#(set-global-staff-size 15.5)
\version "2.18.0"
global = { \key f \major \time 6/8 \tempo "Leicht bewegt" }
TAMaedchenpreis = \relative f {
\revert Rest.direction
\partial 8
c8\p
f4 f8 a4 a8
c4. c8 r c8
c4\< c8 d4 d8
c4.(\> a8)\! r c,8\p
f4 f8 a4 a8 c4. c8 r c8
c4 c8 d4 d8
c4.~ c4 c8\f
\repeat volta 2 {
f4 f8 e4 d8
c4. a8 r a8
c4 c8 d4 d8
c4.\> bes!4 bes8
a4 a8 g4 g8\!
}
\alternative {
{f4.~\p f8 r c'\f }
{f,4.~\p f8 r }
}
\bar "|."
}
TBMaedchenpreis = \relative f {
\partial 8
c8
f4 f8 a4 a8
a4. a8 s f
g4 g8 a4 bes8
a4.( f8) s c8
f4 f8 f4 f8
g4. g8 s g
a4 c8 c[ a] b
c4( g8 a4) bes!8
\repeat volta 2 {
c4 c8 a4 f8
f4. f8 s f8
g4 c8 c[ a] b
g4. f4 f8
f4 d8 g4 g8
}
\alternative {
{f4.~ f8 s c' }
{f,4.~ f8 s }
}
\bar "|."
}
BAMaedchenpreis = \relative f {
\partial 8
c8
f4 f8 f4 f8
f4. f8 s a8
g4 g8 f4 f8
f4.~ f8 s c8
f4 f8 e4 d8
e4. e8 s e8
e4 a8 g4 f8
e4.~ e4 e8
\repeat volta 2 {
a4 a8 c4 bes8
a4. f8 s a8
g4 g8 f4 f8
e4. d4 d8
c4 f8 f[ d] e
}
\alternative {
{f4.~ f8 s c }
{f4.~ f8 s }
}
\bar "|."
}
BBMaedchenpreis = \relative f {
\revert Rest.direction
\partial 8
c8\p
f4 f8 f4 f8
f4. f8 r f8
e4\< e8 d4 bes8
f'4.~\> f8\! r c8\p
f4 f8 e4 d8
c4. c8 r b8
a4 a'8 g4 g,8
c4( bes!8 a4) g8\f
\repeat volta 2 {
f4 f'8 a,4 bes8
f'4. f8 r f8
e4 e8 d4 g,8
c4.\> d4 g,8
a4 bes8 c4 c8\!
}
\alternative {
{f4.~\p f8 r c\f }
{f4.~\p f8 r }
}
\bar "|."
}
LMaedchenpreisA = \lyricmode {
\set stanza = "1."
Ich spring an die -- sem Rin -- ge
aufs bes -- te so ich kann, __
von hüb -- schen Mägd -- lein sin -- ge,
als ichs ge -- ler -- net han. __
Ich ritt durch frem -- de Lan -- de,
da sah ich man -- cher -- han -- de,
da ich die Mägd -- lein fand. __
Ich fand. __
}
LMaedchenpreisB = \lyricmode {
\set stanza = "2."
Die Mäg -- de -- lein von Fran -- ken,
die seh ich all -- zeit gern, __
nach ihn stehn mein Ge -- dan -- ken,
sie ge -- ben sü -- ßen Kern, __
sie sind die feins -- ten Dir -- nen.
Wollt Gott, ich sollt ihn zwir -- nen,
das Spin -- nen wollt ich lern. __
Sie lern. __
}
LMaedchenpreisC = \lyricmode {
\set stanza = "3."
Die Mäg -- de -- lein von Schwa -- ben,
die ha -- ben gol -- den Haar, __
sie dür -- fens keck -- lich wa -- gen,
zu spin -- nen son -- der Lehr. __
Wer ihn den Flachs will schwin -- gen,
der darf nicht sein ge -- rin -- ge;
das sag ich euch für -- wahr. __
Wer wahr. __
}
LMaedchenpreisD = \lyricmode {
\set stanza = "4."
Die Mäg -- de -- lein vom Rhei -- ne,
die lob ich oft und dick; __
sie sind so hübsch un fei -- ne
und wer -- fen freund -- lich Blick, __
sie kön -- nen Sei -- den spin -- nen,
die neus -- ten Lied -- lein sin -- gen,
sie sind der Lieb ein Strick. __
Sie Strick. __
}
LMaedchenpreisE = \lyricmode {
\set stanza = "5."
Die Mäg -- de -- lein ho -- fie -- ren
soll man, so lang man mag; __
das Al -- ter kommt doch schie -- re,
kommt nä -- her je -- den Tag. __
Ich bin nun wor -- den al -- te,
muß mich zum Wei -- ne hal -- ten,
so lang als ichs ver -- mag. __
Ich mag. __
}
%--------------------
\header {
kaisernumber = "387"
comment = ""
footnote = ""
title = "Mädchenpreis des fahrenden Sängers"
subtitle = ""
composer = "Volksweise, 1460 aufgezeichnet,"
opus = ""
arranger = "bearbeitet von Engelbert Humperdinck (1854–1921)"
poet = "Tanzlied, 1460 aufgezeichnet"
mutopiatitle = "Mädchenpreis des fahrenden Sängers"
mutopiacomposer = "HumperdinckE"
mutopiapoet = "Traditional"
mutopiaopus = ""
mutopiainstrument = "Choir (TTBB)"
date = "1910s"
source = "Leipzig : C. F. Peters, 1907"
style = "Romantic"
license = "Creative Commons Attribution 4.0"
maintainer = "Klaus Rettinghaus"
lastupdated = "2014/March/01"
footer = "Mutopia-2014/03/23-1702"
copyright = \markup { \override #'(baseline-skip . 0 ) \right-column { \sans \bold \with-url #"http://www.MutopiaProject.org" { \abs-fontsize #9 "Mutopia " \concat{ \abs-fontsize #12 \with-color #white \char ##x01C0 \abs-fontsize #9 "Project " } } } \override #'(baseline-skip . 0 ) \center-column { \abs-fontsize #12 \with-color #grey \bold { \char ##x01C0 \char ##x01C0 } } \override #'(baseline-skip . 0 ) \column { \abs-fontsize #8 \sans \concat { " Typeset using " \with-url #"http://www.lilypond.org" "LilyPond " \char ##x00A9 " " 2014 " by " \maintainer " " \char ##x2014 " " \footer } \concat { \concat { \abs-fontsize #8 \sans { " " \with-url #"http://creativecommons.org/licenses/by/4.0/" "Creative Commons Attribution 4.0 International License " \char ##x2014 " free to distribute, modify, and perform" } } \abs-fontsize #13 \with-color #white \char ##x01C0 } } }
tagline = ##f
}
\score {
{
\context ChoirStaff
<<
\context Staff = TenorStaff
<<
\accidentalStyle voice
\set Staff.midiInstrument = "voice oohs"
\clef "G_8"
\context Voice = TenorA { \voiceOne
<<
\autoBeamOff
\dynamicUp
\global \TAMaedchenpreis
>> }
\context Voice = TenorB { \voiceTwo
<<
\autoBeamOff
\global \TBMaedchenpreis
>> }
>>
\context Lyrics = verseone
\context Lyrics = versetwo
\context Lyrics = versethree
\context Lyrics = versefour
\context Lyrics = versefive
\context Staff = BassStaff
<<
\accidentalStyle voice
\set Staff.midiInstrument = "voice oohs"
\clef "F"
\context Voice = BassA { \voiceOne
<<
\autoBeamOff
\dynamicUp
\global \BAMaedchenpreis
>> }
\context Voice = BassB { \voiceTwo
<<
\autoBeamOff
\dynamicDown
\global \BBMaedchenpreis
>> }
>>
\context Lyrics = verseone \lyricsto TenorA \LMaedchenpreisA
\context Lyrics = versetwo \lyricsto TenorA \LMaedchenpreisB
\context Lyrics = versethree \lyricsto TenorA \LMaedchenpreisC
\context Lyrics = versefour \lyricsto TenorA \LMaedchenpreisD
\context Lyrics = versefive \lyricsto TenorA \LMaedchenpreisE
>>
}
\layout {
indent = 0.0\cm
\context {\Score
\remove "Bar_number_engraver"
\override DynamicTextSpanner.style = #'none
\override BreathingSign.text = #(make-musicglyph-markup "scripts.rvarcomma")
}
}
\midi {
\tempo 4.=92
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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