff-position = #-2
R\breve
R\breve
R\breve
si1\rest re,1
% - 5 :
la'1 si2 sol
la2. si4 do re do2 ~
do2 si4 la sol mi la2 ~
la2 sold si1\rest
la2 re1 do2
% - 10 :
si1 la
re1\rest la2 re2 ~
re2 do si do |
la1. la2 |
sol2 la1 sold2 |
% - 15 :
la2. sol8 fa mi1 |
R\breve
mi2 la1 sol2 |
fa1 mi1 |
re'1\rest la2 re ~ |
% - 20 :
re2 do1 la2 ~ |
la2. si4 do2. si4 |
la2 sol fa mi ~ |
mi2 re mi fa |
mi1 do'2. si4 |
% - 25 :
la1 si2\rest la2 ~ |
la4 la sol2 fa mi4 re |
mi2 fa mi1 |
si'1\rest si2\rest la2 ~ |
la4 la sol2 fa mi4 re |
% - 30 :
mi1 re4 do fa2 ~ |
fa4 mi la2. sol4 la si |
do2 si4 la mi'2 mi, |
\bar "|."
\time 4/4
%\set Score.timing = ##f
%\tempo 2= 60
R1
si'2\rest re4\rest la4 ~ |
% - 35 :
la8[ la] fa4 do' re |
mi2 r4 re4 ~ |
re8[ re] do4 fa2 |
mi4 mi2 re4 |
do8[ si la sol] fa[ mi] la4 |
% - 40 :
si2\rest re4\rest re4 ~ |
re8[ re] do4 fa mi ~ |
mi4 re do la8 si |
do4 re mi fa |
mi2 sol4\rest mi4 ~ |
% - 45 :
mi4 re do4. si8 |
la8[ sol] la4 si4\rest la4 ~ |
la4 sol fa2 ~ |
fa2 mi |
si'2\rest la4 si |
% - 50 :
do4. si8 la4 si |
dod4 re do la |
re4\rest la8[ si] do4 si |
la4 sol fad sol ~ |
sol8[ sol] fa4 mi mi ~ |
% - 55 :
mi4 re la'4. sol8 |
fad2 si2\rest |
la4 re2 fad,4 |
sol4 la sib2 |
la4 re4. mi8 fa4 |
% - 60 :
re4 sol2 fa8[ mi] |
re4 do sib la ~ |
la4 sol la la ~ |
la4 sol fa2 |
r2 fa'2 ~ |
% - 65 :
fa4 mi re do |
sib2 la4 fa' |
re4 sol fa8[ re] fa4 ~ |
fa4 mi re4. do8 si!2 la4 si8[ do] |
\override Script #'padding = # 1.2 re\breve^\fermata
}
alto = \context Voice = "two" \relative do' {
\voiceTwo
\override NoteHead #'style = #'baroque
\stemDown
%- 1 :
la1 re
mi2 do re2. mi4
fa2 mi re2. mi4
do4 re mi2 la,2 si
% - 5 :
dod2 re1 mi4 re
do4 la fa'2 mi1
fa1 mi
R\breve
R\breve
% - 10 :
do1\rest mi2 la ~
la2 sol1 fa2
mi2 fa1 mi2 |
fa2 mi4 re do si la2 |
si2 do re2. mi4 |
% - 15 :
do1 r1 |
la2 re1 do2 ~ |
do4 si la si do re mi2 ~ |
\once \override NoteColumn #'force-hshift = #0.8 mi4 re re2. do8[ si] do[ re mi do] |
fa4 mi8 re mi1 re2 |
% - 20 :
la'2. sol4 fa mi fa2 |
r2 mi2. re4 do2 ~ |
do4 re mi2 la,4 re do si |
la2. si4 do la re2 ~ |
\once \override NoteColumn #'force-hshift = #0.8 re2 do r2 mi2 ~ |
% - 25 :
mi4 mi re2 do si4 la |
do4 re mi2 la,2. si4 |
do2. si4 do re mi8[ re do si] |
la4 re do re2 do8 si dod[ re mi re]
mi2 ~ mi8[ re do! si] la2. si4 |
% - 30 :
do4 si la sol la2. si4 |
do2. re4 mi2 mi ~ |
mi4 do re1 dod2 |
r4 re4. \once \override NoteColumn #'force-hshift = #0.8 re8 do4 |
fa2 mi4. re8 |
% - 35 :
do4 re do fa |
r4 la8[ sol] fa4 mi8[ re] |
mi2 r4 re'4 ~ |
re8[ re do si] la[ sol] fa4 |
mi2 r4 re4 ~ |
% - 40 :
re8[ re] do4 fa2 |
mi2 la4\rest la8[ sol] |
fa2 mi4 re |
do4 fa mi la8[ si] |
do4. si8 la4 sol |
% - 45 :
fa2 mi4 mi~ |
mi4 re do re |
mi2 re4 do |
la4 si do re |
mi4 fa mi re |
% - 50 :
do8 re mi2 re4 |
mi4 fa8[ sol] la[ sol] fa4 |
mi4 re do re |
mi2 la,8[ re do si] |
la4. si8 do4. si8 |
% - 55 :
la4. si8 dod8[ re] dod4 |
re1 |
r4 la4 re2 ~ |
re4 fad sol2 |
la4 sib2 la4 ~ |
% - 60 :
la4 sol la re |
r4 la8[ sol] fa4. mi8 |
re4. mi8 fa[ mi re do] |
sib2 la4 re8[ mi] |
fa8[ sol] la2 sol4 |
% - 65 :
fa8[ sol] la4 sib la |
re,4. mi8 fa[ sol] la4 ~ |
la4 sol8[ la] sib4 la8[ sol] |
fa4 sol la2 |
re,4. mi8 fad4 sol |
% - 70 :
fad\breve |
}
tenor = \context Voice = "three" \relative do {
\voiceThree
\override NoteHead #'style = #'baroque
\stemUp
%%1 :
R\breve
re1\rest re2\rest re2
la'1 si2 sol
la2. sol4 fa re sol2 ~
% - 5 :
sol2 fad2 sol mi
R\breve
la2 re1 do2
si1 la2 si
do2 la mi'1 ~
% - 10 :
mi2 re2 dod re
do si la1 ~
la1 sol |
fa\breve |
R\breve |
% - 15 :
mi2 la1 sol2 |
fa1 mi2 fa |
do2 re mi1 |
re1\rest mi2 la ~ |
la2 sol fa1 |
% - 20 :
mi1 la2. si4 |
do2. si4 la2 mi |
fa2 do re mi |
fa1 mi2 re2\rest |
la'2\rest la2. la4 sol2 |
% - 25 :
fa2 mi4 re mi2 fa ~ |
fa2 mi4 do re mi fa2 |
mi2 la2. la4 sol2 |
fa2 mi4 re mi2. re4 |
dod8[ re mi re] mi2. re4 re2 ~ |
% - 30 :
re4 re do2 fa mi4 re |
la'2 sol4 fa do'2 do,4 re |
mi2 fa mi4 re la'4 sol |
fa2 mi |
fa4\rest re4. re8 do4 |
% - 35 :
fa4 re mi la8 si |
do4. si8 la4 sol8 fa |
mi4 la4. sol8 fa[ re] |
la'2 sol4\rest re4 ~ |
re8[ re] do4 fa2 |
% - 40 :
mi4 fa2 re4 |
mi2 re4\rest do4 ~ |
do4 re mi fa8[ sol] |
la4. si8 do2 |
fa,4\rest do4 re mi |
% - 45 :
fa4 sol la sol |
fa2. mi8[ re] |
dod2 re4 mi |
fa4 sol la2 |
r4 la8[ si] do4 si |
% - 50 :
la sol fad sol ~ |
sol8[ sol] fa4 mi re |
la'8[ sol] fa4 mi re |
dod2 re4 mi |
dod4 re la' mi |
% - 55 :
fa2 mi |
r2 la4 re ~ |
re4 fad, sol la |
sib4 la2 sol4 ~ |
sol fa sol la |
% - 60 :
sib la8[ sol] re'4 la |
fa'4. mi8 re4 do |
sib2 la4 fa ~ |
fa sol la sib |
la fa'2 mi4 |
% - 65 :
re do sib fa ~ |
fa sol la4. fa8 |
sib4. do8 re4 do8[ si] |
la4 sol2 fad4 ~ |
fad4 sol re'8[ do] si4 |
% - 70 :
\override Script #'padding = # 1.2
la\breve^\fermata
}
basso = \context Voice = "four" \relative do {
\voiceFour
\stemDown
\override NoteHead #'style = #'baroque
%%1 :
\repeat unfold 5 {
R\breve
}
%- 6 :
r1 la1
re1 mi2 do
re2 mi fad sol ~
sol2 fa mi la
% - 10 :
sold1 la2 fa
mi1 r1
R\breve
r1 la,2 re2 ~ |
re2 do si1 |
% - 15 :
\repeat unfold 18 {
la\breve ~ |
}
\repeat unfold 22 {
la1 ~ |
}
la1 |
\repeat unfold 14 {
re1 ~ |
}
%- 70:
re\breve
}
\score {
{
<<
\context PianoStaff <<
\context Staff = "up" <<
\global
\clef violin
\set Staff.midiInstrument = "Church organ"
\soprano
\alto
>>
\context Staff = "down" <<
\global
\clef bass
\set Staff.midiInstrument = "Church organ"
\tenor
\basso
>>
>>
>>
\bar "|."
}
\layout { }
\midi {
\tempo 2 = 120
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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