\version "2.10.33"
\header {
mutopiatitle = "Komm, heiliger Geist, Herre Gott"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 652"
mutopiainstrument = "Organ"
source = "Edition Peters 8662"
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Urs Metzger"
maintainerEmail = "urs@ursmetzger.de"
lastupdated = "2008/Feb/23"
title = "Komm, heiliger Geist, Herre Gott"
subtitle = \markup { \center-align { \normalsize "(Alio modo)" \large "a 2 Clav. e Pedale" } }
composer = "Johann Sebastian Bach"
opus="BWV 652"
footer = "Mutopia-2008/02/25-1325"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2008. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\include "deutsch.ly"
global = {
\key g \major
\time 3/4
#(set-accidental-style 'default)
\override Score.MetronomeMark #'transparent = ##t
}
\paper {
ragged-bottom = ##f
ragged-last-bottom = ##f
}
#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18)
#(define set-script-property (lambda (script property value)
(append! (cdr (assoc script default-script-alist))
(list (cons property value)))))
#(set-script-property "mordent" 'avoid-slur 'outside)
#(set-script-property "prall" 'avoid-slur 'outside)
#(set-script-property "prallprall" 'avoid-slur 'outside)
halsup = { \stemUp \tieUp \slurUp }
halsdown = { \stemDown \tieDown \slurDown }
shiftscriptright = { \once \override Script #'extra-offset = #'( 0.5 . 0 ) }
tsdown = { \once \override TextScript #'extra-offset = #'(0 . -0.8) }
sopran = {
\new Voice \relative d'' {
\global
\partial 4 r4
R2.*14
%% Takt 15 ==================================================
r4 r4 \tsdown d^\markup { \hspace #0.3 \musicglyph #"scripts.mordent" \hspace #0.5 \musicglyph #"scripts.turn" }
e4 d4.\prallprall c8
h4.\prallprall c8 d4
a2.
h8.\mordent cis16 cis4.~\prallprall ( h16 cis)
%% Takt 20 ==================================================
d2.~
d2 r4
R2.
R2.
R2.
%% Takt 25 ==================================================
R2.*10
%% Takt 35 ==================================================
R2.
d8.( e32 f) e4 \tsdown d8.^\markup { \hspace #2 \musicglyph #"scripts.turn" } e16
a,4.\lineprall h8 c4
h8. c32 a a4.\prallprall g16 a
g2.~
%% Takt 40 ==================================================
g2 r4
R2.*18
r4 r g
%% Takt 60 ==================================================
a4.\mordent h8 c4
\appoggiatura c8 h8. d32 c d2
a4. g8 fis4~
fis8 g e4. d16 e
d2.~
%% Takt 65 ==================================================
d2 r4
R2.*19
%% Takt 85 ==================================================
d4 \compressMusic #'( 5 . 6 ) g8. \set stemLeftBeamCount = #1 \set stemRightBeamCount = #3 a32 \set stemLeftBeamCount = #3 g a a4\prallmordent
h4. c8 d4~
d8. f32 e \appoggiatura d8 c2~
c8 h a4.\prallprall g16 a
h2.~
%% Takt 90 ==================================================
h4 r r
R2.*9
%% Takt 100 =================================================
R2.*4
h8.\mordent c16 d4 e
%% Takt 105 =================================================
d2 a4
h8.\mordent cis16 cis4.\prallprall h16 cis
d2.~
d2 r4
R2.
%% Takt 110 =================================================
R2.*5
%% Takt 115 =================================================
R2.
R2.
R2.
R2.
d4 e d
%% Takt 120 =================================================
a2 c4
h4 a4.\prallprall g16 a
g2.~
g2 r4
R2.
%% Takt 125 =================================================
R2.*15
%% Takt 140 =================================================
R2.
r4 r g
a4. h8 c4
h8. d32 c d2
a4. g8 fis4~
%% Takt 145 =================================================
fis8 g e4. d16 e
d2.~
d2 r4
R2.
R2.
%% Takt 150 =================================================
R2.*14
d4 g a
%% Takt 165 =================================================
h4. c8 d4~
d8 g, c2~
c8. d32 h a4. h8
e,8. fis16 fis4.\prallprall e16 fis
g2.~
%% Takt 170 =================================================
g2 r4
R2.*9
%% Takt 180 =================================================
R2.*4
r8 a h a g fis
%% Takt 185 =================================================
e2 a4
e16 fis e fis fis4.\prallprall e16 fis
g16 d' e fis g4~ g16 f e f32 d
e16 g, a h c4~ c16 h a h32 g
fis16 a, h c d4~ d16 c h c32 a
%% Takt 190 =================================================
h16 d e fis g h, c d g, f' e f32 d
e16 g a h c e, f g c, h' a h32 g
fis!16 a h c d fis, g a d, c' h c32 a
h16 d e fis g h, c d g, h a h32 g
\once \override Tie #'staff-position = #2 c2.~\mordent c4~ c16 d, e fis g a h c
%% Takt 195 =================================================
d16 c d e a,4.\prallprall g16 a
g2.~
g2~ g16 a g a32 fis
g2.\mordent
\bar "|."
}
}
alt = {
\new Voice \relative g' {
\global
\halsup
\partial 4 h4\rest
\once \override MultiMeasureRest #'staff-position = #6 R2.
\once \override MultiMeasureRest #'staff-position = #4 R2.
\once \override MultiMeasureRest #'staff-position = #4 R2.
\once \override MultiMeasureRest #'staff-position = #4 R2.
%% Takt 5 ==================================================
h4\rest h\rest g
h4 a4.\downprall g8
fis4. g8 a4
d,2.
e8. fis16 \shiftscriptright fis4.\prallprall e16 fis
%% Takt 10 ==================================================
g4. fis8 e4
d4 d'2~
d8 d cis h a h
g4. fis8 g a
fis4. fis8 g a
%% Takt 15 ==================================================
h4. a8 g f
e4 fis!2
g2~ g8 fis
e8 cis! fis g fis e
d8 g4 h8 a g
%% Takt 20 ==================================================
fis8 d' c!4. h8
a4. h8 c4~
c8 a h c h a
g4 a2~
a8 d, g a g f
%% Takt 25 ==================================================
e4. fis!8 g a
h4 h\rest h\rest
h8\rest a g fis e fis
g8 d' c h c d
h4 a8 g a h
%% Takt 30 ==================================================
g4 h a
e4. fis8 g4
fis4 e4.\prallprall d16 e
d8 c! h d c h
c4. d8 e4
%% Takt 35 ==================================================
r8 d e d e fis
g4. a8 h c
d2 g,4~
g2 fis4
g4. f8 e4~
%% Takt 40 ==================================================
e8 e d4. g8
c,4. e8 d c
h8 d e fis g4~
g8 e fis g a4~
a8 g4 fis8 e d
%% Takt 45 ==================================================
cis8\prall d e4. a,8
d4. e8 cis4
d2 r8 d
e4. fis8 g4
fis4 a2
%% Takt 50 ==================================================
d,4. c8 h4~
h8 c \shiftscriptright a4.\prallprall g16 a
g4 c4. h8
c8 h c d e4
d8 e fis g a h
%% Takt 55 ==================================================
cis8 d e4. a,8
d4. e8 cis4
d8 c! h a g c
a4. h8 e, fis
g4. f8 e4~
%% Takt 60 ==================================================
e4 d2~
d4 g8 fis e d
cis8 a d2~
d2 cis4
d4. c!8 h4~
%% Takt 65 ==================================================
h8[ h] a d4 cis8
d4 g\rest g\rest
g8\rest d g4. fis8
e8 a, h'\rest a e fis
g4. g8 fis e
%% Takt 70 ==================================================
dis8 e fis4. g8
a4. h8 g4
fis4 e2~
e4 \once \override Tie #'staff-position = #3.2 d2~
d4. cis8 d e
%% Takt 75 ==================================================
a,4 d e
fis4. g8 a4~
a4 g2~
g8 fis e4.\prallprall d16 e
fis4. e8 d4
%% Takt 80 ==================================================
g4. fis8 e4
fis8 e' d c h a
g8 a h4 a
g8 fis g a e fis
g4. g8 fis e
%% Takt 85 ==================================================
d8[ c] h e4 d8~
d2.
e2.
d4 e dis8 e
fis4. e4 dis8
%% Takt 90 ==================================================
e8 g cis,4 dis
e4 g\rest g\rest
g4\rest h8\rest d4 cis8~
cis8 c h a g fis
g8 h e, a g a
%% Takt 95 ==================================================
fis8 g a4 h
a2 d,4
e4 fis4.\prallprall e16 fis
g2~ g8 a16 g
fis8 g16 a cis,4.\prallprall h16 cis
%% Takt 100 =================================================
d8 e fis4 g8. a16
fis4~ fis16 g a h cis,!8 a'
d,8 g4 fis8 e[ fis16 g]
fis4. g8 a[ h16 c!]
h8 a g2
%% Takt 105 =================================================
fis4 g a~
a4 g8 fis e g~
g8 g fis e fis4
g4. a8 h cis
d4. e8 cis4\prall
%% Takt 110 =================================================
d4 d8\rest c!4 h8
c8 h a g fis e
d8 g4 fis16 e fis4\prall
g4 h a
e2 g4
%% Takt 115 =================================================
fis4 e4.\prallprall d16 e
d8 d' c h e gis,
a8 h c d e fis
g8 d c e d c
h4 g8 a h4
%% Takt 120 =================================================
h4\rest d8\rest a g fis
g2 fis4
g8 f e4.\prallprall d16 e
d4. g,8 c4
h8 d e fis g4~
%% Takt 125 =================================================
g8 e fis g a4~
a8 g4 fis8 e d
cis8 d e4. a,8
d4. cis16 h cis4
d2 e8\rest d
%% Takt 130 =================================================
e4. fis8 g4
fis4 a2
d,4. c8 h4~
h8 c \shiftscriptright a4.\prallprall g16 a
g4 c4. h8
%% Takt 135 =================================================
c8 h c d e4
d8 e fis g a h
cis8 d e4. a,8
d4. cis16 h cis4
d8 c! h a g c
%% Takt 140 =================================================
a4. h8 e, fis
g4. f8 e4~
e4 d2~
d4 g8 fis e d
cis8 a d2~
%% Takt 145 =================================================
d2 cis4
d4. c!8 h4~
h8[ h] a d4 cis8
d4 g\rest g\rest
g8\rest c! h a g fis
%% Takt 150 =================================================
e4. d8 e fis
g4. f8 e d
c8 h a h c d
h4 cis4.\prallprall h16 cis
d8 a d4 e
%% Takt 155 =================================================
fis4. g8 a4~
a8 d, g2~
g8 fis e4. fis8
h,4 cis4.\prallprall h16 cis
d8 c'! h a g fis
%% Takt 160 =================================================
g8 e' d c h a
g4. fis8 g a
d,8 g4 fis8 e d
c8 h a h c d
h8 c d g4 fis8
%% Takt 165 =================================================
g4 d2
g4. f8 e4
d4 c4. d8
e8 d c h c d
h8 c d2~
%% Takt 170 =================================================
d8 g, c2
h4 g'\rest g\rest
e8\rest d e d c h
c8 e d c h a
h8 a h cis d e
%% Takt 175 =================================================
cis8 e fis e d cis
h2 e4
h4 cis4.\prallprall h16 cis
d8 fis e d cis h
cis8 a d4 e8 fis
%% Takt 180 =================================================
g8 h e d cis h
c!8 e d c h a
h4. h8 cis d
e8 e, a g fis e
d2.~
%% Takt 185 =================================================
d4 c8 h c d
c8 cis d e d c
d4 \clef "treble" fis'16\rest d e fis g4~
g4 fis16\rest g, a h c4
a4 \clef "alto" g16\rest a, h c \once \override Tie #'staff-position = #2 d4~
%% Takt 190 =================================================
d4 h'16\rest d, e fis g4~
g4 h16\rest g a h c4
a4 \clef "treble" d16\rest a h c d4~
d4 fis16\rest d e fis g4~
g16 g fis e fis2~
%% Takt 195 =================================================
fis16 a, h c d4. fis,8
g2 fis4
h16\rest d, e fis g4~ g16 f e d
e16 g a h c4~ \tempo 4 = 60 c16 \tempo 4 = 52 c \tempo 4 = 44 h \tempo 4 = 30 a
h2.
}
}
altzwei = {
\new Voice \relative h' {
\global
\partial 4 s4
s2.*186
s2 h8\rest \stemUp h
\shiftOn c4 e,\rest e8\rest e
fis4 \clef "alto" f,\rest f8\rest \once \override Stem #'length = #6.3 fis
%% Takt 190 =================================================
g4 a\rest c8\rest h
c4 a\rest c8\rest e
fis4
}
}
tenor = {
\new Voice \relative d' {
\global
\halsdown
\partial 4 d4
e4 \once \override Script #'extra-offset = #'(0 . 1.3) d4.\downprall c8
h4.\downprall c8 d4
a2.
h8. cis16 cis4.\prallprall h16 cis
%% Takt 5 ==================================================
d8 a d c! h a
g4. fis8 e4
d4 d'4. c8
h8 a h c h a
g8 c4 a8 d4~
%% Takt 10 ==================================================
d8 c h a g a
h8 c d e fis g
\dotsDown e4. d8 cis4
r8 d e4 a,~
a4. a8 h c!
%% Takt 15 ==================================================
d8 c h2
c8 h a h c4
d8 e d c h4
cis8 a d e d c
h4 e2
%% Takt 20 ==================================================
d4 e8 fis g4
a8 g fis4. e8
fis4 r8 d g fis~
fis8 e4 e8 d c
h4. c8 d4~
%% Takt 25 ==================================================
d8 g, c e d c
d4 e d
a4. h8 c4
h4 a4._\prallprall g16 a
g8 d' c h c d
%% Takt 30 ==================================================
h8 a g fis e d
cis8 e d cis h cis
d8 a' g fis g a
h8 a g fis gis4
f8\rest a g! fis e fis
%% Takt 35 ==================================================
g4 c8 h c a
h4 c d~
d2 e4
d4 e a,
h8 c d4. g,8
%% Takt 40 ==================================================
c4. c8 h4~
h8 a16 g fis2
g2 f8\rest g
a4. h8 c4
h4 d2
%% Takt 45 ==================================================
a4. g8 fis4~
fis8 g e4. d16 e
d8 c'! h a g4~
g8 a g fis e e'~
e8 d c h a g
%% Takt 50 ==================================================
fis8 g a4. d,8
g4. fis16 e fis4~
fis8 e d c d g
e4 a g8 a
h4 a fis'
%% Takt 55 ==================================================
e8 d cis h a g
fis8 d g4._\prallprall fis16 g
fis8 a d c! h e~
e8 d c h c4
h8 c d4. g,8
%% Takt 60 ==================================================
c8 h a g a fis!
g8 a h2
e,4 fis8 g a4
h2 a8 g
fis8 g a4. d,8
%% Takt 65 ==================================================
g4. fis8 e4
d4 g a
h4. c!8 d4~
d4 c2~
c8 h a4._\prallprall g16 a
%% Takt 70 ==================================================
h4. cis8 dis!4~
dis8 e fis4. e8~
e8 d!4 d8 cis h
ais8 fis fis\rest cis' h a
gis8 e a2
%% Takt 75 ==================================================
d,8\rest g! fis e d cis
d8 a' d4. cis8
h8 e, a\rest e' h cis
d4. d8 cis h
ais8 h cis4. h16 ais!
%% Takt 80 ==================================================
h8 cis d4. cis8
d8 c! h a! g fis
g8 d' g4. fis8
e4 e,8 fis g a
d,8 g c h a g
%% Takt 85 ==================================================
fis4 g4. fis8
g4. a8 h a
gis4 a g8 a
h4 c2
h8 a g4 a
%% Takt 90 ==================================================
h4. a8 g fis
g8 fis e fis g a
h8 c! d!4 e
d2 a4
h4 cis4._\prallprall h16 cis
%% Takt 95 ==================================================
d8 c! h a g g'~
g8 fis e d c h
c8 e a, d c d
h8 e d e cis4
d8 d, e a g a
%% Takt 100 =================================================
fis4 a8\rest d4 cis8
d8 cis h a g fis
g8 h e, a g a
d,8 a' d2~
d2~ d8 c
%% Takt 105 =================================================
d2.~
d4 e a,
h4 a8 g a4
h4. cis8 d e
fis4. g8 e4
%% Takt 110 =================================================
d4 e d
a4. h8 c4
h4 a4._\prallprall g16 a
g8 h d g4 fis8
g8 fis e d cis h
%% Takt 115 =================================================
a8 d4 c!16 h c4~
c8 h r d c h
c8 h a g! fis e
d8 g'4 fis16 e fis4
g4 e8 fis g4
%% Takt 120 =================================================
c,8\rest g' fis e d c
d4 e d8. c16
h8 g c2~
c8 h e,4. fis!8
g4 fis\rest fis8\rest g
%% Takt 125 =================================================
a4. h8 c4
h4 d2
a4. g8 fis4~
fis8 g e4._\prallprall d16 e
d8 c'! h a g4~
%% Takt 130 =================================================
g8 a g fis e e'~
e8 d c h a g
fis8 g a4. d,8
g4. fis16 e fis4~
fis8 e d c d g
%% Takt 135 =================================================
e4 a g8 a
h4 a fis'
e8 d cis h a g
fis8 d g4. fis16 e
fis8 a d c! h e~
%% Takt 140 =================================================
e8 d c h c4
h8 c d4. g,8
c8 h a g a fis!
g8 a h2
e,4 fis8 g a4
%% Takt 145 =================================================
h2 a8 g
fis8 g a4. d,8
g4. fis8 e4
d4 g a
h4. c!8 d4~
%% Takt 150 =================================================
d8 g, c2~
c8 h a4. h8
e,4 fis!4._\prallprall e16 fis
g8 fis e fis g a
fis8 g fis e d cis
%% Takt 155 =================================================
d8 a' d e d c!
h4. a8 h cis
d4. c!8 h a
g8 fis e fis g a
fis4 g8 a h c!
%% Takt 160 =================================================
d8 c h a g fis
e4. d8 e fis
g4 c fis,
g4 d a'
g8 a h e c d
%% Takt 165 =================================================
g,4. a8 h4~
h8 a g2~
g4 a g8 f
g4 a2
g4. f8 e d
%% Takt 170 =================================================
e4. d8 e fis!
g8 a h a g fis
e2 a4
e4 fis4. e16 fis
g4 fis8 e fis g
%% Takt 175 =================================================
a8 cis, d e fis d
g8 a h a g fis
g8 h a g fis e
fis8 d g2~
g4 fis8 d g a
%% Takt 180 =================================================
h8 a g fis e fis
g4 a d~
d8 c h a g fis
e4 d8\rest e a g
fis4 g2~
%% Takt 185 =================================================
g4. gis8 a h
a8 g! a2
g4 \clef "treble" e'\rest e8\rest g~
g4 f,\rest a8\rest c
d4 \clef "alto" g,,\rest h8\rest d~
%% Takt 190 =================================================
d4 h\rest f'8\rest g~
g4 h,\rest f'8\rest c'~
c4 \clef "treble" c\rest e16\rest d fis d
g4 e\rest g16\rest g h g
a2.~
%% Takt 195 =================================================
a16 e\rest e8\rest e16\rest fis g a d,8 c
h8 a~ a h c d
h4 c16\rest h c d g,4~
g16 c16\rest c8\rest e16\rest e f g c,4
d2.
}
}
right = {
\clef "treble"
\sopran
}
left = {
\clef "alto"
<<
\alt
\altzwei
\tenor
>>
}
pedal = {
\global
\clef "bass"
\relative d {
\partial 4 r4
R2.*8
r4 r d
%% Takt 10 ==================================================
e4 d4. c8
h4. c8 d4
a2.
h4 cis2
d8 a d c! h a
%% Takt 15 ==================================================
g8 d' g f e d
c4. h8 a4
g4 \once \override Tie #'staff-position = #4 g'2~
g4 fis2
g4 e a,
%% Takt 20 ==================================================
h4 a4. g8
fis4. g8 a4
d,2.
e4 fis2
g2.~
%% Takt 25 ==================================================
g2.~
g4 r r
R2.
R2.
R2.
%% Takt 30 ==================================================
R2.
R2.
R2.
d'4 e d
a4. h8 c4
%% Takt 35 ==================================================
h4 a2
g8 g' c h a g
fis8 a g fis e fis
g8 h, c h c d
g,8 a h g c d
%% Takt 40 ==================================================
e8 c \once \override Tie #'staff-position = #4 g'2~
\once \override Tie #'staff-position = #4 g2.~
g4 r r
R2.
R2.
%% Takt 45 ==================================================
R2.*5
%% Takt 50 ==================================================
R2.
R2.
r4 r g,
a4. h8 c4
h4 d2
%% Takt 55 ==================================================
a4. g8 fis4~
fis8 g e2
d2 e4
fis4. g8 a4
g8 a h4 c8 h
%% Takt 60 ==================================================
a8 g fis e fis d
g2.~
g8 g' fis e d cis
h8 a g e a4
d,8 e fis d g a
%% Takt 65 ==================================================
h8 g d'2~
d4 r r
R2.*13
%% Takt 80 ==================================================
R2.
d,4 g a
h4. c8 d4~
d4 c2~
c8 h a2
%% Takt 85 ==================================================
h4 e8 d c d
g,8 d' g4. f8
e8 a, r a' e fis!
g4. g8 fis e
dis4 e fis
%% Takt 90 ==================================================
g4 a h
e,4 r r
R2.*8
%% Takt 100 =================================================
h8 cis d4 e
d2 a4
h4 cis2
d4. e8 fis d
g8 a h g c!4~
%% Takt 105 =================================================
c8 c h a g fis
g8 h e, a g a
d,2~ d8 c
h8 a g g' fis e
d8 g, a2
%% Takt 110 =================================================
d,4 r r
R2.*4
%% Takt 115 =================================================
R2.
d'4 e d
a2 c4
h4 a2
g8 g' c h a g
%% Takt 120 =================================================
fis8 e d c h a
g8 h c a d d,
e4 e'8 d e c
g'2.~
g4 g, r
%% Takt 125 =================================================
R2.*9
r4 r g
%% Takt 135 =================================================
a4. h8 c4
h4 d2
a4. g8 fis4~
fis8 g e2
d2 e4
%% Takt 140 =================================================
fis4. g8 a4
g8 a h4 c8 h
a8 g fis e fis d
g2.~
g8 g' fis e d cis
%% Takt 145 =================================================
h8 a g e a4
d,8 e fis d g a
h8 g d'2~
d4 r r
R2.
%% Takt 150 =================================================
R2.*9
d,4 g a
%% Takt 160 =================================================
h4. c8 d4~
d8 g, c2~
c8 h a4. h8
e,4 fis2
g2 r4
%% Takt 165 =================================================
r8 c' h a g fis
e4. d8 e fis!
g4. f8 e d
c8 h a4 d
e4 h2
%% Takt 170 =================================================
c4. h8 a d
g,4 r r
R2.*3
%% Takt 175 =================================================
R2.*4
r8 a h a g fis
%% Takt 180 =================================================
e2 a4
e4 fis2
g8 d' g fis e d
cis2.
d4 g,8 a h4
%% Takt 185 =================================================
c!8 d e d c h
c8 e d c h a
h4 r r16 g h g
c4 r r16 a c a
d4 r r16 d fis d
%% Takt 190 =================================================
g4 r r16 g h g
c4 r r16 a c a
d2.~
d2.~
d4~ d16 d a c fis, a d, fis
%% Takt 195 =================================================
h,8 e d c h a
h8 c d4 d,
g4. a8 h g
c4. d,8 e c
g'2.
}
}
\score {
<<
\new PianoStaff {
<<
\context Staff = right {
\context Voice = right \right
}
\context Staff = left {
\context Voice = left \left
}
>>
}
\context Staff = pedal {
\context Voice = pedal \pedal
}
>>
\layout{
indent = 1.0\cm
}
}
\score {
\unfoldRepeats {
<<
\context Staff = right {
\set Staff.midiInstrument = "pan flute"
\right
}
\context Staff {
\set Staff.midiInstrument = "recorder"
\transpose d' d'' \right
}
\context Staff {
\set Staff.midiInstrument = "recorder"
\transpose d' a'' \right
}
\context Staff = left {
\set Staff.midiInstrument = "recorder"
\left
}
\context Staff {
\set Staff.midiInstrument = "recorder"
\transpose d' d''\left
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\pedal
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose d d, \pedal
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose d d' \pedal
}
>>
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 72 4)
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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