\version "2.18.0"
%#(set-default-paper-size "letter")
\paper {
top-margin = 8\mm
top-markup-spacing.basic-distance = #6
markup-system-spacing.basic-distance = #5
top-system-spacing.basic-distance = #12
last-bottom-spacing.basic-distance = #12
line-width = 18.0\cm
ragged-bottom = ##f
ragged-last-bottom = ##f
}
#(set-global-staff-size 19)
\header {
title = "Clavier眉bung Vierter Teil Aria mit 30 Ver盲nderungen"
subtitle = "\"Goldberg Variationen\""
piece = "Variatio 8. a 2 Clav."
mutopiatitle = "Goldberg Variations - 8"
composer = "Johann Sebastian Bach (85-1750)"
mutopiacomposer = "BachJS"
opus = "BWV 988"
date = "1741"
mutopiainstrument = "Harpsichord,Clavichord"
style = "Baroque"
source = "Bach-Gesellschaft Edition 1853 Band 3"
license = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Hajo Dezelski"
maintainerEmail = "dl1sdz (at) gmail.com"
footer = "Mutopia-2014/03/10-1408"
copyright = \markup { \override #'(baseline-skip . 0 ) \right-column { \sans \bold \with-url #"http://www.MutopiaProject.org" { \abs-fontsize #9 "Mutopia " \concat { \abs-fontsize #12 \with-color #white \char ##x01C0 \abs-fontsize #9 "Project " } } } \override #'(baseline-skip . 0 ) \center-column { \abs-fontsize #12 \with-color #grey \bold { \char ##x01C0 \char ##x01C0 } } \override #'(baseline-skip . 0 ) \column { \abs-fontsize #8 \sans \concat { " Typeset using " \with-url #"http://www.lilypond.org" "LilyPond " \char ##x00A9 " " 2014 " by " \maintainer " " \char ##x2014 " " \footer } \concat { \concat { \abs-fontsize #8 \sans { " " \with-url #"http://creativecommons.org/licenses/by-sa/3.0/" "Creative Commons Attribution ShareAlike 3.0 (Unported) License " \char ##x2014 " free to distribute, modify, and perform" } } \abs-fontsize #13 \with-color #white \char ##x01C0 } } }
tagline = ##f
}
%-------------------definitions
padFerm = \override Voice.Script.padding = #1
adjBeamOne = \once \override Beam.positions = #'( 1.4 . 0.2 )
adjBeamTwo = \once \override Beam.positions = #'( 0.2 . 0.2 )
soprano= \relative d' {
\repeat volta 2 { %begin repeated section
\stemUp
d16 [ g b a ] g [ b d c ] b [ d g ] r | % 1
d,16 [ fis a g ] fis [ a c b ] a [ d fis ] r | % 2
b,,16 [ e g fis ] e [ g b a ] g [ cis e ] r | % 3
a,,16 [ d fis e ] d [ fis a g ] fis [ a d8^~ ] | % 4
d16 [ b g a ] b [ g d e ] f [ d b ] r | % 5
e'16 [ c a b ] c [ a e fis ] g [ e c ] r | % 6
\stemNeutral
a''16 [ fis d e ] fis^[ d a b ] c^[ a fis c' ] | % 7
b16 [ g d fis ] g [ d b c ] \adjBeamOne d [ b g a ] | % 8
\adjBeamTwo \stemUp b8 [ \stemDown b''16 a ] \stemNeutral g [ fis e d ] cis [ e d e ] | % 9
a,8 [ a'16 g ] fis [ e d cis ] b [ d cis d ] | % 10
g,8 [ g'16 fis ] e [ d cis b ] a [ cis b d ] | % 11
cis16^[ e a, b ] cis [ a e fis ] g [ e cis e ] | % 12
d8 [ fis a d ] r16 c16 [ a fis ] | % 13
g8 [ b d g ] r16 g16 [ fis g ] | % 14
a,8 [ cis e g ] r16 g16 [ a cis, ] | % 15
d16 [ fis a cis ] d [ cis32 b32 a32 g32 fis32 e32 ] d4 | % 16
} %end of repeated section
\repeat volta 2 { %begin repeated section
a16 [ d fis e ] d [ fis a g ] fis [ a c ] r | % 17
d,,16 [ g b a ] g^[ b d c ] b^[ d f ] r | % 18
e16^[ c a b ] c [ a fis g ] a [ fis dis e ] \clef "bass" | % 19
fis16 [ dis b cis ] dis [ b fis g ] a [ fis dis fis ] \clef "treble" | % 20
g16 [ b e dis ] e [ g b a ] g [ b e ] r16 | % 21
e,16_[ a c b ] a [ c e d ] c [ e a ] r16 | % 22
r16 c,16 [ b fis' ] g [ dis e g, ] fis [ e' dis a' ] | % 23
g16 \prallprall [ fis e8 ] r16 a,16 [ g fis ] \grace fis8( e4) ~ | % 24
e8 [ e'16 d ] c [ b a g ] fis^[ ais cis e ] | % 25
d16 [ fis, d' c ] b [ a gis fis ] e [ gis b d ] | % 26
c16 [ e, c' b ] a [ c e d ] c [ e a g ] | % 27
fis16 [ a c b ] a [ g fis e ] d [ fis a c ] | % 28
b16 [ d g, a ] b [ g d e ] f [ d b d ] | % 29
e16 [ g c, d ] e [ c a b ] c [ a e g ] | % 30
fis16 [ a d, e ] fis^[ d \clef "bass" a b ] c [ a fis a ] | % 31
b16 [ d g, a ] b [ g b d ] \padFerm g4^\fermata | % 32
} %end repeated section
}
%%
%% Bass Clef
%%
bass = \relative g {
\repeat volta 2 { %begin repeated section
g8_[ d b g ] r16 g'16 [ fis e ] | % 2
fis8 [ d a fis ] r16 fis'16 [ e d ] | % 3
e8 [ b g e ] r16 e'16 [ d cis ] | % 4
d8 [ a fis d ] r16 c'16 [ b a ] | % 5
b8 [ d g b ] r16 g16 [ f g ] | % 6
c,8 [ e a c ] r16 a16 [ g a ] | % 7
d,8 [ fis a d ] r16 d,16 [ c d ] | % 8
g,8 [ g' b, d ] g, r8 \clef "treble" | % 8
g'16 [ b d c ] b [d g fis ] e [g b ] r16 | % 9
fis,16 [a cis b ] a [ cis fis e] d [ fis a ] r16 \clef "bass" | % 10
e,16 [ g b a ] g [ b e d ] \clef "treble" cis [ e g fis ] | % 11
e16_[ g cis b ] a [ cis e d ] cis [ e a g] | % 12
fis16 [ a d, e ] fis [d a b ] c_[ a fis a ] | % 13
b16_[ d g, a ] b [ g e fis ] g [ e b d] \clef "bass" | % 14
cis16 [ e a, b ] cis [a e fis ] g [ e cis e ] | % 15
fis16 [a d, e ] fis [ d fis a ] d4 | % 16
} %end of repeated section
\repeat volta 2 { %begin repeated section
d8 [ a fis d ] r16 c'16 [ b a ] | % 17
g8_[ d b g ] r16 f'16 [ e d ] | % 18
c16 [ e a g ] fis [ a c b ] a [ c! dis c ] \clef "treble" | % 19
b16 [ dis fis e ] dis [ fis a g ] fis [ a c a ] | % 20
b16 [ g e fis ] g [ e b dis ]e [ b g b ] \clef "bass" | % 21
c16 [ a e gis ] a [ e c d ] e [ c a c ] | % 22
dis,8 [ dis' e c a b ] | % 23
e,8 [ g b e ] r16 d16 [ c b ] | % 24
c16 [ e g f ] e [ g c b ] ais [ cis fis ] r16 | % 25
b,,16 [ d fis e ] d [ fis b a ] gis [ b e ] r16 | % 26
a,,16 [ c e d ] c [ a c e ] a [ c fis, g ] | % 27
a16 [ fis d e ] fis [ d a b ] c [ a fis d ] | % 28
g8 [ b d f ] r16 f16 [ e d ] | % 29
c8 [ e g c ] r16 c16 [ b c ] | % 30
d,8 [ fis a c ] \clef "treble" r16 c16 [ d fis, ] | % 31
g16 [ b d fis ] g [ fis32 e32 d32 c32 b32 a32 ] \padFerm g4_\fermata | % 32
} %end repeated section
}
%% Merge score - Piano staff
\score {
\context PianoStaff <<
\set PianoStaff.midiInstrument = "harpsichord"
\new Staff = "upper" { \clef treble \key g \major \time 3/4 \soprano }
\new Staff = "lower" { \clef bass \key g \major \time 3/4 \bass }
>>
\layout{ }
\midi { \tempo 4 = 95 }
}
“That accounts for it. I didn’t know he was going to make the hop or I might not have come myself—but now—well,” the man broke off his phrase and started to clamber into the control seat, “let’s get going.” Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoME搜索一级毛片免费播放基地
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