% Created on Sun May 10 11:05:43 CEST 2009
\version "2.12.2"
\header {
title = "Vorrei baciarti"
composer = "Giovanni Ceresini (1584-1659)"
mutopiatitle = "Vorrei baciarti"
mutopiacomposer = "CeresiniG"
mutopiainstrument = "Voice (TB), Basso Continuo"
source = "Madrigali concertati a due, tre e quattro voci con il basso continuo [...] Opera Quatra, Venezia, Alessandro Vincenti, 1627"
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Björn Sothmann"
maintainerEmail = "bjoern.sothmann@rub.de"
maintainerWeb = "http://www.tp3.rub.de/~bjoerns"
footer = "Mutopia-2009/05/31-1646"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2009. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\include "deutsch.ly"
verseT= \lyricmode {
Vor -- rei ba -- ciar -- ti,_o Fil -- li Vor -- rei ba -- ciar -- ti,_o Fil -- li Ma non sò pri -- ma,_o -- ve'l mio ba -- cio scoc -- chi Ne la boc -- ca ne la boc -- ca_ò ne -- gli_oc -- chi Vor -- rei ba -- ciar -- ti,_o Fil -- li ne la boc -- ca,_o ne -- gli_oc -- chi Vor -- rei ba -- ciar -- ti Vor -- rei ba -- ciar -- ti,_o Fil -- li Ma non so pri -- ma_o -- ve'l mio ba -- cio scoc -- chi ne la boc -- ca ne la boc -- ca,_o ne gli_oc -- chi ne la boc -- ca ne la boc -- ca,_o ne gli_oc -- chi ce -- dan le la -- bra_a voi lu -- mi di -- vi -- ni Fi -- di spec -- chi del co -- re, Vi -- ve stel -- le vi -- ve stel -- le d'A -- mo -- re vi -- ve stel -- le vi -- ve -- stel -- le vi -- ve stel -- le d'A -- mo -- re Ahi pur mi vol -- go pur mi vol -- go_a voi a voi à voi à voi per -- le_e ru -- bi -- ni The -- so -- ro di bel -- lez -- za Fon -- ta -- na di dol -- cez -- za Boc -- ca_ho -- nor del bel vi -- so Na -- sce_il pian -- to da lor Tu m'a -- pri_il ri -- so Na -- sce_il pian -- to da lor tu m'a -- pri_il ri -- so Boc -- ca_ho -- nor del bel vi -- so Na -- sce_il pian -- to da lor tu m'a -- pri_il ri -- so tu m'a -- pri il ri -- so.
}
verseB= \lyricmode {
Vor -- rei bac -- ciar -- ti,_o Fil -- li Vor -- rei ba -- ciar -- ti_o Fil -- li Vor -- rei ba -- ciar -- ti, vor -- rei ba -- ciar -- ti_ò Fil -- li Ma non so pri -- ma_o -- ve'l mio ba -- cio scoc -- chi Ne la boc -- ca nel -- la boc -- ca,_o ne gl'oc -- chi Vor -- rei ba -- ciar -- ti vor -- rei ba -- ciar -- ti_ò Fil -- li ma non sò pri -- ma_o -- ve'l mio ba -- cio scoc -- chi Ne la boc -- ca ne la boc -- ca,_ò ne -- gl'oc -- chi ne la boc -- ca ne la boc -- ca ne la boc -- ca,_o ne -- gli_oc -- chi Ce -- dan le la -- bra_a voi lu -- mi di -- vi -- ni Fi -- di spe -- chi del co -- re vi -- ve stel -- le vi -- ve stel -- le d'A -- mo -- re vi -- ve stel -- le vi -- ve stel -- le vi -- ve stel -- le d'A -- mo -- re Ahi pur mi vol -- go pur mi vol -- go_à voi à voi à voi a voi per -- le,_e ru -- bi -- ni the -- so -- ro di bel -- lez -- za fon -- ta -- na di dol -- cez -- za boc -- ca,_ho -- nor del bel vi -- so Na -- sce_il pian -- to da lor tu m'a -- pri il ri -- so boc -- ca,_ho -- nor del bel vi -- so boc -- ca,_ho -- nor del bel vi -- so Na -- sce_il pian -- to da lor tu m'a -- pri il ri -- so Na -- sce_il pian -- to da lor tù m'a -- pri il ri -- so.
}
staffTenore = \new Staff {
\time 4/4
\override Score.MetronomeMark #'stencil = ##f
\tempo 4 = 100
\set Staff.instrumentName="Tenore"
\set Staff.midiInstrument="oboe"
\key c \major
\clef "G_8"
\relative c' {
\context Voice = "melodyTen" {
\dynamicUp
\autoBeamOff
R1 |
r8 d d c h4. h8 |
a4 a8 c c8. c16 d8. d16 |
e1 |
e8 e d c d d c h |
c4 c h2 |
a4 a8 g fis fis h a |
g4 g8 a a2 |
g r8 e' e d |
c4 d h2 |
a r |
R1 |
r2 r4 h8 a |
g4 g8 g g4\melisma fis\melismaEnd |
g8 g g f e4 e |
r2 r8 d' d c |
h4 a h2 |
a8 c h a h h a g |
a4 c c\melisma h\melismaEnd |
c e8 d c c c h |
a4 a8 g fis4 fis |
r h8 a g g g f |
e4 h'8 h a2 |
h4 d4. d8 e4 |
c d h c~ |
c8 c c4 c\melisma h\melismaEnd |
c2 r2 |
r4 d8 h c4 a8 a |
d d h a g g e' d |
c4 c8 d d2 |
c c8 h a a |
d c h h r4 a8 g |
fis4 fis8 g g4\melisma fis\melismaEnd |
g1 |
r4 e2 fis8 fis |
g g h h c4. c8 |
h4 r8 h c4 r8 d |
e4 e,8 f g4 f8 e |
a4 a8 h c c h a |
h4 h8 d d d c8. c16 |
h1 |
a2 r |
R1 |
r4 c4. h8 a4 |
h8 g d'2\melisma cis4\melismaEnd |
d d8 c h4 h8 c |
a4 r r a |
h8\melisma c d h cis4\melismaEnd d |
d\melisma cis\melismaEnd d d8 d |
c4 h8 a h4 g |
a8\melisma h c a h4\melismaEnd c |
c\melisma h\melismaEnd c c4~ |
c8 h a4 h8 g d'4~\melisma |
d cis\melismaEnd d d8 c |
h4 h8 c a4 g |
a8\melisma h c d h4\melismaEnd d |
d\melisma cis\melismaEnd d2 |
r4 g, g8\melisma a h g\melismaEnd |
a4 h a2 |
g1 |
}
\bar "|."
}
}
staffBasso = \new Staff {
\set Staff.instrumentName="Basso"
\set Staff.midiInstrument="oboe"
\key c \major
\clef bass
\relative c' {
\context Voice = "melodyBas" {
\dynamicUp
\autoBeamOff
r8 g g f e4. e8 |
d4 d r2 |
a'2 a8. a16 g8. g16 |
c,1 |
c2 r |
R1 |
R1*2 |
r8 g'8 g f e16 e c'8 c h |
a4 a a\melisma gis\melismaEnd |
a8 a g f g g f e |
f4 g e2 |
d4 d8 c h h g' f |
e4 c8 e d2 |
g, r8 c c h |
a d16 d d8 c h4 a |
e'1 |
a,8 a' g f g g f e |
f4 a g2 |
c,4 c'8 h a a a g |
f4 f8 e d d d c |
h h g' f e e e d |
c4 g'8 g d2 |
g,4 g'4. g8 e4 |
f d e c4~ |
c8 c8 e4 f\melisma g\melismaEnd |
c,2. c'8 a |
h4 g8 g a a f e |
d d g f e2 |
f4 a g2 |
c,4 c8 h a a d c |
h h e d c4 d8 e |
d1 |
g, |
r4 c2 d8 d |
g, g g' g a4. a8 |
e4 r8 e a4 r8 g |
c4 c,8 d e4 d8 c |
f4 f8 g a a g f |
g4 g8 h h h a4~ |
a a4 gis2 |
a4 d,4. c8 h4 |
c8 a a'2\melisma gis4\melismaEnd |
a2 r2 |
r4 g8 f e4 e8 e |
d4 d e8\melisma f g e\melismaEnd |
fis4 g g\melisma fis\melismaEnd |
g2 r4 g4~ |
g8 f e4 fis8 d g4~\melisma |
g fis\melismaEnd g2 |
r r4 f4~ |
f8 e8 d4 e8 c g'4~\melisma |
g fis\melismaEnd g g8 f |
e4 e8 e d4 d |
e8\melisma f g e\melismaEnd fis4 g |
g\melisma fis\melismaEnd g g8 fis |
e4 e8 e d4 h |
c8\melisma d e c\melismaEnd g'4 g |
d1 |
g,1 |
}
\bar "|."
}
}
staffBassoII = \new Staff {
\set Staff.instrumentName="Basso continuo"
\set Staff.midiInstrument="harpsichord"
\key c \major
\clef bass
\relative c {
g2 a |
d e |
a,2. g4 |
c1 |
c2 g |
a e' |
a, d4 h |
c e d2 |
g, c |
f4 d e2 |
a, c |
b4 g a2 |
d h |
c4 c8 e d2 |
g, c |
a8 d d c h4 a |
e'1 |
a,2 g |
f4 a g2 |
c4. h8 a4. g8 |
f4 f'8 e d4. c8 |
h4 g'8 f e4 e8 d |
c4 g d'2 |
g,4 g'2 e4 |
f d e c4~ |
c e4 f g |
c,2 a |
h4 g a f' |
d g c,2 |
f,4 a g2 |
c a4 d |
h e c d8 e |
d1 |
g, |
c2. d4 |
g,2 a |
e' a,4. g8 |
c1 |
f, |
g2. a4 |
e'1 |
a,4 d h2 |
c4 a e'2 |
a,1 |
g2 a |
d e4 c |
d h c d |
g,2 a4 b |
g a d h |
c d g,2 |
f4 a g f |
g2 c |
d g, |
a d |
e4 c d e |
d2 g, |
a d4 h |
c2 g' |
d1 |
g, |
\bar "|."
}
}
BC = \new FiguredBass {
\figuremode {
s2 <4>4 <3> |
s2 <4>4 <3> |
s1*3 |
s2 <4>4 <3+> |
s2 <_+>4 s |
s2 <4>4 <3> |
s1 |
s2 <4>4 <3> |
s1 |
s2 <4>4 <3> |
<_+>2 s2 |
s2 <4>4 <3> |
s1 |
<_+>8 s8 s4 s4 <4>8 <3> |
<5 3>4 <6 4> <5 3>2 |
s1 |
s2 <4>4 <3> |
s1 |
s2 <_+>4 s4 |
s1 |
s2 <4>4 <3> |
s1*2 |
s4 <6> <6> s |
s1*2 |
<_+>4 s s2 |
s2 <4>4 <3> |
s2 s4 <_+> |
s1 |
<5 3>4 <6 4> <_+ 3> <5> |
s1 |
s2. <_+>4 |
s1 |
<_+>2 s |
s1*3 |
<4>2 <3> |
<_+>4 s s2 |
<6>4 r <4> <3> |
s1 |
s2 <4>4 <3> |
s1 |
<_+>4 s <6> <_+> |
s2 <_+>4 <6> |
s4 <_+> <_+> s |
s <_+> s2 |
s1 |
<4>4 <3> s2 |
<4>4 <3> s2 |
<4>4 <3> s2 |
s2 <_+>4 s |
<4>4 <3> s2 |
<4>4 <3> <_+> s |
s1 |
<3>4 <4> <3>2 |
s1 |
}
}
\score {
<<
\staffTenore
\context Lyrics = "lmelodyTen" \lyricmode { \lyricsto "melodyTen" \verseT }
\staffBasso
\context Lyrics = "lmelodyBas" \lyricmode { \lyricsto "melodyBas" \verseB }
\staffBassoII
\BC
>>
\midi {
}
\layout {
indent=25
}
}
\paper {
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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