\version "2.16.1"
\paper {
line-width = 18.0\cm
markup-system-spacing #'basic-distance = #11
system-system-spacing #'basic-distance = #18
ragged-bottom = ##t
ragged-last-bottom = ##t
page-count = 1
}
%#(set-default-paper-size "letter")
#(set-global-staff-size 19)
\header {
title = "Clavierübung Vierter Teil Aria mit 30 Veränderungen"
subtitle = "\"Goldberg Variationen\""
piece = "Variatio 9. Canone alla Terza. a 1 Clav."
mutopiatitle = "Goldberg Variations - 9"
composer = "Johann Sebastian Bach (1685-1750)"
mutopiacomposer = "BachJS"
opus = "BWV 988"
date = "1741"
mutopiainstrument = "Harpsichord,Clavichord"
style = "Baroque"
source = "Bach-Gesellschaft Edition 1853 Band 3"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Hajo Dezelski"
maintainerEmail = "dl1sdz (at) gmail.com"
footer = "Mutopia-2013/02/17-1386"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \concat { \teeny www. \normalsize MutopiaProject \teeny .org } \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \concat { \teeny www. \normalsize LilyPond \teeny .org }} by \concat { \maintainer . } \hspace #0.5 Copyright © 2013. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details \concat { see: \hspace #0.3 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } } }
}
% Macros %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
global = {\key g \major \time 4/4 }
staffUpper = {\change Staff = upper \stemDown}
staffLower = {\change Staff = lower \stemUp}
shortenStem = { \once \override Stem #'length-fraction = #(magstep -1.2) }
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
sopranoOne = \relative b' {
\repeat volta 2 { %begin repeated section
\stemUp
b8 [ a8 b8 c8 ] d8 [ a8 d8 c8 ] | % 1
b8 [ d8 ] g4 ~ g8 [ a16 g16 ] fis4 | % 2
g8 [ fis8 g8 a8 ] b8 [ fis8 b8 a8 ] | % 3
g8 [ a16 b16 ] c4 ~ c8 [ b16 a16 ] b8 [ b,8 ] | % 4
\override Beam #'positions = #'(4.6 . 5.2)
cis8 [ b8 cis8 dis8 ] \override Beam #'positions = #'(4.5 . 4.5) e8 [ b8 e8 d8 ] | % 5
\revert Beam #'positions
c8 [ d16 e16 ] f4 ~ f8 [ e16 d16 ] e16 [ fis16 g8 ~ ] | % 6
g8 fis4 e8 fis8 [ g8 a8 g8 ] | % 7
fis4 e4 d2 % 8
} %end of repeated section
\repeat volta 2 { %begin repeated section
fis8 [ d8 e8 fis8 ] g8 [ d8 g8 a8 ] | % 9
b8 [ e,8 ] a4 ~ a8 [ g16 fis16 ] g8 r8 | % 10
r8 e4 d16 [ c16 ] b16 [ a16 g16 fis16 ] g16 [ a16 b16 g16 ] | % 11
e8. [ fis16 ] dis4\prallprall e8 b'8\rest b4 ~ | % 12
b8 a4 gis8 a8 [ c16 b16 ] c16 [ e16 d16 c16 ] | % 13
b4 cis4 d2 ~ | % 14
d8 [ g8 fis8 e8 ] d8 [ g16 fis16 ] g16 [ a16 b8 ] | % 15
e,8 [ a8 ] fis8. \prallprall [ g16 ] g2 % 16
} %end repeated section
}
sopranoTwo = \relative g' {
\repeat volta 2 { %begin repeated section
\stemDown
R1 | % 1
g8 [ fis8 g8 a8 ] b8 [ fis8 b8 a8 ] | % 2
g8 [ b8 ] e4 ~ e8 [ fis16 e16 ] d4 | % 3
e8 [ d8 e8 fis8 ] g8 [ d8 g8 fis8 ] | % 4
e8 [ fis16 g16 ] a4 ^~ a8 [ g16 fis16 ] g8 [ g,8 ] | % 5
a8 [ g8 a8 b8 ] c8 [ g8 c8 b8 ] | % 6
a8 [ b16 cis16 ] d4 ~ d8 [ cis16 b16 ] cis16 [ d16 e8 ]~ | % 7
e8 d4 cis8 d2 % 8
} %end of repeated section
\repeat volta 2 { %begin repeated section
R1 | % 9
d8 [ b8 cis8 dis8 ] e8 [ b8 e8 fis8 ] | % 10
g8 [ cis,8 ] f4 ~ f8 [ e16 dis16 ] \shortenStem e8 r8 | % 11
r8 c8 ~ c8 [ b16 a16 ] g16 [ fis16 e16 d16 ] e16 [ fis16 g16 e16
] | % 12
c8. [ d16 ] b4 c8 r8 g'4 ~| % 13
g8 fis4 e8 fis8 [ a16 g16 ] a16 [ c16 b16 a16 ] | % 14
g4 a4 b2 ~| % 15
b8 [ e8 d8 c8 ] b2 % 16
} %end repeated section
}
lineBreaks = {
s1 \repeat unfold 3 { \noBreak s1} %system1
s1 \repeat unfold 2 { \noBreak s1} %system2
s1 \repeat unfold 2 { \noBreak s1} %system3
s1 \repeat unfold 2 { \noBreak s1} %system4
s1 \repeat unfold 2 { \noBreak s1} %system5
}
soprano = << \sopranoOne \\ \sopranoTwo \\ \lineBreaks >>
%%
%% Bass Clef
%%
bass = \relative g, {
\repeat volta 2 { %begin repeated section
g4 g'4 ~ g8 [ fis16 e16 ] fis8 [ d8 ] | % 1
g8 [ a8 b8 c8 ] \clef "treble" d4. dis8 | % 2
e4 r8 c8 g8 [ d'8 ] g8 [ a16 b16 ] | % 3
c8 ^[ b8 a8 d8 ] g,2 ~ | % 4
g8 \clef "bass" g,4 fis8 e8 [ e'16 dis16 ] e4 ~ | % 5
e8 e,4 d8 c8 [ c'16 b16 ] c16 [ d16 e16 d16 ] | % 6
cis16 [ a16 d16 cis16 ] b16 [ a16 b16 gis16 ] a16 [ b16 a16 g16
] fis16 [ e16 d16 cis16 ] | % 7
d16 [ cis16 b16 a16 ] g16 [ e16 a8 ] d,8 [ fis16 a16 ] d4 % 8
} %end of repeated section
\repeat volta 2 { %begin repeated section
d8 d'4 c8 b16 [ a16 b16 c16 ] b16 [ a16 g16 fis16 ] | % 9
g8 g'4 fis8 e16 [ dis16 e16 fis16 ] e16 [ d16 c16 b16 ] | % 10
ais16 [ e'16 fis16 g16 ] a!8 [ a,8 ] g16 [ a16 b16 g16 ] e16 [
fis16 g16 e16 ] | % 11
c'8 [ a8 b8 b,8 ] e,4 r8 e'8 ~ | % 12
e8 [ c8 d8 e8 ] a,8 [ a'8 ] e16 [ d16 e16 fis16 ] | % 13
g16 [ a16 b16 g16 ] a16 [ fis16 g16 a16 ] d,16 [ e16 fis16 g16 ]
fis16 [ e16 d16 c16 ] | % 14
b16 [ g16 a16 b16 ] c16 [ d16 e16 fis16 ] g16 [ a16 b16 a16 ] g16
[ fis16 e16 d16 ] | % 15
c16 [ b c a ] d8 [ d,8 ] g8 [ b16 d16 ] g4 } % 16
} %end repeated section
%% Merge score - Piano staff in key of G Major, 12/8 time.
\score {
\context PianoStaff <<
\set PianoStaff.midiInstrument = "harpsichord"
\context Staff = "upper" { \clef "treble" \global << \soprano >> }
\context Staff = "lower" { \clef "bass" \global \bass }
>>
\layout{ }
\midi{ }
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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