#(set-global-staff-size 20)
\header {
title = "Sinfonia 14"
composer = "Johann Sebastian Bach"
opus = "BWV 800"
mutopiatitle = "Sinfonia 14"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 800"
mutopiainstrument = "Harpsichord, Piano"
style = "Baroque"
source = "Unknown"
copyright = "Public Domain"
maintainer = "Olivier Vermersch"
maintainerEmail = "olivier.vermersch (at) wanadoo.fr"
lastupdated = "20/March/2002"
footer = "Mutopia-2008/06/15-213"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
\version "2.11.46"
%
% a few macros for fine tuning
%
% force direction of tie
tu = \tieUp
td = \tieDown
tb = \tieNeutral
% explicit staff change
su = { \change Staff = up}
sd = { \change Staff = down}
% force number of beams on left and right of the note
lbeamoff = \set stemLeftBeamCount = # 0
lbeamone = \set stemLeftBeamCount = # 1
lbeamtwo = \set stemLeftBeamCount = # 2
lbeamthree = \set stemLeftBeamCount = # 3
lbeamfour = \set stemLeftBeamCount = # 4
lbeamfive = \set stemLeftBeamCount = # 5
rbeamoff = \set stemRightBeamCount = # 0
rbeamone = \set stemRightBeamCount = # 1
rbeamtwo = \set stemRightBeamCount = # 2
rbeamthree = \set stemRightBeamCount = # 3
rbeamfour = \set stemRightBeamCount = # 4
rbeamfive = \set stemRightBeamCount = # 5
% tuning the grace notes
grstem = \override Grace.Stem #'stroke-style = #'()
% typeset on/off
typeskip = \set Score.skipTypesetting = ##t
typenoskip = \set Score.skipTypesetting = ##f
melone = \relative c'' {
% bars 1-4
R1 |
r8 f ~ f16 ees d c bes8 d a16 bes c8 |
f,16 f' d bes ees!8 g ~ g16 ees c \slurDown a( c8) f |
d4 e f8 bes,4 a8 ~ |
% bars 5-8
a[ g] ~ g[ f] ~ f[ ees] ~ ees[ d] ~ |
d16 g ees c a'!8 c ~ c16 f, bes d c8 ees ~ |
ees8 d4 c8 d r r4 |
r8 g ~ g16 g f ees d8 f b,16 c d8 |
% bars 9-12
g, b c2 b4 |
c1 ~ |
c4. f8 ~ f16 e d e e8. f16 |
f8 a ~ a16 a g f e8 g cis,16 d e8 |
% bars 13-16
a,8. b16 c! b c d b a b cis d4 ~ |
d cis d8 f ~ f16 ees! d c! |
b8 d g,16 a b8 ees,4 ees' ~ |
ees8 d16 c bes8 a d8. ees16 d c bes aes |
% bars 17-18
g8. aes16 bes8 f g g' ~ g16 f ees d |
c g f'8 bes,16 c d8 g,8 ees' ~ ees 16d c bes |
% bars 19-21
a8 d g,16 a bes8 ees, c' ~ c16 bes a g |
f4 r r8 f'8 ~ f16 ees d c |
bes8 d a16 bes c8 ~ c16 f, bes d c8 ees ~ |
% bars 22-24
ees16 a, bes d f4 ~ f16 bes, c ees g4 |
bes16 a! g f bes[ a32 g f ees d c] bes4 ~ bes16 bes8 a16 |
bes1\fermata \bar "|."
}
meltwo = \relative c'' {
% bars 1-4
bes4 ~ bes16 bes a g f8 g d16 ees f8 |
bes,16 f bes d c8 ees ~ ees d16 e e8._\prall d32 e |
f4 g8[ bes] ees,[ g] a[ c] ~ |
c16 f, bes d g,8 bes a d,16 ees! f g ees f |
% bars 5-8
d f bes, c d ees c d bes d \sd \stemUp g, a bes c aes bes |
g4 f8 r \su \stemDown r2 |
bes'4 ~ bes16 bes a g fis8 g d16 ees f8 |
b,4 c4 ~ c8 aes' d,16 ees f8 |
% bars 9-12
b, d g16 bes! aes g f8 aes d,16 ees f8 ~ |
f16 f e d e8 bes' ~ bes16 a g f g a bes g |
e g e c f8 a g2 |
a4 bes ~ bes16 a g f e8 g |
% bars 13-16
cis,16 d e8 a, a' ~ a g ~ g16 f! g a |
bes!16 g a bes e, bes' a g f4 r |
r2 r8 c'8 ~ c16 bes! a g |
f8 a d,16 ees f8 bes, f' ~ f4 ~ |
% bars 17-18
f16 d ees4 d8 ees r c'8. bes16 |
a! g f8 g bes ees,16 f g8 c, f ~ |
% bars 19-21
f16 ees d \sd \stemUp \tu c bes8 d a16 bes c8 f,4 ~ |
f8 \su \stemDown \td bes' ~ bes16 bes a g f8 a d,16 ees f8 |
bes,16 a bes d c8 ees ~ ees d r16 bes'16 a g |
% bars 22-24
f4 r16 d'16 bes aes g4 r16 ees'c bes |
f'4 r r32 a,[ g f g16 ees] d8 c |
d1 \bar "|."
}
melthree = \relative c' {
% bars 1-4
\stemDown bes8 d c bes a g f ees |
d4 f g c |
d ~ d16 d bes g c8 ees ~ ees16 c a f |
bes4 ~ bes16 bes a g f8 g d16 ees f8 |
% bars 5-8
bes, ees bes16 c d8 g, c g16 a! bes8 |
ees, ees'^~ ees16 \tu c' a f d8 g ees16 c f a |
bes, bes' g d ees4\trill d16 c' bes a g bes aes g |
f aes g f ees8 c f16 ees f g aes g f ees |
% bars 9-12
f aes g f ees d c bes aes! c f aes g8 g, |
c c' ~ c16 bes a! g f8 a e16 f g8 |
\stemUp a,4 ~ \stemDown a16 a' f d \stemUp bes d bes g c8 c, |
f16 g' f e \stemDown d8 e16 f g2 ~ |
% bars 13-16
g16 bes a g fis d e fis g fis g a bes!8 a |
g16 e f g a8 a, d16 a' f d d'8 f ~ |
f16 ees d c b8 g c16 g ees c bes'! d c bes |
a g f ees f8. g16 aes bes aes g f ees d c |
% bars 17-18
\stemUp bes8 c g16 aes bes8 ees,4 r8 \stemDown ees''8 ~ |
ees d ~ d16 d c bes c d c bes a bes a g |
% bars 19-21
f8 bes, ees16 d c bes c bes a g a g f ees |
d ees' d c bes g' f ees d ees' d c bes8. a16 |
g8 f ~ f16 ees d c \stemUp bes8 d a16 bes c8 |
% bars 22-24
d,[ d'] bes[ d] ees,[ ees'] \stemDown c[ ees] ~ |
ees[ ees'] d[ bes] g[ ees] \stemUp f[ f,] |
bes1\fermata \bar "|."
}
\score {
\context PianoStaff
<<
\override Score.TimeSignature #'style = #'C
\context Staff = "up" <<
\time 4/4 \key bes \major \clef G
\context Voice = VA { \voiceOne \melone }
\context Voice = VB { \voiceTwo \meltwo }>>
\context Staff = "down" <<
\time 4/4 \key bes \major \clef F \melthree>>
>>
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 80 4)
}
}
\layout {}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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