\version "2.16.1"
\include "italiano.ly"
% Écrit avec l'aide très secourable de lyqi ! Essayez-le !
% Written with the most secourable help of lyqi ! Try it !
\header {
title = "Ave Maris Stella"
mutopiatitle = "Ave Maris Stella (3e verset)"
subtitle = "3e verset"
piece = ""
instrument = "Orgue -- Organ"
mutopiainstrument = "Organ"
style = "Baroque"
composer = "Jean Titelouze (1563-1633)"
mutopiacomposer = "TitelouzeJ"
copyright = "Public Domain"
source = "Edition Schott 1869 - Alexandre Guilmant"
opus = ""
enteredby = "Gérard Gréco"
maintainer = "Gérard Gréco"
footer = "Mutopia-2013/03/23-565"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \abs-fontsize #10 \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \concat { \abs-fontsize #8 www. \abs-fontsize #11 MutopiaProject \abs-fontsize #8 .org } \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \abs-fontsize #10 \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \concat { \abs-fontsize #8 www. \abs-fontsize #11 LilyPond \abs-fontsize #8 .org }} by \concat { \maintainer . } \hspace #0.5 Reference: \footer } } \line { \abs-fontsize #8 \line { This sheet music has been placed in the public domain by the typesetter, for details \concat { see: \hspace #0.3 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } }
}
global = {
\time 4/4
\key do \major
}
soprano = \relative do'' {
\tieUp la2 \stemDown si2
| do4 si4 \stemUp la2
| \stemDown re8 [ do8 re8 do8 ] si2 ~
| si4 \stemUp la4 sol4 la8 [ si8 ]
| \stemDown do4. si8 la4 si8 [ do8 ]
| re4. do8 si4. do16 [ re16 ]
| mi4 mi8 [ re8 ] do8 [ re8 do8 si8 ]
| la4 la4 si4. si8
| do8 [ si8 la8 sol8 ] \stemUp la2 ~
| la4 la4 sol2 ~
| sol4 sol4 fad2
| si4\rest \stemDown re2 do8 [ si8 ]
| do2 si4\rest do8 [ re8 ]
| mi4 re4 do2 ~
| do4 si4 \stemUp la4 sol4
| fa4 mi4 re4 mi8 [ fa8 ]
| sol2 si2\rest
| si4 si2 la8 [ sol8 ]
| la4 la2 sol8 [ fa8 ]
| sol8 [ fa8 mi8 re8 ] mi2
| fa2 mi4 re4
| do2 re2
| si'4\rest sol2 fa8 [ mi8 ]
| re4 mi8 [ fa8 ] sol4 fa4
| mi2 \stemDown mi'4 re4
| do4 si4 do4. si8
| \stemUp la8 [ sol8 ] la2 sol8 [ fa8 ]
| sol2 si8\rest sol8 [ fa8 mi8 ]
| la2 si8\rest la8 [ sol8 fa8 ]
| sol2 si8\rest sol8 [ fa8 mi8 ]
| fa2 si4\rest re,4
| sol4 mi2 re8 [ do8 ]
| si4 sol'2 fa8 [ mi8 ]
| re2. re4
| sol2 ~ sol8 [ mi8 fa8 sol8 ]
| la2. la4
| sold2 la4 sol4
| fa4 mi8 [ re8 ] sol2
| fad1^\fermata
}
tenor = \relative do'{
do2\rest re2
| mi2 fa4 mi4
| re2 sol8 [ fa8 sol8 fa8 ]
| mi2. re4
| do4 re8 [ mi8 ] fa4. mi8
| re4 mi8 [ fa8 ] sol4. fa8
| mi4. fa16 [ sol16 ] la4 la8 [ sol8 ]
| fa8 [ sol8 fa8 mi8 ] re4 re4
| mi4. mi8 fa8 [ mi8 re8 do8 ]
| re2. re4
| do2. do4
| si2 mi4\rest sol4 ~
| sol4 fa8 [ mi8 ] fa2
| mi4\rest fa8 [ sol8 ] la4 sol4
| fa2. mi4
| re4 do4 si4 la4
| sol4 la8 [ si8 ] do2
| mi2\rest mi4 mi4 ~
| mi4 re8 [ do8 ] re4 re4 ~
| re4 do8 [ si8 ] do8 [ si8 la8 sol8 ]
| la2 sib2
| la4 sol4 fa2
| sol2 r4 do4 ~
| do4 si8 [ la8 ] sol4 la8 [ si8 ]
| do4 si4 la2
| la'4 sol4 fa4 mi4
| fa4. mi8 re8 [ do8 ] re4
| re4 do8 [ si8 ] do2
| re8\rest do8 [ si8 la8 ] re2
| re8\rest re8 [ do8 si8 ] do2
| re8\rest do8 [ si8 la8 ] sib2
| r4 sol4 do4 la4 ~
| la4 sol8 [ fa8 ] mi4 do'4 ~
| do4 si8 [ la8 ] sol2 ~
| sol4 sol4 do2 ~
| do8 [ la8 si8 do8 ] re2 ~
| re4 re4 dod2
| re4 do4 si4 la8 [ sol8 ]
| \once \override Script #'padding = # 1 re'1^\fermata|
}
choral = \relative do {
re1 la'1 si1 sol1 la1
| si1 do1 re1 do1 si1
| la1 sol1 la1 la1 la1
| re,1 mi1 sol1 fa1 mi1
| re1 fa1 mi1 sol1 la1
| la1 re,1 mi1 fa1 mi1
| re1 do1 mi1 sol1 mi1
| fa1 mi1 re1 ~ re1_\fermata
}
\score {
{
\context PianoStaff <<
\context Staff = "dessus" <<
\global
\clef violin
\set Staff.midiInstrument = "Church organ"
\context Voice = "soprano" {\voiceOne \soprano}
>>
\context Staff = "basse" <<
\global
\clef bass
\set Staff.midiInstrument = "Church organ"
\context Voice = "tenor" {\voiceOne \tenor}
\context Voice = "basse" {\voiceTwo \choral}
>>
>>
\bar "|."
}
\layout {}
\midi {
\tempo 4 = 120
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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