\version "2.10"
\header {
title = "Première sonate en duo"
subtitle = \markup{\italic "ou 3 Canons mélodieux"}
subsubtitle = "adaptation pour violon alto"
composer = "Georg Philipp Telemann (1681-1767)"
mutopiatitle = "Première sonate en duo"
mutopiacomposer = "TelemannGP"
mutopiainstrument = "Violin, Viola"
source = "Johan Tufvesson"
date = "1738"
style = "Baroque"
copyright = "Public Domain"
maintainer = "Moulun Stephane"
maintainerEmail = ""
maintainerWeb = ""
lastupdated = "2009/02/20"
footer = "Mutopia-2009/02/22-1618"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
} %end header
% Cette partition a été trouvée sur l'excellent site de Johan Tufvesson
% dont voici l'adresse : http://www.lysator.liu.se/~tuben/scores/
% et qui m'a donné l'autorisation de traduire en lilypond pour Mutopia.
vivace = \relative c' {
\set Staff.midiInstrument = "viola"
\key g \major
\time 6/4
r4 d4 g2 fis8[ e d c] | b[ \segno _" Entrée du 2° instrument " c b a b g] a4 d, r | r4 d' g2 fis8[ g a b] |
c4 b8([ a) b(c)] \appoggiatura b8 a4.\trill g8[ fis g] | a4 g8([ fis) g( a)] fis[ d16( e)] fis8[ g a b] | c4 b8[( a) b(c)] \appoggiatura b8 a2\trill r4 |
r8 d,[ d d d d] d[ d, d' d,] d'16[ c b a] | b[ c b a] b8[ g c a] b16[ c b a] b8[ g a fis ] |
g4. g'8[ a fis] g4. b,8[ c a] | b16[ c b a] b8[ e fis dis] e16[ fis e dis! ] e8[ g fis e] | dis[ fis] b,4\trill r4 b8[ g'] b,4\trill r4 |
b8 a'4 b16[ a g8 fis] g8 b4 a16[ g fis8 e] | fis4 b, dis\trill e e, r | r2 a'2 gis8 a b4 |
e,4 c'8[ b c a] b4 e, d | c8\trill b a4 r2. gis'4\trill | a8[ e cis! a] e'8[ d16( cis!)] d8[ a fis d] d'8[ cis!16( b)] |
cis4 e g fis8 e d4 r | r8 a[ a a ] a16[ b cis a] d8[ d, d' d ] d16[ e fis d] | g4 r g2 fis8[ e d c ] |
b8[ c b a b g] a4 d, r | r d' g2 fis8[ g a b] | c4 b8[( a) b( c)] \appoggiatura b8 a4.\trill g8[ fis g] | a4 g8([ fis) g( a)] fis[ d16( e)] fis8[ g a b] | c4 b8[( a) b(c)] \appoggiatura b8 a2\trill r4 |r8 d,[ d d d d] d[ d, d' d,] d'16[ c b a] |
b[ c b a] b8[ g c a] b16[ c b a] b8[ g a fis ] | g4. g'8[ a fis] g4. b,8[ c a] | \times 2/3 { bes8( c a )} bes4 ^\staccatissimo r \times 2/3 { b8( c a) } b4 ^\staccatissimo r |
\times 2/3 { g'8( a fis) } \times 2/3 { g8( a fis) } \times 2/3 { g8( a fis) } g4. fis16[ e] d8[ c'] | \times 2/3 { b8( c a) } \times 2/3 { b8( c a) } \times 2/3 { b8( c a) } b8[ a16 g] a4 fis\trill |
g8 [ d g d g d] g[ b,] c4 a\trill | g8[ _\fermata b16( a)] g8[ b16( a)] g8[ b16( a)] g4 ^\staccatissimo a ^\staccatissimo fis\trill | g2 r2.
\bar "|." \pageBreak
}
adagio = \relative c' {
\set Staff.midiInstrument = "viola"
\key g \major
\time 2/4
e,8[ b''32( g16.)] dis,8[ a''32( fis16.)] | g,8[ \segno _" Entrée du 2° instrument " g'32( e16.)] fis,8[ fis'32( dis16.)] | e,8 c' r b16. a32 |
g16.[ e32 e'16. fis32] dis4 \trill ] | e16.[ b32 g'16. a32] fis8[ \trill b16. fis32] | g16.[ fis32 e8] r d!8~ | d8 [ cis16. b32] ais8\trill b |
e,8 e'( e16.)[ cis32 d16. b32] | g'16.[( fis32) g16.( e32)] ais8 ^\staccatissimo b ^\staccatissimo | r8 e,32( cis16.) r8 d32( b16.) | cis8[ ais \trill b fis'( ] |
fis8) e4 dis16. fis,32 | g8[ b'32( g16.)] fis,8[ a'32( fis16.)] | e,8[ g'32( e16.)] dis,8[ fis'32( dis16.)] | r8 c!4 b16. a32 |
g16.[ e32 e'16. fis32] dis4\trill | e16.[ b32 g'16. a32] fis4\trill | e8 _\fermata e, a b | e4 r \bar "|."
}
allegro = \relative c' {
\set Staff.midiInstrument = "viola"
\key g \major
\time 2/4
d8 g4 fis8 | b,8 \segno _" Entrée du 2° instrument " e4 d8 | g,8 c4 b8 | e4 ^\staccatissimo d ^\staccatissimo | c8[ b16 a] b8 g | fis4 \trill g ^\staccatissimo |
% mesure 7
a8[ d b g] | d4 r | d'8 g4 fis8 | b, e4 d8 | d8 c4 b8 | e4 ^\staccatissimo d ^\staccatissimo |
% 13
c8[ b16 a] b8 g | fis4 \trill g ^\staccatissimo | a8[ d b g] | d4 d'( | d8)[ c16 b] c8[ b16 a] | b8[ a16 g] a8[ g16 fis]
% 19
g8 b c d | g,4 r | g16[ a b8] b16[ a g8] | d'8[ d d g] | fis16[ g a8] b16[ a g8] |
% 24
a8[ d, d e] | fis16[ g fis8] fis g | a16[ b a8] a b | cis,4 \trill d | e8[ a, fis' a,] | g'4 a8[ g16 fis]
% 30
b8 b, a'4 | g8 fis16 e fis8 d | cis4\trill d ^\staccatissimo | e8[ a fis d] | a4 a'( | a8) g16 fis g8 fis16 e |
% 36
fis8 e16 d e8 d16 cis | d8[ fis, g a] | d,4 r | d'8 g4 fis8 | b,8 e4 d8 | g,8 c4 b8 |
% 42
e4 ^\staccatissimo d ^\staccatissimo | c8 b16 a b8 g | fis4\trill g ^\staccatissimo | a8[ d b g] | d4 r | d'8 g4 fis8 |
% 48
b,8 e4 d8 | g,8 c4 b8 | e4 ^\staccatissimo d ^\staccatissimo | c8 b16 a b8 g | fis4\trill g ^\staccatissimo | a8[ d b g] |
% 54
d4 d'( | d8)[ c16 b] c8[ b16 a] | b8[ a16 g] a8[ g16 fis] | g8 b c d | g,4 r | g'8 g16( fis) g8 a |
% 60
b4 e, | dis8[ b g' e] | b'4 e, | dis8 b g'4| fis\trill b,8 cis16 b | ais8 fis d'4 |
% 66
cis4 b8 cis16 b | ais8 fis d'4 | cis4 \trill b8 cis16 d | e8 d16 cis d8 e16 fis | g4^\staccatissimo fis^\staccatissimo | e8[ b'(ais a)] |
%72
gis[(g fis) b,] | | e4^\staccatissimo d^\staccatissimo | cis8 b16 ais b8 fis'| fis,8[ fis' fis, fis'] | fis e16 d e8 d16 cis |
% 77
d8 cis16 b cis8 b16 ais | b8[ d, e fis ] | b4 r8 a | g a16 b c! e d c | d8 g4 fis8 |
% 82
b,8 e4 d8 | g,8 c4 b8 | e4 ^\staccatissimo d ^\staccatissimo | c8 b16 a b8 g | fis4 \trill g ^\staccatissimo | a8[ d b g] | d4 r |
% 89
d'8 g4 fis8 | b, e4 d8 | g, c4 b8| e4 ^\staccatissimo d ^\staccatissimo | c8 b16 a b8 g | fis4\trill g ^\staccatissimo |
% 95
a8[ d b g] | g4 d'4( | d8) c16 b c8 b16 a | b8 a16 g a8 g16 fis | g8[ \fermata b c d ] | g,4 r
\bar".|"
}
\paper{
ragged-last-bottom = ##f
}
\book {
\score {
{ \clef alto \vivace }
\layout { }
\header { piece = "Vivace"
}
}
\score {
{ \clef alto \adagio }
\layout { }
\header { piece = "Adagio"
}
}
\score {
{ \clef alto \allegro }
\layout { }
\header { piece = "allegro" }
}
}
\book {
\score {
{ \clef violin \transpose c c' \vivace }
\layout { }
\header { piece = "Vivace"
}
}
\score {
{ \clef violin \transpose c c' \adagio }
\layout { }
\header { piece = "Adagio"
}
}
\score {
{\clef violin \transpose c c' \allegro }
\layout { }
\header { piece = "allegro" }
}
}
\score {
\new StaffGroup <<
\new Staff << \vivace >>
\new Staff << {r2 r r \vivace} >>
>>
\midi {
\context { \Score
tempoWholesPerMinute = #(ly:make-moment 128 4) }
}
}
\score {
\new StaffGroup <<
\new Staff << \adagio >>
\new Staff << {r2 \adagio} >>
>>
\midi {
\context { \Score
tempoWholesPerMinute = #(ly:make-moment 60 4) }
}
}
\score {
\new StaffGroup <<
\new Staff << \allegro >>
\new Staff << {r2 \allegro} >>
>>
\midi {
\context { \Score
tempoWholesPerMinute = #(ly:make-moment 140 4) }
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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