\header {
enteredby = "Allen Garvin"
maintainer = "Allen Garvin"
maintainerEmail = "AGarvin@tribalddb.com"
copyright = "Public Domain"
filename = "bach-invention-13.ly"
title = "Invention 13"
opus = "BWV 784"
composer = "Johann Sebastian Bach (1685-1750)"
style = "Baroque"
source = "Bach-Gesellschaft"
lastupdated = "2005/12/25"
mutopiainstrument = "Harpsichord, Piano"
mutopiatitle = "Invention 13"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 784"
footer = "Mutopia-2008/06/15-59"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
\version "2.11.46"
voiceone = \relative c' {
\set Staff.midiInstrument = "harpsichord"
r16 e[ a c] b[ e, b' d] c8[ e gis, e'] | % bar 1
a,16[ e a c] b[ e, b' d] c8[ a] r4 | % bar 2
r16 e'16[ c e] a,[ c e, g] f8[ a d f] ~ | % bar 3
f16[ d b d] g,[ b d, f] e8[ g c e] ~ | % bar 4
e16[ c a c] f,8[ d'] ~ d16[ b g b] e,8[ c'] ~ | % bar 5
c16[ a f a] d,8[ b'] c r r4 | % bar 6
r16 g[ c e] d[ g, d' f] e8[ g b, g'] | % bar 7
c,16[ g c e] d[ g, d' f] e8[ c g' e] | % bar 8
c'16[ a e a] c,[ e a, c] d8[ fis a c] | % bar 9
b16[ g d g] b,[ d g, b] c8[ e g b] | % bar 10
a16[ fis dis fis] b,[ dis fis, a] g8[ g'] ~ g16[ e c e] | % bar 11
a,8[ fis'] ~ fis16[ d b d] g,8[ e'] ~ e16[ c a c] | % bar 12
fis,16[ g' fis e] dis[ fis b, dis] e8 r r4 | % bar 13
r16 g[ bes g] e[ g cis, e] g[ e cis e] a, r r8 | % bar 14
r16 f'[ a f] d[ f b, d] f[ d b d] g, r r8 | % bar 15
r16 e'[ g e] c[ e a, c] dis[ c a c] fis, r r8 | % bar 16
r16 d'[ f d] b[ d gis, b] d[ b gis b] e, r r8 | % bar 17
r16 e[ a c] b[ e, b' d] c8[ a gis e] | % bar 18
a16[ c e c] a[ c fis, a] c[ a fis a] dis,[ c' b a] | % bar 19
gis[ b d b] gis[ b d, f] gis[ f d f] b,[ f' e d] | % bar 20
c[ e a e] c[ e a, c] dis[ c a c] fis,[ c' b a] | % bar 21
gis8[ b' gis e] r16 e[ a c] b[ e, b' d] | % bar 22
c[ a c e] d[ b d f] e[ c e g] f[ e d c] | % bar 23
b[ c d e] f[ d gis d] b'[ d, c a'] f[ d b d] | % bar 24
gis,[ b c a] e[ a b gis] a[ e c e] a,4^\fermata \bar "|." % bar 25
}
voicetwo = \relative c {
\set Staff.midiInstrument = "harpsichord"
\clef "bass"
a8 a'4 gis8 a16[ e a c] b[ e, b' d] | % bar 1
c8[ a gis e] a16[ e a c] b[ e, b' d] | % bar 2
c8[ a c a] d16[ a f a] d,[ f a, c] | % bar 3
b8[ d g b] ~ b16[ g e g] c,[ e g, b] | % bar 4
a8[ c] d16[ f b, d] g,8[ b] c16[ e a, c] | % bar 5
f,8[ d] g16[ g' f g] c,[ g' c e] d[ g, d' f] | % bar 6
e8[ c b g] c16[ g c e] d[ g, d' f] | % bar 7
e8[ c] r4 r16 g'[ e g] c,[ e g, b] | % bar 8
a8[ c e g] fis16[ a d, fis] a,[ d fis, a] | % bar 9
g8[ b d fis] e16[ g c, e] g,[ c e, g] | % bar 10
fis8[ a b dis] r16 e[ c e] a,[ c e g] | % bar 11
fis[ d b d] g,[ b d fis] e[ c a c] fis,[ a c8] ~ | % bar 12
c16[ b c a] b8[ b,] e16[ e' b g] e[ b g b] | % bar 13
e,8[ e' g bes] cis,8 r r16 g''[ f e] | % bar 14
d8[ d, f aes] b, r r16 f''[ e d] | % bar 15
c8[ c, e fis] a, r r16 e''[ dis cis] | % bar 16
b8[ b, d f] gis, r r16 d''[ c b] | % bar 17
c8[ a gis e] a16[ e a c] b[ e, b' d] | % bar 18
c[ e a e] c[ e a, c] fis,[ a c a] fis[ a dis, fis] | % bar 19
e8[ gis b gis] e[ b gis e] | % bar 20
a[ c e c] a[ c] dis, r | % bar 21
r16 b''[ gis e] d[ b' gis d] c8[ e gis, e'] | % bar 22
a,[ fis' b, gis'] c,[ a' d, bes'] | % bar 23
gis[ f d b] gis[ a d, e] | % bar 24
f[ dis e e'] a,2^\fermata \bar "|." % bar 25
}
\score {
\context GrandStaff <<
\context Staff = "one" <<
\voiceone
>>
\context Staff = "two" <<
\voicetwo
>>
>>
\layout{ }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 100 4)
}
}
}
%{
changes by Urs Metzger, 2005/12/25
version 1.6.10 => 2.6.4
voiceone, bar 12: 1st 16th a'' => a'
voiceone, bar 15: 3rd 16th aes'' => a''
midiInstrument none = "harpsichord"
%}
%{
changes by Chris Sawer, 2005/12/27
remove line-width command in layout section
%}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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