\version "2.10.33"
\header {
mutopiatitle = "Nun komm, der Heiden Heiland"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 659"
mutopiainstrument = "Organ"
source = "Edition Peters 8662"
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Urs Metzger"
maintainerEmail = "urs@ursmetzger.de"
lastupdated = "2007/Dec/23"
title = "Nun komm, der Heiden Heiland"
subtitle = "a 2 Clav. e Pedale"
composer = "Johann Sebastian Bach"
opus="BWV 659"
footer = "Mutopia-2008/02/19-1189"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2008. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\include "deutsch.ly"
global = {
\key g \minor
\time 4/4
#(set-accidental-style 'default)
\override Score.MetronomeMark #'transparent = ##t
}
\paper {
head-separation = 0.6 \cm
foot-separation = 0.2 \cm
page-top-space = 0 \cm
ragged-bottom = ##f
ragged-last-bottom = ##f
}
#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18)
halsup = { \stemUp \tieUp \slurUp \dotsUp }
halsdown = { \stemDown \tieDown \slurDown \dotsDown }
sopran = {
\new Voice \relative g' {
\global
#(revert-auto-beam-setting '(end 1 32 4 4) 1 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 3 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 5 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 7 8)
R1
R1
R1
r4 g g fis8 g16 a
%% Takt 5 ==================================================
b4~ b16 g \appoggiatura a16 g32 fis g16 c4~ c16 a \appoggiatura b16 a32 g a16 \break
d4~ d16 g,32 a b c d16 es8. d16 c b32 a a16 b32 c
\appoggiatura g16 fis8 e16 d g4~ g32 a g fis g16 c32 a g8( fis!16.)\prall g32
g2 r
R1 \break
%% Takt 10 ==================================================
R1
g8 b16 a b4\mordent c~ c16 b a b
c16 d es8~ es16 c b c d es f8~ f16 d c d
es16 f g8~ g16 c, d es \appoggiatura b16 a8 g16 f f'4~ \break
f16 g32 f es f d16 es4~ es16 a32 b c16 es, d4~
%% Takt 15 ==================================================
d16 g, g32\prall f g16 c32 b a16 b32 a g16 f16 g32 a b c d es f4~
f16 g32 f es d c b d8( c16.)\prall b32 b2
R1
R1
b8 c32 b a b c8 d32 c b c d16 b a b \appoggiatura b16 f'8. es32 d
%% Takt 20 ==================================================
c16 d32 c h16 c d es32 d c16 d es c h! c \appoggiatura c16 g'8. f32 es
d16 g32 a b!16 f es( d) d( c) c fis32 g a16 es d( c) c( b)
b16 g'16. \set stemLeftBeamCount = #2 \set stemRightBeamCount = #3 f!32 \set stemLeftBeamCount = #3 es d c d c h c8~ c16 es32 d c d es16~ es32 c as g as8~
as16 es'32 d es c h c c as g as as g fis g fis16 a32 c es16 d d4~
d32 g fis e d16. c32 b8( a32\prall g) a16 g2
%% Takt 25 ==================================================
R1
R1
R1
r4 g \once \override TextScript #'extra-offset = #'(0 . -0.8) g^\markup { \hspace #0.3 \musicglyph #"scripts.mordent" \hspace #1 \musicglyph #"scripts.turn" } fis8 g16 a
b4~ b16 g g32\prall fis g16 c4~ c16 a a32\prall g a16
%% Takt 30 ==================================================
d4~ d16 g,32 a b c d16 es8. d16 c b32 a a16 b32 c
\appoggiatura g16 fis8 e16 d g4~ g32 a g fis! g c a16 g8( fis!16.\prall) g32
g16 g' f!8~ f16 es!32 d g f es d f es d c b'!8~ b32 a b c b a g a
g32 fis g a c,8~ c32 es d c d c b a b16 g'32 es cis d g,16 b8( a32\prall g) a16
g1\fermata
\bar "|."
}
}
alt = {
\new Voice \relative d' {
\global
\halsup
e2\rest e4\rest d
d4 c f4. es16 d
es2 d~
d4 c d2~
%% Takt 5 ==================================================
d4 e8\rest b~ b a16 g a4
g'4\rest g8\rest g~ g fis g es
d4 e8\rest b es!4 d8 c~
c8 b16 c d8 c16 b a4. b16 c
d8 es f g c,4. d16 es
%% Takt 10 ==================================================
f4. g16 f es2
d4~ d8 es16 f g f es d c8 g'\rest
g8\rest g f4~ f b8\rest b
b4 g8\rest g f4 g8\rest as
g4 g8\rest g f4 g8\rest f
%% Takt 15 ==================================================
g8 g\rest g g\rest c, g'\rest g\rest es
d8 g f16 d es8~ es d16 es f8 es16 d
c4. d16 es f2~
f8 es16 d es8 c' fis, g a4~
a8 g f!4~ f8 es d g
%% Takt 20 ==================================================
a8 h\rest h\rest h c c\rest h\rest a
b!4 d8\rest b a4 h8\rest a
g4 h16\rest f g f g8 g\rest g16\rest d es d
es8 g\rest g\rest es d fis g a
d,8 g g\rest d~ d c16 h c( d) d( es!)
%% Takt 25 ==================================================
es2~ es8 d16 c d( es) es( f!)
f2~ f16 es g( f) f( es) es( d)
d16 as' as( g) g( f) f( es) es8. f16 d8.\prall g16
es f f( es) es( d) d( c) c( b!) b( a) a8 b16 c
fis,4 e'8\rest b~ b a16 g a4
%% Takt 30 ==================================================
g'4\rest g8\rest g~ g fis g es
d4 e8\rest b es!4 d8 c
h8 c d h c[ d] c[ d16 b]
a8[ g] fis[ a16 es'] d4~ d8. c16~
c16 h f'! d es4 d2\fermata
}
}
altzwei = {
\new Voice \relative h {
\global
s1*33
s16 \stemDown \tieDown \once \override Staff.NoteCollision #'merge-differently-dotted = ##t h8.~ \stemUp \shiftOn h16 h c8 h!2
}
}
tenor = {
\new Voice \relative g {
\global
\halsdown
f4\rest g g f
b4. a16 g a4 g~
g4 c2 b8 a
g8 fis g a b a16 g a4~
%% Takt 5 ==================================================
a8 g16 fis g4 d\rest d8\rest c'~
c8 b16 a b8 d~ d16 c8 b16 a g c8
a4 f8\rest g~ g c a4
g2~ g4 f!~
f4 b2 a4~
%% Takt 10 ==================================================
a8 h16 c d4~ d8 c16 h! c4~
c8 b!16 c d4 f,8\rest g a a\rest
a8\rest b c a b d16 c d8 f
b,8 es16 d c4~ c8 b16 a b c d8~
d8 c16 h c4~ c8 b!16 a! b4~
%% Takt 15 ==================================================
b8 a\rest es' a,\rest a a\rest a\rest a
b4. a8 f4 b~
b4 a~ a8 h16 c d c h a
g4~ g8 a16 b! c d es4 d16 c
b8 es4 d16 c b4. b8
%% Takt 20 ==================================================
f'8 c\rest c\rest f g f es4
r8 d g f es d c\rest d
d4 a16\rest d es d c8 f,\rest f16\rest h c h
c8 a\rest a\rest c16 b! a!8 c d16( c) c( b)
b8 g~ g fis g2~
%% Takt 25 ==================================================
g8 g16 fis g( a) a( b!) b2~
b8 a16 g a( h) h( c) c2~
c2~ c8. d16 h8._\prallprall a!32 h
c8 f,\rest f4\rest f2\rest
h,8\rest d g4 d\rest d8\rest c'~
%% Takt 30 ==================================================
c8 b16 a b8 d~ d16 c8 b16 a g c b
a4 f8\rest g~ g c a4
g8 a h! g~ g[ f] es[ d16 es]
c8 es d fis! g4~ g8 fis
\once\override Tie #'control-points = #'( ( 0.5 . -2.5 )
( 2.5 . -4.5 )
( 12.5 . -4.5 )
( 14.5 . -2.5 ) ) g4~ g8. fis16 g2
}
}
right = {
\clef "treble"
\sopran
}
left = {
<<
\clef "alto"
\alt
\altzwei
\tenor
>>
}
pedal = {
\global
\clef "bass"
\relative g, {
g8 a b c d es d c
b d f es d c h g
c b! a g fis d g f
es d es4 d2~
%% Takt 5 ==================================================
d8 d' es d e c f! e
fis d g g, c d es! c
d c b es! c a d d,
g a b c d es d c
b c d es f g f es
%% Takt 10 ==================================================
d c h g c d es c
g' g, g' f es c f g
a g a f b b, b' as
g f es4~ es8 es, d c'
h g c b a! f b d
%% Takt 15 ==================================================
es d es d es d es c
d es f f, b c d es
f g f es d c h g
c d c b! a g fis d
g g' a f! b, c d es
%% Takt 20 ==================================================
f f, es d c d es c
g' g' r g g fis r fis
g f! es4~ es8 d c4~
c8 c, c'4~ c8 a b fis
g8 b c d es f! es d
%% Takt 25 ==================================================
c c, r c' g g' f! es
d d, d' g, c es as, c
f, f' es as g f g g,
c d c b! a! d, d'4~
d8 b es d e c f! e
%% Takt 30 ==================================================
fis d g g, c d es! c
d c b es c a d d,
g1~
g2~ g8 b d d,
g1_\fermata
}
}
\score {
<<
\new PianoStaff {
<<
\context Staff = right {
\context Voice = right \right
}
\context Staff = left {
\context Voice = left \left
}
>>
}
\context Staff = pedal {
\context Voice = pedal \pedal
}
>>
\layout{
indent = 1.0\cm
}
}
altmidi = {
\new Voice \relative d' {
\global
\halsup
e2\rest e4\rest d
d4 c f4. es16 d
es2 d~
d4 c d2~
%% Takt 5 ==================================================
d4 e8\rest b~ b a16 g a4
g'4\rest g8\rest g~ g fis g es
d4 e8\rest b es!4 d8 c~
c8 b16 c d8 c16 b a4. b16 c
d8 es f g c,4. d16 es
%% Takt 10 ==================================================
f4. g16 f es2
d4~ d8 es16 f g f es d c8 g'\rest
g8\rest g f4~ f b8\rest b
b4 g8\rest g f4 g8\rest as
g4 g8\rest g f4 g8\rest f
%% Takt 15 ==================================================
g8 g\rest g g\rest c, g'\rest g\rest es
d8 g f16 d es8~ es d16 es f8 es16 d
c4. d16 es f2~
f8 es16 d es8 c' fis, g a4~
a8 g f!4~ f8 es d g
%% Takt 20 ==================================================
a8 h\rest h\rest h c c\rest h\rest a
b!4 d8\rest b a4 h8\rest a
g4 h16\rest f g f g8 g\rest g16\rest d es d
es8 g\rest g\rest es d fis g a
d,8 g g\rest d~ d c16 h c( d) d( es!)
%% Takt 25 ==================================================
es2~ es8 d16 c d( es) es( f!)
f2~ f16 es g( f) f( es) es( d)
d16 as' as( g) g( f) f( es) es8. f16 es32 d64 es d es d16. g16 |
es f f( es) es( d) d( c) c( b!) b( a) a8 b16 c
fis,4 e'8\rest b~ b a16 g a4
%% Takt 30 ==================================================
g'4\rest g8\rest g~ g fis g es
d4 e8\rest b es!4 d8 c
h8 c d h c[ d] c[ d16 b]
a8[ g] fis[ a16 es'] d4~ d8. c16~
c16 h f'! d es4 d2\fermata
}
}
tenormidi = {
\new Voice \relative g {
\global
f4\rest g g f
b4. a16 g a4 g~
g4 c2 b8 a
g8 fis g a b a16 g a4~
%% Takt 5 ==================================================
a8 g16 fis g4 d\rest d8\rest c'~
c8 b16 a b8 d~ d16 c8 b16 a g c8
a4 f8\rest g~ g c a4
g2~ g4 f!~
f4 b2 a4~
%% Takt 10 ==================================================
a8 h16 c d4~ d8 c16 h! c4~
c8 b!16 c d4 f,8\rest g a a\rest
a8\rest b c a b d16 c d8 f
b,8 es16 d c4~ c8 b16 a b c d8~
d8 c16 h c4~ c8 b!16 a! b4~
%% Takt 15 ==================================================
b8 a\rest es' a,\rest a a\rest a\rest a
b4. a8 f4 b~
b4 a~ a8 h16 c d c h a
g4~ g8 a16 b! c d es4 d16 c
b8 es4 d16 c b4. b8
%% Takt 20 ==================================================
f'8 c\rest c\rest f g f es4
r8 d g f es d c\rest d
d4 a16\rest d es d c8 f,\rest f16\rest h c h
c8 a\rest a\rest c16 b! a!8 c d16( c) c( b)
b8 g~ g fis g2~
%% Takt 25 ==================================================
g8 g16 fis g( a) a( b!) b2~
b8 a16 g a( h) h( c) c2~
c2~ c8. d16 c32. h64 \times 2/3 { c64 h c h c h~ } h16 a!32 h |
c8 f,\rest f4\rest f2\rest
h,8\rest d g4 d\rest d8\rest c'~
%% Takt 30 ==================================================
c8 b16 a b8 d~ d16 c8 b16 a g c b
a4 f8\rest g~ g c a4
g8 a h! g~ g[ f] es[ d16 es]
c8 es d fis! g4~ g8 fis
g4~ g8. fis16 g2
}
}
sopranmidi = {
\new Voice \relative g' {
\global
#(revert-auto-beam-setting '(end 1 32 4 4) 1 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 3 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 5 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 7 8)
R1
R1
R1
r4 g g fis8 g16 a
%% Takt 5 ==================================================
b4~ b16 g \appoggiatura a16 g32 fis g16 c4~ c16 a \appoggiatura b16 a32 g a16
d4~ d16 g,32 a b c d16 es8. d16 c b32 a a16 b32 c
g16 fis e d g4~ g32 a g fis g16 c32 a g8~ g64 fis g fis32. g32
g2 r
R1
%% Takt 10 ==================================================
R1
g8 b16 a \times 2/3 { b32 a b~ } b8. c4~ c16 b a b
c16 d es8~ es16 c b c d es f8~ f16 d c d
es16 f g8~ g16 c, d es b a g f f'4~
f16 g32 f es f d16 es4~ es16 a32 b c16 es, es d8.~
%% Takt 15 ==================================================
d16 g, a128 g a g f32 g16 c32 b a16 b32 a g16 f16 g32 a b c d es f4~
f16 g32 f es d c b d8 \times 2/3 { d64 c d } c16 b32 b2
R1
R1
b8 c32 b a b c8 d32 c b c d16 b a b b16 f'8 es32 d
%% Takt 20 ==================================================
c16 d32 c h16 c d es32 d c16 d es c h! c c16 g'8 f32 es
d16 g32 a b!16 f es( d) d( c) c fis32 g a16 es d( c) c( b)
b16 g'16. f!32 es d c d c h c8~ c16 es32 d c d es16~ es32 c as g as8~
as16 es'32 d es c h c c as g as as g fis g fis16 a32 c es16 d d4~
d32 g fis e d16. c32 b8~ b128 a b a g32 a16 g2
%% Takt 25 ==================================================
R1
R1
R1
r4 g g64 fis g16.~ g32 \times 3/5 { a32 g fis g a } g16 fis64 g fis32 g16 a |
a16 b64 a b32~ b8~ b16 g a128 g a g fis32 g16 c64 b c8..~ c16 a b128 a b a g32 a16 |
%% Takt 30 ==================================================
c16 \times 2/3 { d32 c d~ } d8~ d16 g,32 a b c d16 d16 es8 d16 c b32 a a16 b32 c
g16 fis e d \times 2/3 { g32 fis g~ } g8.~ g32 a g fis! g c a16 g8 \times 4/5 { fis64 g fis g fis~ } \tempo 4 = 24 fis32 g32
\tempo 4 = 33 g16 g' f!8~ f16 es!32 d g f es d f es d c b'!8~ b32 a b c b a g a
g32 fis g a a16~ a64 c,32.~ c32 es d c d c b \tempo 4 = 24 a \tempo 4 = 28
b16 g'32 \tempo 4 = 32 es cis d g,16 \tempo 4 = 30 \times 2/3 { g32 a b~ } b16 b128 a b a g32 \tempo 4 = 28 a16
<<
\new Voice { g1 }
\new Voice { \tempo 4 = 24 s16 \tempo 4 = 28 s4. \tempo 4 = 20 s }
>>
}
}
\score {
\unfoldRepeats {
<<
\new Staff {
\set Staff.midiInstrument = "oboe"
\sopranmidi
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose g' g''' \sopranmidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
<<
\altmidi
\altzwei
\tenormidi
>>
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\pedal
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose c c, \pedal
}
>>
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 34 4)
}
}
}
% 09.02.2008: added missing tie h8.~ h16 in the last bar, altzwei
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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