\header {
title = "Invention 12"
composer = "J. S. Bach (1685-1750)"
opus = "BWV 783"
mutopiatitle = "Invention 12"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 783"
mutopiainstrument = "Harpsichord, Piano"
source = "Bach-Gesellschaft"
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "jeff covey"
maintainerEmail = "jeff.covey@pobox.com"
maintainerWeb = "http://pobox.com/~jeff.covey/"
lastupdated = "2006/09/05"
footer = "Mutopia-2008/06/15-174"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2008. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\version "2.11.46"
global = { \key a \major \time 12/8 }
voiceOne =
\relative c'' {
a4^\mordent a8 a4^\mordent a8 b2.^\upmordent ~ | % 1
b16 a gis a b cis
d cis d fis e d
cis a cis e a fis
dis b dis fis a fis | % 2
gis a gis fis e dis
cis dis e dis cis b
a cis e cis a cis
fis, a cis a fis a | % 3
dis,8 fis dis
b16 dis fis a gis fis
e gis b e b gis e4 r8 | % 4
e'4^\mordent e8 e4^\mordent e8
e16 a e cis a cis
e16 a e cis a cis | % 5
d4 d8 d4 d8
d16 b' gis d b d
gis b gis d b d | % 6
cis8 r r
r16 d, fis a d cis
b8 r r
r16 cis, eis gis cis b | % 7
a8 r r
r16 b, d fis b a
gis fis b a gis fis eis gis cis b a gis | % 8
fis8 \stemDown fis' \stemUp fis, \stemNeutral
fis cis fis
gis2.^\upmordent ~ | % 9
gis16 fis eis fis gis a
b a b d cis b
a fis a cis fis dis
bis gis bis dis fis dis | % 10
e fis e dis cis b
a b cis b a gis
fis a cis a fis a
dis, fis a fis dis fis | % 11
bis,8 dis fis a gis bis
cis16 e gis e cis e
gis e cis e gis e | % 12
cis e fis e cis e
fis e cis e fis ais,
b d fis d b d
fis d b d fis d | % 13
b d e d b d
e d b d e gis,
a4^\mordent a8 a4^\mordent a8 | % 14
a16 dis b a fis a
b dis b a fis a
g4^\mordent g8 g4^\mordent g8 | % 15
g16 e' cis g e g
cis e cis g e g
fis8 r r
r16 gis, b d gis fis | % 16
e8 r r
r16
\change Staff = two \stemUp fis, a cis
\change Staff = one \stemUp fis e
\stemNeutral
d8 r r
r16
\change Staff = two \stemUp e, gis b
\change Staff = one \stemUp e d
\stemNeutral | % 17
cis a cis e a e
cis' a cis e a fis
d fis a fis d fis
b, d fis d b d | % 18
gis,8 b d fis( e) b
fis'( e) a, e'( d) gis, | % 19
d'( cis) e,
fis16 gis a b cis d
gis, e gis b e b
gis' e b' gis e gis | % 20
a8 e cis
a16 d cis b e8 ~
e16 fis cis8 b16 a
a4.^\fermata | % 21
\bar "|."
}
voiceTwo =
\relative c' {
\clef "bass"
a16 b cis b a gis
fis gis a gis fis e
d fis a fis d fis
b, d fis d b d | % 1
gis,8 b gis e fis gis a4 r8 r4. | % 2
e'4^\mordent e8 e4^\mordent e8 fis2.^\upmordent ~ | % 3
fis16 e dis e fis gis
a gis a cis b a
gis e gis b e b
gis e gis b d! b | % 4
cis d e d cis b
a b cis b a gis
fis8 fis' cis a fis a | % 5
b16 cis d cis b a
gis a b a gis fis
e8 b gis e4 r8 | % 6
r16 a' cis e a gis
fis8 r r
r16 gis, b dis gis fis
eis8 r r | % 7
r16 fis, a cis fis e
d8 r r
r16 b, d fis b a
gis cis, eis gis cis b | % 8
a b a gis fis e
d e fis e d cis
b d fis d b d
gis, b d b gis b | % 9
eis,8 gis eis cis dis eis
fis fis' dis gis fis gis | % 10
cis,4 cis8 cis4 cis8 dis2. ~ | % 11
dis16 cis bis cis dis e
fis e fis a gis fis
e cis e gis cis gis
e cis e gis cis b | % 12
ais fis ais cis fis cis
ais fis ais cis fis e
d b, d fis b fis
d b d fis b a | % 13
gis e gis b e b
gis e gis b e d
cis d e d cis b
a b cis b a gis | % 14
fis8 a dis ~ dis cis b
e16 fis g fis e d
cis d e d cis b | % 15
a8 e cis a4 r8
r16 d fis a d cis b8 r r | % 16
r16 cis, e gis cis b a8 r r
r16 b, d fis b a gis8 r r | % 17
a,4^\mordent a8 a4^\mordent a8 b2.^\upmordent ~ | % 18
b16 a gis a b cis
d cis d fis e d
cis b cis e d cis
b a b d cis b | % 19
a gis a b cis a
d4^\mordent d8 d2.^\upmordent | % 20
cis16 d cis b a gis
fis fis' e d cis b
cis d e8 e,
a4._\fermata | % 21
\bar "|."
}
\score {
\context PianoStaff <<
\context Staff = "one" <<
\voiceOne
\global
>>
\context Staff = "two" <<
\voiceTwo
\global
>>
>>
\layout{ }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 108 4)
}
}
}
%{
changes by Urs Metzger, 2005/12/25
version 2.6.0 => 2.6.4
voicetwo, bar 17: a, cis e cis' => cis, e gis cis
midi tempo 4 = 116 => 4 = 108
%}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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