\version "2.16.1"
\include "italiano.ly"
%% Version 1.
\header{
title = "Fugue sur l'hymne de la Vierge, Ave Maris Stella"
subtitle = "Premier livre d'Orgue"
piece = ""
instrument = "Orgue -- Organ"
composer = "Jean-François Dandrieu (1681-1738)"
copyright = "Public Domain"
source = "Édition d'Alexandre Guilmant - 1905"
opus = ""
mutopiainstrument = "Organ"
mutopiacomposer = "DandrieuJ"
mutopiastyle = "Baroque"
enteredby = "Gérard Gréco"
maintainer = "Gérard Gréco"
footer = "Mutopia-2013/03/22-566"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \concat { \teeny www. \normalsize MutopiaProject \teeny .org } \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \concat { \teeny www. \normalsize LilyPond \teeny .org }} by \concat { \maintainer . } \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details \concat { see: \hspace #0.3 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } }
}
global = {
\key do \major
\time 4/4
\tempo "Majestueusement"
}
soprano = \relative do' {
s1*15
\voiceOne r2 re2
la'2. la4
si4 sol4 la4 si4
do2.^\mordent \tieUp si4 ~
si4 la2 sold4^\prallprall
la2. sol4
r4 la4 re4 do4
si4 dod4 re4 mi4
dod4^\prallprall re2 dod4
re2 la2
sib1
la2 sol2
re'2\rest r4 la4 ~
la4 sol2 fad4^\downprall
sol2 si2\rest
R1*5
si4\rest re,4 sol2 ~
sol2 fa4^\prallprall mi4
do'2\rest la2
re2. re4
mi4 dod4 re4 mi4
fa4^\mordent si,4 dod4 re4 ~
re4. dod8 dod4.^\prallprall re8
re1
}
alto = \relative do' {
R1*5
r2 la2 re2. re4
mi4 do4 re4 mi4
fa2.\mordent mi4 ~
mi4 re2 dod4\downprall
re2. mi4
fa4\mordent la4 sol4 fa4
mi4\prallprall sol4 fa4 mi4
re4 fa4 mi4 re4
dod2.\prallprall mi4
\voiceTwo la,1 ~
la4 mi'4 fa2 ~
fa1
r4 mi4 re2
do2 si4 mi4
do4_\prallprall si4 la2
fad'1\prallprall
sol2 la4 sib4
mi,4 fa4 mi2
fa4 mi4 re2
sol1
fa4 mi4 re4 mi4
fa2 mi2
re2 do2
sib2 sol2
re'1 ~
re2 do2 ~
do4 la4 sib4 do4
re2.^\markup{ "" \raise #-1. \musicglyph #"scripts.mordent"} do4 ~
do4 sib4 la4 re4
sib2. sib4
la1
fa'1_\mordent ~
fa1
mi4 la2. ~
la4 sold4 la2
sib2 la2
<< fad1 la1 >>
}
tenor = \relative do' {
re,2\rest re2
la'2. la4
si4 sol4 la4 si4
do2.^\mordent si4 ~
si4 la2 sold4^\markup{ "" \raise #1 \musicglyph #"scripts.downprall"}
la4 sol4 fa4 mi4
fa4^\markup{ "" \raise #1 \musicglyph #"scripts.mordent"} re4 sib'2 ~
sib2. sib4
la4 re4 sol,4 do4
fa,4 sib4 mi,4 la4
fa4^\prallprall mi4 re4 la'4
re2 si2
do2 la2
sib2_\mordent sol2
la4 sib4 la4 sol4
fa4 mi4 fa4 re4
dod4_\prallprall la4 re4 re,4
sol2. sol'4
la4 do4 fad,4 sold4
la2 mi2
la,2. la4
re2. re4
sol4 mi4 fa4 sol4
\voiceOne
la1 ~
la4 sol4 fa2
do'1 ~
do2 si4 dod4
la2 sol2
fad4 sib4 la2
sol4 r4 r2
r2 re2
sol2. sol4
la4 fa4 sol4 la4
sib2. la4 ~
la4 sol2 fad4^\prallprall
\oneVoice
sol4 fa4 mi4 re4
dod1
\voiceOne
la'1 ~
la2 si2
dod4 mi4 fa4 dod4
re2 mi4 fa4 ~
fa4. mi8 mi2^\prallprall
re1
}
basse = \relative do {
s1 s1 s1 s1 s1
s1 s1 s1 s1 s1
s1 s1 s1 s1 s1
s1 s1 s1 s1 s1
s1 s1 s1
r2 la2
re2. re4
mi4 do4 re4 mi4
fa2._\mordent mi4 ~
mi4 re2 dod4_\prallprall
re1
sol,4 fad4 sol4 la4
sib4_\mordent la4 sib4 sol4
mib'4 re4 mib4 do4
fa4 mib4 re4 do4
sib2 mib2
re1
s1 s1
re2. mi4
fa2 re2
la'1 ~
la1
sol2 la2
re,1
}
\score {
{
\new PianoStaff <<
\new Staff = "dessus" <<
\global
\clef violin
\set Staff.midiInstrument = "Church organ"
\new Voice = "soprano" {\soprano}
\new Voice = "alto" {\alto}
>>
\new Staff = "basse" <<
\global
\clef bass
\set Staff.midiInstrument = "Church organ"
\new Voice = "tenor" {\tenor}
\new Voice = "basse" {\voiceTwo \basse}
>>
>>
\bar "|."
}
\layout { }
\midi {
\tempo 4 = 100
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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