\version "2.18.2"
\header {
title = "The Lord Bless You and Keep You"
subtitle = \markup { \smaller "In Memory of John Paul Goodman (1943-2018)" }
subsubtitle = \markup { \smaller "For Brass Quartet" }
composer = "Peter C. Lutkin"
arranger = "Ed.: J. J. Olson"
date = "1900"
source = "Chicago: Clayton F. Summy Company" % IMSLP525535
style = "Hymn"
mytagline = ##f
% o_
% (\___\/_____/)
% ~ ~ ~ ~ ~ / ~ ~ ~ ~ ~ ~ ~
maintainer = "Jeffrey Olson"
maintainerEmail = "gmail's jjocanoe"
license = "Public Domain"
mutopiacomposer = "LutkinPC"
mutopiatitle = "The Lord Bless You and Keep You"
mutopiadate = "1900"
mutopiasource = "Chicago: Clayton F. Summy Company" % IMSLP525535
mutopiainstrument = "2 trumpets, trombone and tuba"
moreInfo = "In memory of John Paul Goodman (1943-2018), a widely beloved choir director in Colorado who always used this song as a farewell and godspeed, most poignantly whenever a fellow choir member passed away. An arrangement for two guitars is also available."
comptitle = \markup { \concat { \composer ": " \title } }
footer = "Mutopia-2018/12/11-2239"
copyright = \markup {\override #'(font-name . "DejaVu Sans, Bold") \override #'(baseline-skip . 0) \right-column {\with-url #"http://www.MutopiaProject.org" {\abs-fontsize #9 "Mutopia " \concat {\abs-fontsize #12 \with-color #white "ǀ" \abs-fontsize #9 "Project "}}}\override #'(font-name . "DejaVu Sans, Bold") \override #'(baseline-skip . 0 ) \center-column {\abs-fontsize #11.9 \with-color #grey \bold {"ǀ" "ǀ"}}\override #'(font-name . "DejaVu Sans,sans-serif") \override #'(baseline-skip . 0) \column { \abs-fontsize #8 \concat {"Typeset using " \with-url #"http://www.lilypond.org" "LilyPond " "by " \maintainer " — " \footer}\concat {\concat {\abs-fontsize #8 { "Placed in the " \with-url #"http://creativecommons.org/licenses/publicdomain" "Public Domain" " by the typesetter " " — free to distribute, modify, and perform" }}\abs-fontsize #13 \with-color #white "ǀ" }}}
tagline = ##f
myfoot = \markup{ \override #'(font-name . "DejaVu Sans,sans-serif") \column { \vspace #2 \abs-fontsize #8 \fill-line { \line { \footer } \line { \comptitle } \line { \arranger } } } }
}
\paper{
%page-count = #6
%#(set-paper-size "a4") %uncomment to test specific paper size
%#(set-paper-size "letter") %uncomment to test specific paper size
indent = \indent + 8\mm
top-margin = 8\mm
bottom-margin = 8\mm
ragged-last-bottom = ##f
print-first-page-number = ##f
evenHeaderMarkup = \oddHeaderMarkup % so all page numbers to right
oddFooterMarkup = \markup { \column {
\fill-line { \on-the-fly #first-page \column { \vspace #2 \fromproperty #'header:copyright } }
\fill-line { \on-the-fly #not-first-page \fromproperty #'header:myfoot }
}
}
evenFooterMarkup = \oddFooterMarkup
}
% function to color notes that are near or out of range
#(define (color-pitch-range grob max-pitch hi-pitch lo-pitch min-pitch)
(let ((pitch (ly:event-property (event-cause grob) 'pitch) ))
(if pitch
(if (ly:pitch f8\)\! \breathe f\< f f\! | %5
f2\(\> e8\)\! \breathe e d4 | %6
c8 c' g e c8. g16 g8 g | %7
g4 gis a r | %8
r4 f8 f e e r4 | %9
r4 d8 e f4 f | %10
r4 r8 f8 e4. e8 | %11
f8 e r4 e4 d | %12
g,2 g, | %13
c4 r c\( d8 e | %14
f2\) d4\( e8 f | %15
g2\) e4\( f8 g | %16
a2\) g4\( a8 b | %17
c'4 b a g | %18
f2.\) g8\( f | %19
e2.\) f8\( e | %20
d4 f e es | %21
d2\) g, | %22
c1\fermata | %23
\bar "|."
}
% layout control for brass quartet score
pageQuartet = {
\partial 4 { s4 } | %0
s1 %1
s1 %2
s1 %3
\break
s1 %4
s1 %5
s1 %6
s1 %7
\break
s1 %8
s1 %9
s1 %10
s1 %11
\break
s1 %12
s1 %13
s1 %14
s1 %15
\break
s1 %16
s1 %17
s1 %18
s1 %19
\break
s1 %20
s1 %21
s1 %22
s1 %23
\pageBreak
}
% layout control for individual parts
pageParts = {
\partial 4 { s4 } | %0
s1 %1
s1 %2
s1 %3
s1 %4
\break
s1 %5
s1 %6
s1 %7
s1 %8
s1 %9
\break
s1 %10
s1 %11
s1 %12
s1 %13
s1 %14
s1 %15
s1 %16
\break
s1 %17
s1 %18
s1 %19
s1 %20
s1 %21
s1 %22
s1 %23
}
dimpoco =
#(make-music 'DecrescendoEvent
'span-direction START
'span-type 'text
'span-text "dim. poco a poco e rit.")
% common dynamics
crescendi = {
\partial 4 { s4\p } | %0
s4 s4 s4 s4 %1
s4 s4 s4 s4 %2
s4\< s8\! s8 s4 s4 %3
s4\> s4\! s4 s4 %4
s4 s4 s4 s4 %5
s4 s4 s4 s8 s8\< %6
s8 s8\! s4 s4 s4 %7
s4\> s4 s4\! s4 %8
s4 s4 s4 s4 %9
s8 s8\< s4 s4\> s4\! %10
s4 s4 s4 s8 s8\< %11
s16 s16\> s8\! s8 s8 s4 s4 %12
s4 s4 s4\> s4 %13
s8 s8\! s4\p s4 s4 %14
s4\cresc s4 s4 s4 %15
s4 s4 s4 s4 %16
s4 s4 s4 s4\! %17
s4\f s4 s4 s4\dimpoco %18
s4 s4 s4 s4 %19
s4 s4 s4 s4 %20
s4 s4 s4 s4 %21
s4 s4\! s4 s4 %22
s4\pp\> s4 s4 s4\! %23
}
% a tempo track to control midi
tempO = {
\partial 4 { \tempo 4=75 s4 } | %0
\tempo 4=75 s4 \tempo 4=74 s4 \tempo 4=73 s4 \tempo 4=73 s4 %1
\tempo 4=72 s4 \tempo 4=70 s4 \tempo 4=65 s4 \tempo 4=70 s4 %2
\tempo 4=69 s4 \tempo 4=71 s4 \tempo 4=72 s4 \tempo 4=72 s4 %3
\tempo 4=72 s4 \tempo 4=72 s4 \tempo 4=71 s4 \tempo 4=69 s4 %4
\tempo 4=68 s4 \tempo 4=68 s4 \tempo 4=66 s4 \tempo 4=66 s4 %5
\tempo 4=66 s4 \tempo 4=65 s4 \tempo 4=65 s4 \tempo 4=65 s4 %6
\tempo 4=67 s4 \tempo 4=69 s4 \tempo 4=65 s4 \tempo 4=64 s4 %7
\tempo 4=63 s4 \tempo 4=62 s4 \tempo 4=62 s4 \tempo 4=61 s4 %8
\tempo 4=61 s4 \tempo 4=62 s4 \tempo 4=67 s4 \tempo 4=69 s4 %9
\tempo 4=62 s4 \tempo 4=61 s4 \tempo 4=60 s4 \tempo 4=61 s4 %10
\tempo 4=61 s4 \tempo 4=63 s4 \tempo 4=62 s4 \tempo 4=63 s4 %11
\tempo 4=63 s4 \tempo 4=63 s4 \tempo 4=62 s4 \tempo 4=62 s4 %12
\tempo 4=62 s4 \tempo 4=63 s4 \tempo 4=63 s4 \tempo 4=64 s4 %13
\tempo 4=64 s4 \tempo 4=65 s4 \tempo 4=65 s4 \tempo 4=66 s4 %14
\tempo 4=68 s4 \tempo 4=68 s4 \tempo 4=69 s4 \tempo 4=70 s4 %15
\tempo 4=71 s4 \tempo 4=71 s4 \tempo 4=72 s4 \tempo 4=72 s4 %16
\tempo 4=74 s4 \tempo 4=73 s4 \tempo 4=73 s4 \tempo 4=73 s4 %17
\tempo 4=73 s4 \tempo 4=71 s4 \tempo 4=70 s4 \tempo 4=69 s4 %18
\tempo 4=66 s4 \tempo 4=65 s4 \tempo 4=65 s4 \tempo 4=65 s4 %19
\tempo 4=62 s4 \tempo 4=62 s4 \tempo 4=62 s4 \tempo 4=63 s4 %20
\tempo 4=62 s4 \tempo 4=62 s4 \tempo 4=60 s4 \tempo 4=60 s4 %21
\tempo 4=52 s4 \tempo 4=55 s4 \tempo 4=56 s4 \tempo 4=56 s4 %22
\tempo 4=56 s4 \tempo 4=57 s4 \tempo 4=59 s4 \tempo 4=60 s4 %23
}
% for layout of quartet without midi
\score {
\new ChoirStaff <<
\new Staff \with {
instrumentName = \markup{ "Trumpet I" }
} {
\override Staff.NoteHead.color = #trumpet-Bb-pitch-range
<<
\new Voice = "soprano" \with { \consists "Ambitus_engraver" } { \soprano }
\pageQuartet
\crescendi
>>
}
\new Staff \with {
instrumentName = \markup{ "Trumpet II" }
} {
\override Staff.NoteHead.color = #trumpet-Bb-pitch-range
<<
\new Voice = "alto" \with { \consists "Ambitus_engraver" } { \alto }
\crescendi
>>
}
\new Staff \with {
instrumentName = \markup{ "Trombone" }
} {
\override Staff.NoteHead.color = #trombone-Bb-pitch-range
<<
\new Voice = "tenor" \with { \consists "Ambitus_engraver" } { \tenor }
\crescendi
>>
}
\new Staff \with {
instrumentName = \markup{ "Tuba" }
} {
\override Staff.NoteHead.color = #tuba-F-pitch-range
<<
\new Voice = "bass" \with { \consists "Ambitus_engraver" } { \bass }
\crescendi
>>
}
>>
\layout { }
}
% for tempo controlled midi of quartet
\score {
\new ChoirStaff <<
\new Staff \with {
midiInstrument = "trumpet"
} {
<<
{ \soprano }
{ \tempO }
>>
}
\new Staff \with {
midiInstrument = "trumpet"
} {
<<
{ \alto }
>>
}
\new Staff \with {
midiInstrument = "trombone"
} {
<<
{ \tenor }
>>
}
\new Staff \with {
midiInstrument = "tuba"
} {
<<
{ \bass }
>>
}
>>
\midi { }
}
\score {
\new Staff \with {
instrumentName = \markup{ "Trumpet I" }
} {
%\override Staff.NoteHead.color = #trumpet-Bb-pitch-range
<<
\new Voice = "soprano" \with { \consists "Ambitus_engraver" } { \soprano }
{ \pageParts }
{ \crescendi }
>>
}
\layout { }
}
\score {
\new Staff \with {
instrumentName = \markup{ "Trumpet II" }
} {
%\override Staff.NoteHead.color = #trumpet-Bb-pitch-range
<<
\new Voice = "alto" \with { \consists "Ambitus_engraver" } { \alto }
{ \pageParts }
{ \crescendi }
>>
}
\layout { }
}
\score {
\new Staff \with {
instrumentName = \markup{ "Trombone" }
} {
%\override Staff.NoteHead.color = #trombone-Bb-pitch-range
<<
\new Voice = "tenor" \with { \consists "Ambitus_engraver" } { \tenor }
{ \pageParts }
{ \crescendi }
>>
}
\layout { }
}
\score {
\new Staff \with {
instrumentName = \markup{ "Tuba" }
} {
%\override Staff.NoteHead.color = #tuba-F-pitch-range
<<
\new Voice = "bass" \with { \consists "Ambitus_engraver" } { \bass }
{ \pageParts }
{ \crescendi }
>>
}
\layout { }
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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