% -*- mode: LilyPond ; coding: utf-8 -*-
\version "2.6.4.3"
\include "italiano.ly"
%% Version 0
\header{
title = \markup {\center-align { "FUGUES, ET CAPRICES," "À QUATRE PARTIES" "mises en partition pour l'orgue" "dédiés aux amateurs de la Musique" " "} }
subtitle = \markup \huge {FUGUE 1\small\raise #0.8 {RE}}
piece = ""
instrument = \markup {\center-align { "Orgue - Organ" " " " "}}
composer = "François Roberday (1624-1680)"
copyright = "Creative Commons Attribution-ShareAlike 2.5"
source = "Archives des maîtres de l'orgue, vol.3, 1901, Alexandre Guilmant"
opus = ""
lastupdated = "2006-01-30"
enteredby = "Gérard Gréco"
maintainer = "Gérard Gréco"
mutopiatitle = "Fugue 1re"
mutopiacomposer = "RoberdayF"
mutopiainstrument = "Organ"
style="Baroque"
footer = "Mutopia-2006/02/04-660"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2005. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 2.5 License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/2.5" http://creativecommons.org/licenses/by-sa/2.5 } } } }
}
global = {
\key fa \major
\time 4/2
}
soprano = \relative do''' {
\override Tie #'staffline-clearance = #0.5
\override Tie #'x-gap = #0.1
\override Tie #'y-offset = #0.9
% 1:
s\breve
s\breve
R\breve
R\breve
% 5:
\once \override MultiMeasureRest #'staff-position = #2 R\breve
R\breve
R\breve
fa,2\rest sol2 fad2 la2
re,2 sol4 fa4 mi4 re4 mib2
% 10:
re\breve
| re1 re4 do4 si2
| sib!2 la1 sol2
| la2. sol4 fa2 re'2\rest
| R\breve
% 15:
re1 si2 re2
sol,2 re'4 do4 si4 la4 sib2
la2 re1 do2 ~
do4 sib4 la4 sol4 fad!2 sol2
do,2 do'2 re2 re2\rest
% 20:
\once \override MultiMeasureRest #'staff-position = #2 R\breve
si2\rest re2 si2 re2
sol,2 re'4 do4 si4 la4 sib2
la1 sib2 la4 sol4
la2 mi2 fad2 sib2
% 25:
do1. sib2
la1 sol1
sol1 sol4 fa4 mi4 re4
sol2 si2\rest si1\rest
\once \override MultiMeasureRest #'staff-position = #2 R\breve
% 30:
fa'2\rest sol2 fad2 la2
re,2 sol4 fa4 mi4 re4 mib2
re1 re1
\once \override Script #'padding = # 0.8 re\breve^\fermata \bar "||" \break
% --- passage en ternaire.
\once \override Score.MetronomeMark #'transparent = ##t \tempo 4 = 160
\time 3/1
s1. s1.
% 35 :
s1. s1.
s1. r1.
r1. r1.
r1. r1.
r1. r1.
% 40 :
r1. fa2\rest fa2\rest sol2
fad2 la1 re,2 sol2 fa?2
mi2 re2 mib2 re1.
re1. ~ re2 si1
sib!2 la1 ~ la1 sol2
% 45 :
la1 sol2 fad2 sol1
la1 mi2 fad2 sib1 ~
sib1 la2 sib2 la2 sol2
la1. sol1.
sol1. sol2 fa2 mi2
% 50 :
fad2 sol1 la2 si2\rest si2\rest
re2\rest re1 si2 re1
sol,2 re'2 do2 si2 la2 sib2
la2 si2\rest si2\rest si1.\rest
si2\rest si2\rest sol2 fad2 la1
% 55 :
re,2 sol2 fa2 mi2 re2 mib2
re1. mib2 re1
\once \override Script #'padding = # 0.5 re\breve.^\fermata \bar "|."
}
alto = \relative do'' {
%1:
\override Tie #'staffline-clearance = #0.5
\override Tie #'x-gap = #0.1
\override Tie #'y-offset = #0.9
\once \override MultiMeasureRest #'staff-position = #0 R\breve
\once \override MultiMeasureRest #'staff-position = #0 R\breve
sol1\rest re'1
si2 re2 sol,2 re'4 do4
% 5:
si4 la4 sib2 la2 \tieUp re2 ~
re4 \tieDown sol,4 do1 sib4 do4
re4 do4 si4 la4 sib2 la2 ~
la2 sol2 la1 ~
la2 sol2 sol2 do2 ~
% 10:
do2 sib4 la4 sib4 la4 sol2 ~
sol2 fa4 mi4 re1
re1 re1 ~
re2 dod2 re2 fad2
sol2 fad4 \tieUp sib4 ~ sib4 \tieDown la8 [ sol8 ] la2 ~
% 15:
la2 sol2 ~ sol4 fa4 mi4 re4
mi2 fad2 sol2 re4 mi4
fa1 sol1
la4 sol4 fad4 mi4 re1
fa,2\rest sol'2 fad2 la2
% 20:
re,2 sol4 fa4 mi4 re4 mib2
re1 re1
mi2 re2 re2 sol2 ~
sol2 fa2 re2 do4 sib4
la2 do2 re1
% 25:
do1 re1
mi2\rest re2 si2 re2
sol,2 re'4 do4 si4 la4 sib2 ~
sib2 la4 sol4 la4 re2 mi4
fa4 sol4 la2 sib2 la2 ~
% 30:
la2 sol2 la1 ~
la2 sol2 sol2 do2 ~
do2 sib2 la1
si\breve
% --- passage en ternaire.
\time 3/1
si1.\rest si1.\rest
% 35 :
si1.\rest si1.\rest
si1.\rest sol2\rest re'1
si2 re1 sol,2 re'2 do2
si2 la2 sib2 do2 sol2 la2
sib1 do2 re2 si2 la2
% 40 :
sib!2 la1 la1 sol2
la1. ~ la2 sol1 ~
sol1 do2 ~ do2 sib2 la2
sol2 fa2 mi2 re1.
re1. re1. ~
% 45 :
re2 do1 ~ do2 sib1
la2 do1 re1.
do2 mi2\rest mi2\rest r1.
mi2\rest re1 si2 re1
sol,2 re'2 do2 si2 la2 sib2
% 50 :
la1. la2 sib2 do2
re1. re1.
mi2 re1 re1.
re1. re1.
re1 do2 re1 do2
% 55 :
sib1. ~ sib1 la2
la1 sib2 la1.
si\breve.
}
tenor = \relative do'' {
\override Tie #'staffline-clearance = #0.5
\override Tie #'x-gap = #0.1
\override Tie #'y-offset = #0.9
% 1 :
sol1 fad2 la2
re,2 sol4 fa4 mi4 re4 mib2
re2. mi4 fa2 fad2
sol2 si,!4 la4 sib2 \tieDown la2 ~
% 5 :
la2 \tieUp sol2 re'2 do4 sib4
mib2 mi2 fad2 sol2 ~
sol2 fad2 sol2 fa2
re2 mi4 re4 do2 sib4 la4
sib2 si1 la4 sol4
% 10 :
fad1 sol4 la4 sib2
la1. sol4 fad4
sol2 sol1 mi4 re4
fa2 mi2 re2 do'4\rest re4
si2 re2 sol,2 re'4 do4
% 15 :
si4 la4 sib2 sol2 si2
do2 sib4 la4 sol1
re'2 do4 sib4 mib1
re2 do1 sib2 ~
sib2 la4 sol4 la2 mi2
% 20 :
fad2 sib1 la2 ~
la2 sol1 si2
do2 sib4 la4 sol1
la2 r2 r2 sol2
fad2 la2 re,2 sol4 fa4
% 25 :
mi4 re4 mib2 re2. mi4
fa2 fad2 sol1
mib2 re2 re2 sol2 ~
sol4 fa4 mi2 fa2 sol2
la2 la4 re4 ~ re4 mi4 fa2
% 30 :
re4 fa4 mi4 re4 do2 sib4 la4
sib1. la4 sol4
fad2 sol1 fad2
\once \override Script #'padding = # 0.8 sol\breve^\fermata
% --- passage en ternaire.
sol'1. fad2 la1
% 35 :
re,2 sol2 fa2 mi2 re2 mib2
re1 mi2 fa1 fad2
sol1 fa!2 mib2 sib2 la2
sol1 sol'2 mib2 mi1
fad2 sol1 ~ sol2 fad!1
% 40 :
sol2 fa!1 re1.
do2 si2 la2 sib2 si1
do1. fad,2 sol2 la2
sib2 la1 ~ la2 sol2 fad2
sol2 fa!1 re1.
% 45 :
fa2 mi1 re2 r2 sol2
fad2 la1 re,2 sol2 fa?2
mi2 re2 mib2 re2 mi!1
fa1 fad2 sol1 fa2
mib2 re1 re1.
% 50 :
re1 mi2 fad2 sol2 la2 ~
la1 sol2 sol1 fa2
mi2 fad1 sol1.
fad2 sib1 la2 sib1
sol1. la2 fad1
% 55 :
sol1. sol1.
fad2 re2 sol2 sol1 fad!2
sol\breve.
}
basse = \relative do' {
\override Tie #'staffline-clearance = #0.5
\override Tie #'x-gap = #0.1
\override Tie #'y-offset = #0.9
R\breve
R\breve
R\breve
R\breve
R\breve
r1 re1
si2 re2 sol,2 re'4 do4
si4 la4 sib2 la2 fad2
sol1 do,1
R\breve
re1 si2 re2
sol,2 re'4 do4 si4 la4 sib2
la1 re2 r2
R\breve
R\breve
R\breve
r1 sol1
fad2 la2 re,2 sol4 fa4
mi4 re4 mib2 re2 do2 ~
do2 sib2 do1
sib1 sol2 sol'2
mi2 fa1 mi4 re4
dod2 re2 sol,1
re'2 do1 sib2 ~
sib2 la4 sol4 fad2 sol2
re'1 mib2 si2
do2 sib4 la4 sol1
sol1 re'1
re4 mi4 fa2 sol2 re'2
sib1 la2 fad2
sol4 fa4 mi4 re4 do1
re1 re1
\once \override Script #'padding = # 0.8 sol,\breve_\fermata
% --- passage en ternaire.
mi1.\rest mi1.\rest
mi1.\rest mi1.\rest
mi1.\rest mi1.\rest
mi1.\rest mi1.\rest
mi1.\rest mi1.\rest
re''1. si2 re1
sol,2 re'2 do2 si2 la2 sib2
la2 fad1 sol1.
sol,1.\rest sol1.\rest
si2\rest re1 si2 re1
sol,2 re'2 do2 si2 la2 sib2
la1. re1.
re2 do1 ~ do2 sib1
do1. sol1.
re'1. mib2 si1
do2 sib2 la2 sol1.
re1. re'1 do2
sib1. sol2 si1
do2 sib2 la2 sol1.
re'1 mi2 fad!2 sol2 fa2
mi2 re2 mib2 re1.
re1. do1. ~
do1 sib2 do2 re1
\once \override Script #'padding = # 0.8 sol,\breve._\fermata
}
sopranoCaprice = \relative do'' {
% 1 :
\once \override MultiMeasureRest #'staff-position = #2 R1
R1
R1
R1
% 5 :
fa2\rest re4 re8 [ re8 ]
si4 re4 sol,8 re'4 do8
si8 [ la8 ] sib4 la2
sib4 do4 re2
re2. do4
% 10 :
sib4. do8 re2
do4 sib8 [ la8 ] si4 re4 ~
re4 do2 sib!4
la2 sol2 ~
sol4 fa2 mi4
% 15 :
fa4 fad4 sol4 fad4
sib4 la4 re2
la8 re4 do8 si4 sib4 ~
sib4 la4 fad4 sol4
re'4 la4 sib4 la4 ~
% 20 :
la4 sol2 fad4
sol4 sib4 la8 [ do8 sib8 la8 ]
sib4 la4 fa'8\rest re8 [ re8 re8 ]
si4 re4 sol,8 re'4 do8
| si8 ([ la8 ]) sib4 la2
% 25 :
| sol1^\fermata
\once \override Score.MetronomeMark #'transparent = ##t \tempo 4 = 160
| R1.
| R1.
| R1.
| R1.
% 30 :
| r2. fa'8\rest re8 [ do8 ] si8 [ do8 re8 ]
| sol,8 [ re'8 do8 ] si8 [ la8 sib8 ] la8 re4 ~ re4.
re2. re4. do4. ~
do8 [ sib8 la8 ] sol4. la4. si8 la4
sib!4. re4. do4. ~ do8 [ sib8 la8 ]
% 35 :
sib4. la2. sol4.
fad4. sol4. ~ sol8 [ fa8 sol8 ] la8 [ sib8 do8 ]
re2. re2.
do4. ~ do8 [ sib8 la8 ] sib4. fa'4\rest fa8\rest
\once \override MultiMeasureRest #'staff-position = #6 R1.
% 40 :
fa8\rest sol8 [ sol8 ] fad8 [ sol8 la8 ] re,8 [ sol8 fa8 ] mi8 [ re8 mib8 ]
re8 [ sol,8 la8 ] sib8 [ do8 re8 ] do8 [ la8 sib8 ] do8 [ re8 la8 ]
sib4. la8 [ sib8 do8 ] re4. sol4 do,8
sib4. la2. sol4.
re8 [ re'8 do8 ] sib8 [ la8 sol8 ] do8 [ re8 do8 ] si8 [ do8 la8 ]
% 45 :
\once \override Script #'padding = # 0.4 si1.^\fermata \bar "|."
}
altoCaprice = \relative do'' { % Halte aux caprices !
\time 4/4
% 1 :
s1
sol2\rest sol4 sol8 [ sol8 ]
fad4 la4 re,8 sol4 fa8
mi8 [ re8 ] mib4 re4 mi4
% 5 :
fad8 [ sol8 ] la2 sol4 ~
sol4 fa2 mi4
fad4 sol4 ~ sol4 fad4
sol4 mib4 re8 [ la'8 sol8 fad8 ]
sib4. la8 sol4 la4 ~
% 10 :
la8 [ sol8 ] sol4 sol2
la4 fad4 sol2
R1
r8 re8 [ re8 re8 ] si4 re4
sol,8 re'4 do8 si8 [ la8 ] sib4
% 15 :
la4 la4\rest la2\rest
r2 sol'4 sol8 [ sol8 ]
fad4 la4 re,8 sol4 fa8
mi8 [ re8 ] mib4 re2 ~
re2 re4 fa4
% 20 :
re2 do4 sib8 [ la8 ]
sib4 re4 re4 fad4
sol4 fad4 sol2 ~
sol4 re4 re2
re1
% 25 :
si1 \bar "||" \break
\time 12/8
sol'4 sol8 fad8 [ sol8 la8 ] re,8 [ sol8 fa8 ] mi8 [ re8 mib8 ]
re8 [ re'8 la8 ] sib8 [ la8 sol8 ] fad4. sol4.
sib?4. re4. do8 [ re8 do8 ] si8 [ do8 la8 ]
sib4. re4 do8 sib4. do4. ~
% 30 :
do4. sib4. la4. r4 r8
s8 s8 s8 s8 s8 s8 s8 s8 s8 s8 s8 s8
r8 sol8 [ sol8 ] fad8 [ sol8 la8 ] re,8 [ sol8 fa8 ] mi8 [ re8 mib8]
re4. ~ re8 mi4 fad4. sol8 fad4
sol2. ~ sol8 [ fa8 mi8 ] re4.
% 35 :
re2. ~ re4. ~ re4 do8 ~
do8 [ sib8 la8 ] sib8 [ la8 sol8 ] re'4 mi8 fad8 [ sol8 la8 ]
sib4 la8 sol8 fad4 sib4 la8 sol4. ~
sol8 [ fa8 mi8 ] fad4. sol4. la4.
sib4. do4. re4 do8 sib8 la4 %\break
% 40 :
sol4. mi4\rest mi8\rest mi2.\rest
R1.
R1.
mi8\rest sol8 [ sol8 ] fad8 [ sol8 la8 ] re,8 [ sol8 fa8 ] mi8 [ re8 mib8 ]
sib2. la4. re4.
% 45 :
re1.
}
tenorCaprice = \relative do' {
\override Tie #'staffline-clearance = #0.5
\override Tie #'x-gap = #0.1
\override Tie #'y-offset = #0.9
\time 4/4
% 1 :
re4 re8 [ re8 ] si4 re4
sol,8 re'4 do8 si8 [ la8 ] sib4
la4 sol8 [ fad8 ] sol4 si4
do4 sib!8 [ la8 ] sib4 la8 [ sol8 ]
% 5 :
re'4 do4 si8 [ la8 ] sib4
sol4. la8 si4 do4
re4 do8 [ sib8 ] do4 re4
re4 do4 do2
sib4 re4 la2\rest
% 10 :
la2\rest la8\rest sol8 [ sol8 sol8 ]
fad4 la4 re,8 sol4 fa8
mi8 [ re8 ] mib4 re4 mi4
fa4 fad4 sol4 re4
re2 fa2\rest
% 15 :
la8\rest re8 [ re8 re8 ] si4 re4
sol,8 re'4 do8 si8 [ la8 ] sib4
re4 fad,4 sol2
do2. sib4
sol4 fad4 sol4 r4
% 20 :
R1
la8\rest sol8 [ sol8 sol8 ] fad4 la4
sol8 re'4 do8 si8 [ la8 ] sib4
sol4 fad4 sib4 la4 ~
la4 sol4 ~ sol8 [ sol8 ] fad4
% 25 :
\once \override Script #'padding = # 0.8 sol1^\fermata
\time 12/8
s1.
r2. do8\rest re8 [ do8 ] si8 [ do8 re8 ]
sol,8 [ re'8 do8 ] si8 [ la8 sib8 ] la4. re4.
sol4. la4. ~ la4. sol4.
% 30 :
fad4. sol4. re2. ~
re4. sol4. ~ sol4 fad8 la8 [ la,8 do8 ]
sib4. la4. sol4. la4.
fad8 [ sol8 la8 ] sib8 [ la8 sol8 ] re'2.
re2. r2.
% 35 :
la8\rest sol8 [ sol8 ] fad8 [ sol8 la8 ] re,8 [ sol8 fa8 ] mi8 [ re8 mib8 ]
re2. re2.\rest
do'8\rest re8 [ re8 ] si8 [ do8 re8 ] sol,8 [ re'8 do8 ] si!8 [ la8 sib8 ]
la4. re4. re2.
re4. sol4. fad8 [ sol8 la8 ] re,8 do4
% 40 :
sib4. do4. re4. do4.
sib2. la2.
sol8 [ sol'8 sol8 ] fad8 [ sol8 la8 ] re,8 [ sol8 fa8 ] mi8 [ re8 mib8 ]
re4. ~ re4 do8 si4. sib4 la8 ~
la4. sol2. fad4.
% 45 :
\once \override Script #'padding = # 0.4 sol1.^\fermata
}
basseCaprice = \relative do {
\override Tie #'staffline-clearance = #0.5
\override Tie #'x-gap = #0.1
\override Tie #'y-offset = #0.9
% 1 :
\override MultiMeasureRest #'staff-position = #-2 R1
R1
R1
R1
% 5 :
R1
R1
R1
sol'4 sol8 [ sol8 ] fad4 la4
re,8 sol4 fa8 mi8 [ re8 ] mib4
% 10 :
re4 mib4 si4 sib4
la2 sol2 ~
sol2 sol2
re'2 mib4 si4
sib!4 la4 sol2
% 15 :
re2 sol2\rest
R1
\once \override MultiMeasureRest #'staff-position = #-4 R1
sol2\rest r8 re'8 [ re8 re8 ]
si4 re4 sol,8 re'4 do8
% 20 :
si8 [ la8 ] sib4 la4 re4
sol,2 re'2 ~
re1 ~
re1 ~
re1
% 25 :
\once \override Script #'padding = # 0.8 sol,1_\fermata
% ---
\time 12/8
\once \override MultiMeasureRest #'staff-position = #0 R1.
R1.
R1.
r8 sol'8 [ sol8 ] fad8 [ sol8 la8 ] re,8 [ sol8 fa8 ] mi8 [ re8 mib8 ]
% 30 :
re8 [ re'8 la8 ] sib8 [ la8 sol8 ] fad4. sol4.
si4. ~ si4 do8 re4 re,8 fad4.
sol4. re4. si4. do4.
sol2.\rest si8\rest re8 [ do8 ] si8 [ do8 re8 ]
sol,8 [ re'8 do8 ] si8 [ la8 sib8 ] la4. fad4.
% 35 :
sol4. re'4. sib4. si4 do8
re4. r4 r8 r2.
R1.
si2.\rest si8\rest sol'8 [ sol8 ] fad8 [ sol8 la8 ]
re,8 [ sol8 fa8 ] mi8 [ re8 mib8 ] re4. re8 [ mi8 fad8 ]
% 40 :
sol4. la4. sib4. ~ sib4 la8 ~
la4. sol2. fad4.
sol4. re'4. sib4. sol4.
sol4. re4. ~ re2.
re1.
% 45 :
\once \override Script #'padding = # 0.4 sol,1._\fermata
}
\book {
\score {
\context PianoStaff <<
\context Staff = "dessus" <<
\global
\clef violin
\set Staff.midiInstrument = "Church organ"
\context Voice = "soprano" {\voiceOne \soprano}
\context Voice = "alto" {\voiceTwo \alto}
>>
\context Staff = "basse" <<
\global
\clef bass
\set Staff.midiInstrument = "Church organ"
\context Voice = "tenor" {\voiceOne \tenor}
\context Voice = "basse" {\voiceTwo \basse}
>>
>>
\layout {}
\midi { \tempo 4 = 130} % Les tempi sont un peu fantaisistes !
}
\markup {\fontsize #3.5 "CAPRICE SUR LE MÊME SUJET"}
\score {
\context PianoStaff <<
\context Staff = "dessus" <<
\global
\clef violin
\set Staff.midiInstrument = "Church organ"
\context Voice = "soprano" {\voiceOne \sopranoCaprice}
\context Voice = "alto" {\voiceTwo \altoCaprice}
>>
\context Staff = "basse" <<
\global
\clef bass
\set Staff.midiInstrument = "Church organ"
\context Voice = "tenor" {\voiceOne \tenorCaprice}
\context Voice = "basse" {\voiceTwo \basseCaprice}
>>
>>
\layout {}
\midi { \tempo 4 = 130}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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