\version "2.19.36"
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top-margin = 5
bottom-margin =5
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ragged-last-bottom = ##t
systemSeparatorMarkup = ##t
system-system-spacing =
#'((basic-distance . 18)
(minimum-distance . 14)
(padding . 1)
(stretchability . 60))
print-page-number = ##f
}
\header {
title = "Gravsang af Shakespeare's Cymbeline"
mutopiatitle = "Gravsang af Shakespeare's Cymbeline"
subtitle = " "
composer = "Peter Heise (1830-1879)"
mutopiacomposer = "HeiseP"
poet = \markup{\column
{
{"William Shakespeare"}
{"Danish Trans. Carsten Hauch"}
{" "}
}}
mutopiapoet = "William Shakespeare, Danish Trans. Carsten Hauch"
opus = ""
% instrument = "For male choir TTBB"
mutopiainstrument = "Male choir TTBB"
source = "The Royal Library of Denmark"
style = "Classical"
maintainer = "Niels CCM Moes"
maintainerEmail = "ccm.moes@xs4all.nl"
license = "Creative Commons Attribution 4.0"
footer = "Mutopia-2016/04/10-2107"
copyright = \markup {\override #'(font-name . "DejaVu Sans, Bold") \override #'(baseline-skip . 0) \right-column {\with-url #"http://www.MutopiaProject.org" {\abs-fontsize #9 "Mutopia " \concat {\abs-fontsize #12 \with-color #white \char ##x01C0 \abs-fontsize #9 "Project "}}}\override #'(font-name . "DejaVu Sans, Bold") \override #'(baseline-skip . 0 ) \center-column {\abs-fontsize #11.9 \with-color #grey \bold {\char ##x01C0 \char ##x01C0 }}\override #'(font-name . "DejaVu Sans,sans-serif") \override #'(baseline-skip . 0) \column { \abs-fontsize #8 \concat {"Typeset using " \with-url #"http://www.lilypond.org" "LilyPond " \char ##x00A9 " 2016 " "by " \maintainer " " \char ##x2014 " " \footer}\concat {\concat {\abs-fontsize #8 { \with-url #"http://creativecommons.org/licenses/by/4.0/" "Creative Commons Attribution 4.0 International License "\char ##x2014 " free to distribute, modify, and perform" }}\abs-fontsize #13 \with-color #white \char ##x01C0 }}}
tagline = ##f
}
sdu = \override Stem #'direction = #UP
sdd = \override Stem #'direction = #DOWN
%#(set-global-staff-size 18.0)
global = {
\key d \major
\time 6/4
\autoBeamOff
\override Hairpin.to-barline =##f
\numericTimeSignature
}
Tenora = \relative c' {
\global
\clef "G_8"
\tempo "molto tranquillo"
\sdu
\partial 2. fis2^\p fis4 e2^\markup{\italic "cresc"}
fis4 g2 a4 fis2
s4 fis2^\markup{\italic "dimin"} fis4 e2 d4 cis( e) d
\break
cis s2 cis2 d4 e2^\markup{\italic "cresc"} eis4 fis2 fis4
fis2^(eis4) a^\f^(gis) fis^\> fis2^\fp e4 e^\>^(d)cis
\break
b2.^\pp b4^(e)^\< d\! d^(cis^\>) e\! fis2 fis4^\< fis2.\! g4^\f^(fis) e
d4.^\>^( fis8)\! e[ d] d2^\p cis4 d2.
\bar "|."\mark \markup \center-column { \fermata }
}
Tenorb = \relative c' {
\global
\clef "G_8"
\sdd
\partial 2. d2 d4 cis2 dis4 e_(d) cis d2 r4 d2 d4 cis2 a4 a( cis) b a r4 r a2 a4 a2 a4 a_(b) bis
cis2. cis2 cis4 d2 d4 cis_(b) a a2_(gis4) g2 g4 e2 a4 a_(d) c b2. b2 b4
b4_(fis) gis a2 a4 a2.
\bar "|."
}
Bassa = \relative c' {
\global \clef "F"
\sdu
\partial 2. a2 a4 a2 a4 b2 a4 a2 s4 a2 a4 a2 a4 a^(e) fis8[gis] a4 s2 g!2 fis4 a2 g4 fis2 fis4
gis^(a b) a2 a4 b2 b4 a2 e4 e2. e2 b'4 a2 g4 fis2 fis4 fis^(b a) g2 g4
fis2 d4 e^(fis) g fis2.
}
Bassb = \relative c {
\global \clef "F"
\sdd
\partial 2. d2 fis4 a_(g) fis e2 a,4 d2 r4 a'2 a4 g2 fis4 e2 e4 a, r4 r e'2 d4 cis2 a4 d2 d4
cis2. fis2 fis4 gis2 gis4 a2 a,8[cis] e2. e2 e4 a,2 a4 d2 d4 dis2. e2 e4
b2 b4 a2 a4 d2.
}
stanzai = \lyricmode {
\set stanza = #"1. "
Frygt ej som -- mer -- so -- lens magt!
Frygt ej vin -- ter -- stor -- mens drøn!
Du din ger -- ning har fuld -- bragt,
du går hjem at få din løn,
gyld -- ne lok -- ker, pi -- ges kunst,
alt skal vor -- de støv og dunst.
}
stanzaii = \lyricmode {
\set stanza = #"2. "
Frygt ej for ty -- ran -- ners kiv!
Du står langt fra vold og svig,
e -- gen og det mind -- ste siv,
er det sam -- me nu for dig;
Kon -- gen og de lær -- des kunst,
alt skal vor -- de støv og dunst.
}
stanzaiii = \lyricmode {
\set stanza = #"3. "
Frygt ej tor -- den -- ki -- lens brag!
Frygt ej for la -- vi -- nens lyd!
Frygt ej ond -- skab og be -- drag!
Du har endt din sorg og fryd;
had og els -- kov var om -- sonst,
alt skal vor -- de støv og dunst.
}
\score {
<<
\new StaffGroup
\new Staff {\set Staff.instrumentName = #"Tenor"
<<
\new Voice = "upper" << \Tenora >>
\new Voice = "lower" << \Tenorb >>
\new Lyrics \lyricsto "upper" {\stanzai}
\new Lyrics \lyricsto "upper" {\stanzaii}
\new Lyrics \lyricsto "upper" {\stanzaiii}
>>
}
\new Staff {\set Staff.instrumentName = #"Bass"
<<
\new Voice = "upper" \Bassa
\new Voice = "lower" \Bassb
>>
}
>>
\midi {
\tempo 4 = 100
}
\layout {}
}
\markup{
\fontsize #1
\column{" " "Frygt ej sommersolens magt!"
"Frygt ej vinterstormens drøn!"
"Du din gerning har fuldbragt,"
"du går hjem at få din løn,"
"gyldne lokker, piges kunst,"
"alt skal vorde støv og dunst."
" "
"Frygt ej for tyranners kiv!"
"Du står langt fra vold og svig,"
"egen og det mindste siv,"
"er det samme nu for dig;"
"Kongen og de lærdes kunst,"
"alt skal vorde støv og dunst."
" "
"Frygt ej tordenkilens brag!"
"Frygt ej for lavinens lyd!"
"Frygt ej ondskab og bedrag!"
"Du har endt din sorg og fryd;"
"had og elskov var omsonst,"
"alt skal vorde støv og dunst."
}
\hspace #2
\fontsize #1
\column{" " "Fear no more the heat o’ the sun,"
"Nor the furious winter’s rages;"
"Thou thy worldly task hast done,"
"Home art gone and ta’en thy wages;"
"Golden lads and girls all must,"
"As chimney sweepers, come to dust."
" "
"Fear no more the frown o’ th’ great;"
"Thou art past the tyrant’s stroke:"
"Care no more to clothe and eat;"
"To thee the reed is as the oak:"
"The sceptre, learning, physic, must"
"all follow this, and come to dust."
" "
"Fear no more the lightning flash,"
"The all dreaded thunder stone;"
"Fear no slander, censure rash;"
"Thou has finished joy and moan."
"All lovers young, all lovers must"
"consign to thee, and come to dust."
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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