%% -*- mode: LilyPond ; coding: utf-8 -*-
%% VERSION 0 - Création.
\version "2.10.33"
\include "italiano.ly"
\header{
title = \markup {\center-align { \medium " Annue Christe " \medium "AMEN" }}
subtitle = ""
piece = ""
instrument = ""
composer = "Jean Titelouze (1563-1633)"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
source = "Archives des maîtres de l'orgue, vol.1, 1897, Alexandre Guilmant"
opus = ""
lastupdated = "2008-03-08"
enteredby = "Gérard Gréco"
maintainer = "Gérard Gréco"
mutopiatitle = "Annue Christe (AMEN)"
mutopiacomposer = "TitelouzeJ"
mutopiainstrument = "Organ"
style="Baroque"
footer = "Mutopia-2008/03/18-1371"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2008. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
% macros von Urs Metzger
adjustSlash = { \once \override TextScript #'extra-offset = #'( -2 . 5 ) }
halsdown = { \stemDown \tieDown \slurDown }
halsneutral = { \stemNeutral \tieNeutral \slurNeutral }
halsup = { \stemUp \tieUp \slurUp}
hideBrackets = { \override TupletBracket #'bracket-visibility = ##f }
hideTripletNumber = { \set tupletNumberFormatFunction = #'() }
mmrestdown = { \once \override MultiMeasureRest #'staff-position = #-2 }
mmrestdownn = { \once \override MultiMeasureRest #'staff-position = #-4 }
mmrestup = { \once \override MultiMeasureRest #'staff-position = #4 }
mmrestupp = { \once \override MultiMeasureRest #'staff-position = #6 }
mmrestuppp = { \once \override MultiMeasureRest #'staff-position = #8 }
mmrestupppp = { \once \override MultiMeasureRest #'staff-position = #10 }
noflag = { \once \override Stem #'flag-style = #'no-flag }
restdownnn = { \once \override MultiMeasureRest #'extra-offset = #'( 0.0 . -3.0 ) }
restright = { \once \override Rest #'extra-offset = #'( 4.0 . 0.0 ) }
scriptdown = { \once \override Script #'extra-offset = #'(0 . -1.3) }
scriptdownn = { \once \override Script #'extra-offset = #'(0 . -2.3) }
scriptdownnn = { \once \override Script #'extra-offset = #'(0 . -3.3) }
scriptup = { \once \override Script #'extra-offset = #'(0 . 1.3) }
showBrackets = { \override TupletBracket #'bracket-visibility = ##t }
staffdown = { \change Staff = "basse" \halsup }
staffup = { \change Staff = "dessus" \halsdown }
std = { \change Staff = "basse" }
stu = { \change Staff = "dessus" }
% macros von Roland Goretzki.
#(use-modules (ice-9 optargs))
#(define*-public (mus:make-context context element #:key id (operations '()))
"Base function for building ContextSpeccedMusic objects."
(apply make-music (append (list 'ContextSpeccedMusic
'property-operations operations
'context-type context
'element element)
(if id (list 'context-id id) '()))))
#(define*-public (mus:override context layout property val #:optional once)
(mus:make-context context (make-music 'OverrideProperty
'once once
'grob-property property
'grob-value val
'symbol layout)))
#(define* (silun dx dy #:optional once)
(ly:export (mus:override 'Bottom 'Rest 'extra-offset (cons dx dy) once)))
#(define* (silaa dx #:optional once)
(ly:export (mus:override 'Bottom 'MultiMeasureRest 'staff-position dx once)))
\paper {
print-page-number = ##f
%%$%%system-count = 3
between-system-padding = 4\mm
between-system-space = 20\mm
indent = 2\cm
head-separation = 0\mm
%%$foot-separation = 4\mm
page-top-space = 10\mm
%%$bottom-margin = 6\mm
top-margin = 10\mm
foot-separation = -8\mm
tagline = ##t
ragged-bottom = ##f
ragged-last-bottom = ##f
}
%%$#(set-default-paper-size "letter" 'portrait)
%%$#(set-global-staff-size 19)
global = {
\key do \major
\time 4/4
}
soprano = \relative do'' {
%% 1 :
\override Tie #'staff-position = #+5 mi1 ~
mi1 ~
mi1 ~
mi1 ~
%% 5 :
mi1 ~
mi1 ~
mi1 ~
mi1 ~
mi1 ~
%% 10 :
mi1 ~
mi1 ~
mi1 ~
mi1 ~
mi1 ~
%% 15 :
mi1 ~
mi1 ~
mi1 ~
mi1 ~
mi1 ~
%% 20 :
mi1 ~
mi1 ~
mi1 ~
mi1 ~
mi1 ~
%% 25 :
mi1 ~
mi1 ~
mi1 ~
mi1 ~
mi1 ~
%% 30 :
mi1 ~
mi1 ~
mi1 ~
mi1 ~
mi1 ~
%% 35 :
mi1 ~
mi1 ~
mi1 ~
mi1 ~
mi1 ~
%% 40 :
mi1 ~
mi1 ~
mi1 ~
mi1 ~
mi1 ~
%% 45 :
mi1 ~
mi1 ~
mi1 ~
mi1 ~
mi1 ~
%% 50 :
mi1 ~
mi1 ~
mi1 ~
mi1 ~
mi1 ~
%% 55 :
\once\override Script #'extra-offset = #'(0 . 1.3) mi1^\fermata
}
alto = \relative do'' {
%% 1 :
r4 do2 si4
la2 sol2
r4 mi8 fa8 sol8 la8 si8 sol8
do4 do2 si4 ~
%% 5 :
si4 la4 sol2
r4 la4 sol4. la16 si16
do2. si4
la4 sol4 r4 la4
sol4. la8 si4 sol4
%% 10 :
do8 la4 sol8 la8 si8 do4
si4 mi,4 r4 si'4
do4. si16 la16 sol2
mi4. fa8 sol8 la8 si4
mi,4 la4 sol4. do8
%% 15 :
si4 la4 sold8 [ la8 ] sold8 fad16 sold16
la2 mi4 fa4
sol4 la8 si8 do4 si4
la8 mi8 sol4 la8 si8 do4 ~
do8 do8 si4 do4. si16 la16
%% 20 :
sol2 #(silun 0.0 +1.0 #t) r4 do8 si8
la4 sol4 la4 sol8 fa8
mi2 do'4 si8 la8
si4 la4 mi4 la4
sold2 la4 si4 ~
%% 25 :
si8 si8 la4 si2
r4 mi,8 fad8 sold4 la4
si4 do2 si4
la4 sold4 la8 si8 do8 la8
si4 ~ si16 do16 re16 si16 do8 re16 do16 si8 la8
%% 30 :
sol?4 mi4 r2
la8 la8 sold4 la4 si4
do4 sol?4 la2
#(silun 0.0 +1.0 #t) r4 si4 do4 si4 ~
si8 la8 la2 sol4 ~
%% 35 :
sol8 mi8 la4. sol8 do4 ~
do8 si8 sol4. mi8 la4
sol4. la8 si4. sol8
do4. la8 si4 mi,4
la2 sold8 la8 si4
%% 40 :
r4 r8 mi,8 sol?8 la8 si8 sol8
do4. si16 la16 sol8 la8 si4
do8. si16 la8 sol8 do4. si8
r4 sol4 do4 si4
mi,2 do'4 sol4
%% 45 :
#(silun 0.0 +1.0 #t) r8 la8 si8 re8 do4. si16 la16
sol16 la16 si16 sol16 do16 la16 sol16 fa16 mi2
r8 mi4 la8 sold2
r4 r8 mi4 la8 sold4
la4 do8 si8 mi,4. si'8
%% 50 :
mi,8 fad8 sold8 la8 si4 la4
#(silun 0.0 +1.0 #t) r8 la8 mi8 [ fa8 ] sold4. fa8
mi2 r8 mi8 si'8 [ la16 si16 ]
do4. si8 la2
#(silun 0.0 +1.0 #t) r8 do8 si8 la8 sol8 mi8 la4
%% 55 :
sold1
}
tenor = \relative do' {
%% 1 :
R1
#(silaa +10.0 #t) R1
r2 r4 si4
la2 sol2
%% 5 :
#(silun 0.0 -1.0 #t) r4 la8 si8 do8 re8 mi8 re8
do4 do2 si4
la4 sol2 r4
r4 mi'4 do4. re8
mi4 do4 sol'8 mi4 re8
%% 10 :
do4 si4 #(silun 0.0 -1.0 #t) r4 la4
sol4. la8 si4 sol4 ~
sol4 la4 mi4 mi'8 re8
do8 si8 la4 si4 sol4 ~
sol4 do4 si4. la8
%% 15 :
sol4 la4 si2
la8 si8 do8 re8 do4 si8 la8
si4 la4 sol4 la8 si8
do4. si8 la4 sol8 fa8
sol4. fa8 mi4 do'4 ~
%% 20 :
do8 si16 la16 sol2.
r4 do8 si8 la2
sol2 la4 sol8 fa8
mi4 do'2 do4
si4 mi8 re8 do4 si4
%% 25 :
do2 si4 mi4 ~
mi8 re8 do4 si4 la4 ~
la4 sol?4 la4 si4
do4 si4 la2
mi2 #(silun 0.0 -2.0 #t) r2
%% 30 :
r4 la4. la8 sold4
la4 si4 do4 re4
mi4. re8 do2
si4 mi,4. fa8 sol!4
la4. si8 do4 si4
%% 35 :
do4. la8 mi'4. do8
sol'4 mi8 re8 do4. la8
si8 sol8 do4 r8 si8 mi4 ~
mi8 re8 do4 si4 dod8 re8
mi4 re8 do!8 si2
%% 40 :
mi,4 do'4 si4 sol!4
r8 la8 do8 re8 mi8 do8 sol'8 mi8
la8 [ la,8 ] do8 si8 la16 si16 do16 re16 mi16 do16 sol'16 sol,16
do4. si16 la16 sol8 la8 si4
do4 sol4 la4 do8 si8
%% 45 :
do4 si4 la16 si16 do16 re16 mi16 sol,!16 la16 si16
do8 si8 sol4 ~ sol16 fa16 mi16 fa16 sol8 la8
si4 do4 r8 si4 mi8
do4 si4 do8 la8 mi'8 re8
do4 la8 si8 ~ si8 la4 sol8
%% 50 :
do4 si4 r8 mi8 do8 re8
mi4 do4 r8 si8 mi,8 fa8
sol4 la4 si4 mi,4
#(silun 0.0 -1.0 #t) r8 mi8 la8 si8 do4 si8 la8
r8 sol8 la8 si8 do4 si8 la8
%% 55 :
\once\override Script #'extra-offset = #'(0 . 1.3) si1^\fermata
}
basse = \relative do' {
%% 1 :
#(silaa -2.0 #f) R1
#(silun 0.0 +2.0 #t) r4 do2 si4
la2 mi2
r4 la,8 si8 do8 re8 mi8 re8
%% 5 :
do2. do'8 si8
la2 mi2
r4 do8 re8 mi8 fa8 sol8 mi8
do'8 la8 do8 si8 la2
R1
%% 10 :
#(silun 0.0 +2.0 #t) r4 mi4 do4. re8
mi4 do4 sol'8 mi4 re8
do2 r2
r2 mi4. re8
do8 si8 la4 mi'4 mi4 ~
%% 15 :
mi8 re8 do4 si4 mi4
la,4 la'2 sol8 fa8
mi2. re4
do1
r4 sol4 la4. si8
%% 20 :
do4. re8 mi4 do4
R1
r4 do8 si8 la2
sold4 la2 do8 re8
mi2 #(silun 0.0 +2.0 #t) r4 mi4 ~
%% 25 :
mi4. fad8 sold2
la2 mi4 la,4
mi'4 mi2 re4
do8 la8 mi'4 r4 la,4 ~
la8 la8 sold4 la4 si4
%% 30 :
do4. re8 mi4. re8
do4 si4 la2
r2 r4 la4 ~
la8 la8 sold4 la4 si4
do4 re4 mi2
%% 35 :
do2 r2
R1
mi4. do8 sol'4. mi8
la2 sold4 la4
dod,4 re4 mi4 sold,4 ~
%% 40 :
sold4 la4 mi'2
R1
R1
r8 la,8 do8 re8 mi8 do8 sol'8 mi8
la8 la,8 do8 si8 la16 si16 do16 re16 mi16 do16 sol'16 mi16
%% 45 :
la4 sold4 #(silun 0.0 +2.0 #t) r2
#(silun 0.0 +2.0 #t) r8 mi4 re8 do4 si8 la8
sold4 la4 mi'4. mi8 ~
mi8 la8 sold4 la4 #(silun 0.0 +2.0 #t) r4
#(silun 0.0 +2.0 #t) r8 la,4 mi'8 dod4 mi4
%% 50 :
#(silun 0.0 +2.0 #t) r8 la8 mi8 [ fad8 ] sold4 la4 ~
la4. sol16 fa16 mi4 do4 ~
do8 do8 si8 la8 sold2
la2 #(silun 0.0 +2.0 #t) r8 la'8 sol8 fa8
mi1 ~
%% 55 :
mi1
}
\score {
<<
\new Staff {
\set Staff.midiInstrument = "pan flute"
\soprano
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\soprano
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\alto
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\alto
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\tenor
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\tenor
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\basse
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\transpose do do'
\basse
}
%%$ \new Staff { % tempo staff
%%$ \tempo 4 = 72 s1* 54
%%$ \tempo 4 = 47 s1
%%$ \tempo 4 = 45 s1
%%$ \tempo 4 = 35 s1
%%$ \tempo 4 = 30 s1
%%$ }
>>
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 112 4)
}
}
}
\score {
{
\context PianoStaff <<
\override PianoStaff.VerticalAlignment #'forced-distance = #14
\context Staff = "dessus" <<
\global
\clef violin
\context Voice = "soprano" {\voiceOne \soprano}
\context Voice = "alto" {\voiceTwo \alto}
>>
\context Staff = "basse" <<
\global
\clef bass
\context Voice = "tenor" {\voiceOne \tenor}
\context Voice = "basse" {\voiceTwo \basse}
>>
>>
\bar "|."
}
\layout { }
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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