\version "2.9.9"
\include "italiano.ly"
\header {
title = "Praeludium II"
opus = "BWV 847"
composer = "Johann Sebastian Bach (1685–1750)"
enteredby = "Davide Castellone"
% mutopia headers.
mutopiatitle = "Das Wohltemperierte Clavier I, Praeludium II"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 847"
mutopiainstrument = "Harpsichord, Piano"
source = "Breitkopf & Hartel, 1866"
style = "Baroque"
copyright = "Public Domain"
maintainer = "Davide Castellone"
maintainerEmail = "davide.castellone@gmail.com"
mantainerweb = "www.liceonovello.it/Members/kastel"
lastupdated = "2006/Jun/27"
footer = "Mutopia-2006/07/02-550"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
staffOne = \change Staff = one
staffTwo = \change Staff = two
#(set-global-staff-size 17)
right = {
\time 4/4
\key do \minor
\clef treble
\relative do'' { \override Score.MetronomeMark #'stencil = #'()
\repeat unfold 2 { do16 mib, re mib do mib re mib }
\repeat unfold 2 { lab fa mi fa do fa mi fa }
\repeat unfold 2 { si fa mib fa re fa mib fa }
\repeat unfold 2 { do' sol fa sol mib sol fa sol }
\repeat unfold 2 { mib' lab, sol lab mib lab sol lab } |
%5
\repeat unfold 2 { re fad, mi fad re fad mi fad }
\repeat unfold 2 { re' sol, fad sol re sol fad sol }
\repeat unfold 2 { do mi, re mi do mi re mi }
\repeat unfold 2 { do' fa, mi fa do fa mi fa }
\repeat unfold 2 { sib fa mib fa re fa mib fa } |
%10
\repeat unfold 2 { sib sol fa sol mib sol fa sol }
\repeat unfold 2 { lab sol fa sol mib sol fa sol }
\repeat unfold 2 { lab re, do re sib re do re }
\repeat unfold 2 { sol sib, lab sib mib sib lab sib }
\repeat unfold 2 { fa' do sib do la do sib do } |
%15
\repeat unfold 4 { fa re do re si re do re }
\repeat unfold 2 { mib do si do sol do si do }
\repeat unfold 2 { fa, mib' re mib fa mib re mib }
\repeat unfold 2 { fad, do' si do mib do si do } |
%20
\repeat unfold 2 { mib do si do sol do si do }
\repeat unfold 2 { fad do si do la do si do }
\repeat unfold 2 { sol' do, si do re do si do }
\repeat unfold 2 { lab' do, si do re do si do }
\stemUp \staffTwo s8 s16 fa, lab fa mi fa si fa re' si lab fa mi fa |
%25
s8 s16 sol do sol fad sol \staffOne \stemNeutral mib' do sol' mib
\staffTwo \stemUp do lab sol lab |
s8 s16 \staffOne \stemNeutral do mib do si do fad do la' fad mib do si do | %\break
\tempo 4 = 160 r16^\markup{ \large\bold\column { Presto "" } } re' do re mib do si do la do si do re si la si |
sol si la si do la! sol la fad la sol la si! sol fad sol |
re sol' fa sol lab fa mib fa re fa mib fa sol mib re mib |
%30
\stemUp do mib re mib fa re do re si re do re mib do si do |
sol do si do lab fa' mib fa sol, mib' re mib fa, re' do re |
mib, do' si do lab fa mib fa sol mib re mib fa re do re |
\set PianoStaff.connectArpeggios = ##t \tempo 4 = 40 \newSpacingSection
<< { mi8[ ~ \arpeggio^\markup{ \large\bold\column { Adagio "" } } mi32 do re mi]
fa64[ sol lab sib do sib lab sol fa16 sol32 mi!]
fa8[ ~ \mordent\arpeggio fa32 sol fa mi] fa[ sol lab sol fa64 mib re mib fa re mib fa] | }
\\ { do4\arpeggio s4 do4\arpeggio s4 } >> \tempo 4 = 96 | \newSpacingSection
<< s1^\markup{\large\bold\column { Allegro "" }} \\
{\staffTwo \stemUp si8. \stemUp \shiftOn re,16 \shiftOff fa lab sol fa si fa re' fa, si lab sol fa} >> |
%35
s1 \staffTwo \stemUp
s2 fa8\rest r16 re mi sol sib sol |
lab \staffOne \stemUp do fa re fa lab do si do sol fa re
<< mi4^\fermata \\
\stemUp \once\override Script #'extra-offset = #'(0.3 . -1) \override Script #'font-size = #-1.5 s4_\mordent >>
}
}
left = {
\clef bass
\key do \minor
\override Staff.NoteCollision #'merge-differently-dotted = ##t
\relative do {
\repeat unfold 2 { do16 sol' fa sol mib sol fa sol }
\repeat unfold 2 { do, lab' sol lab fa lab sol lab }
\repeat unfold 2 { do, lab' sol lab fa lab sol lab }
\repeat unfold 2 { do, mib re mib sol mib re mib }
\repeat unfold 2 { do do' sib do lab do sib do } |
%5
\repeat unfold 2 { do, la' sol la fad la sol la }
\repeat unfold 2 { sib, sib' la sib sol sib la sib }
\repeat unfold 2 { sib, sol' fa sol mi sol fa sol }
\repeat unfold 2 { lab, lab' sol lab fa lab sol lab }
\repeat unfold 2 { lab, re do re fa re do re }
%10
\repeat unfold 2 { sol, mib' re mib sol mib re mib }
\repeat unfold 2 { do mib re mib lab mib re mib }
\repeat unfold 2 { re fa mib fa lab fa mib fa }
\repeat unfold 2 { mib sol fa sol lab sol fa sol }
\repeat unfold 2 { mib la sol la fa la sol la }
%15
\repeat unfold 2 { re, fa mib fa lab fa mib fa }
\repeat unfold 2 { do fa mi fa lab fa mi fa }
% \repeat unfold 2 { do mib re mib fa mib re mib }
do mib re mib fa mib re mib sib mib re mib fa mib re mib
% ^
% I here followed the Urtext edition, that has sib (bf) instead of do (c)
\repeat unfold 2 { lab, do si do re do si do }
\repeat unfold 2 { la mib' re mib do mib re mib }
%20
\repeat unfold 2 { sol, mib' re mib fa mib re mib }
\repeat unfold 2 { sol, mib' re mib do mib re mib }
\repeat unfold 4 { sol, mib' re mib fa mib re mib } |
\stemDown sol, si re s16 s4 s2 |
%25
sol,16 do mib s16 s4 s2 |
sol,16 la fad' s16 s4 s2 | \stemNeutral
\tieDown sol,1 ~ |
sol16 \tieNeutral re'' do re mib do si do la do si do re si la si |
sol si la si do lab sol la fa la sol la si sol fa sol |
%30
mib \staffOne \stemDown sol' fa sol lab fa mib fa re fa mib fa sol mib re mib |
do mib re mib fa re do re mib do si do re \staffTwo \stemUp si la si \stemNeutral |
do mib re mib fa, re' do re mib, do' si do re, si' la si |
<< \stemUp \shiftOff sib4 \\ { \stemUp \shiftOn sol r4 } \\ { \stemDown \shiftOff do,\arpeggio r4 } >>
<< { #(set-accidental-style 'default 'Staff) \stemUp \shiftOff lab' }
\\ { \stemUp \shiftOn fa r4 } \\ { \shiftOff \stemDown do\arpeggio r4 } >> |
#(set-accidental-style 'piano 'Staff)
r16 << \new Voice { \shiftOff \stemUp \tieDown do,16 si'8 ~ \shiftOn si4 ~ si2 }
\new Voice { \shiftOff \stemDown \tieDown do,8. ~ \shiftOn do4 ~ do2 } >> |
%35
\stemUp mi'16 reb' sib sol do lab fa lab sol sib sol mi lab fa re fa |
mi sol mi do fa re si re << \new Voice { \stemDown \tieDown do,2 ~ do1 }
\new Voice { \stemDown \tieDown r16 \shiftOn sol' \shiftOff do8 ~ do4 ~ do1 } >>
}
}
\paper { between-system-padding = 2\mm between-system-space = 2\mm ragged-last-bottom = ##f after-title-space = 1\mm between-title-space = 0.2\mm indent = 0\mm print-page-number = ##t
#(if (equal? paper-width (* 8.5 in))
(define system-count 12)) }
\score {
\new PianoStaff << #(set-accidental-style 'piano)
\context Staff = "one" {
\right
\bar "|." }
\context Staff = "two" {
\left
\bar "|." }
>>
\midi { \tempo 4 = 120 }
\layout {}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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