\header {
title = "Invention 6"
composer = "J. S. Bach (1685-1750)"
opus = "BWV 777"
mutopiatitle = "Invention 6"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 777"
mutopiainstrument = "Harpsichord, Piano"
source = "Bach-Gesellschaft"
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "jeff covey"
maintainerEmail = "jeff.covey@pobox.com"
maintainerWeb = "http://pobox.com/~jeff.covey/"
lastupdated = "2006/08/26"
footer = "Mutopia-2008/06/15-159"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2008. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\version "2.11.46"
global = { \key e \major \time 3/8 }
voiceOne =
\relative c'' {
\repeat volta 2 {
r16 e8[ dis d16] ~ | % 1
d[ cis8 b a16] ~ | % 2
a16[ gis8 fis gis32 a] | % 3
gis16[ b32 a b16 gis32 fis gis16 e32 dis] | % 4
e8[ fis gis] | % 5
a[ b cis] | % 6
dis[ e16 dis cis b] | % 7
e8[ e,] r | % 8
r16 gis'8[ e cis16] ~ | % 9
cis[ e32 dis e16 cis ais fis] ~ | % 10
fis[ fis'8 dis b16] ~ | % 11
b[ dis32 cis dis16 b gis e] ~ | % 12
e16[ e'8 cis ais16] ~ | % 13
ais[ gis'8 fis e16] ~ | % 14
e[ dis8 cis b16] | % 15
ais16[ e32 dis e16 ais32 gis ais16 b32 ais] | % 16
b16[ dis, cis b' cis, ais'] | % 17
b8 r16 b[ dis fis] | % 18
b8 r16 b[ fis dis] | % 19
b[ fis dis b] r8 | % 20
}
\repeat volta 2 {
b8[ cis dis] | % 21
e[ fis gis] | % 22
ais[ b16 ais gis fis] | % 23
b8[ b,] r | % 24
r16 b''8[ ais a16] ~ | % 25
a[ gis8 fis e16] ~ | % 26
e[ dis8 cis dis32 e] | % 27
dis16[ fis32 e fis16 dis32 cis dis16 b32 ais] | % 28
b16[ dis32 cis dis16 gis32 fisis gis16 cis,32 b ] | % 29
cis16[ e32 dis e16 ais32 gis ais16 dis,32 cis ] | % 30
dis16[ gis32 fisis gis16 b32 ais b16 dis,32 cisis] | % 31
dis16[ ais'32 gis ais16 fisis32 eis fisis16 dis32 cisis] | % 32
dis16[ a'!8 gis fis16] ~ | % 33
fis[ e32 dis e16 cis32 bis cis16 e32 dis] | % 34
e16[ gis8 fis e16] ~ | % 35
e[ dis32 cis dis16 b32 ais b16 cis32 b ] | % 36
cis16[ e8 dis cis16] ~ | % 37
cis[ b32 ais b16 gis32 fisis gis16 a32 gis] | % 38
a16[ cis32 b cis16 a32 gis a16 e'32 dis] | % 39
e16[ fisis,32 eis fisis16 ais32 gis ais16 b,32 ais] | % 40
b16[ gis' e cis ais fisis'] | % 41
gis[ dis b gis] r8 | % 42
e'8[ fis gis] | % 43
a[ b cis] | % 44
dis![ e16 dis cis b] | % 45
e8.[ b32 a b16 gis32 fis] | % 46
gis16[ e'8 dis d16] ~ | % 47
d[ cis8 b a16] ~ | % 48
a[ gis8 fis gis32 a] | % 49
gis16[ b32 a b16 gis32 fis gis16 e32 dis] | % 50
e8[ fis a] | % 51
b[ dis fis] | % 52
dis,[ e gis] | % 53
a[ cis e] | % 54
cis,[ fis a] | % 55
b[ cis dis] | % 56
e[ cis a] | % 57
fis'4. ~ | % 58
fis16[ e dis cis b a] | % 59
gis16[ e32 dis e16 gis32 fis gis16 b32 a ] | % 60
b16[ gis32 fis gis16 b32 a b16 e32 dis] | % 61
e16[ b gis e] r8 | % 62
\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\mark \markup { \musicglyph #"scripts.ufermata" }
}
}
voiceTwo =
\relative c {
\clef "bass"
\repeat volta 2 {
e8[ fis gis] | % 1
a[ b cis] | % 2
dis![ e16 dis cis b] | % 3
e8[ e,] r | % 4
r16 e8[ dis d16] ~ | % 5
d[ cis8 b a16] ~ | % 6
a16[ gis8 fis gis32 a] | % 7
gis16[ b32 a b16 gis32 fis gis16 e32 dis] | % 8
e8[ cis' e] | % 9
fis[ ais cis] | % 10
dis,,[ b' dis] | % 11
e[ gis b] | % 12
cis,,[ cis' e] | % 13
fis[ gis ais] | % 14
b[ e, gis] | % 15
fis16[ cis' ais cis e, cis'] | % 16
dis,8[ e fis] | % 17
b,16[ b'32 ais b16 fis32 e fis16 dis32 cis] | % 18
dis16[ fis32 e fis16 dis32 cis dis16 b32 ais] | % 19
b4 b,8 | % 20
}
\repeat volta 2 {
r16 b''8[ ais a16] ~ | % 21
a[ gis8 fis e16] ~ | % 22
e[ dis8 cis dis32 e] | % 23
dis16[ fis32 e fis16 dis32 cis dis16 b32 ais] | % 24
b8[ cis dis] | % 25
e[ fis gis] | % 26
ais[ b16 ais gis fis] | % 27
b8[ b,] r | % 28
gis'[ b dis] | % 29
fisis,[ ais dis] | % 30
gis,[ b dis] | % 31
dis,[ dis' cis] | % 32
bis[ cis dis] | % 33
gis,[ cis b!] | % 34
ais[ b cis] | % 35
fis,[ b dis ] | % 36
fisis,[ gis! ais] | % 37
dis,[ gis b ] | % 38
cis, r cis' ~ | % 39
cis[ ais fisis] | % 40
gis[ cis, dis] | % 41
gis, r16 gis[ gis' fis] ~ | % 42
fis16[ e8 dis d16] ~ | % 43
d[ cis8 b a16] ~ | % 44
a[ gis8 fis gis32 a] | % 45
gis16[ b32 a b16 gis32 fis gis16 e32 dis] | % 46
e8[ fis gis] | % 47
a[ b cis] | % 48
dis![ e16 dis cis b] | % 49
e8.[ b'32 a b16 gis32 fis] | % 50
gis16[ cis8 a fis16] ~ | % 51
fis[ a32 gis a16 fis dis b] ~ | % 52
b[ b'8 gis e16] ~ | % 53
e[ gis32 fis gis16 e cis a] ~ | % 54
a16[ a'8 fis dis16] ~ | % 55
dis[ cis'8 b a16] ~ | % 56
a[ gis8 fis e16] | % 57
dis16[ a'32 gis a16 dis,32 cis dis16 gis32 fis] | % 58
gis8[ a b] | % 59
e, r16 e'[ b gis] | % 60
e[ b' gis e b gis] | % 61
e4 e'8 | % 62
\override Staff.RehearsalMark #'direction = #-1
\mark \markup { \musicglyph #"scripts.dfermata" }
}
}
\score {
\context GrandStaff <<
\context Staff = "one" <<
\voiceOne
\global
>>
\context Staff = "two" <<
\voiceTwo
\global
>>
>>
\layout{
\context{\Score \remove "Mark_engraver" }
\context{\Staff \consists "Mark_engraver" }
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 80 8)
}
}
}
%{
changes by Urs Metzger, 2005/12/25
version 2.6.0 => 2.6.4
voiceone, bar 17: 4th 16th dis => b
%}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
deju2.net.cn
www.xide2.net.cn
twxz.com.cn
flkyj.com.cn
vilant.com.cn
www.anguo9.com.cn
gltzn.com.cn
geina1.com.cn
www.migai8.net.cn
www.benma3.com.cn