\header {
enteredby = "Allen Garvin"
maintainer = "Allen Garvin"
maintainerEmail = "AGarvin@tribalddb.com"
copyright = "Public Domain"
filename = "bach-invention-05.ly"
title = "Invention 5"
opus = "BWV 776"
composer = "Johann Sebastian Bach (1685-1750)"
style = "Baroque"
source = "Bach-Gesellschaft"
lastupdated = "2005/12/25"
mutopiainstrument = "Harpsichord, Piano"
mutopiatitle = "Invention 5"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 776"
footer = "Mutopia-2008/06/15-55"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
\version "2.11.46"
voiceone = \relative c' {
\set Staff.midiInstrument = "harpsichord"
\key ees \major
\time 4/4
r8 ees16[ d] ees8[\mordent f] g4\mordent aes | % bar 1
r8 f16[ ees] f8[\mordent g] aes4\mordent bes | % bar 2
g8[ c bes\prall aes] g16[ aes bes aes] g8[ f] | % bar 3
ees[ g bes ees] ~ ees16[ c d ees] f8[ ees] | % bar 4
d16[ ees d\prall c] d[ ees c d] bes[ bes' a bes] g[ a f g] | % bar 5
ees[ g f g] ees[ f d ees] c[ bes' a g] a[ bes g a] | % bar 6
bes,[ bes' a g] a[ bes g a] f[ bes aes g] f[ g ees f] | % bar 7
d[ g f ees] d[ ees c d] f,[ ees' d c] d[ ees c d] | % bar 8
ees8[ bes16 aes] bes8[\mordent c] des4\mordent ees | % bar 9
r8 c16[ bes] c8[\mordent d!] ees4\mordent f | % bar 10
r8 d16[ c] d8[\mordent ees] f4\mordent g | % bar 11
ees16[ f ees\prall d] ees[ f d ees]
c[ c' bes c] aes[ bes g aes] | % bar 12
f[ aes g aes] f[ g ees f] d[ c' b a] b[ c a b] | % bar 13
c,[ c' bes! aes!] bes[ c aes bes] g[ c bes aes] g[ aes f g] | % bar 14
e[ aes g f] e[ f d e] g,[ f' e d] e[ f d e] | % bar 15
f8[ f,16 e] f8[\mordent g] aes4\mordent bes | % bar 16
r8 g16[ f] g8[\mordent aes] bes4\mordent c | % bar 17
aes8[ des c\prall bes] a16[ bes c bes] a8[ g] | % bar 18
f[ a c ees] ~ ees16[ c des ees] f8[ ees] | % bar 19
des16[ ees des\prall c] des[ ees c des]
bes[ aes' g f] g[ aes f g] | % bar 20
aes[ des, c bes] c[ des bes c] aes[ g' f e] f[ g e f] | % bar 21
g[ c, bes aes] bes[ c aes bes] g[ f' e d] e[ f d e] | % bar 22
f8[ aes,16 g] aes8[\mordent bes] c4\mordent des | % bar 23
r8 bes16[ aes] bes8[\mordent c] des4\mordent ees | % bar 24
c16[ aes' g aes] f[ g ees f]
des[ bes' aes bes] c,[ des bes c] | % bar 25
aes[ c bes c] aes[ bes g aes] f[ ees' d c] d[ ees c d] | % bar 26
ees8[ ees,16 d] ees8[\mordent f] g4\mordent aes | % bar 27
r8 f16[ ees] f8[\mordent g] aes4\mordent bes | % bar 28
\stemDown g8[ c bes\prall aes] \stemNeutral
g16[ aes bes aes] g8[ f] | % bar 29
ees[ f' ees\prall des] c16[ des ees des] c8[ bes] | % bar 30
aes[ c ees aes] ~ aes16[ f g aes] bes8[ aes] | % bar 31
\grace {
\override Stem #'stroke-style = #"grace"
\override Stem #'stroke-style = #'()
\set tupletNumberFormatFunction = #'()
\override TupletBracket #'bracket-visibility = ##f
aes
\revert Stem #'stroke-style
\revert Stem #'stroke-style
}
g8.[ \times 2/3 { f32 ees f] }
f4\downmordent ees2\fermata\bar "|." % bar 32
}
voicetwo = \relative c {
\set Staff.midiInstrument = "harpsichord"
\key ees \major
\time 4/4
\clef "bass"
ees4\mordent ees, r16 ees''16[ d ees] c[ d bes c] |
aes[ c bes c] aes[ bes g aes] f[ ees' d c] d[ ees c d] |
ees,[ ees' d c] d[ ees c d] bes[ ees d c] bes[ c aes bes] |
g[ c bes aes] g[ aes f g] c,[ bes' a g] a[ bes g a] |
bes8[ bes,16 a] bes8[ c] d4\mordent ees |
r8 c16[ bes] c8[ d] ees4\mordent f |
d8[ g f\prall ees] d16[ ees f ees] d8[ c] |
bes[ d f aes] ~ aes16[ f g aes] bes8[ aes] |
g16[ aes g f] g[ aes f g] ees[ ees' des ees] c[ des bes c] |
aes[ bes aes g] aes[ bes g aes] f[ f' ees f] d[ ees c d] |
bes[ c bes a] bes[ c aes bes] g[ aes f g] ees[ f d ees] |
c8[ c16 b] c8[ d] ees4\mordent f |
r8 d16[ c] d8[ ees] f4\mordent g |
ees8[ aes g\prall f] e16[ f g f] e8[ d] |
c[ e g bes] ~ bes16[ g aes bes] c8[ bes] |
aes16[ bes aes g] aes[ bes g aes] f[ f' ees f] des[ ees c des] |
bes[ des c bes] bes[ c aes bes] g[ f' e d] e[ f d e] |
f,[ f' ees! des!] ees[ f des ees] c[ f ees des] c[ des bes c] |
a[ des c bes] a[ bes g a] c,[ bes' a g] a[ bes g a] |
bes8[ bes,16 a] bes8[ c] des4\mordent ees |
r8 aes,16[ g] aes8[ bes] c4\mordent des |
r8 g,16[ f] g8[ aes] bes4\mordent c |
f,16[ c'' bes c] aes[ bes g aes] f[ aes g aes] f[ g ees f] |
des[ f ees f] des[ ees c des] bes[ aes' g f] g[ aes f g] |
aes8[ ees16 d!] ees8[ f] g4\mordent aes |
r8 f16[ ees] f8[ g] aes4\mordent bes |
g16[ aes g f] g[ aes f g] ees[ ees' d ees] c[ d bes c] |
aes[ c bes c] aes[ bes g aes] f[ ees' d c] d[ ees c d] |
ees,[ ees' d c] d[ ees c d] bes[ ees d c] bes[ c aes bes] |
g[ c bes aes] g[ aes f g] ees[ aes g f] ees[ f des ees] |
c[ f ees des] c[ des bes c] f,[ ees' d c] d[ ees c d] |
ees8[ g, aes bes] ees,2\fermata \bar "|."
}
\score {
\context GrandStaff <<
\context Staff = "one" <<
\voiceone
>>
\context Staff = "two" <<
\voicetwo
>>
>>
\layout{ }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 105 4)
}
}
}
%{
changes by Urs Metzger, 2005/12/25
version 1.6.10 => 2.6.4
voiceone, bar 16: f8[ f,16 g] f8[\mordent g] aes4\mordent g => f8[ f,16 e] f8[\mordent g] aes4\mordent bes
voiceone, bar 30: ees\mordent => ees\prall
voiceone, bar 32: hide triplet braket and number
voiceone, bar 32: f4\mordent => f4\downmordent
voicetwo, bar 4: 1st 16th: ees => g
midiInstrument none = "harpsichord"
%}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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