\version "2.18.2"
\midi {
\tempo 2 = 50
}
\header {
title = "O tu ch'innanzi morte"
composer = "Claudio Monteverdi (1567—1643)"
poet = "Alessandro Striggio the Younger (1573—1630)"
date = "1607"
maintainer = "Anonymous"
mutopiacomposer = "MonteverdiC"
mutopiainstrument = "Voice (Bass), Reed Organ"
mutopiapoet = "Alessandro Striggio the Younger"
mutopiatitle = "O tu ch'innanzi morte (L'Orfeo)"
license = "Public Domain"
source = "L'ORFEO / FAVOLA / IN MVSICA / DA CLAVDIO MONTEVERDE / MAESTRO DI CAPELLA / DELLA SERENISS. REPVBLICA. / RAPPRESENTATA IN MANTOVA / L'Anno 1607. Et novamente Ristampata. / IN VENETIA M D C X. V. / Appresso Riccardo Amadino. (IMSLP51366-PMLP21363, IMSLP30835-PMLP21363)"
style = "Baroque"
footer = "Mutopia-2019/07/13-2246"
copyright = \markup {\override #'(font-name . "DejaVu Sans, Bold") \override #'(baseline-skip . 0) \right-column {\with-url #"http://www.MutopiaProject.org" {\abs-fontsize #9 "Mutopia " \concat {\abs-fontsize #12 \with-color #white "ǀ" \abs-fontsize #9 "Project "}}}\override #'(font-name . "DejaVu Sans, Bold") \override #'(baseline-skip . 0 ) \center-column {\abs-fontsize #11.9 \with-color #grey \bold {"ǀ" "ǀ"}}\override #'(font-name . "DejaVu Sans,sans-serif") \override #'(baseline-skip . 0) \column { \abs-fontsize #8 \concat {"Typeset using " \with-url #"http://www.lilypond.org" "LilyPond " "by " \maintainer " — " \footer}\concat {\concat {\abs-fontsize #8 { "Placed in the " \with-url #"http://creativecommons.org/licenses/publicdomain" "Public Domain" " by the typesetter " " — free to distribute, modify, and perform" }}\abs-fontsize #13 \with-color #white "ǀ" }}}
tagline = ##f
}
global = {
\key d \minor
\time 2/1
\override Score.TimeSignature #'stencil = #ly:text-interface::print
\override Score.TimeSignature #'text = \markup \musicglyph #"timesig.C44"
\cadenzaOn s1*2 s16 \cadenzaOff \bar "|" \set Score.currentBarNumber = #2 s1*4 \break
s1*2 \noBreak s1*4 \break
s1*6 \break
s1*2 \cadenzaOn s1*2 s8 \cadenzaOff \bar "|" \set Score.currentBarNumber = #12 s1*2 \break
s1*4 \cadenzaOn s1*2 s16 \cadenzaOff \bar "|" \set Score.currentBarNumber = #16 \break
s1*6 \break
s1*6 \bar "|."
}
voice = \relative c' {
a1^"Caronte canta al suono del Regale." f2~ f8 f f8. f8 |
bes,2. bes4 f4. a8 c2 |
c2 r4 c8 c c4 c8 c c2~ |
\barNumberCheck 4
c4 e g4. d8 c2 c |
r4 c bes a g2 g |
r8 g g bes a4. g8 d'2 d |
\barNumberCheck 7
r8 d d d d4. d8 d4. f8 e4. d8 |
d2 d4 a'4~ a2 r4 f |
f4 f8 f bes,4. bes8 f4. a8 c2 |
\barNumberCheck 10
c2 c4 c8 c c2~ c8 c c e |
g4. d4 c2 c r8 c bes a |
g2 g4 g bes a8 g d'2 |
\barNumberCheck 13
d2 r4 d8 d d4 d8 d d4 f |
e4. d8 d2 d r8 a' a4~ |
a8 a a g bes4 f2 f8. g8 g2 |
\barNumberCheck 16
g2 r8 c, c c c4. c8 c4~ c8 e |
g4. d8 c2 c r4 c |
c8 c bes a g4. bes8 a4. g8 d'2 |
\barNumberCheck 19
d2 a' a r4 cis,!4 |
cis!4 cis!8 cis! d2 d r4 d |
c4 bes a2 d1\fermata |
}
text = \lyricmode {
O tu ch'in -- nan -- zi mor -- t'a que -- ste ri -- ve Te -- me -- ra -- rio te'n vie --
ni,_ar -- re -- sta_i pas -- si Sol -- car quest' -- on -- de ad huom mor -- tal non das -- si
Ne può co' -- mor -- ti_al -- ber -- go_ha -- ver chi vi -- ve Che? voi for -- se ne -- mi -- co_al mio si -- gno --
re Cer -- be -- ro trar da le tar -- ta -- ree por -- te O ra -- pir bra -- mi sua ca -- ra con -- sor --
te D'im -- pu -- di -- co de -- si -- re_ac -- ceso il co -- re? Pon fre no_al foll' -- ar -- dir, ch'en -- tr'al mio le --
gno No ac -- cor -- ro più mai cor -- po -- rea sal -- ma Sì de gli_an -- ti -- chi_ol -- tra -- gg'an -- cor nel' -- al --
ma Ser -- bo a -- cer -- ba me -- mo -- ria e gius -- to sde -- gno.
}
%{
O tu ch'innanzi mort'a queste rive
Temerario te'n vie ni, arresta i passi
Solcar quest'onde ad huom mortal non dassi
Ne può co'morti albergo haver chi vive
Che? voi forse nemico al mio signore
Cerbero trar da le tartaree porte
O rapir brami sua cara consorte
D'impudico desire acceso il core?
Pon fre no al foll'ardir, ch'entr'al mio legno
No accorro più mai cor porea salma
Sì de gli antichi oltragg'ancor nel'alma
Serbo acerba memoria e giusto sdegno.
%}
organ = \relative c {
f1~ f s16 |
bes,1 f2 c'~ |
c2 c~ c1 |
\barNumberCheck 4
a2 g c1~ |
c1 g |
g1 d' |
\barNumberCheck 7
d1~ d2 a2 |
d1 f1~ |
f2 bes, f c' |
\barNumberCheck 10
c1~ c2 a |
g2 s8 c1 c2 |
g1~ g2 d'~ |
\barNumberCheck 13
d2~ d1~ d2 |
a2 d1 f2~ |
f2 bes, f s16 c'2~ |
\barNumberCheck 16
c2~ c~ c a |
g2 c1~ c2~ |
c2 g1 d'2~ |
\barNumberCheck 19
d2~ d1 cis2~ |
cis2 d1~ d2~ |
d2 a d1\fermata |
}
\score {
<<
\new Staff \with { midiInstrument = "voice oohs" } <<
\new Voice \global
\new Voice = "voice" {
\clef bass
\autoBeamOff
\voice
}
\new Lyrics \lyricsto "voice" \text
>>
\new Staff = "organ" \with { midiInstrument = "reed organ" } <<
\clef bass
\global
\organ
>>
>>
\layout {}
\midi {}
} ¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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