\version "2.16.1"
\paper {
markup-system-spacing #'basic-distance = #25 %distance from header/title to 1st system
top-system-spacing #'basic-distance = #20 %dist. from top to 1st system when no titles exist
system-system-spacing #'basic-distance = #30 %fixed distance between systems
ragged-bottom = ##t
ragged-last-bottom = ##t
}
%#(set-default-paper-size "letter")
#(set-global-staff-size 19)
\header {
title = "Clavierübung Vierter Teil Aria mit 30 Veränderungen"
subtitle = "\"Goldberg Variationen\""
piece = "Variatio 6 Canone alla Seconda a 1 Clav"
mutopiatitle = "Goldberg Variations - 6"
composer = "Johann Sebastian Bach (1685-1750)"
mutopiacomposer = "BachJS"
opus = "BWV 988"
date = "1741"
mutopiainstrument = "Harpsichord,Clavichord"
style = "Baroque"
source = "Bach-Gesellschaft Edition 1853 Band 3"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Hajo Dezelski"
maintainerEmail = "dl1sdz (at) gmail.com"
footer = "Mutopia-2013/02/17-1385"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \concat { \teeny www. \normalsize MutopiaProject \teeny .org } \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \concat { \teeny www. \normalsize LilyPond \teeny .org }} by \concat { \maintainer . } \hspace #0.5 Copyright © 2013. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details \concat { see: \hspace #0.3 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } } }
}
% Macros %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
staffUpper = {\change Staff = upper \stemDown}
staffLower = {\change Staff = lower \stemUp}
extendLaissezVibrer = #(define-music-function (parser location further) (number?)
#{
\once \override LaissezVibrerTie #'X-extent = #'(0 . 0)
\once \override LaissezVibrerTie #'details #'note-head-gap = #(/ further -2)
\once \override LaissezVibrerTie #'extra-offset = #(cons (/ further 2) -0.8)
#})
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
sopranoOne = \relative a'' {
\once \override Voice.Rest #'extra-offset = #'(7.9 . 0 ) r1*3/8 | % 1
\repeat volta 2 { %begin repeated section
\stemUp
a4. ( | % 2
a8 ) [ g16 fis e d ] | % 3
c4. ( | % 4
c8 ) [ b16 a g fis ] | % 5
e4. ( | % 6
e8 ) [ d16 c b a ] | % 7
b4._( | % 8
b16 ) [ \staffLower a c b a g ] | % 9
a8 \staffUpper \stemUp a'4 ( | % 10
a8 ) [ g16 fis e d ] | % 11
cis16 [ e a b c!8 ( ] | % 12
c8 ) [ b16 a g fis ] | % 13
e4. ( | % 14
e16 ) [ d cis e d cis ] | % 15
} %end of repeated section
\alternative {
{d16 [ c! \staffLower b a g fis ] | % 16
\staffUpper \extendLaissezVibrer #9 g''4._\laissezVibrer}% 17
{ \stemNeutral d,4. \once \override Voice.Rest #'extra-offset = #'(6.6 . 0.0 ) a''1*3/8\rest}
} %end of alternative
\pageBreak
\repeat volta 2 { %begin repeated section
\stemUp b4. ~ | % 18
b8 [ a16 g16 fis16 e16 ] | % 19
dis8 d4 ( | % 20
d8 ) [ c16 b16 a16 g16 ] | % 21
fis4. ( | % 22
fis16 ) [ e16 dis!16 fis16 e16 dis16 ] | % 23
\break
e16 [ d!16 c16 \staffLower b16 a16 gis16 ] | % 24
a8 r8 r8 | % 25
\staffUpper \stemNeutral d4. ~ | % 26
d16 ^[ b16 c16 a16 c16 e16 ] | % 27
\stemNeutral fis4. ( | % 28
fis16_) [ dis16 e16 c16 e16 g16 ] | % 29
a4. ~ | % 30
a16 [ g16 fis16 a16 g16 fis16 ] | % 31
} %end repeated section
\alternative {
{g16^[ fis16 e16 d16 c16 \staffLower b16 ] | % 32
a8 c8\rest c8\rest } %33
{ b4.}
} %end alternative
}
sopranoTwo = \relative a'' {
g4. ( | % 1
\repeat volta 2 { %begin repeated section
\stemDown
g8 ) [ fis16 e16 d16 c16 ] | % 2
b4. ( | % 3
b8 ) [ a16 g16 fis16 e16 ] | % 4
d4. ( | % 5
\once \override Beam #'positions = #'(-3.8 . -3.8)
d8 ) [ \staffLower c16 b16 a16 g16 ] | % 6
a4.^( | % 7
a16 ) [ g16 b16 a16 g16 fis16 ] | % 8
g8 \staffUpper g'4 ( | % 9
g8 ) [ fis16 e16 d16 c!16 ] | % 10
\staffLower b16 [ \staffUpper d16 g16 a16 bes8 ~ ] | % 11
bes8 [ a16 g16 fis16 e16 ] | % 12
d4. ( | % 13
d16 ) [ \staffLower cis16 b16 d16 cis16 b16 ] | % 14
cis16 [ b16 a16 g16 fis16 e16 ] | % 15
} %end of repeated section
\alternative {
{ fis8 f8\rest d8\rest | % 16
g8 a8\rest a8\rest}
{ fis4. | \staffUpper a''4.~}
}
\repeat volta 2 { %begin repeated section
a8 [ g16 fis16 e16 d16 ] | % 18
cis8 c4 ~ | % 19
c8 [ b16 a16 gis16 fis16 ] | % 20
e4. ~ | % 21
e16 [ dis16 cis16 e16 dis16 cis16 ] | % 22
dis16 [ cis16 \staffLower b16 a16 g16 fis16 ] | % 23
g8 \staffLower c8\rest \once \override Voice.Rest #'extra-offset = #'(-0.8 . 0.3 ) e,8\rest | % 24
\staffUpper c'4. ~ | % 25
c16 [ a16 b16 g16 b16 d16 ] | % 26
\once \override Tie #'control-points = #'( ( 0.8759 . -3.6791) ( 3.3287 . -5.6062) ( 15.942 . -5.4311) ( 18.746 . -2.8907) )
e4. ~ | % 27
e16 [ cis16 d16 b16 d16 fis16 ] | % 28
\break
g4. ( | % 29
g16 ) [ fis16 e16 g16 fis16 e16 ] | % 30
\once \override Beam #'positions = #'(-5 . -5)
fis16 [ e16 d16 c16 \staffLower b16 a16 ] | % 31
} %end repeated section
\alternative {
{g8 c8\rest c8\rest | % 32
\staffUpper \extendLaissezVibrer #11 a''4.\laissezVibrer } % 33
{ g,4. }
} %end alternative
}
soprano = << \sopranoOne \\ \sopranoTwo>>
%%
%% Bass Clef
%%
bass = \relative g, {
g16 [ fis g a b g ] | %1
\repeat volta 2 { %begin repeated section
d'16 [ c d e fis d ] | % 2
g16 [ fis e fis g e ] | % 3
a16 [ g fis g a fis ] | % 4
b16 [ a g a b g ] | % 5
c16 [ b a g fis e ] | % 6
fis16 [ e fis d e fis ] | % 7
g16_[ e d c b a ] | % 8
g16_[ fis' e d c b ] | % 9
cis16_[ a d e fis d ] | % 10
g16 [ fis e fis g e ] | % 11
a16 [ g fis g a fis ] | % 12
b16 [ a g a b a ] | % 13
gis8_[ gis, ] g8\rest | % 14
a8_[ a, ] e'8\rest | % 15
} %end of repeated section
\alternative {
{d8_[ d'16 c b a ] | % 16
g_[ fis g a b g ] } % 17
{ d8_[ g b ] | % 16
d16 cis d e fis d } %17
} %end of repeated alternative
\repeat volta 2 { %begin repeated section
g16 [ fis e fis g e ] | % 18
a16 [ g fis g a fis ] | % 19
b16 [ a gis a b gis ] | % 20
c16 [ b a b c b ] | % 21
ais8 [ ais,8 ] r8 | % 22
b8_[ b,8 ] r8 | % 23
e8_[ e'16 d c b ] | %24
a16 [ c e g fis e ] | % 25
fis8_[ g,8 ] r8 | % 26
g'8 [ a,8 ] r8 | % 27
a'8 [ b,8 ] r8 | % 28
b'8 [ c,8 ] r8 | % 29
cis8_[ cis,8 cis'8 ] | % 30
d8_[ d,8 d'8 ] | % 31
} %end repeated section
\alternative {
{g,8_[ g'16 fis e g ] | % 32
fis16 [ e d e fis d ]} % 33
{ g,8_[ d' g ] }
}
}
%% Merge score - Piano staff in key of G Major, 12/8 time.
\score {
\context PianoStaff <<
\set PianoStaff.midiInstrument = "harpsichord"
\context Staff = "upper" { \clef "treble" \key g \major \time 3/8 << \soprano >> }
\context Staff = "lower" { \clef "bass" \key g \major \time 3/8 \bass }
>>
\layout{ }
\midi { }
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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