%% -*- mode: LilyPond-mode ; coding: utf-8 -*-
%% VERSION 0 - Création.
\version "2.10.33"
\include "italiano.ly"
\header{
title = \markup {\center-align { \medium " Annue Christe " \medium "2e verset" }}
subtitle = ""
piece = ""
instrument = ""
composer = "Jean Titelouze (1563-1633)"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
source = "Archives des maîtres de l'orgue, vol.1, 1897, Alexandre Guilmant"
opus = ""
lastupdated = "2008-03-05"
enteredby = "Gérard Gréco"
maintainer = "Gérard Gréco"
mutopiatitle = "Annue Christe (2e verset)"
mutopiacomposer = "TitelouzeJ"
mutopiainstrument = "Organ"
style="Baroque"
%% footer = "Mutopia-2008/??/??"
footer = "Mutopia-2008/03/05-1364"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2008. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
% macros von Urs Metzger
adjustSlash = { \once \override TextScript #'extra-offset = #'( -2 . 5 ) }
halsdown = { \stemDown \tieDown \slurDown }
halsneutral = { \stemNeutral \tieNeutral \slurNeutral }
halsup = { \stemUp \tieUp \slurUp}
hideBrackets = { \override TupletBracket #'bracket-visibility = ##f }
hideTripletNumber = { \set tupletNumberFormatFunction = #'() }
mmrestdown = { \once \override MultiMeasureRest #'staff-position = #-2 }
mmrestdownn = { \once \override MultiMeasureRest #'staff-position = #-4 }
mmrestup = { \once \override MultiMeasureRest #'staff-position = #4 }
mmrestupp = { \once \override MultiMeasureRest #'staff-position = #6 }
mmrestuppp = { \once \override MultiMeasureRest #'staff-position = #8 }
mmrestupppp = { \once \override MultiMeasureRest #'staff-position = #10 }
noflag = { \once \override Stem #'flag-style = #'no-flag }
restdownnn = { \once \override MultiMeasureRest #'extra-offset = #'( 0.0 . -3.0 ) }
restright = { \once \override Rest #'extra-offset = #'( 4.0 . 0.0 ) }
scriptdown = { \once \override Script #'extra-offset = #'(0 . -1.3) }
scriptdownn = { \once \override Script #'extra-offset = #'(0 . -2.3) }
scriptdownnn = { \once \override Script #'extra-offset = #'(0 . -3.3) }
scriptup = { \once \override Script #'extra-offset = #'(0 . 1.3) }
showBrackets = { \override TupletBracket #'bracket-visibility = ##t }
staffdown = { \change Staff = "basse" \halsup }
staffup = { \change Staff = "dessus" \halsdown }
std = { \change Staff = "basse" }
stu = { \change Staff = "dessus" }
% macros von Roland Goretzki.
#(use-modules (ice-9 optargs))
#(define*-public (mus:make-context context element #:key id (operations '()))
"Base function for building ContextSpeccedMusic objects."
(apply make-music (append (list 'ContextSpeccedMusic
'property-operations operations
'context-type context
'element element)
(if id (list 'context-id id) '()))))
#(define*-public (mus:override context layout property val #:optional once)
(mus:make-context context (make-music 'OverrideProperty
'once once
'grob-property property
'grob-value val
'symbol layout)))
#(define* (silun dx dy #:optional once)
(ly:export (mus:override 'Bottom 'Rest 'extra-offset (cons dx dy) once)))
#(define* (silaa dx #:optional once)
(ly:export (mus:override 'Bottom 'MultiMeasureRest 'staff-position dx once)))
\paper {
print-page-number = ##f
%%$%%system-count = 3
between-system-padding = 4\mm
between-system-space = 20\mm
indent = 2\cm
head-separation = 0\mm
%%$foot-separation = 4\mm
page-top-space = 10\mm
%%$bottom-margin = 6\mm
top-margin = 10\mm
foot-separation = -8\mm
tagline = ##t
ragged-bottom = ##f
ragged-last-bottom = ##f
}
%%$#(set-default-paper-size "letter" 'portrait)
%%$#(set-global-staff-size 19)
global = {
\key do \major
\time 4/4
}
soprano = \relative do' {
%% 1 :
R1
R1
R1
R1
%% 5 :
R1
R1
#(silun 0 -2 #t) r2 #(silun 0 -2 #t) r4 fa4 ~
fa4 mi4 re2
do4. fa8 mi8 re8 mi8 fa8
%% 10 :
sol2 #(silun 0 -2 #t) r2
sol4 la4 si4 do4 ~
do4 si2 la4 ~
la8 sol8 sol4 fad2
sol2 la4 re,4
%% 15 :
#(silun 0 -2 #t) r4 sol2 la4
si4 do8 si16 la16 sol4. la8
si4. do8 re8 si8 mi4 ~
mi4 re4 do4 sold8 la8
si4 do4 si8 mi8 do8 re8
%% 20 :
si8 do8 la2 sol4 ~
sol8 fa8 mi4 re4 si4
mi4. re8 do8 re16 mi16 fa16 sol16 la16 si16
do2 re4 si4
do2 #(silun 0 -1 #t) r4 mi4
%% 25 :
re4 do4 si8 do16 re16 mi4 ~
mi8 re8 do2 si4
do8 si8 la2 sol4
sol2. fad4 ~
fad4 sol2 la4 ~
%% 30 :
la8 si8 do4 si2
la4 si4 do4 re4
sol,2 #(silun 0 -2 #t) r2
#(silun 0 -2 #t) r2 #(silun 0 -2 #t) r4 sol4
la4 si4 do4. si16 la16
%% 35 :
sol4 la4 fa2
mi2 fa8 mi8 la8 sol8
fa4 sol4. fa8 mi4 ~
mi8 mi8 re4 mi8 fa8 sol4 ~
sol4 fa8 sol8 la8 sol8 fa8 mi8
%% 40 :
fa4 mi4 sol2
la2 sol2
#(silun 0 -2 #t) r4 fa4 sol4 la4 ~
la8 sol8 fa8 mi8 re8 do8 fa8 re8
mi2 #(silun 0 -1 #t) r4 la4
%% 45 :
si4 do2 si4
do4. si8 la2
R1
R1
#(silun 0 -1 #t) r4 do4 re4 mi4 ~
%% 50 :
mi8 re8 do8 si8 la8 si8 do8 re8
si4 mi8 re8 do8 si8 la4 ~
la8 si8 do4. si8 la4 ~
la4. sol8 fad4 sol4 ~
sol4 fad8 sol8 la4 sol4 ~
%% 55 :
sol4 la4 si4 do4 ~
do4 si4 la4 si4
do4 si2 mi4
\once \override Script #'extra-offset = #'(0 . 1.3) mi1^\fermata
}
alto = \relative do' {
%% 1 :
R1
R1
R1
r2 r4 do4 ~
%% 5 :
do4 si4 la2
sol4 do4 si8 la8 si8 do8
re4 do8 si8 la2
r4 do2 si4
la2 sol4 do4
%% 10 :
si8 la8 si8 do8 re2
mi4 fa4 re4 mi4
fad4 sol4 mi2
re4 dod4 re4. do8
si4. do8 la2
%% 15 :
si2 #(silun 0 -1 #t) r4 mi4
re4 do4 si8 do16 re16 mi4 ~
mi8 re8 sol2 fa8 mi8
fa2 mi2
mi4. fa8 sol?2
%% 20 :
R1
#(silaa -9 #t) R1
#(silaa -9 #t) R1
r4 la2 sol4 ~
sol4 fa4 mi8 fa8 sol8 la8
%% 25 :
si4 la4 sol4. la8
si4 mi,4 fad4 sol4
mi2 r4 mi8 re8
do4 re4 mi4 re4 ~
re4 re4 mi4. re8
%% 30 :
do8 re8 mi8 fad8 sol8 fa16 mi16 re8 mi8
fad4 sol2 fa4
mi2 r4 mi4
re4 do4 si8 do16 re16 mi4
fad4 sol8 fa8 mi4 mi4 ~
%% 35 :
mi8 re8 do4 re8 la4 si8
do2 r4 do4
re4 mi4. re8 do8 si8
la4. si8 do8 si8 sol8 la8
si8 do8 re4 do2
%% 40 :
si4 do4 si4 mi4 ~
mi4 re4 mi4 re4
#(silaa -7 #t) R1
#(silaa -8 #t) R1
r4 mi4 fa4 re4 ~
%% 45 :
re4 mi4 fad4 sol4 ~
sol4 fa2 fa8 sol16 fa16
mi4. mi8 fa8 sol8 la8 sol8
fa4 mi4. re16 do16 re4
mi2 r4 si'4
%% 50 :
do4 mi,4 fa4 sol4
sol2 #(silun 0 +1 #t) r4 do,4
re4 mi4. re8 do8 [ si8 ]
la8 si8 dod4 re8 do8 si4
la4 re2 re4
%% 55 :
mi4. fad8 sold4 la4 ~
la4 sol?8 fa8 mi8 fa8 sol4
mi4. fad8 sol4 la8 si16 la16
sold1
}
tenor = \relative do {
%% 1 :
fa2. mi4
re2 do4 fa4 ~
fa4 mi8 re8 mi8 fa8 sol4 ~
sol8 la8 fa4. mi8 la8 [ sol8 ]
%% 5 :
fad4 sol2 fa4
mi4 la4 sol4 sol4 ~
sol8 [ fa8 ] mi8 sol8 fa2
sol4 la4 fad4 sol4
mi4 fa4 do4. re8
%% 10 :
mi8 fa8 sol4. la8 si8 [ la16 si16 ]
do2 #(silun 0 +1.2 #t) r4 sol4
la4 si4 do4 la4
si4 la8 sol8 si8 fad8 la4 ~
la8 sol8 sol4. fad16 mi16 fad16 sol16 fad8
%% 15 :
sol4. fa?8 mi4 re8 do8
sol'2 #(silun 0 -1 #t) r2
#(silun 0 -1 #t) r2 sol2
la4 si4 do4 si8 la8
sold4 la4 r4 mi'4
%% 20 :
re4 do4 si4 do4
si8 la8 la2 sol4 ~
sol8 la16 si16 do8 si8 la4 re8 do8
la8 si8 do8 la8 si2
la2 sol4 r4
%% 25 :
sol4 la4 si4 do8 si16 la16
sold4 la4 re4 sol,!4
la8 si8 do8 la8 si4 do4
la2. la4
si4. la8 sol8 fa8 mi4
%% 30 :
mi8 re8 do8 re8 mi8 fa8 sol4
r4 sol4 la4 si4
do8 si16 la16 sol8 la8 si8 do8 la4
si4 sol4. la16 si16 do4 ~
do4 si2 la8 si8
%% 35 :
do2 r4 fa,4
sol4 la4. sol8 fa8 [ mi8 ]
re4 do4 sol'4 la4
fa2 mi2
re4. mi8 fa8 sol8 la4 ~
%% 40 :
la4 sol2 mi4
fa8 sol8 la8 si8 do4 si4
do4 re2 do4
la2 r4 fa4
sol4 la4. sol8 fa8 mi8
%% 45 :
re4 sol4 la4 sol4
la4. si8 do8 la8 re4 ~
re4 do2 do4
re8 la8 do8 si8 la4. la8
do2 si2
%% 50 :
r4 do4 re4 mi4 ~
mi8 re8 do8 si8 la2
fa4 sol4 la4 mi4
fa4 mi4 re4. mi8
fad8 sol8 la2 si4
%% 55 :
do2 si4 la4
mi'4. re8 do4 si8 la8
sol4. la8 si4 do4
\once \override Script #'extra-offset = #'(0 . 1.3) si1^\fermata
}
basse = \relative do {
%% 1 :
r2 #(silun 0 +1 #t) r4 do4 ~
do4 si4 la2
sol4 do2 si8 la8
si8 do8 re4 la2
%% 5 :
re4 sol,4 re'4 la4
do4. re8 mi4 re8 do8
si4 do4 re2
do4 la2 sol4
la2 r2
%% 10 :
R1
#(silun 0 +1.5 #t) r4 fa'2 mi4
re2 do2
re4 mi4 re2 ~
re1
%% 15 :
sol,2 r2
R1
R1
R1
R1
%% 20 :
#(silun 0 +2 #t) r2 mi'2
re4 do4 si8 do16 re16 mi4
do2 fa2 ~
fa2 re4 mi4
la,4. si8 do2
%% 25 :
#(silaa -2 #t) R1
#(silaa -2 #t) R1
#(silun 0 +1 #t) r4 do4 re4 mi4
fa4. mi16 re16 dod4 re4 ~
re4 sol,4 do4. si8
%% 30 :
la2 sol2
re'2 #(silun 0 +2 #t) r2
mi2 re4 do4
si8 do16 re16 mi2.
re2 do4 la4
%% 35 :
mi'4 fa4 re2
do2 r2
R1
R1
r2 r4 do4
%% 40 :
re4 mi4. re8 do8 si8
la4 fa'4 do4 sol'4
la2 mi4 fa4 ~
fa4 do4 fa8 mi8 re4 ~
re4 dod4 re2
%% 45 :
sol,2 re'2
#(silun 0 +2 #t) r2 fa2
sol4 la4. sol8 fa8 mi8
re4 mi4 fa2
mi4 la2 sold4
%% 50 :
la4. sol8 fa4 mi4
sol4 do,4 fa4. mi8
re4 do8 si8 la2
re4 la4 si4 sol4
re'4. mi8 fad!4 sol4
%% 55 :
mi1 ~
mi1 ~
mi1 ~
mi1
}
sopranomidi = \relative do' {
%% 1 :
R1
R1
R1
R1
%% 5 :
R1
R1
#(silun 0 -2 #t) r2 #(silun 0 -2 #t) r4 fa4 ~
fa4 mi4 re2
do4. fa8 mi8 re8 mi8 fa8
%% 10 :
sol2 #(silun 0 -2 #t) r2
sol4 la4 si4 do4 ~
do4 si2 la4 ~
%> la8 sol8 sol4 fad2
la8 sol16 r16 sol4 fad2
sol2 la4 re,4
%% 15 :
#(silun 0 -2 #t) r4 sol2 la4
si4 do8 si16 la16 sol4. la8
si4. do8 re8 si8 mi4 ~
mi4 re4 do4 sold8 la8
si4 do4 si8 mi8 do8 re8
%% 20 :
si8 do8 la2 sol4 ~
sol8 fa8 mi4 re4 si4
mi4. re8 do8 re16 mi16 fa16 sol16 la16 si16
do2 re4 si4
do2 #(silun 0 -1 #t) r4 mi4
%% 25 :
re4 do4 si8 do16 re16 mi4 ~
mi8 re8 do2 si4
do8 si8 la2 sol4
sol2. fad4 ~
fad4 sol2 la4 ~
%% 30 :
la8 si8 do4 si2
la4 si4 do4 re4
sol,2 #(silun 0 -2 #t) r2
#(silun 0 -2 #t) r2 #(silun 0 -2 #t) r4 sol4
la4 si4 do4. si16 la16
%% 35 :
sol4 la4 fa2
mi2 fa8 mi8 la8 sol8
fa4 sol4. fa8 mi4 ~
%> mi8 mi8 re4 mi8 fa8 sol4 ~
mi16 r16 mi8 re4 mi8 fa8 sol4 ~
sol4 fa8 sol8 la8 sol8 fa8 mi8
%% 40 :
fa4 mi4 sol2
la2 sol2
#(silun 0 -2 #t) r4 fa4 sol4 la4 ~
la8 sol8 fa8 mi8 re8 do8 fa8 re8
mi2 #(silun 0 -1 #t) r4 la4
%% 45 :
si4 do2 si4
do4. si8 la2
R1
R1
#(silun 0 -1 #t) r4 do4 re4 mi4 ~
%% 50 :
mi8 re8 do8 si8 la8 si8 do8 re8
si4 mi8 re8 do8 si8 la4 ~
la8 si8 do4. si8 la4 ~
la4. sol8 fad4 sol4 ~
sol4 fad8 sol8 la4 sol4 ~
%% 55 :
sol4 la4 si4 do4 ~
do4 si4 la4 si4
%> do4 si2 mi4
do4 si2 mi8 ~ mi16 r16
\once \override Script #'extra-offset = #'(0 . 1.3) mi1^\fermata
}
altomidi = \relative do' {
%% 1 :
R1
R1
R1
r2 r4 do4 ~
%% 5 :
do4 si4 la2
sol4 do4 si8 la8 si8 do8
re4 do8 si8 la2
r4 do2 si4
la2 sol4 do4
%% 10 :
si8 la8 si8 do8 re2
mi4 fa4 re4 mi4
fad4 sol4 mi2
re4 dod4 re4. do8
si4. do8 la2
%% 15 :
si2 #(silun 0 -1 #t) r4 mi4
re4 do4 si8 do16 re16 mi4 ~
mi8 re8 sol2 fa8 mi8
fa2 mi2
mi4. fa8 sol?2
%% 20 :
R1
#(silaa -9 #t) R1
#(silaa -9 #t) R1
r4 la2 sol4 ~
sol4 fa4 mi8 fa8 sol8 la8
%% 25 :
si4 la4 sol4. la8
si4 mi,4 fad4 sol4
mi2 r4 mi8 re8
do4 re4 mi4 re4 ~
%> re4 re4 mi4. re8
re8 ~ re16 r16 re4 mi4. re8
%% 30 :
do8 re8 mi8 fad8 sol8 fa16 mi16 re8 mi8
fad4 sol2 fa4
mi2 r4 mi4
re4 do4 si8 do16 re16 mi4
%> fad4 sol8 fa8 mi4 mi4 ~
fad4 sol8 fa8 mi8 ~ mi16 r16 mi4 ~
%% 35 :
mi8 re8 do4 re8 la4 si8
do2 r4 do4
re4 mi4. re8 do8 si8
la4. si8 do8 si8 sol8 la8
si8 do8 re4 do2
%% 40 :
si4 do4 si4 mi4 ~
mi4 re4 mi4 re4
#(silaa -7 #t) R1
#(silaa -8 #t) R1
r4 mi4 fa4 re4 ~
%% 45 :
re4 mi4 fad4 sol4 ~
sol4 fa2 fa8 sol16 fa16
%> mi4. mi8 fa8 sol8 la8 sol8
mi4 r8 mi8 fa8 sol8 la8 sol8
fa4 mi4. re16 do16 re4
mi2 r4 si'4
%% 50 :
do4 mi,4 fa4 sol4
sol2 #(silun 0 +1 #t) r4 do,4
re4 mi4. re8 do8 [ si8 ]
la8 si8 dod4 re8 do8 si4
%> la4 re2 re4
la4 re4. r8 re4
%% 55 :
mi4. fad8 sold4 la4 ~
la4 sol?8 fa8 mi8 fa8 sol4
mi4. fad8 sol4 la8 si16 la16
sold1
}
\score {
<<
\new Staff {
\set Staff.midiInstrument = "pan flute"
\sopranomidi
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\sopranomidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\altomidi
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\altomidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\tenor
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\tenor
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\basse
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\transpose do do,
\basse
}
%%$ \new Staff { % tempo staff
%%$ \tempo 4 = 72 s1* 54
%%$ \tempo 4 = 47 s1
%%$ \tempo 4 = 45 s1
%%$ \tempo 4 = 35 s1
%%$ \tempo 4 = 30 s1
%%$ }
>>
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 112 4)
}
}
}
\score {
{
\context PianoStaff <<
\override PianoStaff.VerticalAlignment #'forced-distance = #14
\context Staff = "dessus" <<
\global
\clef violin
\context Voice = "soprano" {\voiceOne \soprano}
\context Voice = "alto" {\voiceTwo \alto}
>>
\context Staff = "basse" <<
\global
\clef bass
\context Voice = "tenor" {\voiceOne \tenor}
\context Voice = "basse" {\voiceTwo \basse}
>>
>>
\bar "|."
}
\layout { }
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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