\version "2.16.1"
% Uncomment paper block below for fewer pages (or in the case of this piece, if you want A4 size paper).
%\paper {
% obsolete-between-system-padding = #0.1 system-system-spacing #'padding = #(/ obsolete-between-system-padding staff-space) score-system-spacing #'padding = #(/ obsolete-between-system-padding staff-space)
% obsolete-between-system-space = #0.1 system-system-spacing #'basic-distance = #(/ obsolete-between-system-space staff-space) score-system-spacing #'basic-distance = #(/ obsolete-between-system-space staff-space)
% ragged-last-bottom = ##f
% ragged-bottom = ##f
%}
%Uncomment paper block below for evenly-filled pages.
\paper {
obsolete-page-top-space = #0.0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
%indent = 0.0
markup-system-spacing #'basic-distance = #12
top-system-spacing #'basic-distance = #15
system-system-spacing #'basic-distance = #26
line-width = 18.0\cm
ragged-bottom = ##t
ragged-last-bottom = ##f
}
%#(set-default-paper-size "a4")
%#(set-default-paper-size "letter")
% Tweak this if you want, but I think it looks best if you leave this commented out.
%#(set-global-staff-size 20)
\header {
title = "Aria con 30 Variazioni"
subtitle = "\"Goldbergsche Variationen\""
piece = "Variatio 2. a 1 Clav."
mutopiatitle = "Goldberg Variations - 2"
composer = "Johann Sebastian Bach (1685-1750)"
mutopiacomposer = "BachJS"
opus = "BWV 988"
date = "1741"
mutopiainstrument = "Clavier"
style = "Baroque"
source = "Bach-Gesellschaft"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "JD Erickson"
maintainerEmail = "erickson.jd@gmail.com"
moreInfo = "It should be noted that, evenly-spaced, this piece lays out best in Letter size. In A4, it breaks the page between alternate endings on the first volta repeat. If you want an A4 layout you should switch out the paper block above for the one that is commented out. The pages won't be evenly filled but the repeat won't be broken in an annoying way."
footer = "Mutopia-2013/01/27-981"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \concat { \teeny www. \normalsize MutopiaProject \teeny .org } \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \concat { \teeny www. \normalsize LilyPond \teeny .org }} by \concat { \maintainer . } \hspace #0.5 Copyright © 2013. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details \concat { see: \hspace #0.3 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } } }
}
%%
%% Common Macros
%%
staffUpper = {\change Staff = upper \stemDown}
staffLower = {\change Staff = lower \stemUp}
startRepeat = {\set Score.repeatCommands = #'(start-repeat)}
endRepeat = {\set Score.repeatCommands = #'(end-repeat)}
stemExtend = \once \override Stem #'length = #22
noFlag = \once \override Flag #'style = #'no-flag
%%
%% Soprano Voice
%%
soprano = \relative c''' {
\override Script #'padding = #1.0
\repeat volta 2 { %begin repeated section
%1-5
a2\rest
a2\rest
g4 c4^~\prallmordent
c8 b16 a16 b16 a16 g16 fis16
g4^~ g16 f16 e16 d16
%6-10
e4^~ e16 d16 c16 b16
a4^~ a16 c16 b16 a16
b16 g'16 fis16 a16 g16 fis16 e16 d16
c'8^( b8) b4\rest
r2
%11-15
b,16^( dis16 e16 g16) b4^~
b16 a16 g16 b16 a16 g16 fis16 e16
d4^~ d16 c16 b16 a16
b4^~ b16 a16 g16 fis16
e4^~ e16 g16 fis16 e16
}
%16-20
\alternative { { d8 d'8\rest d4\rest } { d,4 d'4\rest } }
%end of repeated section
\repeat volta 2 { %begin repeated section
\stemUp a4 a'4^~
a16 g16 fis16 a16 g16 fis16 e16 dis16
e4 a8\rest fis8
dis8 b8 d4\rest
%21-25
e4^~ e16 d16 c16 b16
c4^~ c16 b16 a16 g16
fis4^~ fis16 a16 g16 fis16
g4 f'4\rest
e,4 a4^~
%26-30
a16 g16 fis16 a16 g16 fis16 e16 d16
c4 c'4^~
c16 b16 a16 c16 b16 a16 g16 fis16
b8[ g8] b8[ d8]
g4 c4^~
%31-32
c16 b16 a16 c16 b16 a16 g16 fis16
} %end repeated section
\alternative { { g4 f4\rest } { g4 f4\rest } }
}
%%
%% Alto Voice
%%
alto = \relative c'' {
\override Script #'padding = #1.0
\repeat volta 2 { %begin repeated section
%1-5
\stemDown b4 e4^~^\prallmordent
e8 d16 c16 d16 c16 b16 a16
g4 b8\rest a'8
fis8 d8 b4\rest
b16\rest d16[ c16 e16] d8 b8_~
%6-10
b16 a16 g16 b16 a8 g8_~
g16 fis16 e16 g16 fis4
g8 e8\rest e4\rest
g16^( a16 b16 d16) e4^~
e16 d16 cis16 e16 d16 cis16 b16 a16
%11-15
g4 b8\rest g'8
e8 cis8 b4\rest
e,16\rest a16[ g16 b16] a8 fis8_~
fis16 e16 d16 fis16 e8 d8_~
d16 cis16 b16 d16 cis4
}
%16-20
\alternative { { d8 e8\rest e4\rest } { d4 e4\rest } }
\repeat volta 2 { %begin repeated section
\stemDown c16\rest fis'16[ e16 g16] fis16 e16 d16 cis16
d4 b8\rest b8
g8 e8 a4_~
a16 g16 fis16 a16 g16 fis16 e16 dis!16
%21-25
e16 b'16 a16 c16 b8 g8_~
g16 fis16 e16 g16 fis8 e8_~
e16 dis16 cis16 e16 dis4
e4 b'4_~
b16 a16 g16 b16 a16 g16 fis16 e16
%26-30
d4
\once \override Tie #'control-points = #'( ( 0.7152 . -1.9414) ( 3.5763 . -4.0872) ( 10.013 . -4.1894) ( 11.853 . -2.1458) )
g4_~
g16 fis16 e16 g16 fis16 e16 d16 c16
d4 c4\rest
d'4 f4_~
f16 e16 d16 f16 e16 g16 fis16 g16
%31-32
a8 d,8_~ d16 c16 b16 a16
} %end repeated section
\alternative { { b4 g4\rest } { b4 g4\rest } }
}
%%
%% Bass Voice
%%
bass = \relative c' {
\repeat volta 2 { %begin repeated section
%1-5
\stemDown g8[ fis8 g8 e8]
fis8[ e8 fis8 d8]
e8[ d8 e8 c8]
\stemUp d8 d,8 d'16 c16 b16 a16
b8[ a8 b8 g8]
%6-10
c8[ b8 c8 a8]
d8[ c8 d8 d,8]
\once \override Beam #'positions = #'(-0.2 . 0)
g8[ \stemDown g'8 b8 d8]
g8[ fis8 g8 e8]
fis8[ e8 fis8 d8]
%11-15
e8[ d!8 e8 b8]
cis8[ e16 d16] cis16 b16 a16 g16
fis8[ e8 fis8 d8]
g8[ fis8 g8 e8]
a8[ g8 a8 a,8]
}
%16-20
\alternative { { d8[ d'16 c!16] d16 c16 b16 a16 } { \stemUp d,8 a8 d,4 } }
\pageBreak
\repeat volta 2 { %begin repeated section
\stemDown d''8[ cis8 d8 a8]
b8[ a8 b8 g8]
c16 c,16 b16 d16 \stemUp c16 b16 a16 c16
\stemDown b16 b'16 a16 c16 b16 a16 g16 fis16
%21-25
g8[ fis8 g8 e8]
a8[ g8 a8 fis8]
b8[ ais8 b8 b,8]
\stemUp e,16 e'16 dis16 fis16 e16 d16 c16 b16
\stemDown c8[ b8 c8 a'8]
%26-30
b,8[ a8 b8 g'8]
a,8[ g8 a8 g'8]
fis16 d16 c16 e16 \stemUp d16 c16 b16 a16
\stemDown g16 g'16 f16 a16 g16 f16 e16 d16
c16 c'16 b16 d16 c16 b16 a16 g16
%31-32
fis16 g16 fis16 a16 \stemUp b,8 d8
} %end repeated section
\alternative { { \stemDown g,8[ g'16 fis16] g16 a16 b16 c16 } { \stemDown g8 d8 \stemUp g,4 } }
}
%%
%% Layout
%%
\score {
\context PianoStaff <<
%
%\override PianoStaff.VerticalAlignment #'forced-distance = #11.3
%
\set PianoStaff.instrumentName = "Clavier "
\set PianoStaff.midiInstrument = "harpsichord"
\context Staff = "upper" { \clef treble \key g \major \time 2/4 << \soprano \\ \alto >> }
\context Staff = "lower" { \clef bass \key g \major \time 2/4 \bass \bar "|." }
>>
\midi {
}
\layout {
\context {
\PianoStaff
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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