% -*- mode: LilyPond ; coding: utf-8 -*-
\version "2.6.4.3"
\include "italiano.ly"
%% Version 3
\header{
title = \markup {\center-align { "FUGUES, ET CAPRICES," "À QUATRE PARTIES" "mises en partition pour l'orgue" "dédiés aux amateurs de la Musique" " "} }
subtitle = \markup \huge {FUGUE 4\small\raise #0.8 {ME}}
piece = ""
instrument = \markup {\center-align { "Orgue - Organ" " " " "}}
composer = "François Roberday (1624-1680)"
copyright = "Creative Commons Attribution-ShareAlike 2.5"
source = "Archives des maîtres de l'orgue, vol.3, 1901, Alexandre Guilmant"
opus = ""
lastupdated = "2006-02-17"
enteredby = "Gérard Gréco"
maintainer = "Gérard Gréco"
mutopiatitle = "Fugue 4me"
mutopiacomposer = "RoberdayF"
mutopiainstrument = "Organ"
style="Baroque"
footer = "Mutopia-2006/02/24-375"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2006. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 2.5 License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/2.5" http://creativecommons.org/licenses/by-sa/2.5 } } } }
}
soprano = \relative do' {
\override Tie #'staffline-clearance = #0.5
\override Tie #'x-gap = #0.1
\override Tie #'y-offset = #0.9
\time 4/2
% 1 :
\override MultiMeasureRest #'staff-position = #0 R\breve
R\breve
\override MultiMeasureRest #'staff-position = #2 R\breve
R\breve
% 5 :
si'1\rest si2\rest \stemUp \tieUp do2
sol la1 si2
do mi, sol la
sol fa mi fa~
fa mi la sol
% 10 :
sol1 sol
sol la4 do si la
si2 do la sol~
sol re' do1
re2 do la sol4 fa
% 15 :
mi2 do'2 ~ do4 si2 la4
sol2 re'2\rest re1\rest
sol1 do,2 re~
re mi fa la,
do si4 la sol1
% 20 :
sol1 ~ sol2 fa2
sol1 la1
% --- Passage en ternaire.
\once \override Score.MetronomeMark #'transparent = ##t \tempo 4 = 225
\time 3/2
sol1.
re1 sol2 ~
sol1 la2
% 25 :
si2 do1 ~
do2 re1 ~
re2 do1
si2 fa'2\rest fa2\rest
\override MultiMeasureRest #'staff-position = #4 R1.
% 30 :
R1.
R1.
R1.
fa2\rest fa2\rest do2
sol1 la2 ~
% 35 :
la2 si1
do2 mi,1
sol2 la1~
la2 sol2 fa2
mi1 fa2 ~
% 40 :
fa2 mi1
la2 sol1
sol1.
sol1. ~
sol1.
% 45 :
la1.
si2 do1
la1 sol2
sol1 re'2
do1.
% 50 :
re2 mi2 do2
la2 sol2 fa2
mi2 do'1
si1 la2
sol1.
% 55 :
R1.
sol'1.
do,1 re2 ~
re2 mi1
fa1 la,2
% 60 :
do2 si2 la2
sol1.
sol1.
sol2 fa1
sol1.
% 65 :
la1.
}
alto = \relative do' {
\override Tie #'staffline-clearance = #0.5
\override Tie #'x-gap = #0.1
\override Tie #'y-offset = #0.9
% 1 :
s1 s1
s1 s1
\stemDown \tieDown r2 sol'2 do,2 re2 ~
re2 mi2 fa2 la,2
% 5 :
do2. re4 mi2 fa2 ~
fa2 mi1 re2
do1 do2 si4 la4
si2 re1 do2
re2 do2 fa2 mi4 re4
% 10 :
mi1 re1
mi1 fa1 ~
fa2 mi2 do2 mi2
re2 mi2\rest mi2\rest do2
sol2 la1 si2
% 15 :
do2 mi4 fa4 sol2 fa2 ~
fa2 mi2 fa2 mi4 re4
do1. fa2 ~
fa2 mi2 la2 fa2
mi2 fa2 mi2. fa4
% 20 :
re1 mi2 fa2 ~
fa2 mi1 re4 do4
% --- Passage en ternaire.
re1 do2 ~
do2 si1
mi1 fa2 ~
% 25 :
fa2 mi1
fa2 mi2 re2
mi1.
r2 sol1
do,1 re2 ~
% 30 :
re2 mi1
fa1 la,2
do1 re2
mi2 fa1 ~
fa2 mi1 ~
% 35 :
mi2 re1
do1.
do2 si2 la2
si2 mi2 re2 ~
re2 do1
% 40 :
re2 mi1
fa2 mi2 re2
mi1.
re1 re2
mi1.
% 45 :
fa1. ~
fa2 mi2 do2 ~
do2 re2 mi2
re1.
r2 do1
% 50 :
sol1 la2 ~
la2 si1
do2 mi2 fa2
sol2 fa1~
fa2 mi1
% 55 :
fa2 mi2 re2
do1.
do2 fa1~
fa2 mi2 sol2
la1 fa2
% 60 :
mi2 fa1
mi1 fa2
re1.
mi2 fa1 ~
fa1 mi2 ~
% 65 :
mi2 re2 do2
}
tenor = \relative do' {
\override Tie #'staffline-clearance = #0.5
\override Tie #'x-gap = #0.1
\override Tie #'y-offset = #0.9
% 1 :
\stemUp \tieUp do1 sol2 la~
la si do mi,
sol fa4 mi la2 fa2
sol2. do,4 re2 fa
% 5 :
mi la sol la
si do fa, mi4 re
la'1 mi2 fad
sol1 sol2 la
si do1 re2~
% 10 :
re do1 si2
la2\rest sol2 do, re~
re mi fa mi4 fa
sol1. fa2~
fa mi fa1
% 15 :
sol1 sol
sol2 la1 sib2~
sib la4 sol la1
si2 do1 re2
do2 re2 ~ re4 do4 do2~
% 20 :
do2 si1 la2
si2 do1 si4 la
% --- Passage en ternaire.
si2 sol2 do2
\override MultiMeasureRest #'staff-position = #7 R1.
la2\rest do1
% 25 :
sol1 la2 ~
la2 si1
do1 mi,2
sol2 fa2 mi2
la2 sol2 fa2
% 30 :
sol1 do,2
re2 fa1
mi2 la1
sol2 la1
si2 do1
% 35 :
fa,2 mi2 re2
la'1 sol2
mi2 fad1
sol1.
sol2 la1
% 40 :
si2 do2 do2 ~
do2 re1 ~
re2 do1 ~
do2 si1
la2\rest la2\rest sol2
% 45 :
do,1 re2 ~
re2 mi1
fa1 mi2
sol1.
sol1 fa2 ~
% 50 :
fa2 mi1
fa1.
sol1.
sol1.
sol1 la2 ~
% 55 :
la2 sib1 ~
sib2 la2 sol2
la1.
si2 do1 ~
do2 re1
% 60 :
do2 re1 ~
re2 do1 ~
do1 si2 ~
si2 la1
si2 do1 ~
% 65 :
do2 si2 la2
}
basse = \relative do {
\override Tie #'staffline-clearance = #0.5
\override Tie #'x-gap = #0.1
\override Tie #'y-offset = #0.9
% 1 :
\override MultiMeasureRest #'staff-position = #-4 R\breve
R\breve
R\breve
\override MultiMeasureRest #'staff-position = #-6 R\breve
% 5 :
\override MultiMeasureRest #'staff-position = #-4 R\breve
R\breve
R\breve
mi,1\rest \stemDown \tieDown do'1
sol2 la1 si2
% 10 :
do mi, sol1
do2 sib la fa
sol1 la2 do~
do si mi la,
si do re1
% 15 :
mi1. re4 do
si2 do re1
mi1 fa
sol fa
la2 si,2\rest si1\rest
% 20 :
sol'1 do,2 re2 ~
re2 mi2 fa1
% --- Passage en ternaire.
fa1 mi2
sol1.
do,1.
% 25 :
\override MultiMeasureRest #'staff-position = #-2 R1.
R1.
R1.
\override MultiMeasureRest #'staff-position = #-4 R1.
R1.
% 30 :
R1.
R1.
R1.
\override MultiMeasureRest #'staff-position = #-2 R1.
R1.
% 35 :
\once \override MultiMeasureRest #'staff-position = #-4 R1.
R1.
\once \override MultiMeasureRest #'staff-position = #-4 R1.
R1.
do1.
% 40 :
sol1 la2 ~
la2 si1
do1 mi,2
sol1.
do2 sib1
% 45 :
la2 sol2 fa2
sol1 la2 ~
la2 si2 do2 ~
do2 si1
mi1 la,2
% 50 :
si2 do1
re1.
mi1. ~
mi2 re2 do2
si2 do1
% 55 :
re1.
mi1.
fa1.
sol1.
fa1.
% 60 :
la2 re,2\rest re2\rest
R1.
si2\rest sol'1
do,1 re2 ~
re2 mi1
% 65 :
fa1.~
}
sopranoCaprice = \relative do'' {
\override Tie #'staffline-clearance = #0.5
\override Tie #'x-gap = #0.1
\override Tie #'y-offset = #0.9
%\tempo 4 = 225
\time 4/2
% 1 :
sol1 ~ sol1 ~
sol1 si1\rest
\override MultiMeasureRest #'staff-position = #0 R\breve
re1\rest fa2\rest fa4\rest mi4
% 5 :
\once \override NoteColumn #'force-hshift = #0.3 la,2. si4 do re mi2~
mi2 re2 do1
si1 do1
re2\rest do2 sol2 la2 ~
la2 si do mi,
% 10 :
sol4 re sol2 si1\rest
\override MultiMeasureRest #'staff-position = #2 R\breve
re1\rest fa2\rest fa4\rest fa,4
sib2 la4 sol4 la2 fa2
mi1 fa2. sol4
% 15 :
la1 sol2 si4\rest mi,4
la2 sol2 ~ sol2 fa2
mi2. do'4 sol la si2~
si4 sol do2 re mi
fa la, sib si2\rest
% 20 :
re1\rest re2\rest do
sol la1 si2
do mi, sol1
sol sol2. la4
si1~si4 la la2
% 25 :
sol1 la2 sol
\time 4/4
sol2 do4 sol4
la2 si4 do4
mi,4 sol4 ~ sol8 [ mi8 ] do'4
% 30 :
si4 mi2 la,4
si4 do4 ~ do2
sol2 ~ sol8 [ la8 ] si4
do4 la4 sol2 ~
sol2 si4\rest sol
% 35 :
do, re2 mi4
fa4 mi4 sol4 fa8 [ mi8 ]
fa2. mi8 [ re8 ]
mi4 fa'4\rest fa2\rest
\override MultiMeasureRest #'staff-position = #4 R1
% 40 :
R1
fa4\rest do4 sol2
la4 si4 do4 mi,4
sol4 re'4 mi4 si8 [ la8 ]
si4 do2 la4
% 45 :
re,4 mi8 [ fa8 ] sol4 la8 [ si8 ]
do4 la4 si4 do4
la4 sol4 ~ sol8 la4 la8
sol2. fa4 ~
fa mi4 re2
\override Script #'padding = # 0.8 mi1^\fermata
}
altoCaprice = \relative do' {
\override Tie #'staffline-clearance = #0.5
\override Tie #'x-gap = #0.1
\override Tie #'y-offset = #0.9
% 1 :
re2 mi2 re1
mi1 r1
s\breve
r2 mi2 la2 sol2 ~
% 5 :
\once \override NoteColumn #'force-hshift = #-0.7 sol2 fa2 mi2 do'2
la2 si1 la2 ~
\once \override NoteColumn #'force-hshift = #0.8 la sol1 fa2
mi2 si2\rest si2\rest r4 do4
fa2 mi4 re4 mi2 do2
% 10 :
si la4 sol do2 do4\rest mi
la,2. si4 do re mi2~
mi4 do do'2 do,1\rest
\override MultiMeasureRest #'staff-position = #-6 R\breve
\override MultiMeasureRest #'staff-position = #-8 R\breve
% 15 :
R\breve
\override MultiMeasureRest #'staff-position = #-6 R\breve
R\breve
r1 mi2\rest sol2
do,2 re1 mi2
% 20 :
fa2 la,2 do2 fa2 ~
fa2 mi2 re1
do1 do2\rest do4\rest si4
mi2 re2 ~ re2 do2
si2 sol'2 mi2 fa2 ~
% 25 :
fa2 mi2 re1
% --- passage en 4/4
mi2 mi2\rest
\override MultiMeasureRest #'staff-position = #-4 R1
\override MultiMeasureRest #'staff-position = #-6 R1
si4\rest sol'4 do,4 re4 ~
% 30 :
re4 mi4 fa4 la,4
do4. re8 mi4 re4
do2 re4 mi4 ~
mi4 do2 si4
do4 fa,4\rest fa2\rest
% 35 :
fa4\rest do'4 sol4 la4 ~
la4 si4 do4 si4
do4 mi4 do'4 la4
sib4. do8 la4 sol
re2. do4
% 40 :
do2 re4 mi4
R1
si4\rest sol'4 do,4 re4 ~
re4 mi4 fa4. la,8
si4 do8 [ re8 ] mi4 fa4
% 45 :
mi4 fa2 mi4
fa4 mi8 [ re8 ] mi4 fa4 ~
fa mi2 re4 ~
re do2 si4
do1
}
tenorCaprice = \relative do' {
\override Tie #'staffline-clearance = #0.5
\override Tie #'x-gap = #0.1
\override Tie #'y-offset = #0.9
% 1 :
si2 do1 si2
do1 r2 mi4\rest do4
fa2 mi4 re mi2 do
si do do1~
% 5 :
do2 re2 la1
R\breve
r2 r4 mi'4 la,2. si4
do4 re4 mi2. mi,4 fa2 ~
fa2 sol2 si1\rest
% 10 :
\override MultiMeasureRest #'staff-position = #7 R\breve
\override MultiMeasureRest #'staff-position = #4 R\breve
r2 r4 sol'4 do,2 re~
re mi2 fa la,
do1 ~ do2 sib2
% 15 :
la2 fa'2 mi2 la,2\rest
la2\rest si4\rest si4 mi2 re2 ~
re2 do2 si2 sol'2
mi2 re4 do4 si2 do2
la2 fa1 sol2
% 20 :
do,2 fa2 mi2 re4 do4
si2 do2 si'1\rest
\override MultiMeasureRest #'staff-position = #2 R\breve
la2\rest r4 si4 mi,2. fad4
sol4 la4 si2 do2 si4 la4
% 25 :
si2 do1 si2
% --- Passage en 4/4
do2 la2\rest
la4\rest do4 sol4 la4 ~
la4 si4 do4 mi,4
sol4 do4 la4 fa4
% 30 :
sol2 la4 fa4 ~
fa4 mi4 sol2 ~
sol4 fa2 mi4 ~
mi2 re4 mi'4\rest
\override MultiMeasureRest #'staff-position = #11 R1
% 35 :
\override MultiMeasureRest #'staff-position = #7 R1
R1
r4 sol,4 do,4 re4 ~
re4 mi4 fa4 mi8 [ fa8 ]
sol2 sol2
% 40 :
la2 si4 do4
fa,2 mi2
re2 sol4 fa4
sol2 la4 fa4 ~
fa mi4 ~ mi8 [ re8 ] re4
% 45 :
do4 do'8\rest do8 sol4 la4 ~
la4 si4 do4 la4
si4 do4 la2
sol1
\override Script #'padding = # 1 sol1^\fermata
}
basseCaprice = \relative do {
\override Tie #'staffline-clearance = #0.5
\override Tie #'x-gap = #0.1
\override Tie #'y-offset = #0.9
\time 4/2
% 1 :
fa2 mi2 sol1
do,2 do'2 sol2 la2 ~
la2 si2 do2 mi,2
sol1 fa2 mi2
% 5 :
fa2 re2 \once \override NoteColumn #'force-hshift = #0.8 la'2 si,4\rest do4
fa2 mi4 re4 mi2 do2
sol'2 mi2 sol,1\rest
\override MultiMeasureRest #'staff-position = #-4 R\breve
R\breve
% 10 :
si2\rest mi2 la2 sol2 ~
sol2 fa2 mi2 do'2
la2 mi2 la2 fa2
sol1 fa1
si,2\rest la'2 re,2. mi4
% 15 :
fa4 sol4 la4 si4 do2 do,2 ~
do4 re4 mi2 sol,1\rest
R\breve
R\breve
sol2\rest sol4\rest sol4 sib2 la4 sol
% 20 :
la2 fa mi1\rest
mi2\rest re4\rest do'4 fa2 mi4 re4
mi2 do2 si2 sol2
do2 si2 mi,1\rest
sol2\rest sol4\rest sol'4 do,2 re2 ~
% 25 :
re2 mi2 fa2 sol2
% --- Passage en 4/4
do,1
\override MultiMeasureRest #'staff-position = #-2 R1
R1
R1
% 30 :
R1
sol2\rest do4 sol4
la2 si4 do4
mi,2 sol4 sol'4
la4 fa4 sib4 la8 [ sol8]
% 35 :
la2 mi4 do4
re2 mi4 sol4
do,4. sib8 la4 fa4
sol2 la4 do4 ~
do4 si4 mi2
% 40 :
fa2. mi4 ~
mi4 re2 do4 ~
do4 si4 mi4 fa4 ~
fa4 mi4 la,4. fa8
sol1
% 45 :
do2 sol2\rest
sol4\rest sol'4 do,4 re4 ~
re4 mi4 fa2
si,4 do4 sol2
\override Script #'padding = # 0.8 do1_\fermata
}
\book {
\score {
\context PianoStaff <<
\context Staff = "dessus" <<
\clef violin
\set Staff.midiInstrument = "Church organ"
\context Voice = "soprano" {\voiceOne \soprano}
\context Voice = "alto" {\voiceTwo \alto}
>>
\context Staff = "basse" <<
\clef bass
\set Staff.midiInstrument = "Church organ"
\context Voice = "tenor" {\voiceOne \tenor}
\context Voice = "basse" {\voiceTwo \basse}
>>
>>
\layout {}
\midi { \tempo 4 = 150}
}
\markup {\fontsize #3.5 "FUGUE, REVERS ET 2 AUTRES SUJETS."}
\score {
\context PianoStaff <<
\context Staff = "dessus" <<
\clef violin
\set Staff.midiInstrument = "Church organ"
\context Voice = "soprano" {\voiceOne \sopranoCaprice}
\context Voice = "alto" {\voiceTwo \altoCaprice}
>>
\context Staff = "basse" <<
\clef bass
\set Staff.midiInstrument = "Church organ"
\context Voice = "tenor" {\voiceOne \tenorCaprice}
\context Voice = "basse" {\voiceTwo \basseCaprice}
>>
>>
\layout {}
\midi { \tempo 4 = 150}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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