\version "2.14.2"
tenorI =
{
\autoBeamOff
\dynamicUp
d=4.\f d8 fis4 a4
d2 a2
\breathe
d4.\f d8\< d4\! e4
fis2. \oneVoice r4 \voiceOne
a,4.\mf a8 d4 d4
cis2. dis4
\breathe
e4. a,8 cis4\> b4\!
a2. \oneVoice r4 \voiceOne
\repeat volta 2
{
b4.\mf b8 b4\< cis4\!
d1
\breathe
e4.\< cis8\! d4 e4
fis1
\breathe
d4\f\< a4\! d4 e4
fis2\ff \breathe a4\accent g4\accent
fis2. e4\>
<< d2. { s4 s4 s4\! } >> \oneVoice r4 \voiceOne
}
\bar "|."
}
tenorII =
{
\autoBeamOff
\dynamicUp
d=4. d8 fis4 a4
d2 a2
a4. a8 b4 cis4
d2. s4
a4. a8 b4 b4
<< b2 { s4\< s4\! } >> a2
cis4. a8 a4 gis4
a2. s4
\repeat volta 2
{
g4. b8 b4 ais4
b1
cis4. a8 b4 cis4
d1
d4 a4 d4 cis4
d2 d4 e4
d2 cis2
a2. s4
}
\bar "|."
}
bassI =
{
\autoBeamOff
\dynamicUp
d=4.\f d8 fis4 a4
d2 a2
\breathe
fis4.\f fis8\< fis4\! a4
a2. \oneVoice r4 \voiceOne
fis4.\mf e8 fis4 fis4
eis4\< gis4\! fis2
\breathe
a4. fis8 e4\> d4\!
cis2. \oneVoice r4 \voiceOne
\repeat volta 2
{
g'4.\mf g8 g4\< fis4\!
fis1
\breathe
a4.\< a8\! a4 a4
a1
\breathe
d4\f\< a4 a4\! a4
a2\ff \breathe a4\accent b4\accent
a2 << g2 { s4 s4\> } >>
<< fis2. { s4 s4 s4\! } >> \oneVoice r4 \voiceOne
}
\bar "|."
}
bassII =
{
\autoBeamOff
\dynamicUp
d=4. d8 fis4 a4
d2 a2
d,4. d8 b4 a4
d2. s4
d4. cis8 b4 b4
cis2 fis2
e4. fis8 e4 e4
a,2. s4
\repeat volta 2
{
R1*1*4/4
b4. d8 fis4 b4
a2. r4
d,4. d8 fis4 a4
d4 a4 fis4 e4
d2 fis4 g4
a2 a,2
d2. s4
}
}
textFirst =
{
\set stanza = "1. "
\lyricmode
{
Wie4. ein8 stol4 -- zer4
Ad2 -- ler2
schwingt4. sich8 auf4 das4
Lied,2. " "4
daß4. es8 froh4 die4
See2 -- le2
auf4. zum8 Him4 -- mel4
zieht.2. " "4
Weckt4. in8 uns'4 -- rer4
Brust1
ho4. -- he8 heil'4 -- ge4
Lust,1
weckt4 in4 uns'4 -- rer4
Brust2 ho4 -- he4
heil'2. -- ge4
Lust.4.
}
}
textSecond =
{
\set stanza = "2. "
\lyricmode
{
Was4. der8 tief4 -- sten4
See2 -- le2
je4. Er8 -- qui4 -- ckung4
beut,2. " "4
al4. -- les8 Gro4 -- ße,4
Ed2. -- le,4
Treu'4. und8 Ei4 -- nig4 --
keit,2. " "4
Lieb'4. und8
Ta4 -- ten4 --
drang1
we4. -- cket8 der4 Ge4 --
sang,1
Lieb'4 und4 Ta4 -- ten4 --
drang2 we4 -- cket4
der2. Ge4 --
sang.1
}
}
textThird =
{
\set stanza = \markup { \bold { \italic { "più p" } } "3. " }
\lyricmode
{
Al4. -- les8 Zar4 -- te,4
Schö2 -- ne,2
was4. die8 Brust4 be4 --
wegt,2. " "4
al4. -- les8 gött4 -- lich4
Ho2. -- he,4
das4. zum8 Him4 -- mel4
trägt:2. " "4
Al4. -- les4 das4 er4 --
blüht1
freu4. -- dig8 aus4 dem4
Lied,1
das,4 ja4 das4 er4 --
blüht2 freu4 -- dig4
aus2. dem4
Lied.2. " "4
}
}
textBassFirst =
{
\lyricmode
{
" "1
" "1
" "1
" "1
" "1
" "1
" "1
" "1
" "1
Weckt4. in8 uns'4 -- rer4
Brust2. " "4
ho4. -- he,8 heil'4 -- ge4
Lust,4 in4 uns'4 -- rer4
Brust2 ho4 -- he,4
heil'2 -- ge2
Lust.2.
}
}
textBassSecond =
{
\lyricmode
{
" "1
" "1
" "1
" "1
" "1
" "1
" "1
" "1
" "1
Lieb'4. und8 Ta4 -- ten4 --
drang2. " "4
we4. -- cket8 der4 Ge4 --
sang,4 ja4 Ta4 -- ten4 --
drang2 we4 -- cket4
der2 Ge2 --
sang.2.
}
}
textBassThird =
{
\lyricmode
{
" "1
" "1
" "1
" "1
" "1
" "1
" "1
" "1
" "1
Al4. -- es8 das4 er4 --
blüht2. " "4
freu4. -- dig8 aus4 dem4
Lied,4 ja4 das4 er4 --
blüht2 freu4 -- dig4
aus2 dem2
Lied.2.
}
}
tenor = \relative c
{
\key d \major
\time 4/4
\clef "treble_8"
<<
\tenorI \\
\tenorII
>>
}
bass = \relative c
{
\key d \major
\time 4/4
\clef bass
<<
\bassI \\
\bassII
>>
}
\header
{
title = "Das Lied"
subtitle = ""
composer = "Ludwig Spohr (1784 - 1859)"
opus = ""
arranger = ""
poet = "Heinrich Schütz"
meter = \markup { \bold { Kräftig und bewegt } }
mutopiatitle = "Das Lied"
mutopiacomposer = "SpohrL"
mutopiapoet = "Heinrich Schütz"
mutopiaopus = ""
mutopiainstrument = "Choir (TTBB)"
date = ""
source = "Zürcherische Liederbuchanstalt, 1896"
style = "Romantic"
copyright = "Creative Commons Attribution 3.0"
maintainer = "Peter Salewsky"
lastupdated = "2012/January/14"
footer = "Mutopia-2012/02/05-1828"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-0.5 MutopiaProject \hspace #-0.5 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-0.5 LilyPond \hspace #-0.5 \teeny .org } by \maintainer \hspace #-0.6 . \hspace #0.5 Copyright © 2012. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by/3.0" http://creativecommons.org/licenses/by/3.0 } } } }
}
\score
{
\context ChoirStaff
<<
\new Staff \tenor
\new Lyrics \textFirst
\new Lyrics \textSecond
\new Lyrics \textThird
\new Staff \bass
\new Lyrics \textBassFirst
\new Lyrics \textBassSecond
\new Lyrics \textBassThird
>>
\layout {}
\midi
{
\context
{
\Staff
\remove "Staff_performer"
}
\context
{
\Voice
\consists "Staff_performer"
}
\context
{
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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