\version "2.18.2"
\language "deutsch"
\header {
mutopiatitle = "Gott durch deine Güte"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 600"
mutopiainstrument = "Organ"
source = "Autograph"
style = "Baroque"
maintainer = "Urs Metzger"
maintainerEmail = "urs@ursmetzger.de"
lastupdated = "2006/May/21"
title = \markup {
\center-column {
\fontsize #0 "Gott durch deine Güte"
\fontsize #-2 "oder"
\fontsize #0 "Gottes Sohn ist kommen"
}
}
composer = "Johann Sebastian Bach"
opus="BWV 600"
license = "Public Domain"
footer = "Mutopia-2018/03/31-769"
copyright = \markup {\override #'(font-name . "DejaVu Sans, Bold") \override #'(baseline-skip . 0) \right-column {\with-url #"http://www.MutopiaProject.org" {\abs-fontsize #9 "Mutopia " \concat {\abs-fontsize #12 \with-color #white "ǀ" \abs-fontsize #9 "Project "}}}\override #'(font-name . "DejaVu Sans, Bold") \override #'(baseline-skip . 0 ) \center-column {\abs-fontsize #11.9 \with-color #grey \bold {"ǀ" "ǀ"}}\override #'(font-name . "DejaVu Sans,sans-serif") \override #'(baseline-skip . 0) \column { \abs-fontsize #8 \concat {"Typeset using " \with-url #"http://www.lilypond.org" "LilyPond " "by " \maintainer " — " \footer}\concat {\concat {\abs-fontsize #8 { "Placed in the " \with-url #"http://creativecommons.org/licenses/publicdomain" "Public Domain" " by the typesetter " " — free to distribute, modify, and perform" }}\abs-fontsize #13 \with-color #white "ǀ" }}}
tagline = ##f
}
global = {
\key f \major
\time 3/2
\accidentalStyle default
}
#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18)
halsup = { \stemUp \tieUp }
halsdown = { \stemDown \tieDown }
staffup = { \change Staff = "right" \halsdown }
staffdown = { \change Staff = "left" \halsup }
sopran = {
\new Voice \relative f' {
\global
\halsup
f1^\markup { "man. Princip. 8fs." } f4 g
a1 h2
c1 d2
c1\fermata r2
%% Takt 5 ==================================================
d1 e2
f1 c2
a2 h\prallprall a4 h
c1 d2\rest
b1 g2
%% Takt 10 ==================================================
a1 b2
a1 g2
f1 r2
r2 e f
g1 a2
%% Takt 15 ==================================================
g1 f2
e2 d1
c1 g'2\rest
f1 f4 g
a1 h2
%% Takt 20 ==================================================
c1 d2
c1 r2
f,1 g2
a1 b2
a1 g2
%% Takt 25 ==================================================
f1 e2
f1.\fermata \bar "|."
}
}
alt = {
\new Voice \relative c' {
\global
\halsdown
a8\rest es' d c d es d c b d c b
a8 g' f e! d c d e f e f g
e8 b'! a g a b a g f a g f
g8 a g f e g f e a g f g
%% Takt 5 ==================================================
a8 c b a b c b a b d c b
a8 b a g f a g f g b a g
a8 a, h c d c d e f e f d
e b' a g a b a g f a g f
g a g f e d c d e f d e
%% Takt 10 ==================================================
f8 c d e f g f e f e f g
c,8 f e d c es d c d c d e
f8 e d e f g f e f e d c
h8 d c h c d c h a c h a
\staffdown g a g f e \staffup f' e d c g' f e
%% Takt 15 ==================================================
d8 e d c h d c h c h c d
e8 d c h \staffdown a c h a h c a h
c b! a g a f g a b g a b
\staffup c8 es d c d es d c b d c b
a g' f e d c d e f e f g
%% Takt 20 ==================================================
e b' a g a b a g f a g f
g8 a g f e g f e a g f g
a8 g f e d c b a b f' e d
c8 g' f e f g f e d f e d
c8 f es d c es d c d c d e
%% Takt 25 ==================================================
f8 e d c d c b a b d c b
\dotsDown a1.
}
}
bass = {
\new Voice \relative f, {
\global
r4 f b c d e!
f4 g f e d g
c,4 f e f d g
e4 a g a f b
%% Takt 5 ==================================================
fis d g f g c,
d d' c b a g
f e d g f g
c, f e f d g
e d c b! a g
%% Takt 10 ==================================================
f e d c d e
f f' es f b, c
d, d' c d h c
d g, c a d h
\stemDown e d c h a d
%% Takt 15 ==================================================
\stemNeutral h e d e a, h
c e \stemDown f d g g,
c e, f d g e!
\stemNeutral a f b c d e
f g f e d g
%% Takt 20 ==================================================
c, f e f d g
e a g a f b
a d c d g, c
f, e d c b c
f, f' es f b, c
%% Takt 25 ==================================================
d c b g c c,
f1.
}
}
right = {
\clef treble
<<
\alt
\sopran
>>
}
left = {
\clef bass
<<
\bass
>>
}
pedal = {
\global
\clef "bass"
\relative f {
R1*3/2
f1^\markup { "ped. Tromp. 8 fs." } f4 g
a1 h2
c1 d2
%% Takt 5 ==================================================
c2 r r
d1 e2
f1 c2
a1 h2
c1 r2
%% Takt 10 ==================================================
r2 b g
a1 b2
a1 g2
f2 r r
r2 e f
%% Takt 15 ==================================================
g1 a2
g1 f2
e2 d1
c2 r r
f1 f4 g
%% Takt 20 ==================================================
a1 h2
c1 d2
c2 r r
f,1 g2
a1 b2
%% Takt 25 ==================================================
a2 g1
f1.
}
}
\score {
<<
\new PianoStaff
{
\set PianoStaff.instrumentName = \markup { \large "Manual." }
<<
\new Staff = "right" { \right }
\new Staff = "left" { \left }
>>
}
\new Staff {
\set Staff.instrumentName = \markup { \large "Pedal." \hspace #1.8 }
\pedal
}
>>
\layout { }
}
\score {
\new PianoStaff {
<<
\new Staff = "right" {
\set Staff.midiInstrument = "flute"
\sopran
}
\new Staff = "left" {
\set Staff.midiInstrument = "pan flute"
\alt
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\bass
}
\new Staff {
\set Staff.midiInstrument = "bassoon"
\pedal
}
>>
}
\midi {
\tempo 4 = 124
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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