%NOTES: The flute part slurs are just the piano piano slurs from the original;
% not being a flute player, I dunno if it makes sense to a flute player.
\version "2.10"
\header {
title = "Berceuse (Lullaby)"
subtitle = \markup{\italic "from Dolly, Op. 56"}
composer = \markup{\column {\line {" "}"Gabriel Faure"
{ \italic "(1845 - 1924)"}
}
}
mutopiatitle = "Berceuse"
mutopiacomposer = "FaureG"
mutopiainstrument = "Flute and Guitar"
mutopiaopus = "Op. 56"
source = "New adaptation from Paris: J. Hamelle"
style = "Romantic"
copyright = "Public Domain"
maintainer = "Mike Blackstock"
maintainerEmail = "mike@blackstock.ca"
maintainerWeb = "http://www.blackstock.ca"
lastupdated = "2008/Jun/25"
footer = "Mutopia-2008/09/01-1536"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
} %end header
flute = \relative c' {
\set Staff.instrumentName = "Flute"
\set Staff.midiInstrument = "flute"
\clef violin
\key e \major
\time 2/4
R2 |
R2 |
b''4 b ~ |
b8 gis ( a b |
gis e fis gis )|
e4 ( b8) r |
b'4 b ~ |
b8 gis ( a b |
gis e e' dis )|
% 10
cis4 ( b8) r |
fis'4 fis ~ |
fis8 dis ( e fis |
dis b cis dis ) |
b4 ( fis8) r |
fis'4 fis ~ |
fis8 gis ( e cis |
e fis dis b |
dis4 cis ) |
b b ~ |
% 20
b8 gis ( a b |
gis e fis gis )|
e4 ( b8) r |
b'4 b ~ |
b8 gis ( a b |
gis e e' dis |
cis4 b8 ) r |
e4 e ~ |
e8 cis ( b a )|
e'4 e ~ |
% 30
e8 cis ( b a) |
b4 b ~ |
b8 gis ( fis e |
gis4 fis |
e ) ~ e8 r \bar "||"
\key c \major
e4 e ~ |
e8 ( c d e |
e4 c ) ~ |
c8 g ( a c |
b d ) g4-> ~ |
% 40
g8 e g4-> ~ |
g8 bes,! ( d g |
f e d e )|
f4 f ~ |
f8 d ( e f |
f4 d ) ~ |
d8 a ( b d |
c e ) a4-> ~ |
a8 f a4-> ~ |
a8 c, ( e a |
% 50
g fis! e fis )|
g4 g ~ |
g8 e ( fis! g )|
g4 e ~ |
e8 b ( cis! e |
d fis! ) b4-> ~ |
b8 g b4-> ~ |
b8 fis! ( dis'! cis! |
b a fis! dis! ) \bar "||"
\key e \major
b4 b ~ |
% 60
b8 gis ( a b |
gis e fis gis |
e4) r |
b' b ~ |
b8 gis ( a b |
gis e fis gis |
e4) r |
e' e ~ |
e8 cis ( d! e |
cis a b cis |
% 70
a ) e' ( dis cis )|
b4 ( cis |
d! dis! ) |
b' b ~ |
b8 gis ( a b |
gis e fis gis |
e4 b8) r |
b'4 b ~ |
b8 gis ( a b |
gis e fis gis |
% 80
e4 b8 ) r |
e4 ( b8 ) r |
e4 ( b8 ) r |
e4 r
\bar "|."
}
guitarUpperVoice = \relative c {
\set Staff.instrumentName = "Guitar"
\set Staff.midiInstrument = "acoustic guitar (nylon)"
\voiceOne
\clef "G_8"
\key e \major
\time 2/4
gis'16 b e cis < a dis >4 |
gis16 b e cis < a dis >4 |
gis16 b e cis < a dis >4 |
gis16 b e cis < a dis >4 |
gis16 b e cis < a dis >4 |
gis16 b e cis < a dis >4 |
gis16 b e cis < a dis >4 |
gis16 b e cis < a dis >4 |
gis16 b e b < b e gis >4 |
% 10
ais!16 e' fis e < fis, b dis >4 |
dis'16 fis b gis < e ais! >4 |
dis16 fis b gis < e ais! >4 |
dis16 fis b gis < e ais! >4 |
dis16 fis b gis < e ais! >4 |
dis16 fis b fis < fis cis' >4 |
fis16 gis bis! gis < e gis cis >4 |
e16 fis cis' fis, < dis fis b >4 |
b16 dis fis dis < cis gis' >4 |
gis'16 a, b a fis'4 |
% 20
< gis, e' >16 b e cis < a dis >4 |
gis16 b e cis < a dis >4 |
gis16 b e cis < a dis >4 |
gis16 b e cis < a dis >4 |
gis16 b e cis < a dis >4 |
gis16 b e b < b e gis >4 |
ais!16 e' fis e < fis, b dis >4 |
b16 dis fis dis < d! e >4 |
cis16 eis! gis eis < e! fis >4 |
d!16 fisis! a fisis < d gis >4 |
% 30
e16 gis b gis < e a >4 |
fis16 ais! cis ais < a! b >4 |
r16 gis b gis < e gis cis >4 |
cis16 gis' cis gis < dis a' b >4 |
r16 gis, e' b gis' e b gis \bar "||"
\key c \major
r8 g16 g e' c g' e |
r8 a,16 a e' c a' e |
r8 g,16 g e' c g' e |
r8 g,16 g e' c g' e |
r8 b16 b g' d b' g |
% 40
r8 b,16 b g' e b' g |
r8 bes,!16 bes g' d bes'! g |
r8 a,16 a g' cis,! a' g |
r8 a,16 a f' d a' f |
r8 bes,!16 bes f' d bes'! f |
r8 a,16 a f' d a' f |
r8 a,16 a f' d a' f |
r8 a,16 a e' c a' e |
r8 a,16 a f' d a' f |
r8 a,16 a e' c a' e |
% 50
r8 a,16 a dis! b a' dis, |
r8 b16 b g' e b' g |
r8 c,16 c g' e c' g |
r8 b,16 b g' e b' g |
r8 b,16 b g' e b' g |
r8 b,16 b fis'! d b' fis |
r8 b,16 b e cis! g' e |
r b fis'! dis! b' fis a e |
gis! dis! fis! cis! dis a b fis! \bar "||"
\key e \major
gis b e cis < a dis >4 |
% 60
gis16 b e cis < a dis >4 |
gis16 b e cis < a dis >4 |
gis16 b e cis < a dis >4 |
gis16 b e cis < a dis >4 |
gis16 b e cis < a dis >4 |
gis16 b e cis < a dis >4 |
gis16 b e cis < d! e >4 |
r16 e a fis < d! gis >4 |
r16 e a fis < d! gis >4 |
r16 e a fis < d! gis >4 |
% 70
r16 e a e < e g! >4 |
r16 gis b gis < gis cis >4 |
r16 a d! a < a dis! >4 |
r16 b, e cis < a dis >4 |
gis16 b e cis < a dis >4 |
gis16 b e cis < a dis >4 |
gis16 b e cis < a dis >4 |
gis16 b e cis < a dis >4 |
b' b ~ |
b8 gis a b |
% 80
gis e fis gis |
r e fis gis |
r e fis gis |
< b,, e gis b e >4 r |
\bar "|."
}
guitarLowerVoice = \relative c {
\voiceTwo
e,8 b' fis' b, e, b' fis' b, % 3
e, b' fis' b, e, b' fis' b, % 5
e, b' fis' b, e, b' fis' b, % 7
e, b' fis' b, e, b' fis' b, % 9
e, b' cis cis fis, fis' b, b % 11
b fis' cis' fis, b, fis' cis' fis, % 13
b, fis' cis' fis, b, fis' cis' fis, % 15
b, fis' a, a' gis, dis' cis cis' % 17
ais,! fis' b, b' dis, dis e e % 19
dis b a' b, e, b' fis' b, % 21
e, b' fis' b, e, b' fis' b, % 23
e, b' fis' b, e, b' fis' b, % 25
e, b' cis cis fis, fis' b, b % 27
gis e' gis e a, e' a e % 29
b e b' e, cis e cis' e, % 31
dis b' dis b e, b' cis, cis' % 33
a, a' b, b' e,,4 ~ e8 r % 35
c'2 a % 37
c e % 39
g e % 41
e, a % 43
d bes! % 45
d f % 47
a, d % 49
a b % 51
e c % 53
e g % 55
b, e % 57
b8 fis'! b cis! b a fis! dis! % 59
e, b' fis' b, e, b' fis' b, % 61
e, b' fis' b, e, b' fis' b, % 63
e, b' fis' b, e, b' fis' b, % 65
e, b' fis' b, e, b' e b % 67
a e' b' e, a, e' b' e, % 69 <--- renumber to 68
a, e' b' e, a, e' ais,! ais'! % 71
r b r b, r b' r b, % 73
e, b' fis' b, % 75
e, b' fis' b, e, b' fis' b, % 77
e, b' fis' b, e, b' fis' b, % 79
e,16 b'' < b, e' > cis' < fis, a dis >8 b,
e,16 b'' < b, e' > cis' < fis, dis' >4 % 81
e,16 b'' < b, e' > cis' < fis, dis' >4
e,16 b'' < b, e' > cis' < fis, dis' >4 % 83
e,16 b'' e cis < fis, dis' >4 e,
}
guitar = \simultaneous {
\context Voice="guitarUpperVoice" \guitarUpperVoice
\context Voice="guitarLowerVoice" \guitarLowerVoice
}
\score {
\simultaneous {
\context Staff="flute" \flute
\context Staff="guitar" \guitar
}
\midi {
tempoWholesPerMinute = #(ly:make-moment 58 4)
} % end midi
\layout {
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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