\version "2.8.1"
\header {
mutopiatitle = "Schmücke dich, o liebe Seele"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 654"
mutopiainstrument = "Organ"
date = ""
source = "Bach-Album, Ernst H. Wolfram (editor), 6787, C. F. Peters, Leipzig"
style = "Baroque"
copyright = "Public Domain"
maintainer = "Urs Metzger"
maintainerEmail = "urs@ursmetzger.de"
lastupdated = "2006/May/3"
title = "Schmücke dich, o liebe Seele"
subtitle = "a 2 Clav. e Pedale"
composer = "Johann Sebastian Bach"
opus="BWV 654"
footer = "Mutopia-2006/05/07-753"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
\include "deutsch.ly"
halsdown = { \stemDown \tieDown \slurDown }
halsup = { \stemUp \tieUp \slurUp}
mmrestdownn = { \once \override MultiMeasureRest #'staff-position = #-4 }
mmrestup = { \once \override MultiMeasureRest #'staff-position = #4 }
scriptdow = { \once \override Script #'extra-offset = #'(0 . -0.3) }
scriptdownh = { \once \override Script #'extra-offset = #'(0 . -1.8) }
scriptdownnn = { \once \override Script #'extra-offset = #'(0 . -3.3) }
global = {
\key es \major
\time 3/4
#(set-accidental-style 'default)
}
#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18)
#(define set-script-property (lambda (script property value)
(append! (cdr (assoc script default-script-alist))
(list (cons property value)))))
#(set-script-property "prall" 'avoid-slur 'inside)
sopran = {
\new Voice \relative g' {
\global
r4
\repeat volta 2 {
r r
R2.*8
%% Takt 10 ==================================================
R2.
g2.
f2.
es2 f8. g32 as
g8. as16 as8._\prall g32 as b4~
%% Takt 15 ==================================================
b16 des c b as4.\downprall g16 as
g2.~
g2 r4
R2.*2
%% Takt 20 ==================================================
R2.*5
%% Takt 25 ==================================================
b2.
g2.\prall
\acciaccatura g8 as4. as8 g f
es8[ f] f8._\prall es32 f g4~
g16 c b as g4( f8_\prall es16 f)
%% Takt 30 ==================================================
es2.~
es2.~
es2.~
es2.~
}
\alternative {
{
es2.
%% Takt 35 ==================================================
\partial 4 r4
}
{
\set Score.currentBarNumber = #34
es2.\repeatTie
%% Takt 35 ==================================================
R2.
}
}
R2.*4
%% Takt 40 ==================================================
R2.
R2.
b'2.
c8 d d4.\prall c16 d
es2 es4~
%% Takt 45 ==================================================
es4 d c
b8 c b c d8. es16
d8. es32 c c4.\downprall b16 c
b2.~
b2 r4
%% Takt 50 ==================================================
R2.
b2.
c8. d16 d4.\prall c16 d
es2 es4~
es8 g f es d\prall c
%% Takt 55 ==================================================
b8( a) b( a) b4~\mordent
b16 a b es d!4( c8\prall b16 c)
b2.~
b2 r4
R2.
%% Takt 60 ==================================================
R2.*5
%% Takt 65 ==================================================
R2.
<< { f2. } { s2 \scriptdownnn s4\turn } >>
g2.\downprall
as2 as4~
as4 g8 e f des'
%% Takt 70 ==================================================
c8 f, as4( g8_\prall f16 g)
f2.~
f2.~
f2 r4
R2.
%% Takt 75 ==================================================
R2.*4 \break
R2.
%% Takt 80 ==================================================
R2.*5
%% Takt 85 ==================================================
R2.
g4. as8\noBeam as8._\prall g32 as \break
b2.
as4 r8 g\noBeam b as16 g
f32[ es16. as8] g8[ as16 b32 c] b4~
%% Takt 90 ==================================================
b8 c16 as g4( f8._\prall es32 f)
es2.~
es2.~
es2.~
es2.~
%% Takt 95 ==================================================
es2. \bar "|."
}
}
alt = {
\new Voice \relative g' {
\global
\halsup
g4\rest
\repeat volta 2 {
g8. as16 f8.\prall es32 f
es8 f g as b4~
b8 c as4.\prall g16 as
g8 f g8. a16 a8.\prall g32 a
%% Takt 5 ==================================================
b2.~
b8 as! g4 f8 es
d8 as' g f es g
f8 es d f es d
c8 d es4 d8 c
%% Takt 10 ==================================================
b4. c8 d4
c8 d es2~
es4 d8 c d4~
d8 c16 h c4 b~
b8 es d c b g'
%% Takt 15 ==================================================
f8 es d! es c d
es8 f g a h4
c8 es, f8. g16 g8.\prall f32 g
as2.~
as8 c b as g b
%% Takt 20 ==================================================
as8 g f as g f
e4. e8 f e
f8 g e4.\prall d!16 e
f2 b4\rest
b4\rest f8. g16 f es d es
%% Takt 25 ==================================================
d4 es f
g4 c b
as8 g f4 es8 des
c4 b4. b8
c4 b2~
%% Takt 30 ==================================================
b8 c des4 c
b as4. g8
as8 b c des es4~
es8 f des4.\prall c16 des
}
\alternative {
{
c4. b8[ c d!]
%% Takt 35 ==================================================
\partial 4 es8 f
}
{
c4. b8[ c des]
%% Takt 35 ==================================================
b4
}
}
es8\rest b c d!
es8 d es2~
es8 d es g f es
d8 es d es f4~
f4 es8 f es d
%% Takt 40 ==================================================
c8 d c d es f
d4 es f~
f8 es d f es g
f2 g4\rest
a8\rest d, es f g4~
%% Takt 45 ==================================================
g8 g f es d4~
d2 g8\rest f
g8 f es d c es
d8 b' as g f as
g4 as b~
%% Takt 50 ==================================================
b8 b as g f as
d,!4 es8 f g4~
g8 g f es d f
es4 f g
c,4 d es~
%% Takt 55 ==================================================
es4 e4. e8
f2.~
f8 d es f g as!
g2.~
g8 e f g as b
%% Takt 60 ==================================================
as2.~
as8 c b as g f
e4 f g~
g8 b as g f es!
des8 f es des c b
%% Takt 65 ==================================================
c8 des es f g as
d,!2 des4~
des4 g, c~
c4 f\rest a\rest
\mmrestup R2.
%% Takt 70 ==================================================
c,8\rest c des c b c
a8 f'4 es!8 des c
\clef treble des8 f b a b c
a4 b c
des2.~
%% Takt 75 ==================================================
des8 f es des c8 des16 es
a,4. a8 b4~
b8 c a4. a8
b4 f8. g!16 es8.\prall d32 es
d4 b'8. c16 as!8.\prall g32 as
%% Takt 80 ==================================================
g4. f8 g a
\clef alto b2~ b8 as!
g8 f g8. as16 f8.\prall es32 f
es8 f g as b4~
b8 c as4.\prall g16 as
%% Takt 85 ==================================================
g8 as g f es d
es8 g f es des c
b4. b8 c d!
es8 f g4 es
c8 d es d es f
%% Takt 90 ==================================================
g8 f g as b4~
b8 es, as2~
as8 as g f es des
c2.~
c8 c b2~
%% Takt 95 ==================================================
b2.
}
}
tenor = {
\new Voice \relative b {
\global
\halsdown
a4\rest
\repeat volta 2 {
b8. c16 as8._\prall g32 as
g4 es'8. f16 des8._\prall c32 des
c4. b8 c d!
es4 b8. c16 c8._\prall b32 c
%% Takt 5 ==================================================
d8 c d8. es16 es8._\prall d32 es
f4. es8 d c
b4. g8 c4~
c8 f, b2~
b4 a4._\prallprall g16 a
%% Takt 10 ==================================================
b8 as! g8. as16 f8._\prall es32 f
es8 f g as b es,
c'8 b as c b as
g4. as8 g f
es4 d\rest d\rest
%% Takt 15 ==================================================
\mmrestdownn R2.
f4\rest g' f8._\prall es32 f
es8 c des f es des
c8 b c8. des16 \scriptdow des8.\prall c32 des
es4 f b,
%% Takt 20 ==================================================
c2 b4~
b8 des c b as g
as8 b g des' c b
as8 g as f g a
b8 f b4. a8
b4 c d
%% Takt 25 ==================================================
es4 e2
f8 es d c b4~
b8 as d,4 es~
es4. d8 c d
es4. b'4 as8~
%% Takt 30 ==================================================
as8 g4 f8 es4~
es8 g as b c as
f4 g8 as b4~
}
\alternative {
{
b8[ b as g as f]
%% Takt 35 ==================================================
\partial 4 g8 as
}
{
b8\repeatTie b as g as f
%% Takt 35 ==================================================
g4
}
}
d4\rest d\rest
f4\rest f8\rest g a b
c8 b c2~
c4 b8 c b as!
g8 a g a b4~
%% Takt 40 ==================================================
b2 a4
a8\rest b as! g f as
g8 c b as g b
a8 h \scriptdownh h4.\prall a16 h
c2~ c8 b!
%% Takt 45 ==================================================
a2~ a8 a
g8 a g a b4~
b2 a4
b4 a\rest a\rest
c8\rest es des c b des
%% Takt 50 ==================================================
c8 des c b as c
f,4 g8 as b4~
b8 b as g f as
g8 c b as g b
a4 b c~
%% Takt 55 ==================================================
c4 b8 c des4~
des8 b4 a8 g a
b2.~
b8 g as b c des c2.~
%% Takt 60 ==================================================
c8 as b c des es
des2.~
des8 des c b as g
as2.~
as4 g4._\prall f16 g
%% Takt 65 ==================================================
as8 b c d! es f
b,4 f b~
b4 e,2
f8 g as b c f,
des'8 f, e b' as e!
%% Takt 70 ==================================================
f2 e4
f4 g a!
b4. c8 des! es
f8 ges f es des c
b8 c' b as! ges f
%% Takt 75 ==================================================
ges4. f8 es4~
es8 ges f es des4~
des8[ es] c f es f
d!8 c d8. es16 c8._\prall b32 c
b8 c d es f4~
%% Takt 80 ==================================================
f8. g16 \dotsDown es4._\prall \dotsNeutral d16 es
d8 c b as! g f
es4 b'8. c16 as8._\prall g32 as
g4 es'8. f16 des8._\prall c32 des
c4. b8 c d!
%% Takt 85 ==================================================
es8 f es d c h
c4 as\rest f\rest
d8\rest d es g as b
c8 d es4 b
as8 f c' as b4
%% Takt 90 ==================================================
\dotsDown es4. c8 des4~
des4 c8 des es f
b,2.~
b8 b as g as4~
as4. as8 g f
%% Takt 95 ==================================================
\dotsNeutral g2.
}
}
right = {
\clef treble
\sopran
}
left = {
\clef alto
<<
\alt
\tenor
>>
}
pedal = {
\new Voice \relative es, {
\global
\clef bass
es4
\repeat volta 2 {
es' b
c4 c' g
as4 f b
es,4 d c
%% Takt 5 ==================================================
b2 c4
d4 es f~
f4 es2
d4. as'8 g f
es8 d c g' f es
%% Takt 10 ==================================================
d4 es h
c4 c g
as4 f b
c, c' d
es4 f g
%% Takt 15 ==================================================
as4 f b
es,2 d4
c4 c' b
as4 as, b
c4 des es~
%% Takt 20 ==================================================
es4 des2
c2 des4
b4 c c,
f4 f' es!
d2 c4
%% Takt 25 ==================================================
b8 c' b as! g f
es8 d c b as g
f2 g4
as2 g4
as4 b as
%% Takt 30 ==================================================
g2 as4 b4 c des
c4 b as
b4 as g
}
\alternative {
{
as2.
%% Takt 35 ==================================================
\partial 4 es4
}
{
as2.
%% Takt 35 ==================================================
es4
}
}
es'4 d
c2 b4
a4. f8 g a
b8 a b4 d,
es4 c g''
%% Takt 40 ==================================================
es4 c f
b,4 c d
es2.~
es4 d8 g f g
c,4 d es
%% Takt 45 ==================================================
f2 fis4
g4 f!8 es d4
es4 f f,
b4 c d
es4 f g
%% Takt 50 ==================================================
as2.~
as8 as g f es g
a,4 h2
c4 d es
f2.
%% Takt 55 ==================================================
ges4 g2
f2 es4
d4 c b
es2.
e4 d c
%% Takt 60 ==================================================
f2.
b,4 c des
c4 d! e
f4 g as
b,4 es es,
%% Takt 65 ==================================================
as2.~
as8 c b as g f
e8 des' c b as g
f4 g as
b4 c des
%% Takt 70 ==================================================
as4 b c
f,4 r f'
b4 r b,
f4 g a
b4 c des
%% Takt 75 ==================================================
es4 f ges
f8 es des c b as!
ges8 es f4 f'
b,4 b' f
g4 g, d'
%% Takt 80 ==================================================
es4 c f
b,4 c d
es2 b4
c4 c' g
as4 f b
%% Takt 85 ==================================================
es,4 f g
c,8 es d c b as
g8 as g f es d
c4 c' g
as4 r8 f g d
%% Takt 90 ==================================================
es8 as b2
c4. b8 c d!
es4. es8 f g
as4. b,8 c d,
es2.~
%% Takt 95 ==================================================
es2.
}
}
\score {
<<
\new PianoStaff{
\set PianoStaff.instrument = \markup { \large "Manuale." }
<<
\context Staff = right {
\right
}
\context Staff = left {
\left
}
>>
}
\context Staff = pedal {
\set Staff.instrument = \markup { \large "Pedale." \hspace #1.8 }
\pedal
}
>>
\layout{}
}
\score {
\unfoldRepeats {
<<
\new Staff {
\set Staff.midiInstrument = "oboe"
\sopran
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\left
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\pedal
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose c c, \pedal
}
>>
}
\midi{ \tempo 4 = 56 }
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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