\version "2.16.1"
\include "italiano.ly"
% Écrit avec l'aide très secourable de lyqi ! Essayez-le !
% Written with the most secourable help of lyqi ! Try it !
\header{
title = "Ave Maris Stella"
mutopiatitle = "Ave Maris Stella (1er verset)"
subtitle = "1er verset"
piece = ""
instrument = "Orgue -- Organ"
composer = "Jean Titelouze (1563-1633)"
mutopiainstrument = "Organ"
mutopiacomposer = "TitelouzeJ"
style = "Baroque"
copyright = "Public Domain"
source = "Edition Schott 1869 - Alexandre Guilmant"
opus = ""
enteredby = "Gérard Gréco"
maintainer = "Gérard Gréco"
footer = "Mutopia-2013/03/23-552"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \abs-fontsize #10 \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \concat { \abs-fontsize #8 www. \abs-fontsize #11 MutopiaProject \abs-fontsize #8 .org } \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \abs-fontsize #10 \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \concat { \abs-fontsize #8 www. \abs-fontsize #11 LilyPond \abs-fontsize #8 .org }} by \concat { \maintainer . } \hspace #0.5 Reference: \footer } } \line { \abs-fontsize #8 \line { This sheet music has been placed in the public domain by the typesetter, for details \concat { see: \hspace #0.3 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } }
}
global = {
\time 4/4
\key do \major
}
soprano = \relative do''{
\tieUp \once \override MultiMeasureRest #'staff-position = #+4 R1
re4\rest la2 si4
| dod4 re2 do4
| si4. do8 re4. do8
| si4 mi8 [ fa8 ] sol4 sol4 ~
| sol4 fa4 mi4 r4
| re4 mi4 fad4 sol4 ~
| sol8 [ la8 sol8 fa8 ] mi8 [ re8 do8 si8 ]
| la8 [ re8 si8 do8 ] re8 [ mi8 fa8 re8 ]
| mi4 sol4. fa8 [ mi8 do8 ]
| re4 do8 [ re8 ] si8 [ do8 re8 mi8 ]
| dod4. re8 mi4 fa4 ~
| fa4 mi4 re4 mi4
| fa4 mi2 fa8 [ sol8 ]
| la4 mi4 fa2
| dod4 re4 mi2
| fa1
| R1
| re2\rest re8\rest re8 [ do8 si8 ]
| la8 [ sol8 la8 si8 ] do4 re4
| mi2 sol2
| fa2 re2
| do2 la4 si4
| do4 re4 mi2
| re4 sol4. fa8 [ mi8 re8 ]
| do4 re4 mi4 re4
| do8 [ re8 mi8 fa8 ] mi8 re4 dod8
| re8 [ la8 sib8 fa8 ] sol8 [ la8 sol8 fad8 ]
| sol4 re'8\rest si8 la8 [ sol8 do8 si8 ]
| la8 [ sol8 la8 si8 ] do8 [ re8 mi8 re8 ]
| mi4 re4 dod8 [ re8 ] mi4
| fa4. mi8 re4 la4
| si2\rest do2
| si8 [ do16 re16 ] mi8 [ re8 ] do8 [ si8 sol8 la8 ]
| si8 [ do16 re16 ] mi8 [ re8 ] do8 [ si8 ] si4 ~
| si4 la4 sol8 [ la8 si8 do8 ]
| re8 [ do8 re8 mi8 ] fa8 [ sol8 ] la4
| sol4 fa4 mi2
| mi8 [ re8 ] do4. si8 [ la8 sol8 ]
| fa4 sol4 la4 sib4
| la4 re8 [ mi8 ] fa4. mi8
| re8 [ do8 re8 mi8 ] fa4 re4 ~
| \once \override Script #'padding = # 1 re1^\fermata
}
alto = \relative do'{
re4 mi4 fad4 sol4 ~
| sol4 fa4 mi2
| la2 r4 la4 ~
| la4 sol4 r2
| r4 do2 si4
| do8 [ si8 la8 si8 ] do2
| si2 si8 [ do8 ] re4
| do2. sol4
| R1
| sol2\rest sol4 la4
| si4 la2 sold4
| la4. si8 do4 la4
| si4 do4 sib2
| la4. si?8 do4 re4 ~
| re4 do4. si8 la4 ~
| la4 sol8 [ fa8 ] mi4 la4
| sol8\rest re'8 [ do8 si8 ] la8 [ sol8 la8 si8 ]
| do4 sol2 mi4
| re8 [ sol8 fa8 mi8 ] re4 mi4
| fa2 r2
| sol8\rest la8 [ sol8 fa8 ] mi8 [ re8 ] dod4
| re4 mi4 fa4 sol4
| la4 sol4 fa2
| r2 sol4\rest sol4 ~
| sol4. la8 sib2
| la4 sol8 [ fa8 ] mi4 fa8 [ sol8 ]
| la4. si8 do8 [ la8 ] sol4
| fa2 r2
| R1
| r2 la2
| sol8 [ mi8 fad8 sol8 ] la8 [ si8 dod!8 si16 dod16 ]
| re8 la4 sol8 fa8[ re8] fa4
| mi8 [ do16 re16 ] mi8 [ fa8 ] sol8 [ fa8 mi8 fa8 ]
| sol2 mi4\rest mi4
| re4 sol4 sol2 ~
| sol4 mi2 sol4
| r8 la8 [ si8 do8 ] re2
| sol,8\rest sol8 [ la8 si8 ] do4 si8 [ la8 ]
| sol8 [ fa8 mi8 re8 ] do8 [ re8 ] dod4
| re4 mi4 fa8 [ mi8 re8 mi8 ]
| fa4 la2 fa4
| sol8 [ la8 ] sib4 la4 sol4
| fad1
}
tenor = \relative do' {
la2. si4
| dod4 re4 do4 re4
| mi4 fa4 mi2
| re4 mi4 fad4 sol4 ~
| sol8 [ fa8 ] mi4 re4 mi4
| do4 re4 mi4 fad4
| sol4 fa?8 [ mi8 ] re2
| mi4. la8 sol8 [ fa8 mi8 sol8 ]
| fa4 sol8 [ la8 ] sib8 [ la8 sol8 fa8 ]
| sol8 [ fa8 mi8 fa8 ] mi2
| r1
| mi4 mi2 re8 [ do8 ]
| re4 do4 sol'8 [ fa8 mi8 re8 ]
| do4. re8 mi8 [ fa8 re8 mi8 ]
| fa8 [ sol8 ] la4 do,4 re4
| mi4 re2 dod4
| re2 r2
| r8 do8 [ si8 la8 ] sol8 [ fa8 sol8 la8 ]
| si4 do4 si4 do4
| r8 re8 [ do8 si8 ] la8 [ sol8 la8 si8 ]
| do4 si2 la8 [ sol8 ]
| la2 r2
| la4 si4 do4 re4
| mi4 re2 do4
| si4 do4 re4 sol4 ~
| sol8 [ fa8 mi8 re8 ] dod4 re8 [ mi8 ]
| fa8 [ mi8 do8 re8 ] mi8 [ fa8 ] mi4
| re4. la8 sib8 [ fa8 sol8 la8 ]
| sol8 [ si?8 la8 sol8 ] do8 [ si8 la8 sold8 ]
| la8 [ si8 do8 re8 ] la4 si4
| do4 si4 la4 sol4
| la4 sib4 la4. fa16 [ sol16 ]
| la4. sol16 [ fa16 ] mi8 [ fa8 sol8 la8 ]
| sol4. do16 [ re16 ] mi8 [ re8 ] do4
| si4. do16 [ re16 ] mi8 [ re8 do8 si8 ]
| do4. si16 [ la16 ] si4 mi4
| la,8 fa'4 mi8 re8 [ do8 la8 si8 ]
| do2 r8 sol8 [ la8 si8 ]
| do4. si8 la8 sol4 la8
| sib4 la8 [ sol8 ] re'8 [ do8 sib8 sol8 ]
| la8 [ fa8 ] fa'4. mi8 [ re8 do8 ]
| sib8 [ la8 ] sol4 fa4 sib4
| \once \override Script #'padding = # 1 la1^\fermata
}
choral = \relative do{
re1 la'1 la1 si1 sol1 la1 si1 do1 re1 do1
| si1 la1 sol1 la1 la1 la1 re,1 mi1 sol1 fa1
| mi1 re1 fa1 mi1 sol1 la1 la1 re,1 mi1 fa1
| mi1 re1 do1 mi1 sol1 mi1 fa1 mi1 mi1 re1 ~
| re1 ~ re1
| re1
}
cantusfirmus=\lyricmode{
% Ave Maris Stella
% Dei Mater alma
% Atque semper virgo
% Felix coeli porta.
% --
% Salut, étoile des mers,
% Auguste Mère de Dieu, salut,
% ô toujours Vierge,
% heureuse porte du Ciel.
% --
% Hail, O Star of the ocean,
% God's own Mother blest,
% ever sinless Virgin,
% gate of heav'nly rest.
A -- ve \skip 1 \skip 1 ma -- ris \skip 1 \skip 1 \skip 1 stel --
\skip 1
\skip 1 \skip 1 la,
De -- i Ma -- \skip 1 ter \skip 1 al -- ma,
At -- que sem -- per Vir -- go, \skip 1
\skip 1 \skip 1 \skip 1 \skip 1 Fe -- lix coe -- li por -- \skip 1
ta.
}
\score {
{
<<
\context PianoStaff <<
\context Staff = "dessus" <<
\global
\clef violin
\set Staff.midiInstrument = "Church organ"
\context Voice = "soprano" {\voiceOne \soprano}
\context Voice = "alto" {\voiceTwo \alto}
>>
\context Staff = "basse" <<
\global
\clef bass
\set Staff.midiInstrument = "Church organ"
\context Voice = "tenor" {\voiceOne \tenor}
\context Voice = "basse" {\voiceTwo \choral}
>>
>>
\lyricsto "basse" \new Lyrics \cantusfirmus
>>
\bar "|."
}
\layout {}
\midi {
\tempo 4 = 120
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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