\header{
title = "Belle qui tiens ma vie"
composer = "Thoinot Arbeau"
date = "1588"
opus = "Orchésographie"
mutopiatitle = "Pavan: Belle qui tiens ma Vie"
mutopiacomposer = "ArbeauT"
mutopiainstrument="Voice (SATB)"
style = "Renaissance"
copyright="Public Domain"
source = "http://memory.loc.gov/cgi-bin/ampage?collId=musdi&fileName=219/musdi219.db&recNum=61"
maintainer="Peter Chubb"
maintainerEmail="mutopia@chubb.wattle.id.au"
lastupdated="2009/Mar/28"
footer = "Mutopia-2009/08/05-1"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
%{
$Log: arbeau.ly,v $
Revision 1.9 2009-08-05 04:28:54 peterc
Thanks to Neil Puttock for the correct (weird) syntax for the system
start delimiters.
Revision 1.8 2009-06-28 23:12:24 peterc
Started an update to 2.12.0 --- the syntax for overrides, etc., has
changed a lot since 1.14; this version is almost good enough: the
fount for the instrument name looks bad, and the head barline for the
staff group extends too far.
Revision 1.7 2003-05-09 22:51:26 peterc
More typos spotted by Steve Doerr.
Revision 1.6 2003/05/09 08:20:44 peterc
Updated to latest Lilypond; fixed typo in verse four.
Revision 1.5 2002/05/05 10:12:08 peterc
Removed typos.
Revision 1.4 2002/02/21 03:09:39 peterc
Modified headers to new Mutopia guidelines; updated to Lilypond
1.4.10.
%}
\version "2.12.0"
global={\key f \major % not really
\time 2/4 % bars are to match against dance steps.
}
%
% Drum rhythm
%
tambour = {
\override NoteHead #'style = #'cross
\stemUp
\repeat unfold 32 {
f4 f8 f8
}
}
Superius = \relative c'' {
\repeat unfold 2 {
g2 g4 fis |
g a bes2 |
bes4 d c bes |
bes a bes2 |
}
\repeat unfold 2 {
bes2 a4 a |
g g fis2 |
d2 e8( f) g4 |
g fis g2
}
}
ContratenorShift = \relative c' {
\repeat unfold 2 {
s2 s4 s |
s s s2 |
s4 s s s |
s s s2
}
s2 s4 s |
s s s2 |
\override NoteColumn #'force-hshift = #1.15
s2
\override NoteColumn #'force-hshift = #0.0
s4 s |
s s s2 |
s2 s4 s|
s s s2 |
\override NoteColumn #'force-hshift = #1.15
s2
\override NoteColumn #'force-hshift = #0.0
s4 s |
s s s2
}
Contratenor = \relative c' {
\repeat unfold 2 {
d2 d4 d |
d f f2 |
f4 f e f |
g f f2
}
f2 f4 f |
d es d2 |
f c4 d |
d d b2
bes?2 f'4 f|
d es d2 |
f2
e4 d |
d d d2
}
Tenor=\relative c' {
\repeat unfold 2 {
bes2 bes4 a |
bes c d2 |
d4 bes g d' |
c c d2 |
}
\repeat unfold 2 {
d2 c4 d |
bes c a2 |
bes2 g4 bes |
a a g2
}
}
Bassus = \relative c' {
\repeat unfold 2 {
g2 g4 d |
g f bes,2 |
bes4 bes c d |
es f bes,2 |
}
\repeat unfold 2 {
bes'2 f4 d |
g c, d2 |
bes c4 g |
d' d g,2
}
}
verseOne=\lyricmode{
\set stanza = #"1. "
Bel -- le qui |
tiens ma vi -- |
e cap -- tiv -- e |
dans tes yeux |
Qui m'as l'am -- |
e ra -- vi -- |
e D'un sou -- ris gra -- ci -- eux, |
\repeat unfold 2 {
Viens tôt me |
se -- cou -- rir
ou me fau -- |
dra mou -- rir
}
}
verseTwo=\lyricmode{
\set stanza = #"2. "
Pour -- quoi fuis |
tu, mign -- ard -- |
e,
Si je suis |
prés de toi |
Quand tes yeux |
je re -- gard -- |
e
Je me perds |
de -- dans moi,
\repeat unfold 2 {
Car tes per -- | fect -- i -- ons
Chang -- ent mes | act -- i -- ons.
}
}
verseThree=\lyricmode{
\set stanza = #"3. "
Tes beau -- tés et ta grâ -- ce
Et tes di -- vins pro -- pos
Ont é -- chauff -- é la gla -- ce
Qui me ge -- lait les os,
\repeat unfold 2 {
Et ont rem -- pli mon coeur
D'une am -- our -- reuse ar -- deur.
}
}
verseFour=\lyricmode{
\set stanza = #"4. "
Mon â -- me sou -- lait ê -- tre
Lib -- re de pass -- i -- on,
Mais l'am -- our s'est fait maî -- tre
De mes af -- fect -- i -- ons
\repeat unfold 2 {
Et a mis sous sa loi
Et mon coeur et ma foi.
}
}
verseFive=\lyricmode{
\set stanza = #"5. "
Ap -- proch -- e donc ma bel -- le
Ap -- proch -- e toi mon bien,
Ne me sois plus re -- bel -- le
Puis -- que mon coeur est tien,
\repeat unfold 2 {
Pour mon mal a -- pais -- er
Don -- ne moi un bai -- ser
}
}
verseSix=\lyricmode{
\set stanza = #"6. "
Je meurs, mon An -- ge -- let -- te,
Je meurs en te bai -- sant
Ta bou -- che tant dou -- cet -- te
Va mon bien rav -- is -- sant
\repeat unfold 2 {
A ce coup mes es -- prits
Sont tous d'a -- mour é -- pris.
}
}
verseSeven=\lyricmode{
\set stanza = #"7. "
Plu -- tôt on ver -- ra l'ond -- e
Con -- tre -- mont re -- cu -- ler
Et plu -- tôt l'oeil du mon -- de
Ces -- se -- ra de brû -- ler
\repeat unfold 2 {
Que l'a -- mour qui m'é -- point
Dé -- crois -- se d'un seul point.
}
}
words = \context Lyrics <<
\context Lyrics = "v1" \verseOne
\context Lyrics = "v2" \verseTwo
\context Lyrics = "v3" \verseThree
\context Lyrics = "v4" \verseFour
\context Lyrics = "v5" \verseFive
\context Lyrics = "v6" \verseSix
\context Lyrics = "v7" \verseSeven
>>
choirscore = {
\context StaffGroup \with { \remove "System_start_delimiter_engraver"
\remove "Span_bar_engraver" }
<<
\context RhythmicStaff = "tambour" {
\set RhythmicStaff.midiInstrument = "melodic tom"
\set RhythmicStaff.instrumentName = "Tambour"
\tambour
}
\context ChoirStaff \with {
systemStartDelimiterHierarchy =
#'(SystemStartBar (SystemStartBracket a b))
}
<<
\set ChoirStaff.midiInstrument = "recorder"
\context Staff=T {
\global \clef treble
\unset Staff.melismaBusyProperties
<<
\context Voice = Superius { \voiceOne\Superius}
\context Voice = Contratenor <<
\context Voice = CT {\voiceTwo \Contratenor}
\context Voice = CT {\ContratenorShift}
>>
>>
\bar "|."
}
\lyricsto Superius \words
\context Staff=B {
\global \clef bass
<<
\context Voice = Tenor {\voiceOne\Tenor}
\context Voice = Bassus {\voiceTwo\Bassus}
>>
\bar "|."
}
>>
>>
}
recorderscore= % for recorder + drum
<<
\context RhythmicStaff = "tambour" {
\set RhythmicStaff.midiInstrument = "melodic tom"
\set RhythmicStaff.instrumentName = "Tambour"
\tambour
}
\context StaffGroup \with {
systemStartDelimiterHierarchy =
#'(SystemStartBar (SystemStartBracket a b c d))
} <<
\context Staff ="D" {
\set Staff.instrumentName = "Descant"
\set Staff.midiInstrument = "recorder"
\global\clef "G^8"
\transpose c c' \Superius \bar "|."
}
\context Staff ="Tr" {
\set Staff.instrumentName = "Treble"
\set Staff.midiInstrument = "recorder"
\global\clef "G"\transpose c c' \Contratenor \bar "|."
}
\context Staff ="T" {
\set Staff.instrumentName = "Tenor"
\set Staff.midiInstrument = "recorder"
\global\clef "G"\transpose c c' \Tenor \bar "|."
}
\context Staff ="B" {
\set Staff.instrumentName = "Bass"
\set Staff.midiInstrument = "recorder"
\global\clef "F"\transpose c c \Bassus \bar "|."
}
>>
>>
\score {
% Uncomment just one of \choirscore or \recorderscore.
% \choirscore
\recorderscore
\layout {
\context{ \RhythmicStaff
\override Clef #'stencil = ##f
\override TimeSignature #'stencil = ##f
\override StaffSymbol #'stencil = ##f
\consists "Instrument_name_engraver"
\override BarLine #'transparent = ##t
}
\context{ \Staff
\override TimeSignature #'stencil = ##f
}
\context { \Score
\remove "System_start_delimiter_engraver"
}
indent = 10.0\mm
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 80 2)
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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