\version "2.16.0"
%Solo violin, 3rd movement
soloViolinDThemeBody = { % first bar intentionally missing!
%{ e16( fis gis b) e8-. | %} e16( dis) fis( e) dis( cis) |
b( cis dis fis) a8-. | a4. |
gis16( fis) a( gis) fis( e) | dis( cis) e( dis) cis( b) |
a( gis) b( a) gis( a) | fis( e fis) a gis fis |
e16( fis gis b) e8-. | e16( dis) fis( e) dis( cis) |
e,( fis gis b) d8-. | d4. |
cis16( e a gis fis e) | dis( cis) e( dis) cis( b) |
gis'8-. a-. fis\trill | e4. |
}
soloViolinDThemeB = \relative c' { % without a "tutti" at the start
e16( fis gis b) e8-. | \soloViolinDThemeBody
}
soloViolinDThemeC = \relative c' { % with a "tutti" at the start
e16-"Tutti"( fis gis b) e8-. | \soloViolinDThemeBody
}
soloViolinDa = \relative c' {
b'16-"Solo" ( a gis e' b a) | gis( fis e b' gis fis) |
e fis gis b dis e | ais,,( fis' e' gis fis e) |
dis( cis b) b' fis e | dis cis b fis' dis cis |
b( cis dis fis ais b) | eis,,( cis' gis' b ais gis) |
ais( b cis) ais fis e | dis b dis fis b fis |
gis( a b gis e dis) | cis( dis e cis ais gis) |
fis( gis ais b cis dis e fis gis) ais( b ais) |
b fis( dis b fis ais) | b fis dis fis b,8 |
}
soloViolinDb = \relative c' {
gis''16-"Solo"( fis e a) gis fis | e( dis cis bis) cis e |
dis( e fis a) fis dis | bis( cis dis bis) gis fis |
e( gis cis dis) e cis | a( b cis a) fis e |
dis( fis b cis) dis b | gis( a b gis) e dis |
cis e( gis cis dis e) | bis, dis( gis dis' e fis) |
cis, gis'( cis e fis gis) | dis, fis( bis dis fis a) |
gis fis e dis cis b | a gis'[\p( fis e dis cis)] |
bis fis'[\f e dis cis bis] | cis gis[\p( fis e dis cis)] |
}
soloViolinDcLower = \context Staff \relative c' {
gis'16-"Solo" b( e dis e b) | \stemDown gis8 fis gis |
a fis gis | a gis a |
fis s s | e e e |
a a ais | \stemNeutral dis16 cis( b cis dis e) |
fis dis b gis a8 ~ | a16 fis gis b e fis |
gis eis cis a b8 ~ | b16 gis a cis fis gis |
a fis e( cis d) fis | b gis e( cis d) b |
cis e fis d b gis' | a e cis a gis fis |
}
soloViolinDcUpper = \context Staff \relative c' {
s4. | \stemUp b'16 e a, e' b e |
cis e d e b e | cis e b e cis e |
dis fis( a gis a fis) | b, gis' cis, gis' d gis |
cis, gis' cis, fis cis e | s4. |
s4. * 8 |
}
soloViolinDd = \relative c' {
gis'16 fis e fis gis a |
b gis32( a b16) b32( cis d16) b32( cis |
d16) d32( e fis16) d32( e fis16) fis32( gis |
a16) a32( gis a16) e e32( d cis b) |
ais16( gis fis gis ais b) |
cis ais32( b cis16) cis32( dis e16) cis32( dis |
e16) e32( fis gis16) e32( fis gis16) gis32( ais |
b16) b32( ais b16) fis fis32( e dis cis) |
bis16 fis'32( gis a16) fis32\p( gis a16) fis |
cis\f fis32( gis a16) fis32\p( gis a16) fis |
dis\f fis32( gis a16) fis bis fis |
e16( dis cis dis e cis) |
fisis cis32( dis e16) cis32\p( dis e16) cis |
gis'\f cis,32( dis e16) cis32\p( dis e16) cis |
ais'\f cis,32( dis e16) cis ais dis |
b( ais gis ais b cis) |
dis gis32( ais b16) gis32( fis eis16) cis |
fis,( cis' eis) b' a gis |
cis, fis32( gis a16) fis32( e dis16) b |
e,( b' dis) a' gis fis |
b, e32( fis gis16) gis32( fis e16) e32( dis |
cis16) cis32( dis e16) e32( dis cis16) cis32( b |
a16) a32( b cis16) cis32( b a16) a32( gis |
fisis16) e' dis4 ~ |
dis16 b32( cis dis16) gis dis b |
ais fisis32( gis ais16) cis ais fisis |
dis b32( cis dis16) gis dis b |
ais ais32( b cis4) ~ |
cis16 fisis32( eis fisis16) cis32( bisis cis16) gis'32( fisis |
gis16) cis,32( bis cis16) ais'32( gis ais16) b,32( ais |
b16) gis' e cis ais gis'32( fisis |
gis8.) b32( a! gis fis e dis) |
}
soloViolinD = {
\soloViolinDThemeB
\soloViolinDa
\soloViolinDThemeC
\soloViolinDb
\soloViolinDThemeC
<< \soloViolinDcLower \soloViolinDcUpper >>
\soloViolinDThemeC
\soloViolinDd
\soloViolinDThemeC
\bar "|."
}
“That accounts for it. I didn’t know he was going to make the hop or I might not have come myself—but now—well,” the man broke off his phrase and started to clamber into the control seat, “let’s get going.” Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoME搜索一级毛片免费播放基地
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