#(set-global-staff-size 20)
\header {
title = "Sinfonia 7"
composer = "Johann Sebastian Bach"
opus = "BWV 793"
mutopiatitle = "Sinfonia 7"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 793"
mutopiainstrument = "Harpsichord, Piano"
style = "Baroque"
source = "Unknown"
copyright = "Public Domain"
maintainer = "Olivier Vermersch"
maintainerEmail = "olivier.vermersch (at) wanadoo.fr"
lastupdated = "07/february/2002"
footer = "Mutopia-2008/06/15-175"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
\version "2.11.46"
%
% a few macros for fine tuning
%
% force direction of tie
tu = \tieUp
td = \tieDown
tb = \tieNeutral
% explicit staff change
su = { \change Staff = up}
sd = { \change Staff = down}
melone = \relative c'' {
% bars 1-4
\stemUp r8 b[ e fis] g4 ~ |
g8 fis a g fis e |
dis16 cis b cis d8 e fis4 ~ |
fis8 e g fis e d |
% bars 5-9
cis cis fis g! a4 ~ |
a8 fis a g fis e |
dis fis g a b g |
e4. e8[ fis g] |
a4 g2 ~ |
% bars 10-13
g8 e g fis e d |
cis4. d8[ e fis] |
g4 fis8 e d4 ~ |
d8 cis e d cis b |
% bars 14-17
b4 r r |
R2. |
r8 fis[ b cis] d!4 ~ |
d8 cis e d cis b |
% bars 18-21
ais16 fis' e d cis fis cis b ais cis ais gis |
fis4 r fis' ~ |
fis16 b g fis e g e d cis g' cis, b |
a4 r e' ~ |
% bars 22-24
e16 a fis e d fis d cis b fis' b, a |
g2. ~ |
g2. |
% bars 25-27
fis8 a d e fis4 ~ |
fis8 e g fis e d |
cis16 e a g fis a fis e d a' d, cis |
% bars 28-30
b d g fis e g e d cis g' cis, b |
a2 ~ a16 a g fis |
g e ais b cis fis, cis' d e fis g e |
% bars 31-33
\stemDown fis g fis e d fis d cis b f' b, a! |
\stemUp gis fis! gis a b gis b c \stemDown d gis, d' e |
f b e, d c e c b a e' a, g! |
% bars 34-36
\stemUp fis!16 e fis g a fis a b c fis, c' d |
\stemDown ees a ees d c ees c bes \stemUp a c a g |
fis e dis e fis dis fis g a dis, a' b! |
% bars 37-40
c8 b e fis g4 ~ |
g8 fis a g fis e |
dis4 d2 ~ |
d8 gis, a b c4 ~ |
% bars 41-44
c8 e a b c4 ~ |
c16 b a g fis a dis, e fis4 ~ |
fis16 b dis, e e4 dis\trill |
e2.\fermata \bar "|."
}
meltwo = \relative c' {
% bars 1-4
\stemDown R2. |
R2. |
r8 fis[ b cis!] d4 ~ |
d8 cis e d cis b |
% bars 5-9
ais16 gis fis gis a8 b c4 ~ |
c8 a c b a g |
fis4 r8 b[ e d!] |
cis4. cis8[ dis e] |
fis4. b,8[ e d!] |
% bars 10-13
cis4. d8[ cis b] |
ais4. b8[ cis! d] |
e8 d cis4. fis,8 |
b2 ais4 |
% bars 14-17
b8 b, e fis g4 ~ |
g8 fis a g fis e |
dis4 r8 fis b16 a g fis |
e4. fis8[ g e] |
% bars 18-21
cis fis, cis' d e4 ~ |
e16 g! fis e d fis d cis b fis' b, a! |
g4 r g' ~ |
g16 g e d cis e cis b a e' a, g |
% bars 22-24
\sd \stemUp fis4 \su \stemDown r fis' ~ |
fis8 e16 d cis e cis b a8 b |
cis8 a16 b cis8 e a, cis |
% bars 25-27
d \sd \stemUp d,16 e fis d fis g a d, a' b |
cis a cis \su \stemDown d e a, e' fis g a b g |
a2. |
% bars 28-30
g2. ~ |
g16 g fis e d fis d cis b4 ~ |
b8 r r4 r |
% bars 31-33
\sd \stemUp \tu r8 fis[ b cis] d4 ~ |
d8 b d c! b a |
gis e a b c4 ~ |
% bars 34-36
c8 a c b a g |
fis4. g8 a4 ~ |
a8[ g] c[ b a g] |
% bars 37-40
fis4 r \su \stemDown r8 b' |
e d! c b a g |
fis c' b a gis b |
e,4 fis!8[ gis!] a[ e] |
% bars 41-44
a b c e a g |
fis4 r r16 c b a |
g4 fis8 g a4 |
gis2. |
}
melthree = \relative c {
% bars 1-4
\stemUp e8 e, \stemDown r b''[ e d] |
c4. b8[ a c] |
b4. a8[ g fis] |
e4. fis8[ g e] |
% bars 5-9
fis4 ~ fis16 g! a g fis e dis e |
dis4 r8 \stemUp e[ c a] |
b \clef G b' e fis g4 ~ |
g8 fis a g fis e |
dis b e d cis b |
% bars 10-13
ais4. b8[ cis d] |
e16 d e fis g8 fis e d |
\clef F \stemDown cis b ais fis b a |
g e fis4 \stemUp fis, \stemDown
% bars 14-17
b16 fis' b a! g b g fis e b' e, d |
c g' e d \stemUp c e c b a b c a \stemDown |
b g' fis e d! fis d cis \stemUp b fis' b, a |
g d' b a g b g fis e fis g e |
% bars 18-21
\stemDown fis8 fis' ais b cis fis, |
b4 r8 \stemUp b,[ cis d] \stemDown |
e4 r8 fis[ e d] |
\stemUp cis4 r8 a[ b cis] \stemDown |
% bars 22-24
d4 r8 e[ d cis] |
b16 b' g fis e g e d cis g' cis, b |
\stemUp a e' cis b a cis a g fis cis' fis, e |
% bars 25-27
d8 r r4 r |
R2. |
r8 a'8[ d e] \stemDown fis4 ~ |
% bars 28-30
fis8 e g fis e d |
\stemUp cis fis, b cis \stemDown d4 ~ |
\stemUp d8 cis e d cis b \stemDown |
% bars 31-33
ais4 b r8 d |
e d f e d c |
b gis a4 r8 c |
% bars 34-36
d c e d c a |
d a d e! fis4 ~ \td |
fis8 e a g fis e |
% bars 37-40
dis4 r8 b[ e d] |
\stemUp c2. ~ \stemDown \tu |
c16 c' b a gis b gis fis e b' e, d |
c f e d \stemUp c e c b a e' a, g! |
% bars 41-44
fis d' c b a c a g fis c' fis, e |
dis4 r r |
e b'2 |
e,2.\fermata |
}
\score {
\context PianoStaff
<<
\context Staff = "up" <<
\time 3/4 \key e \minor \clef G
\context Voice = VA { \voiceOne \melone }
\context Voice = VB { \voiceTwo \meltwo }>>
\context Staff = "down" <<
\time 3/4 \key e \minor \clef F \melthree>>
>>
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 80 4)
}
}
\layout {}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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