#(ly:set-option 'old-relative)
\header {
enteredby = "Allen Garvin"
maintainer = "Allen Garvin"
maintainerEmail = "AGarvin@tribalddb.com"
copyright = "Public Domain"
filename = "bach-invention-04.ly"
title = "Invention 4"
opus = "BWV 775"
composer = "Johann Sebastian Bach (1685-1750)"
style = "Baroque"
source = "Bach-Gesellschaft"
lastupdated = "2003/May/17"
mutopiainstrument = "Harpsichord, Piano"
mutopiatitle = "Invention 4"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 775"
footer = "Mutopia-2008/06/15-67"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
\version "2.11.46"
voiceone = \relative c' {
\key d \minor
\time 3/8
d16[ e f g a bes] | % bar 1
cis,[ bes' a g f e] | % bar 2
f8[ a d] | % bar 3
g,[ cis e] | % bar 4
d16[ e f g a bes] | % bar 5
cis,[ bes' a g f e] | % bar 6
f[ d e f g a] | % bar 7
bes,[ a' g f e d] | % bar 8
e[ c d e f g] | % bar 9
a,[ g' f e d c] | % bar 10
d[ e f d e f] | % bar 11
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c16[ d e c d e] | % bar 13
f,8 r bes ~ | % bar 14
bes[ a g] | % bar 15
c16[ bes a g f e] | % bar 16
f[ g g8. f16] | % bar 17
f8[ c' c] | % bar 18
c4.\prall ~ | % bar 19
c ~ | % bar 20
c ~ | % bar 21
c16[ bes a g f e] | % bar 22
c'[ d, e fis g a] | % bar 23
bes[ a g f e d] | % bar 24
bes'[ c, d e f g] | % bar 25
a[ b c d e f] | % bar 26
gis,[ f' e d c b] | % bar 27
c[ b d c b a] | % bar 28
gis[ a gis fis e d] | % bar 29
c[ d e fis gis a] | % bar 30
d,[ c' b a gis fis] | % bar 31
e[ fis gis a b c] | % bar 32
fis,[ e' d c b a] | % bar 33
gis[ a b c d e] | % bar 34
a,[ f' e d c b] | % bar 35
a'[ gis fis e a8] ~ | % bar 36
a16[ d, b8. a16] | % bar 37
a8.[ a16 bes c] | % bar 38
d,8[ fis a] | % bar 39
bes16[ g a bes c d] | % bar 40
e,[ d' c bes a g] | % bar 41
a8[ f'16 e f8] | % bar 42
g,[ e'] r | % bar 43
d16[ e f g a bes] | % bar 44
cis,[ bes' a g f e] | % bar 45
f8[ d g,] ~ | % bar 46
g16[ d' cis e a, cis] | % bar 47
d[ b cis8. d16] | % bar 48
d[ c! bes! a g f] | % bar 49
bes[ cis, d e f g] | % bar 50
a[ d f,8 e16 d] | % bar 51
d4.\fermata \bar "|." % bar 52
}
voicetwo = \relative c {
\key d \minor
\time 3/8
\clef "bass"
r4. | % bar 1
r4. | % bar 2
d16[ e f g a bes] | % bar 3
cis,[ bes' a g f e] | % bar 4
f8[ a d] | % bar 5
e,[ g cis] | % bar 6
d,[ d' f,] | % bar 7
g[ a bes] | % bar 8
c,[ c' e,] | % bar 9
f[ g a] | % bar 10
bes16[ g a bes c d] | % bar 11
e,[ d' c bes a g] | % bar 12
a[ f g a bes c] | % bar 13
d,[ c' bes a g f] | % bar 14
e[ c d e f g] | % bar 15
a,[ g' f e d c] | % bar 16
d[ bes c8 c,] | % bar 17
f16[ g a bes c d] | % bar 18
e,[ d' c bes a g] | % bar 19
a[ bes c d e f] | % bar 20
g,[ f' e d c bes] | % bar 21
a[ bes c a bes c] | % bar 22
fis,8 r r | % bar 23
g16[ a bes g a bes] | % bar 24
e,8 r r | % bar 25
f8[ f' d] | % bar 26
b[ gis e] | % bar 27
a16[ gis a b c d] | % bar 28
e4.\prall ~ | % bar 29
e ~ | % bar 30
e ~ | % bar 31
e ~ | % bar 32
e ~ | % bar 33
e8[ e' d] | % bar 34
c[ b a] | % bar 35
d[ e f] | % bar 36
d[ e e,] | % bar 37
a16[ a, bes! c d ees] | % bar 38
fis,[ ees' d c bes a] | % bar 39
g8.[ g16 a bes] | % bar 40
c,8[ g' c] | % bar 41
f16[ g a b cis d] | % bar 42
e,[ d' cis b a g] | % bar 43
f8[ a d] | % bar 44
e,[ g cis] | % bar 45
d,16[ e f g a bes] | % bar 46
cis,[ bes' a g f e] | % bar 47
f[ g a8 a,] | % bar 48
bes8.[ c16 bes a] | % bar 49
g[ bes' a g f e] | % bar 50
f[ g a8 a,] | % bar 51
d,4.\fermata \bar "|." % bar 52
}
\score {
\context GrandStaff <<
\context Staff = "one" <<
\voiceone
>>
\context Staff = "two" <<
\voicetwo
>>
>>
\layout{ }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 90 4)
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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