\version "2.6.0"
% Updated to LilyPond 2.6 syntax by Chris Sawer, January 2006
\header {
title = "Morceau de concert"
subtitle = "Pour cor"
composer = "C. Saint-Saens"
opus = "Op. 94"
source = "D.&F.4605"
mutopiatitle = "Morceau de Concert pour cor"
mutopiacomposer= "Saint-SaensC"
mutopiainstrument = "Horn"
mutopiaopus = "O94"
style = "Romantic"
copyright = "Public Domain"
enteredby = "hwn"
maintainer = "Han-Wen Nienhuys"
maintainerEmail = "hanwen@cs.uu.nl"
maintainerWeb = "http://www.cs.uu.nl/~hanwen/"
lastupdated = "2006/Jan/02"
footer = "Mutopia-2006/01/02-27"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
adagio = \relative c'' {
\tempo 4 = 60
r16^"Adagio"\p bes( c bes a bes d c bes2) |
r16\pp bes( c bes a bes d c bes2) |
r16\p \< bes( es d c bes as g c2)\! \> |
r16 c( f c bes as g f bes2)\! |
r4_\markup { \italic "espressivo" }
es,( f des' c as8 bes ces4 bes8 as |
g4)
\once \override TextScript #'padding = #2.5
es4\pp^"sons bouchés"( f des' c as8 bes ces4 bes8 as |
% in the original, sons bouchés is accompanied by a bracket.
g4) r4 r2 |
r16 bes,(^"ouvert"\p \< c bes a bes d c\! \> bes2\!) |
r16 bes(\p \< c bes a bes d c\! \> bes2\!)
r16 bes( as' g f es d c bes8) as-> g-> f->
e4->\f des''4.-> g,16( as bes8 as16 g |
des'4-> c4.) f,16(_\markup { \italic "dim." } g as8 g16 f
c'8\p bes4) es,8( bes' as4) es8
g8([ bes, c es)] g4( f) |
\mark \default
es4 r r8 d'([_\markup { \italic "cresc." } es f]
b,4-> c4) r8 es8([ f g] |
cis,4-> d4) r2 |
r2
\clef bass
e,,2
f4.( \< es8) d2
es4( \! \mf d c d8 es)
bes1( \>
es4) \! r4 r2
R1*1
r4
\clef treble
es'4\pp( bes' g as4. g8 f[ as bes ces] |
bes4) r
d,8([ f g as] g4) r as8([ f d ces]
bes4) r \clef bass g2 es1^\fermata
r1^\fermata
\bar "||"
\time 2/2
\mark \default
R1 * 16
\mark \default
\bar "||"
}
themeAndVarations = \relative c' {
\key c \minor
\time 3/4
\tempo 4 = 100
R2.*4
g'8.^"Allegro Moderato"\f c16 es8. d16 c8. bes32 as g8. c,16
es4 r8 es-> |
d[-> es-> f-> g-> as-> c-> ]
b4-> g-> r
es8-. c-. g'2->
as8-. f-. c'2-> |
es4->( d-> c)->
g2.
g8.\f c16 es8. d16 c8. bes32 as
g8. c,16
es4 r8 es-> |
d[-> es-> f-> g-> as-> c-> ]
b4-> g-> r
g8[( e c g' c bes])
a[( d c b] c4)
es8-> d-> c4-> b->
c2.
R2.*4
\mark \default
bes8[ c16 d] es8[ es ~ es es]
es4( d2)
g,8[ as16 bes] c8[ c~c c] |
c4( bes2)
bes8[(\p g es bes c d])
es[( f g as bes c])
<< des2.(
{ s4. \< s4\! \> s8\! }
>>
c8) b8->( c2)|
r8 b-> ( c2)
r8 c4 c d8
b4 r g4-\markup { \italic "cresc." } ~
g as a ~
a bes b
c8.-^ g16 es'8.-^ d16 c8.-^ bes32 as
g8. c,16 es4 r8 es-> |
d[-> es-> f-> g-> as-> c-> ]
b4-> g-> r
es8-. c-. g'2->
as8-. f-. c'2-> |
es4(-> d-> c)->
g2. |
R2. * 11
\mark \default
\times 2/3 {
g8(\p c) es es( d) c
\override TupletBracket #'transparent = ##t
c( bes) as as( g) c, } es4
r8 c |
\times 2/3 { d\( ( f) es\) d\( ( f) g\) as\( ( d) c\) }
b4( g) r
\times 2/3 { es8( c es) } g2
\times 2/3 { as8( f as) } c2
\times 2/3 { es8( c es) d( b d) c( a c) }
g2 r4
\times 2/3 {
g8\f( c es)
\acciaccatura { f16 } es8 d( c)
\acciaccatura { d16 } c8 bes( as)
\acciaccatura { bes16 } as8 g( es)
} c4. c8 |
\times 2/3 { f,8( as c f as c es d c) }
b4( g) r
\times 2/3 { g8( e c g c e g c bes)
a( d c b a b } c4)
\times 2/3 { c8( es d) } c4 b
c2 r4 |
\times 2/3 { bes8\p( c d } es) es4 es8
\times 2/3 { es8( d c } d2) |
\times 2/3 { g,8 ( as bes } c8) c4 c8
\times 2/3 { c8( f, c' } bes2)
\times 2/3 { bes8( g es bes g as bes c d
es8 f g as bes c d es bes) }
des2.-> (
\times 2/3 { c8) b[->( c]) } c2
\times 2/3 { r8 b[->( c]) } c2
\times 2/3 { es8( c es) d( b d) c( a c)}
g2.
R2. \bar "||"
\mark \default
R2.*10
\override TupletBracket #'transparent = ##f
\relative c' {
c16\f( es) g c es8-> d16 c bes( c) bes as
g( as) g es c4 r8 c16 c d8 es16 es f8 g16 g as8 c16 c
b4-> g-> r |
es16( c) g'-. g-. g2->
as16( f) c'-. c-. c2->
es8-> c16 es d8-> b16 d c8-> a16 c
g2.->
c,16 es g c es8-> f16 es d c bes as
g c g es c4 r8 c
d16 es f g as8 f'-> d-> c ->
b4-> g-> r |
c,8 e16 g c8-. c,-. c'-. bes-.
a8 d4-> c16 b c4
c16 f es d c4-> b-> |
c-> r r |
es,8 f16 g as bes c d es8-. es-.
es4( d2) |
c,8 d16 es f g as bes c8-. c-. |
c4( bes2) |
bes8 bes,4-> bes8-> ~ bes c16 d
es d es f g f g as bes as bes c
des2.
c8-. b16->( c) c2
r8 b16->( c) c2
es8( f16 es) d8( es16 d) c8( d16 c)
g2.
}
R2.
\mark \default
\bar "||"
R2. * 14
\mark \default
\time 4/4
}
finale = \relative c'' {
\repeat unfold 2
\relative c {
\clef bass
c4\p \< ( g' \clef treble c e g c d e \! f1)\f \> ~
<< f1 {s2. \! s4 } >>
e4 ( c g e' es!1)-> ~ es4( des es f c2 b4) r |
}
\mark \default
r2 g2( a c b4 f'2-> d4-> ~ d a2-> g4) |
g2 a4( b8 c)
g2.( f4 e) r
g2( a c b4 f'2-> d4-> ~ d a2-> g4)
g2 a4( b8 c) |
\mark \default
c2( b4 bes |
a) r4 r2 |
r4 d,8-. fis-. a-.[ d-. fis a-.] g4 r r2
r4 c,,8-. e-. g-.[ c-. e-. g-.] f4 r r2
r4 c4( ~ c8[ d16 e] f[ g a b]
c4) g8-. e-. c-.[ g-. e-. c-.] |
g4 r c'2 \> ~
c8\p([ \! a b c] b[ d gis, b)]
a([ \< c b a] b[ d c b)] \!
g'4->\mf ( e-> c-> g)->
b( a b c)
\mark \default
c2->( g4) r
\slurUp
r g->( \< g-> g->) \!
\slurNeutral
g'1-^( g,4) r r2
r4 \times 2/3 { c,8\f( e g) c( d) c b( c) b |
\override TupletBracket #'transparent = ##t
a( b) a g( a) g f( g) f e( f) e |
d( fis) a c( b) a } d2
\times 2/3 { g,8( b) d f( e) d } g2
r4 \times 2/3 { e,8 g c e( f) e d( e) d |
c( d) c b( c) b a( b) a g( a) g |
fis( a) c d( fis) a } c2
\times 2/3 {
f,,8 ( g) b d( f) g } b2
\mark \default
\times 2/3 { g,8 ( c) c c( b) b b( d) d d( c) c |
c( e) e e( d) d d( f) f f( e) e } |
e4 \times 2/3 { e8( d) c e( d) c e( d) c
e( \< d) c e( d) c e( d) c e( d) c\!
}
e4 r r2 |
\once \override TextScript #'padding = #4.0
r2_\ff_"Tutta forza" g,4. e8 c'4 r c4. g8
e'4 r e4. c8
g'1-^ ~
g4^"rit." fis-^ f-^ e-^
d1\trill^"A tempo" ~ d \acciaccatura { c16[ d] } c4 r r2
r4 g,8-. c-. e-. g-. c-. e-.
g4 c,,8-. e-. g-. c-. e-. g-. c4 r r2
R1
\bar "|."
}
\score {
\relative c' \context Voice = "horn"
{
\set Score.midiInstrument = "french horn"
\set Score.skipBars = ##t
\set Score.markFormatter = #format-mark-numbers
\set tupletSpannerDuration = #(ly:make-moment 1 4)
\override Score.MetronomeMark #'transparent = ##t
\override Staff.TimeSignature #'style = #'()
\override TextScript #'padding = #1.0
\override DynamicLineSpanner #'padding = #1.0
#(override-auto-beam-setting '(end * * * *) 1 4)
#(override-auto-beam-setting '(end * * * *) 1 2)
#(override-auto-beam-setting '(end * * * *) 3 4)
\themeAndVarations
\bar "||"
\adagio
\key c \major
\tempo 2 = 70
\finale
}
\layout {
\context {
\Staff \consists Mark_engraver
% \consists Line_number_engraver
}
}
\midi {
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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