\version "2.16.1"
\paper {
%indent = 0.0
markup-system-spacing #'basic-distance = #12
top-system-spacing #'basic-distance = #16
system-system-spacing #'basic-distance = #28
top-markup-spacing #'basic-distance = #6
line-width = 18.0\cm
ragged-bottom = ##t
ragged-last-bottom = ##t
}
% #(set-default-paper-size "a4")
#(set-global-staff-size 19)
\header {
title = "Clavierübung Vierter Teil Aria mit 30 Veränderungen"
subtitle = "\"Goldberg Variationen\""
piece = "Variatio 14. a 2 Clav"
mutopiatitle = "Goldberg Variations - 14"
composer = "Johann Sebastian Bach (1685-1750)"
mutopiacomposer = "BachJS"
opus = "BWV 988"
date = "1741"
mutopiainstrument = "Harpsichord,Clavichord"
style = "Baroque"
source = "Bach-Gesellschaft Edition 1853 Band 3"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Hajo Dezelski"
maintainerEmail = "dl1sdz (at) gmail.com"
footer = "Mutopia-2013/02/21-1412"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \concat { \teeny www. \normalsize MutopiaProject \teeny .org } \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \concat { \teeny www. \normalsize LilyPond \teeny .org }} by \concat { \maintainer . } \hspace #0.5 Copyright © 2013. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details \concat { see: \hspace #0.3 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } } }
}
sopranoA = \relative g, {
\repeat volta 2 { %begin repeated section
\clef "bass" g8 r8 \clef "treble" g'''4. ~ \upprall g16 [ fis32 g ] | % 1
a8 r8 \clef "bass" fis,,4 \prallmordent ~ fis16 [ a g fis ] | % 2
e8 r8 \clef "treble" e''8 ([ d8 ] cis8 [ d16 e ) ] | % 3
fis,8 r8 \clef "bass" c,4. \upprall c16 [ b32 c ] | % 4
b8 [ g b d g b, ] | % 5
c8 [ e g c e, g ] | % 6
fis8 [ a d, fis a c ] | % 7
b8 [ g b d ] \clef "treble" g r8 | % 8
r16 b'32 [ a b16 ] r16 r16 e,32 [ d e16 ] r16 r16 a,32 [ g a16 ] r16 | % 9
r16 a'32 [ g a16 ] r16 r16 d,32 [ cis d16 ] r16 r16 g,32 [ fis g16 ] r16 | % 10
r16 g'32 [ fis g16 ] r16 r16 b,32 [ a b16 ] r16 r16 e,32 [ d e16 ] r16 | % 11
r16 \clef "bass" g,32 [ fis g16 ] r16 r16 cis,32 [ b cis16 ] r16 r16 g32 [ fis g16 ] r16 \clef "treble" | % 12
r32 d''32 [ e fis a fis e d ] r32 d32 [ e fis a fis e d ] r32 d32 [ e fis a fis e d ] | % 13
b'8-. r8 \clef "bass" f,8-. r8 e8-. r8 \clef "treble" | % 14
r16 e'32 [ d e16 a32 g ] a16 [ d,32 cis d16 g32 fis ] g16 [ cis,32 b cis16 fis32 e ] | % 15
fis16 [ d cis d ] fis32 [ e d16 a'32 g fis16 ] d'8 r8 | % 16
} %end of repeated section
\repeat volta 2 { %begin repeated section
fis16 [ a d a ] fis [ a d, fis ] a [ fis g a ] | % 17
d,16 [ g b g ] d [ g b, d ] g [ b, c d ] | % 18
g,16 [ c e c ] \once \override Beam #'positions = #'(3.4 . 3.4) a [ c fis, a ] c [ fis, g a] | % 19
dis,16 [ fis b fis ] \once \override Beam #'positions = #'(1.9 . 1.9) dis [ fis b, dis ] fis [ dis e fis ] | % 20
\once \override Beam #'positions = #'(2.6 . 2.8) b,16 [ e g e ] \once \override Beam #'positions = #'(1.3 . 1.3) b [ e g, b ] \once \override Beam #'positions = #'(1.8 . 3.0) e [ dis e g ] | % 21
c,16 [ f a f ] \once \override Beam #'positions = #'(1.7 . 1.7) c [ f a, c ] f [ e f a ] | % 22
dis,16 [ fis! a fis ] \once \override Beam #'positions = #'(1.7 . 1.7) dis [ fis b, dis ] \clef "bass" fis, [ a g fis ] | % 23
g16 [ b e b ] g [ b e, fis ] g [ e g b ] | % 24
e16 r16 r16 e,32 [ d e16 ] r16 r16 c'32 [ b c16 ] r16 r16 \clef "treble" a'32 [g ] | % 25
a16 r16 r16 \clef "bass" d,,32 [ c d16 ] r16 r16 b'32 [ a b16 ] r16 r16 \clef "treble" g'32 [fis ] | % 26
g16 r16 r16 \clef "bass" c,,32 [ b c16 ] r16 r16 a'32 [ g a16 ] r16 r16 \clef "treble" fis'32 [e ] | % 27
fis16 r16 r16 d'32 [ c d16 ] r16 r16 g32 [ fis g16 ] r16 r16 b32 [a ] | % 28
b8-. r8 d,,8-. r8 f8-. r8 | % 29
r32 e32 [ f g c g f e ] r32 fis32 [ g a c a g fis ] r32 g32 [ a bes cis bes a g ] | % 30
d'16 [ c!32 b! c16 b32 a ] b16 [ bes32 a bes16 a32 g ] a16 [ d32 c d16 g,32 fis ] | % 31
g32 ^[ a b c d c b a ] g16 [ b d, g ] g,8 r8 | % 32
} %end repeated section
}
lineBreaks = {
s2. \repeat unfold 2 { \noBreak s2.} %System1
s2. \repeat unfold 3 { \noBreak s2.} %System2
s2. \repeat unfold 2 { \noBreak s2.} %System3
s2. \repeat unfold 1 { \noBreak s2.} %System4
\pageBreak
s2. \repeat unfold 1 { \noBreak s2.} %System5
s2. \repeat unfold 1 { \noBreak s2.} %System6
s2. \repeat unfold 3 { \noBreak s2.} %System7
s2. \repeat unfold 3 { \noBreak s2.} %System8
\pageBreak
s2. \repeat unfold 1 { \noBreak s2.} %System9
s2. \repeat unfold 1 { \noBreak s2.} %System10
s2. \repeat unfold 1 { \noBreak s2.} %System11
s2. \repeat unfold 1 { \noBreak s2.} %System12
}
soprano = << { \sopranoA } \\ { \lineBreaks } >>
%%
%% Bass Clef
%%
bass = \relative b{
\repeat volta 2 { %begin repeated section
b16 [ g d g ] \once \override Beam #'positions = #'(-1.8 . -1.8) b [ g d' b ] g [ b a g ] | % 1
d'16 [ a fis a ] \once \override Beam #'positions = #'(-2.7 . -5.9) d [ a \clef "treble" a' fis ] d [ fis e d ] | % 2
g16 [ e b e ] g [ e b' g ] e [ b' a g ] | % 3
\once \override Beam #'positions = #'(-4 . -4.5) d'16 _[ a fis a ] d [ a a' fis ] d [ fis e d] | % 4
g16 [ d b d ] g [ d b' g ] d [ f e d ] | % 5
e16 [ c g c ] \once \override Beam #'positions = #'(-3 . -3) e [ c g' e ] c [ d c b ] | % 6
a16 [ fis d fis ] a [ fis d' a ] \once \override Beam #'positions = #'(3 . 3) fis [ a g fis ] | % 7
g16 [ d b d ] g [ d b' g ] d' [ c b a ] | % 8
g8 r16 g'32 [ fis g16 ] r16 r16 cis,32 [ b cis16 ] r16 r16 fis,32 [e ] | % 9
fis16 r16 r16 fis'32 [ e fis16 ] r16 r16 b,32 [ a b16 ] r16 r16 e,32 [d ] | % 10
e16 r16 r16 e'32 [ d e16 ] r16 r16 g,32 [ fis g16 ] r16 r16 cis,32 [b ] | % 11
cis16 r16 r16 \clef "bass" e,32 [ d e16 ] r16 r16 a,32 [ g a16 ] r16 r16 fis32 [e ] | % 12
fis8-. r8 \clef "treble" d'''8-. r8 c8-. r8 \clef "bass" | % 13
r32 g,32 [ a b d b a g ] r32 g32 [ a bes d bes a g ] r32 gis32 [ a b d b a gis ] | % 14
a16 [ cis32 b cis16 fis,32 e ] fis16 [ b32 a b16 e,32 d ] e16 [ a32 g a16 d,32 cis ] | % 15
d32 [ e fis g a g fis e ] d16 [ fis a, d ] d,8 r8 | % 16
} %end of repeated section
\repeat volta 2 { %begin repeated section
d'8 r8 \clef "treble" \once \override Voice.Script #'padding = #0.6 c'''4.\upprall ~ c16 [ b32 c ] | % 17
b8 r8 f,4 \upmordent ~ \once \override Beam #'positions = #'(3 . 3) f16 [ a g f ] | % 18
e8 r8 fis'8 [ a8 ( ] dis,8 [ e16 fis ) ] | % 19
b,8 r8 \clef "bass" a,,4. \downprall ~ a16 [ g32 a ] | % 20
g8 [ e g b g e ] | % 21
a8 [ a, a' c b a ] | % 22
b8 [ dis fis b ] \once \override Beam #'positions = #'(4 . 2.1) b, [ \clef "treble" e'16 dis] | % 23
e8 [ g ] b [ e16 dis e8 ] r8 \clef "bass" | % 24
r16 c,,32 [ b c16 ] r16 r16 a'32 [ gis a16 ] r16 r16 e'32 [ d e16 ] r16 | % 25
r16 b,32 [ a b16 ] r16 r16 g'32 [ fis g16 ] r16 r16 d'32 [ c d16 ] r16 | % 26
r16 a,32 [ g a16 ] r16 r16 e'32 [ d e16 ] r16 r16 c'32 [ b c16 ] r16 | % 27
r16 \clef "treble" a'32 [ g a16 ] r16 r16 fis'32 [ e fis16 ] r16 r16 a32 [ g a16 ] r16 | % 28
r32 g,32 [ a b d b a g ] r32 g32 [ a b d b a g ] r32 g32 [ a b d b a g ] | % 29
c8-. r8 \clef "bass" a,8-. r8 e8-. r8 | % 30
fis16 [ a32 g a16 d32 c ] d16 [ g,32 fis g16 c32 b! ] c16 [ fis,32 e fis16 b32 a ] | % 31
b16 [ g fis g ] b32 [ a g16 d'32 c b16 ] g'8 r8 | % 32
} %end repeated section
}
%% Merge score - Piano staff
\score {
\context PianoStaff <<
\set PianoStaff.midiInstrument = "harpsichord"
\new Staff = "upper" { \clef treble \key g \major \time 3/4 \soprano }
\new Staff = "lower" { \clef bass \key g \major \time 3/4 \bass }
>>
\layout{ }
\midi { }
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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