\version "2.8.2"
\header {
mutopiatitle = "Herr Christ der ein'ge Gottes Sohn"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 601"
mutopiainstrument = "Organ"
source = "Autograph"
style = "Baroque"
copyright = "Public Domain"
maintainer = "Urs Metzger"
maintainerEmail = "urs@ursmetzger.de"
lastupdated = "2006/May/21"
title = \markup {
\center-align {
\fontsize #0 "Herr Christ der ein'ge Gottes Sohn"
\fontsize #-2 "oder"
\fontsize #0 "Herr Gott nun sey gepreiset"
}
}
composer = "Johann Sebastian Bach"
opus="BWV 601"
footer = "Mutopia-2006/05/23-770"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
\include "deutsch.ly"
global = {
\key a \major
\time 4/4
#(set-accidental-style 'default)
}
#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18)
halsup = { \stemUp \tieUp }
halsdown = { \stemDown \tieDown }
sopran = {
\new Voice \relative a' {
\global
\halsup
\partial 4 a4
\repeat volta 2 {
a8. h16 cis4 h a
gis4 gis fis\fermata cis'
d8. cis16 h4 cis h
}
\alternative {
{
a2. a4
}
{
\set Score.currentBarNumber = #4
a2. a8. h16
}
}
%% Takt 5 ==================================================
\repeat volta 2 {
cis4 cis d d
e2 h4\fermata e
cis4 cis h a
gis2 fis4\fermata cis'
d8. cis16 h4 cis h
}
%% Takt 10 ==================================================
\alternative {
{
a2. a8. h16
}
{
\set Score.currentBarNumber = #10
a1 \bar "|."
}
}
}
}
alt = {
\new Voice \relative a {
\global
\halsdown
\partial 4 a16\rest a cis a
\repeat volta 2 {
d4 e8. fis16 gis fis gis8~ gis16 gis fis8~
fis16 fis eis fis eis8. eis16 fis eis fis gis a4~
a16 a h a gis fis e! d cis8 e fis16 d e h
}
\alternative {
{
cis8 d16 h cis e fis gis a4 a,16\rest a cis a
}
{
cis8 d16 h cis e fis gis a4 cis,4\rest
}
}
%% Takt 5 ==================================================
\repeat volta 2 {
e16\rest e gis e a4~ a16 fis a fis h4~
h16 gis h gis cis8 a~ a16 gis a fis gis8 h~
h16 gis e gis a fis dis fis~ fis eis cis eis fis8 fis~
fis8. fis16 eis dis cis h a cis fis gis a4~
a16 a h a gis fis e8~ e8. e16 fis d e h
}
%% Takt 10 ==================================================
\alternative {
{
cis8 d16 h cis e fis gis a fis e d cis4
}
{
cis8 d16 h cis e fis gis a fis e d cis4
}
}
}
}
tenor = {
\new Voice \relative d {
\global
\partial 4 r4
\repeat volta 2 {
r16 d fis d a'4 r16 h e d cis8. cis16
d16 gis, h gis cis h cis gis a gis a eis fis cis' fis e
d16 cis h8~ h h~ h a~ a gis
}
\alternative {
{
a16 e fis d e cis d h cis a cis e a, r16 r8
}
{
a'16 e fis d e cis d h cis a cis e a e cis e
}
}
%% Takt 5 ==================================================
\repeat volta 2 {
a,16 cis e cis fis a cis a h d, fis d gis h d h
cis e, gis e a cis e cis fis e fis dis h8 e~
e16 d! cis h a4~ a8 gis a16 cis fis e!
d cis h a gis fis eis8 fis16 cis a cis fis, cis'' fis e!
d16 cis h cis d8. d16 cis h a8~ a gis
}
%% Takt 10 ==================================================
\alternative {
{
a16 e fis d e cis d h cis a cis e a e cis e
}
{
a16 e fis d e cis d h cis a cis e a4
}
}
}
}
right = {
\clef treble
<<
\alt
\sopran
>>
}
left = {
\clef bass
<<
\tenor
>>
}
pedal = {
\global
\clef "bass"
\relative a, {
\partial 4 r4
\repeat volta 2 {
r4 r16 a cis a e'8 e, r16 fis' a fis
h8 h, r16 cis eis cis fis8 fis, r16 fis' a fis
h8 h, r16 e gis e a a, cis a d h e e,
}
\alternative {
{
a2. r4
}
{
a2. r4
}
}
%% Takt 5 ==================================================
\repeat volta 2 {
r4 r16 fis' a fis h8 h, r16 gis' h gis
cis8 cis, r16 a cis a dis8 dis, r16 e' gis e
a8 a, r16 dis fis dis gis cis, eis cis fis fis a fis
h8 h, r16 cis eis cis fis8 fis, r16 fis' a fis
h8 h, r16 e gis e a a, cis a d h e e,
}
%% Takt 10 ==================================================
\alternative {
{
a2. r4
}
{
a1
}
}
}
}
\score {
<<
\new PianoStaff
{
\set PianoStaff.instrument = \markup { \large "Manual" }
<<
\new Staff = right { \right }
\new Staff = left { \left }
>>
}
\new Staff {
\set Staff.instrument = \markup { \large "Pedal" \hspace #1.8 }
\pedal
}
>>
\layout { }
}
\score {
\unfoldRepeats {
<<
\new Staff = right {
\set Staff.midiInstrument = "pan flute"
\right
}
\new Staff = right {
\set Staff.midiInstrument = "flute"
\transpose c c' \right
}
\new Staff = left {
\set Staff.midiInstrument = "pan flute"
\left
}
\new Staff = left {
\set Staff.midiInstrument = "pan flute"
\transpose c c' \left
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\pedal
}
\new Staff {
\set Staff.midiInstrument = "flute"
\transpose c c' \pedal
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose c c, \pedal
}
>>
}
\midi{
\tempo 4 = 64
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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