\version "2.18.0"
msegno=\markup{\musicglyph #"scripts.segno"}
markings = {
\time 2/4
\partial 16 s16 s2
s4 s8 \bar "||" \mark \msegno s8
s2*25 s4 s8 s16_"D.C" \bar "||" \mark \msegno
}
incmidi = "midi.ily"
flautoI = \relative c'' {
\key e \major
\partial 16 r16
r2
dis8-.\f e-. r8 r
r2
r4 r8 b\p
e8.( fis32 e dis16 e fis gis)
gis8( fis) r4
R2*3
r16 b8( gis32 e) dis16( fis8 e32 cis)
b4 r
R2*7
r4 r16 e( gis a)
b8.( gis16) e8.( fis32 gis)
% 3
b8( a) r16 fis fis fis
gis8 fis32( gis a fis) e8( dis)
e4 r
r2
r8 gis16-. gis-. a-. a-. fis-. fis-.
e8 r r4
r8 r16 gis( fis cis' b dis,)
fis4( e8)
}
flautoII = \relative c'' {
\key e \major
\partial 16 r16
r2
a8 gis r r
R2*2
r8 b4\p ~ b16( e)
e8( dis) r4
R2*18
r8 e16 e fis fis dis dis
e8 r r4
r2
dis4( e8)
}
fagottoI = \relative c' {
\key e \major
\slurUp
\stemUp
\partial 16 r16
r2
dis8-.\f e-. r r
R2*8
b2\p ~
b ~
b ~
b ~
b ~
b8 r r4
R2*9
r4 b4( cis8) r r4
dis4( e8)
}
fagottoII = \relative c' {
\key e \major
\slurDown
\stemDown
\partial 16 r16
r2
a8 gis r r
R2*8
b4( a)
gis2
fis16.( gis32 a4 gis16 fis)
e( dis e fis) gis4
fis16.( gis32 a4 gis16 fis)
e8 r r4
R2*9
r4 b'4( cis8) r r4
a4( gis8)
}
cornieI = \relative c'' {
\partial 16 r16
r2
d8-.\f c-. r r
R2*8
g2\p ~
g ~
g ~
g ~
g
R2*9
r8 e'16-. e-. f-. f-. d-. d-.
c8 r r4
r2
d4( c8)
}
cornieII = \relative c'' {
\partial 16 r16
r2
g8 c r r
R2*8
g,2 ~
g ~
g ~
g ~
g
R2*9
r8 c'16-. c-. d-. d-. g,-. g-.
e8 r r4
r2
g4( e8)
}
violinoI = \relative c'' {
\key e \major
\partial 16 b16\p
b8.( gis16)
fis8.( a16)
dis,8-.\f e-. r
r
b'4\p( a)
gis( fis8) r
r e( dis16 e fis gis)
gis8( fis16) dis-. e16-. fis-. gis-. a-.
b4( a)
% 2
gis4( fis8) r
r e-. dis-. cis-.
b cis'-. b-. ais-.
b4 r16 b-. cis-. dis-.
e-. fis-. gis-. a-. b-. cis-. dis-. e-.
e8( dis) r16 b,-. cis-. dis-.
e-. fis-. gis-. a-. b-. cis-. dis-. e-.
e8( dis) r16 fis,,( gis a)
r8 b r b
r a r a
gis( a gis fis)
fis( gis) r16 e( gis a)
b8.( gis16) e8.( fis32 gis)
% 3
b8( a) r16 fis fis fis
gis8 fis32( gis a fis) e8( dis)
r8 e r e
r fis r a
r gis16-. gis-. a-. a-. fis-. fis-.
e8 r16 e'( dis a' fis dis)
e8 r16 gis,( fis cis' b dis,)
fis4( e8)
}
violinoII = \relative c'' {
\key e \major
\partial 16 gis16\p
gis8.( e16) cis8.( fis16)
a,8-.\f gis-. r
r
gis'4( fis)
e( dis8) r
r b4 ~ b16( e)
e8( dis16) b-. cis16-. dis-. e-. fis-.
gis4( fis)
% 2
e4( dis8) r
r cis-. b-. ais-.
b e-. fis-. fis-.
b,16-.( b-. b-. b-. b-. b-. b-. b)-.
b b b b b b b b
b b b b b b b b
b b b b b b b b
b b b b b fis'( e dis)
r8 e r e
r e r dis
e( fis e dis)
dis( e) r4
r8 e r e
% 3
r8 e r dis
e-. cis( b a)
r gis r cis
r cis r fis
r e16-. e-. fis-. fis-. dis-. dis-.
e8 r a4(
gis8) e4( dis8)
dis4( e8)
}
viola = \relative c' {
\key e \major
\partial 16 r16
b8\p r a r
fis-.\f e-. r
r
e'4\p( cis)
b ~ b8 r
r b a16( gis fis e)
b'4 r
e( cis)
% 2
b4 ~ b8 r
r gis-. fis-. e-.
dis e'-. fis-. fis-.
b,16-.( b-. b-. b-. a-. a-. a-. a)-.
gis gis gis gis gis gis gis gis
fis16.( gis32 a16) a-. a-. a-.( gis-. fis)-.
e-.( dis-. e-. fis)-. gis-.( gis-. gis-. gis)-.
fis16.( gis32 a16) a-. a-. a( gis fis)
r8 gis r gis
r cis r b
b( cis b) b
b4 r
r8 gis r gis
% 3
r8 fis r a
gis a( gis fis)
r e r gis
r a r cis
r b r a
gis r fis'4(
e8) b( cis fis,)
a4( gis8)
}
violoncello = \relative c {
\key e \major
\partial 16 r16
e8\p r a, r
b-.\f e,-. r
r
e'4\p( a,)
b4 ~ b8 r
r gis' fis16( e dis e)
b4 r
e( a,)
% 2
b4 ~ b8 r
r e fis fis,
b r r4
r2
r4 r16 e-. fis-. gis-.
a-. gis-. fis-. e-. dis-. cis-. b-. a-.
gis4 r16 e'-. fis-. gis-.
a-. gis-. fis-. e-. dis-. cis-. b-. a-.
gis8 r cis r
fis, r b r
e a, b b
e4 r
gis,8 r cis r
% 3
fis, r b r
e a, b b
e r cis r
a r a r
b r b r
e8 r b'4(
cis8) gis-. a-. b-.
b4( e,8)
}
contrabasso = \relative c {
\key e \major
\partial 16 r16
e8\p r a, r
b-.\f e,-. r
r
e'4\p( a,)
b4 ~ b8 r
r gis' fis16( e dis e)
b4 r
e( a,)
% 2
b4 ~ b8 r
r e fis fis,
b r r4
r2
r4 r16 e-. fis-. gis-.
a-. gis-. fis-. e-. dis-. cis-. b-. a-.
gis4 r16 e'-. fis-. gis-.
a-. gis-. fis-. e-. dis-. cis-. b-. a-.
gis8 r cis r
fis, r b r
e a, b b
e4 r
gis,8 r cis r
% 3
fis, r b r
e a, b b
e r cis r
a r a r
b r b r
e8 r r4
r8 gis,-. a-. b-.
b4( e,8)
}
sarastro = \relative c' {
\key e \major
\unset melismaBusyProperties
\partial 16 r16
r2
r4 r8
b8
b8. b16 b( cis) a( fis)
e8.( fis16) dis8 b
e8. fis32( e) dis16( e) fis( gis)
gis8( fis) r b
b8. b16 bis16( cis) a( fis)
% 2
e8.( fis16) dis8 fis
gis16( b8) gis32( e) dis16( fis8) e32( cis)
b4 r
r r16 b cis dis
e( fis) gis( a) b( cis32 b a gis) fis( e)
fis4 r16 b, cis dis
e( fis) gis( a) b( cis32 b a gis) fis( e)
fis4 r16 fis gis a
b8. gis16 e8. fis32( gis)
b8( a) r16 fis fis fis
gis8 fis32( gis a fis) e8 fis
fis( gis) r16 e b a
gis8. gis16 cis8. cis16
% 3
fis,4 r16 b b b
e8 a,8 b b
e4 gis,
fis( a8) cis
b4. cis16( dis)
e4 r
r2
r4 r8
}
\addlyrics {
In die -- sen heil' gen
Hal -- len kennt
man die Ra -- che
nicht, und
ist ein Mensch ge-
% 2
fal -- len, führt
Lie -- ben ihn zur
Pflicht.
Dann wan -- delt
er an Freun -- des
Hand verg -- nügt und
froh in's bess' -- re
Land, dann wan -- delt er an Freun -- des
Hand verg -- nügt und froh in's bess' -- re
Land, dann wan -- delt
er an Freun -- des
% 3
Hand verg -- nügt und
froh in's bess' -- re
Land, in's
bess're in's
bess' -- re
Land.
}
\addlyrics {
In die -- sen heil' gen
Mau -- ern, wo
Mensch den Men -- schen
liebt, kann
kein Ver -- rä -- ther
% 2
lau -- ern, weil
man dem Feind ver-
giebt.
Wen sol -- che
Leh -- ren nicht er-
freu'n, ver -- die -- net
nicht ein Mensch zu
sein, wen sol -- che
Leh -- ren nicht er-
freu'n, ver -- die -- net
nicht ein Mensch zu
sein, wenn sol -- che
Leh -- ren nicht er-
% 3
freu'n, ver -- die -- net
nicht ein Mensch zu
sein, ein
Mensch, ein
Mensch zu
sein.
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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