\version "2.14.0"
#(set-global-staff-size 20)
\header {
title = "Sinfonia 9"
composer = "Johann Sebastian Bach"
opus = "BWV 795"
mutopiatitle = "Sinfonia 9"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 795"
mutopiainstrument = "Harpsichord, Piano"
style = "Baroque"
source = "Unknown"
copyright = "Public Domain"
maintainer = "Olivier Vermersch"
maintainerEmail = "olivier.vermersch (at) wanadoo.fr"
footer = "Mutopia-2011/06/14-199"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
%
% a few macros for fine tuning
%
% force direction of stems
stu = \stemUp
std = \stemDown
stb = \stemNeutral
% explicit staff change
su = { \change Staff = up}
sd = { \change Staff = down}
melone = \relative c'' {
% bars 1-3
R1 |
\once \override MultiMeasureRest #'staff-position = #8 R1 |
r8 c ees d r d f e |
% bars 4-6
r8 f b c ~ c bes16 aes g8 f |
ees g aes g f4 ~ f16 ges e f |
e4 r16 c' f, ees des4 ~ des16 g! c, bes |
% bars 7-9
aes4 f' e ees |
d des c8 f4 e8 |
f ees!4 des16 c des4 d |
% bars 10-12
ees8 ees ces' bes r bes, fes' ees ~ |
ees16 bes c aes f8 d'16 ees32 f f16 d ees8 r ees16 c |
a g aes8 r bes16 c32 des! c8. bes16 g4\prall |
% bars 13-15
aes8 ees ges f d'\rest f, aes! g |
d'\rest aes d ees ~ ees d16 c bes8 aes |
g bes des! c r c ees d |
% bars 16-18
r d f e ~ e c f4 |
e g f aes! |
g c, b bes |
% bars 19-21
a aes g8[ c] ~ c[ b!] |
c bes!4 aes16 g aes4 a |
bes8 bes ges' f r \once \override NoteColumn #'force-hshift = #0.5 f, ces' bes ~ |
% bars 22-24
bes aes4 ges16 f ges4 g |
aes8 aes fes' ees r ees, beses' aes ~ |
aes aes des4 c ces |
% bars 25-27
bes beses aes8 des4 c8 |
des aes ces bes r bes des! c |
r des g aes ~ aes g16 f ees8 des |
% bars 28-31
c4 ees d f |
ees ges f8 bes, des c |
r c ees d r d f e ~ |
e f, aes g r g bes a |
% bars 32-35
r bes e f ~ f ees16 des c8 bes |
aes4 r8 \std bes16 c32 des des16 b c8 r c'16 a |
ges e f8 \stb d\rest g,!16 aes32 bes aes8. g16 e8. f16 |
f1\fermata \bar "|."
}
meltwo = \relative c' {
% bars 1-3
r8 f^( aes g^) r g^( bes a^) |
bes8\rest bes e f^~ f ees16 des c8 bes |
aes4 c b bes |
% bars 4-6
a aes g8 c4 b8 |
c4 r8 c des c bes4 ~ |
bes16 c a bes a4 bes16 ges e f e4 |
% bars 7-9
f4 r8 bes16 c32 des des16 b c8 r c16 a |
ges e f8 r g!16 aes32 bes aes8. bes16 aes8 g |
f c ges' f r f ces' bes ~ |
% bars 10-12
bes aes4 ges16 f ges4 g |
aes8 aes, c bes r bes des! c |
r des g aes ~ aes g16 f ees8 des |
% bars 13-15
c4 ees d des |
c ces bes8[ ees] ~ ees[ d] |
ees4 bes' a c |
% bars 16-18
bes des c8 f, aes g |
r g bes a r a c b |
r c, ees d r d f e |
% bars 19-21
r f b c ~ c bes16 aes g8 f |
ees4 e f8 ees4 d16 c |
d8 g a4 bes8 aes4 g!16 f |
% bars 22-24
g8 f16 ees d4 ees8 des4 c!16 bes |
c8 f g4 aes8 \once \override NoteColumn #'force-hshift = #-0.5 ges4 f!16 ees |
f4 r8 g!16 aes32 bes bes16 g aes8 r aes16 f |
% bars 25-27
d16 c des8 r ees16 f32 ges f8. ges16 f8 ees |
des4 aes' g! ges |
f fes ees8[ aes] ~ aes[ g] |
% bars 28-31
aes ees ges f r f aes g |
r g bes a ~ a f bes4 |
a c bes des |
c f, e ees |
% bars 32-35
d des c8 f4 e8 |
f \sd \stu f, aes g r g bes a |
r bes \su \std e f ~ f ees16 des c8 bes |
a1 \bar "|."
}
melthree = \relative c, {
% bars 1-3
f4 f' e ees |
d des c8 bes c c, |
f4 r8 f'16 (g32 aes) aes16 fis g8 r g'16 e |
% bars 4-6
des! b c8 r d16 ees32 f ees8 f g g, |
c4 r r2 |
R1 |
% bars 7-9
r8 f, aes g r g bes a |
r bes e f ~ f ees16 des c8 bes |
aes4 a bes8 aes4 g!16 f |
% bars 10-12
g8 c d4 ees8 des4 c!16 bes |
c4 aes g ges |
f fes ees8 des ees ees, |
% bars 13-15
aes4 r8 a'16 bes32 c c16 a bes8 r bes16 g |
e16 d ees8 r f16 g32 aes g8[ aes] bes[ bes,] |
ees4 r8 ees ges f r f |
% bars 16-18
aes g! r g bes aes r bes |
des, c r c' ees,! d r d' |
f, ees r f,16 g32 aes aes16 fis g8 r g'16 e |
% bars 19-21
des! b c8 r d16 ees32 f ees8 f g g, |
c c, des'! c r c ges' f ~ |
f ees4 des!16 c des4 d |
% bars 22-24
ees8 bes ces' bes r bes, fes' ees ~ |
ees des4 ces16 bes ces4 c |
des8 des f ees r ees ges f |
% bars 25-27
r ges c des~ des c16 bes aes8 ges |
f4 r8 d16 ees32 f f16 d ees8 r ees16 c |
a g aes8 r bes'16 c32 des c8 des ees ees, |
% bars 28-31
aes4 r8 aes ces bes r bes |
des c! r c ees des r ees |
ges, f r f' aes,! g r g' |
bes, aes r bes16 c32 des des16 b c8 r c16 a |
% bars 32- 35
ges e f8 r g!16 aes32 bes aes8 bes c c, |
\std f,4 \stb f' e ees |
d des c8 bes c c, |
\once \override Script #'padding = #1.5
f1_\fermata \bar "|."
}
\score {
\context PianoStaff
<<
\override Score.TimeSignature #'style = #'C
\context Staff = "up" <<
\time 4/4 \key f \minor \clef G
\context Voice = VA { \voiceOne \melone }
\context Voice = VB { \voiceTwo \meltwo }
>>
\context Staff = "down" <<
\time 4/4 \key f \minor \clef F \melthree
>>
>>
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 70 4)
}
}
\layout {}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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